573 résultats
1946français In-8 de 219-(2) pp.; cartonné orné de l'éditeur, sous jaquette papier illustrée. Edition définitive en deux parties dont une inédite. Frontispice de Gus Bofa. Collection Les compagnons.
1923pp. 161 (4) + Frontis woodcut printed in colors. Numerous line woodcuts and decorations. 16mo. Uncut. Original printed wraps. Gus Bofa (1883-1968), whose real name was Gustave Blanchot, was born in Brive-la-gaillarde, France. He started his career when his first illustration was published by magazine Sourire, when he was fifteen years old. He went to study Fine Arts in Paris, where he was also involved in several sports, like boxing. From 1905 until 1914 he was co-director of the Office d'Art et Publicite, mainly involved with making posters for magazines Le Rire and Sourire. He was extremely active as an illustrator and cartoonist in the era between the two World Wars. **PRICE JUST REDUCED! FR5
1935Les Editions Nationales, Paris, 1935. In/8 carré, reliure plein maroquin rouge brique, dos à nerfs, titres dorés, doré sur tête, couvertures conservées, illustrations en noir in et hors texte avec serpente de GUS BOFA dont un frontispice en couleur, 409 p. Coins inférieurs amortis, bel exemplaire cependant. Exemplaire numéroté sur pur chiffon de Bruges.
1943Librairie Gründ, Paris, 1943. In/4 broché, couverture imprimée rempliée, illustrations de Gus Bofa : 26 hors-texte en noir avec remarques dans le quart supérieur droit, reproduits en phototypie et 22 vignettes et culs de lampe gravés sur bois, 118 p. Exemplaire numéroté sur vélin pur chiffon. Traces de scotch sur les pages de gardes. Monod 1644.
grand in-8°, 283 pages impr. en 2 couleurs, illustre de nombreux dessins de Gus Bofa, en noir hors-texte et en bistre in-texte, broche, couv. rempl.— 1 des 3.250 ex. s./velin d’Alfa numerote. Tres bel exemplaire [FL-3]
grand in-8°, 409 pages impr. en 2 coul., aquarelles en couleurs h.t., broche, couverture rempliee. — 1 des 3.250 ex. s./velin d’Alfa numerote. Tres bel exemplaire. [TX-17]
1923réf. 5666Paris: Aux Éditions de la Renaissance du Livre 1923. First edition. Numbered edition. One of the 425 examples on vélin pur fil lafuma. Nicely rebound in a simple period three quarter leather binding with green cloth boards and gilt titles. A little rubbing to the spine edges but the binding is sound. The original pink soft covers with a monkey vignette to the top are bound in. These are immaculate as protected by the leather binding. Following a fifteen page preface by Mac Orlan are the 25 wood cut designs. Each printed on the recto only in green black and white with a short text beneath. A lovely example of this work. iv xvi pp. 24 ff. The pink covers are repeated as the title page. 205 by 150mm 8 by 6 inches. . Première édition. Édition numérotée. L'un des 425 exemplaires sur vélin pur fil Lafuma. Joliment relié à neuf dans une reliure d'époque simple trois-quarts cuir avec des plats en toile verte et des titres dorés. Quelques légères traces d'usure sur les bords du dos mais la reliure est solide. Les couvertures souples roses d'origine ornées d'une vignette représentant un singe en haut ont été intégrées à la reliure. Elles sont en parfait état ayant été protégées par la reliure en cuir. Après une préface de quinze pages de Mac Orlan viennent les 25 gravures sur bois. Chacune est imprimée au recto uniquement en vert noir et blanc avec un court texte en dessous. Un très bel exemplaire de cet ouvrage. iv xvi pp. 24 ff. Les couvertures roses sont reprises en page de titre. 205 x 150 mm 8 x 6 pouces. Aux Éditions de la Renaissance du Livre paperback
réf. 87727Couverture rigide. Bon/1954. in-8. Paris 1954 in-8 298 278 & 287pp Reliure éditeur jaquette illustrée Très bel exemplaire! unknown
réf. 85631Couverture rigide. Bon/1956. in-8. lausanne 1956 in-8 359pp Cartonnage éditeur illustré Très bel exemplaire de l'édition numérotée. Illustré de 32 aquarelles de Gus Bofa! unknown
réf. 84025Couverture rigide. Bon/1923. in-12. Paris 1923 in-12 161pp broché Très bel exemplaire! Préface d'Anatole France. Illustrations de Gus Bofa. unknown
1947réf. 87360Paris: Albin Michel 1947. Fine. Montmartre and Montparnasse parties moments before WW1 Albin Michel Paris 1947 13.50 x 19 cm relié ""It's war!"" we shouted that night over and over again. The terrible word brought us bad luck. It was 1913: the following year we were packing our kits again. This time for real. And not all the guests came back."" p. 335 First edition one of only 6 copies printed on Hollande this being copy no. 1 of the deluxe issue. Bound in navy blue morocco backed boards with corners spine very lightly sunned with raised bands gilt date at foot marbled paper-covered boards and endpapers edges untrimmed top edge gilt covers and spine preserved. Binding signed Lavaux. A fine copy with wide margins attractively bound. Bookplate pasted to a flyleaf. The author's own copy profusely extra-illustrated of this magnificent Montmartre chronicle. Tipped in is an original ink portrait of Roland Dorgelès by Gus Bofa humorously captioned: ""Monsieur Roland Dorgelès dans son uniforme de rédacteur à la petite semaine"" Alongside two original photographs one depicting the famous Montmartre figure Francisque Poulbot in his Guignol theatre Agence Rol 1910 and the other a very rare photograph of the legendary Fête des Dernières Cartouches organised by Poulbot on 23 May 1913. We have located only one other known image of this event. The photograph shows the merry band of participants at Poulbots place on rue de lOrient dressed as soldiers from the Franco-Prussian War of 1870. The celebration which created quite a stir is recounted by Dorgelès in this book: One day or rather one night the uproar reached its height: when Poulbot gave his famous Dernières Cartouches party. The idea came to him after a dispute with his landlord on rue de lOrient who had refused to renew his lease. Poulbot had only recently moved in and had built a studio in the garden at his own expense. Does he think Im going to give it to him as a gift he fumed. He can rot! Ill barricade myself inside and wait for eviction. Right away we all swore to join him in defying the police just like at Fort Chabrol. But our tall friend was already improving the plan: Even better! Well dress up as soldiers from 1870 and defend ourselves like the Last Cartridges! The Maison des Dernières Cartouches was an inn in Bazeilles where French soldiers had made a heroic last stand during the fall of Sedan. Their sacrifice inspired a famous history painting by Alphonse de Neuville. By firing from the windows! By blowing everything up! The operation was immediately planned. Orders were issued stamped with the imperial eagle and the recruits assembled their own equipment not from a costume hire that wouldve been too easy. Old relics were unearthed ragmen looted the flea market raided for red trousers: in less than two weeks the battalion was fully outfitted. Everything was period-accurate down to the Chassepot rifles of Gravelotte. Even the weapons were authentic. Not a single gaiter button was missing. As the evening began rifle butts rattled the doors. The police No reinforcements. The Montparnasse reservists arrived soaked to the bone having marched across Paris in fours bayonets fixed greeted along the way by bewildered officers. We drank we sang we roared. Then we set off on patrol brimming with spirit and the honest folk returning from the cinema were startled to see soldiers appearing on corners and aiming at them: Halt! Who goes there Some caught on others stammered in fright: Whats happening What You didnt know War has been declared. There are some things though one shouldnt joke about. When our martial energy waned we all poured into the Lapin Agile and started singing Le Père la Victoire in chorus. It wasnt period-accurate but never mind. At dawn as the sky began to pale we gathered on rue Lepic officers drew their sabres the bugle sounded the charge and we launched an assault o Albin Michel hardcover
1937réf. 85389Paris: L'artisan du livre 1937. Fine. L'artisan du livre Paris 1937 22.50 x 28.50 cm broché First edition one of 1100 numbered copies on Lafuma paper ours one of the 100 hors commerce copies the only issue after 25 Japan and 100 Holland. Work illustrated with 40 black lithographs by Gus Bofa. Fine copy lacking its slipcase. Autograph inscription dated and signed by Gus Bofa to journalist Maurice Noël. L'artisan du livre unknown
1919réf. 85415Paris: Société littéraire de France 1919. Fine. Société littéraire de France Paris 1919 13 x 16.50 cm broché First edition with no mention of deluxe copies. Work illustrated with drawings by the author. Beautiful illustrated cover by the same. Handsome copy. Société littéraire de France unknown
1919réf. 80844Paris: Société littéraire de France 1919. Fine. Société littéraire de France Paris 1919 13 x 16.50 cm broché First edition with no mention of deluxe copies. Work illustrated with drawings by the author. Beautiful illustrated cover by the same. Spine lightly sunned as usual small tears to one joint. Société littéraire de France unknown
1930réf. 80764s. l.: S. n. 1930. Fine. S. n. s. l. s. d. circa 1930 20.50 x 26.50 cm une feuille Autograph letter signed by Gus Bofa addressed to his friend Carlo Rim 10 lines written in black ink. Amusing thank-you letter for the sending of charcuterie also mentioning the painter Henri Jamet: "". votre dernière lettre fait bien de l'honneur à cette rosette. Je vous remercie pour elle. J'espère que vous faites provision de bon air pur en notre beau pays. Je ne vous savais pas aussi jurassien. En vieillissant je commence à découvrir combien il me manque d'avoir un pays natal ! . Je suis allé voir votre Jamet. C'est un bien gentil garçon. J'ai vu sa galerie de tableaux. Cet homme candide accomplit avec une grande foi une oeuvre de démolition assez féroce dont il n'a aucunement conscience !"" "". your last letter does great honor to this sausage. I thank you for it. I hope you are taking in plenty of good fresh air in our beautiful country. I didn't know you were also from the Jura. As I age I'm beginning to discover how much I lack having a native land! . I went to see your Jamet. He's a very nice fellow. I saw his gallery of paintings. This candid man accomplishes with great faith a rather fierce work of demolition of which he has no consciousness whatsoever!"" Carlo Rim author of ""Ma belle Marseille"" was a Provençal writer caricaturist and filmmaker and friend of Fernandel Raimu and Marcel Pagnol as well as André Salmon and Max Jacob. S. n. unknown
1929réf. 80000Paris: Nrf 1929. Fine. Nrf Paris 1929 12 x 19 cm broché First collective edition on ordinary paper one of the press service copies. Covers slightly and marginally soiled. Autograph inscription signed by Léon-Paul Fargue to Gus Bofa. Included are two invitations to a lecture by Marcel Raval entitled Trois mages de la Poésie part of the series ""Les conférences du Vendredi"" devoted to Guillaume Apollinaire Jules Supervielle and Léon-Paul Fargue; both invitations are signed by Léon-Paul Fargue. Our copy is also enriched with a printed proof of a text by Léon-Paul Fargue bearing his handwritten corrections and revisions. Nrf unknown
1937réf. 80434Paris: L'artisan du livre 1937. Fine. L'artisan du livre Paris 1937 22.50 x 28.50 cm broché sous étui First edition one of 1100 numbered copies on Lafuma paper the only issue after 25 Japan and 100 Holland copies. Work illustrated with 40 black lithographs by Gus Bofa. Slipcase marginally yellowed and faded. Handsome copy. Autograph inscription dated and signed by Gus Bofa to his friend Carlo Rim and his wife Alice. Provenance: from the library of the Provençal writer caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel Raimu and Marcel Pagnol but also of André Salmon and Max Jacob. L'artisan du livre unknown
1910réf. 753871910. Fine. s. d. ca 1910 50 x 17.80 cm une feuille Original ink drawing heightened with blue pencil signed ""G.B."" and titled ""Rallye-Paper"". A light shadow around the subject vestige of a frame as well as some fold marks. Numbered stamp on verso as well as a manuscript indication for printing probably in a newspaper: ""à la largeur de la page"" ""to the width of the page"". unknown
1935réf. 76177Paris: Les éditions nationales 1935. Fine. Les éditions nationales Paris 1935 17 x 22.50 cm relié Edition illustrated with a watercolor and drawings by Gus Bofa one of 100 numbered copies on B.F.K. de Rives paper. Full red morocco binding spine with five raised bands set with black fillets endpapers and pastedowns of moiré effect paper covers and spine preserved top edge gilt upper corners slightly bumped without damage. Two small rubs to two raised bands. Handsome copy attractively bound. Les éditions nationales hardcover
1939réf. 72508Paris: Editions des presses modernes 1939. Fine. Editions des presses modernes Paris 1939 15.50 x 21.50 cm broché First edition one of 100 numbered copies on pure Lafuma paper deluxe copy. Handsome copy despite a slight angular bump to the head of the front cover and a pale stain in the margin of the back cover. Prefaces by Pierre Mac-Orlan and Roland Dorgelès. Illustrated work as frontispiece with a drawing by Gus Bofa. Editions des presses modernes unknown
1919réf. 65202Paris: Société littéraire de France 1919. Fine. Société littéraire de France Paris 1919 13 x 16.50 cm broché First edition of which there were no deluxe copies. Work illustrated with drawings by the author. Beautiful illustrated cover by the same. Spine lightly sunned as usual otherwise handsome copy. Société littéraire de France unknown
1950réf. 64369s. l. 1950. Fine. s. l. s. d. 18 x 21.50 cm un feuillet Signed autograph letter of Gus Bofa to one of his acquaintances 16 lines in purple ink accompanied by a pencil drawing. Folding inherent in the enveloping tear without lack in the drawing. Addressed to a friend of Gus Bofa and his wife who seems to have suffered "" a long journey in the storm! ""The letter is imbued with the humor of its author:"" we add two good warm kisses to finish drying you off "". The missive is enriched with an original drawing of Gus Bofa representing two birds on a radiator one of which is written ""Spring has come! "" unknown
1919réf. 57942Paris: L'Edition Française Illustrée 1919. Fine. L'Edition Française Illustrée Paris 1919 12 x 19 cm broché First edition on current paper the French translation by Maurice Beerblock mention thousand. Signed autograph Maurice Beerblock WA to Bradley: ""It's almost a fairy tale this meeting of the translator and the one who was the principal tenant of O. Henry ."" Illustrated book of drawings by Gus Bofa. Two gaps on the back that also has stuck back tears. L'Edition Française Illustrée unknown
réf. 5452Les Editions Nationales Paris 1935. In/8 carré reliure plein maroquin rouge brique dos à nerfs titres dorés doré sur tête couvertures conservées illustrations en noir in et hors texte avec serpente de Gus Bofa dont un frontispice en couleur 409 pages. Coins inférieurs amortis bel exemplaire cependant. Exemplaire numéroté sur pur chiffon de Bruges. unknown
réf. 155284to. Uncut orig. wrappers. No 184 of 1.000 "sur Lafuma-Navarre" a total of 1225 copies. With 40 fine plates in phototypie by Gus Bofa. unknown
