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2008Best.-Nr. SBS-9781593701116PENNWELL 2008. Hardcover. New. PENNWELL hardcover
1898Best.-Nr. 14589AB1898. Paris F. Champenois 1898 85 : 135 cm. Original colour lithograph by Alphonse Mucha. Postcard of one of Mucha's most famous posters. Here reduced to postcard size but still very well to recognize. On the reverse side imprinted Postkarte - CARTE POSTALE -Post card. Union postale universelle and in 8 different languages. This is perhaps one of Mucha's best-known advertising poster. This poster established the iconic image of the 'Mucha woman' with her swirls of exaggeratedly abundant hair. 'JOB' is a trademark for the Joseph Badou Company manufacturing cigarette papers. In this poster Mucha placed the prominent female figure against a background featuring job monograms. Holding a lighted cigarette in her hand the woman leans her head backward sensually and rising smoke forms an arabesque interwining with her hair and the company logo. - Upper right edge a bit demaged the image perfect. unknown
1976Best.-Nr. mon0000574910Academy 1976T. hardcover. Acceptable. in x in x in. NOT an ex-library book. Clean copy in good condition. Some fading and staining of cover. Some marking due to age on pages but overall book remains in good condition considering age. With Dust Cover. Academy hardcover
1976Best.-Nr. mon0000573982Academy 1976T. hardcover. Acceptable. in x in x in. Ex-library book usual marking. Clean copy in good condition. Some marking due to age on pages but overall book remains in good condition considering age. With Dust Cover. Academy hardcover
Best.-Nr. 34938096-nnew. unknown
Best.-Nr. DADAX1138369403Routledge 2019-03-26. 1. hardcover. New. 6.14x0.63x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
1905Best.-Nr. 32205354to 10 ff; 52 monochrome illustrations of work by Mucha and 28 illustrations by other French Art Nouveau artists; in the original decorated wrappers. A very rare trade catalogue of mural panels and other graphic designs mainly by the famous Czech Art Nouveau artist Alphonse Mucha 1860-1939 but also including a selection of works by other French artists such as Cossard and Sonrel. Many works offered here for sale have subsequently become icons of the French Art Nouveau movement. His lithographed panel sets of "Les Quatre Saisons" Les Fleurs "Les Heures du Jour" and "Les Arts" seem by today's standards almost absurdly cheap at between 30 and 40 francs each whilst smaller posters calendars and menu cards are even more modestly priced. The second part of the catalogue presents the works of 8 other French artists who interpret the vivid colours and flowing vegetative forms of Art Nouveau in a variety of ways. Those such as Cossard and Sonrel demonstrate the influence of Mucha's style which had been established in the first poster he made for the actress Sarah Bernardt in 1894. Others are more circumspect in their adoption of the style adhering more to the 'chocolate box' school of illustration. A rare catalogue valuable not only as a collection of Mucha's work but also as an indication of Continental popular taste in prints of the period. With the Dutch retailers stamp of C. L. Petersen on the upper cover. paperback
Best.-Nr. 10027Square blue paper poster 498 x 478 mm. silkscreened. Bremerhaven: 1983. Rare Kabinett für aktuelle Kunst poster silkscreened by gallery owner Jürgen Wesseler for Mucha’s 1983 exhibition. In fine condition. ⧠E. Kleimann ed. 50 Jahre Avantgarde: Das Kabinett für aktuelle Kunst Bremerhaven 2018 p. 44 no. 75. Exhibition installation pictured in Vorhut aus dem Hinterland Neues Museum Weserburg Bremen: 1992. unknown
2019Best.-Nr. x-1138369403Taylor & Francis 2019. Hardcover. New. 240 pages. 9.21x6.14x0.94 inches. Taylor & Francis hardcover
1984Best.-Nr. Alibris.0004222Boston Mass.: G.K. Hall. 1984. Hardcover. Very good in very good dust jacket. Near Fine in a Near Fine jacket in mylar. Text in English French German. 405 p. : ill. some col. ; 33 cm. A Hjert & Hjert book. Includes Illustrations. . 0816187193 English French and German. Includes index. Bibliography: p. 29-30. . G.K. Hall hardcover
1905Best.-Nr. 58682London & Boston: Hope Waite & Long International Press 1905. Folio. 14 19-134 4 pp. Colour-printed half-title limitation page colour-illustrated title w/ gilt gilr and colour rubrication & ornament throughout each poem with hand-coloured or printed colour rubrication mounted India proof other tipped-in plates some internal colour illustrations. Three-quarter green morocco over ribbed green linen by Stikeman w/ binder’s stamp on verso of ffep. gilt lion rampant ornaments on covers gilt decorated spine raised bands white silk moire endpapers front hinge at lower fore-edge just starting minor bumping & wear to corners still VG copy numbered on limitation page. First edition No. 2 of 250 copies of the “Sub Rosa Edition” of this curious anthology of erotic poetry and verse some attributed to James Clarence Harvey perhaps best remembered for his “In Bohemia” issued by Caldwell as “Gift Books for Men.” The illustrations were executed by Alphonse Mucha Lilien Laitin Angell Albert Guillaume Belle Epoque caricaturist and others. At the time of publication Mucha was teaching his “Cours Mucha” at the New York Women’s School of Applied Design and at the Art Institute in Chicago. Henry Stikeman was one of the premier American fine binders from the 1880s through to World War I and during his heyday produced a stunningly large volume of high quality work. Worldcat locates 4 copies British Library 2 Cal-State LB Brown; See: Vance Randolph Blow the Candle Out “Unprintable” Ozark Folksongs and Folklore Vol. II Folk Rhymes and Other Lore p. 936; Jeff Stikeman Architectural Art Stikeman Bindings. Hope, Waite & Long International Press, hardcover
1984Best.-Nr. 309978BOSTON: G.K. HALL. Near Fine with no dust jacket. 1984. Poster. Promotional POSTER. 22" X 33" About fine on a single printed sheet. Sight rubbing at margin edges. Trace of foxing on blank reverse. An absolutely gorgeous full-color image of a lovely lady celebrating champagne ala A. Juliot Reims. Nicely suited for framing. . G.K. HALL unknown
Best.-Nr. 73317Paris Librairie Central des Beaux Arts 1901. Folio 46 x 33 cm. Original print. = A beautiful print from Alphonse Mucha's quintessential Art Nouveau book Documents décoratifs. Alfons "Alphonse" Maria Mucha 1860-1939 was a Czech decorative artist who wanted to bring aesthetic values into arts and crafts. He invented the "Mucha Style" which soon became known as Art Nouveau. His work immediately became immensely popular and remained very sought-after ever since. This plate shows two sides of this gifted artist: his ability to produce fine images in lithography but also his practical design skills in this case for jewelry including pins and rings. Slight toning towards the edges; outer edge with some light creasing; a few tiny spots otherwise fine. Very rare especially in this good state. unknown
Best.-Nr. 72445Paris Librairie Central des Beaux Arts 1901. Folio 46 x 33 cm. Original monochrome print. = A fine print from Alphonse Mucha's quintessential Art Nouveau book Documents décoratifs. Alfons Alphonse Maria Mucha 1860-1939 was a Czech decorative artist who wanted to bring aesthetic values into arts and crafts. He invented the Mucha Style which soon became known as Art Nouveau. His work immediately became immensely popular and has remained very sought after. This plate shows examples of how to apply his new highly decorative style in glassware. Edges with minimal wear and light toning; lower edge with a short crease and tear; a few minute marginal spots; otherwise fine. Very rare especially in this excellent state. unknown
1899Best.-Nr. 10392AB1899. Prag Ceske Graficke Spolecnosti "Unie" n.d. ca.1899. 255 : 19 cm. 8 illustrated ornamental plates 7 plates and 7 calligraphed plates with ornaments by Alphonse Mucha. Colored illustrated original cloth. A in size reduced reproduction of this important work by Mucha 'Le Pater'. The original is one of the most outstandinding books of French Art Nouveau. "So entstand 'Le Pater' neben 'Ilsée' der wertvollste Druck von seiner Hand. Um seine Persönlichkeit besser begreifen zu können wäre es nötig die Blätter des Vaterunser mit den dekorativen Panneaux der 'Edelsteine' oder der Vignetten für 'Moet et Chandon' zu vergleichen die zur selben Zeit entstanden sind. Sie sind die beiden Seiten ein und derselben Münze. Auf der einen vergeistiger Sensualismus auf der anderen sensueller Spiritualismus. Mitunter sind es die gleichen Mädchengestalten nur ist ihre Funktion eine andere." Prof. Cadik schreibt: ".im ganzen waren es dreißig Blätter auf starkem Zeichenpapier verziert mit Farblithographie und monochromen Lichtdrucken. Auf je einen Lichtdruck entfallen zwei Lithographien. Auf dem herrlichen Titelblatt sehen wir neben dem Genius der Menschheit dessen Stirn sich in den Sternen verliert und in dessen Hand die menschliche Seele bebt die sieben Siegel der Apokalypse. Dann folgen sieben durch Bilder und Texte erläuterte Kapitel mit einem allegorischen Bild und das achte Kapitel ist - wie in einer barocken Kantate - der virtuose Abschluss 'Amen'. Die lateinisch und französisch in einen Kreis und ein Achteck geschriebenen heiligen Worte sind umrahmt von einer wundervollen Arabeske aus abstrakten Ornamenten und naturalistischen Girlanden von Pflanzenmotiven. Die ureigenste Meditation ist jedoch als dramatische Szene konzipiert und mit Anklängen an die biblische Genesis in die Urzeit verlegt." J. Mucha Meister des Jugendstils. - Binding partly a bit stained some pages a bit wrikled. - See for the original edition Carteret V 154; MuchaJ. "The graphik work of Alphonse Mucha" p.131 and plate 24. hardcover
1901Best.-Nr. 4573Original monochrome lithograph.18.2 x 13 in mat 17 x 20 in. Librairie Central des Beaux Arts
2006Best.-Nr. __0415376513Routledge 2006. Hardcover. New. 1st edition. 242 pages. 9.00x6.00x0.75 inches. Routledge hardcover
Best.-Nr. BN97726Album Gleb Polski. Polskie Towarzystwo Gleboznawcze. Red.: Królikowski Lucjan Kowalinski Stanislaw et al. Album Gleb Polski. Polskie Towarzystwo Gleboznawcze. Red.: Królikowski Lucjan Kowalinski Stanislaw et al. unknown
1968Best.-Nr. 163734N.p.: N.p. 1968. Vintage photograph of artists Claes Oldenburg and Patty Mucha circa 1968. Stamp of photographer Jim Coker on the verso. Oldenburg and Mucha were married from 1960 to 1970 and collaborated frequently as artists throughout their partnership. 8 x 10 inches. Near Fine. N.p. unknown
1900Best.-Nr. 3136Limited Edition. VG Hardcover. 1 of 150 copies of Nobel laureate Anatole France's novel Clio illustrated by Art Nouveau artist Alphonse Mucha. Edge wear and wear to tips and spine. Top edge in gilt. Decorative endpapers. Solid and square. Edition limitée. VG Relié. 1 des 150 exemplaires du roman Clio d'Anatole France illustré par l'artiste Art Nouveau Alphonse Mucha. Usure des pointes et de la colonne vertébrale. Bord supérieur en doré. Papiers décoratifs. Solide et carré. Frais d'expédition supplémentaires pour les commandes à l'extérieur des États-Unis. J'ai utilisé un traducteur en ligne de l'anglais au français. Veuillez pardonner toute erreur dans la traduction française. Calmann Levy hardcover
1921Best.-Nr. 7984The Brooklyn Museum 1921. 1st. Original Wraps. Collectible; Very Good. Uncommon 1921 Brooklyn Museum catalogue of Alfons Mucha's epic series of paintings portraying the "development of the Slavic nations". A VG octavo in its ribbon-tied light-brown wrappers with very light creasing to the front panel and a very light trace of soiling at the foot of several of the pages not at all afffecting the plates which are bright and immaculate. This 1st edition limited to 5000 copies. The Brooklyn Museum unknown
1893Best.-Nr. 5115Paris: Librairie Centrale des Beaux-Arts 1893. First illustrated edition. Mucha Alphonse. Original decorated wrappers. Corner clipped from front free endpaper otherwise a very nice copy. Cover design and 14 illustrations after paintings by Mucha. Copy 6 of 75 printed on japon the tirage de tête from a total edition of 200. Inscribed by the author "au cher Maître Alexandre Dumas de l'Académie Française un puissant et inpeccable moraliste. Librairie Centrale des Beaux-Arts unknown
2018Best.-Nr. BN214812Richter 2018. 2018. Hardcover. Mucha Reinhard: ' ZOSSEN Ein Ausflug Richter Verlag Düsseldorf 2018. Artist's book. Mucha Reinhard: ' ZOSSEN Ein Ausflug Richter Verlag Düsseldorf 2018. Artist's book. Reinhard Mucha Richter hardcover
1898Best.-Nr. 74376Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as the cover for the celebrated monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover for the rare luxury volume binding with wide margins of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe Moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. French collectors' interest in artistic posters increased at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist who had recently arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently emerged in France and who has immediately won such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as a draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first premium of the magazine was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual issues of L'Estampe Moderne"" as well as the famous illustration of the covers. A very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1898Best.-Nr. 74576Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the celebrated monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume gathering of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe Moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on wide-margined Japan and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and displayed in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as a draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first premium of the magazine was entrusted offered ""to all subscribers of the twelve annual issues of L'Estampe Moderne"" as well as the famous cover illustration. Very fine copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
