563 results
2019ref. x-1138369403Taylor & Francis 2019. Hardcover. New. 240 pages. 9.21x6.14x0.94 inches. Taylor & Francis hardcover
2011ref. x-3034800746Springer Verlag 2011. Hardcover. New. 2011 edition. 680 pages. 9.00x6.00x1.75 inches. Springer Verlag hardcover
ref. 31089-Verlag der Buchhandlung Walther Konig 1997-. Exhibition catalogue. First edition Anthony d'Offay first impression 1997. Cloth and boards no slipcase. Texts in German French and English. This edition limited to 1000 copies this copy numbered 595 and signed by Reinhard Mucha. Illustrated in colour. Slight marking to the rear cover. Very good indeed. We are specialists in Artists Monographs Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with 40 years experience you may order with confidence. Other titles by this artist maybe in stock please ask for our list or link. Mucha: Fifty Postcards Czech artist 3883752762 -Verlag der Buchhandlung Walther Konig (1997)- hardcover
2018ref. x-3863887360Barbara Budrich 2018. Paperback. New. 300 pages. 8.50x5.50x0.50 inches. Barbara Budrich paperback
1992ref. 200640Paris.: Terral. 1992. First edition. . Hard cover. . Fine copy in fine dust jacket in mylar. . Folio. . Illustrated in black white and color. Important reference work. Very scarce in this condition. Terral. hardcover
2008ref. DADAX159370111XPennwell Books 2008-03-18. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Pennwell Books hardcover
ref. 63859085ABC-Clio Incorporated . Hardback. New. pp. 266 Index ABC-Clio, Incorporated hardcover
ref. SONG0856701610St. Martin's Press 0000-00-00. First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. St. Martin's Press hardcover
ref. 66735Paris, Editions Pierre Terrail, 1992. 24 x 30, 223 pp., 170 illustrations en couleurs, broché, très bon état.
ref. 76394Bruxelles, Editions de La Sixaine, s.d. (ca 1950). 13 x 19, 237 pp., broché, partiellement coupé, bon état.
ref. 87586Amersfoort, Amersfoortse Ciluturele Raad, 1984. 21 x 30, 63 pp., nombreuses illustrations en couleurs et en N/B, broché, très bon état.
1904ref. 13961904 Publications Octave Beauchamp janvier 1904, album in-4 relié toile éditeur avec placage en bois et médaillon de Sarah Bernhard d'après Mucha sur le premier plat et cigogne au revers avec 28 portraits et notices biographiques de Paul Acker, illustrations de Vogel, ornements d'Haber-Dys, Orazi et Fraikin, clichés de Nadar, Reutlinger, autographes de la collection LU recueillis par R. Stengler et G. Haranchipy.. manque les 14 illustrations humoristiques de Cappiello -ouvrage en très bon état
ref. 744Journal Le temps, Le Nouveau Temps ; Paris, saint-Pétersbourg, non daté circa 1896. 1 volume in-4 percale d'éditeur, plat à décors d'or, tranches dorées, 216 pages, nombreuses illustrations in texte et pleine page, dont "la foule aux abords de lhôtel de ville" en couleurs par Mucha. Légère épidermure au dos, néanmoins bel exemplaire.
ref. 1190Paris, librairie illustrée Jules Tallandier, s.d. Deux volumes pleine percaline marron, reliure de l'éditeur par P. Ginoux, dos lisses ornés de motifs floraux en noir, titre doré, plats décorés en noir, titre doré sur les plats, dessin de Mucha en couverture, illustrations en n&b in-texte, xvii planches hors-texte. Rousseurs éparses, charnières frottées, mention manuscrite en page de faux-titre néanmoins bel exemplaire.
1894ref. 15557Paris Armand Colin 1894 Un volume in-4 pleine toile cerise, dos muet, décor du plat supérieur conservé, tranches dorées, 192 pages, illustrations in-texte de Mucha. Manque frontispice, réparation p.77, plats et dos défraîchis.
1898ref. 60151898 Prague, Jos. R. Vilimek, sans date (1898), grand album in 8 à l'italienne de 500 photographies, cartonnage polychrome de l'éditeur, dos lég. frotté, quelques feuillets réenmargés en début de vol., sinon bel ex.
1900ref. 1400PARIS. CHAMPENOIS. VERS 1900. CARTE POSTALE FORMAT 9 X 14 CENTIMETRES. LITHOGRAPHIE EN COULEURS, SIGNEE DANS LA PLANCHE. LADY SEATED AT TABLE WITH PEN AND PAPER IN HAND. WITH MUCHA'S SIGNATURE (CARDS WERE ISSUED WITH AND WITHOUT MUCHA'S SIGNATURE). VIERGE, NON ECRITE, N'A PAS VOYAGE. QUELQUES FINES ROUSSEURS EPARSES DANS LA PARTIE RESERVEE A LA CORRESPONDANCE, PETITES TRACES HABITUELLES D'ALBUM AUX ANGLES, SINON BEL ETAT.
1900ref. 1807PARIS. CHAMPENOIS. VERS 1900. CARTE POSTALE FORMAT 14 X 9 CENTIMETRES. LITHOGRAPHIE EN COULEURS SIGNEE. HORIZONTAL FORMAT. THE IMAGE IS ENCLOSED IN A DOUBLE LINE FRAME AND OCCUPIES ABOUT 1/4 TH OF THE CARD ON THE LEFT. THE CARD HAS THE IMAGE WITHIN A CURVED INNER FRAME WITH A SMALL DECORATIVE PANEL ABOVE : LADY WITH BROWN HAIR IN BLUE DRESS; FACING TO THE RIGHT. VIERGE, NON ECRITE, N'A PAS VOYAGE. QUELQUES FINES ROUSSEURS EPARSES SUR LA PARTIE RESERVEE A LA CORRESPONDANCE, PETITES TRACES HABITUELLES D'ALBUM AUX ANGLES, SINON BEL ETAT.
2021ref. AME_9789004444690Brill Aca 2021. 1st. Hardcover. New/New. _ Brill Aca hardcover
1946ref. mon0000572876The Hogarth Press 1946T. hardcover. Acceptable. in x in x in. Ex-library book usual marking. Clean copy in good condition. Library re-bind. Some marking due to age on pages but overall book remains in good condition considering age. Without Dust Cover. The Hogarth Press hardcover
1899ref. 10392AB1899. Prag Ceske Graficke Spolecnosti "Unie" n.d. ca.1899. 255 : 19 cm. 8 illustrated ornamental plates 7 plates and 7 calligraphed plates with ornaments by Alphonse Mucha. Colored illustrated original cloth. A in size reduced reproduction of this important work by Mucha 'Le Pater'. The original is one of the most outstandinding books of French Art Nouveau. "So entstand 'Le Pater' neben 'Ilsée' der wertvollste Druck von seiner Hand. Um seine Persönlichkeit besser begreifen zu können wäre es nötig die Blätter des Vaterunser mit den dekorativen Panneaux der 'Edelsteine' oder der Vignetten für 'Moet et Chandon' zu vergleichen die zur selben Zeit entstanden sind. Sie sind die beiden Seiten ein und derselben Münze. Auf der einen vergeistiger Sensualismus auf der anderen sensueller Spiritualismus. Mitunter sind es die gleichen Mädchengestalten nur ist ihre Funktion eine andere." Prof. Cadik schreibt: ".im ganzen waren es dreißig Blätter auf starkem Zeichenpapier verziert mit Farblithographie und monochromen Lichtdrucken. Auf je einen Lichtdruck entfallen zwei Lithographien. Auf dem herrlichen Titelblatt sehen wir neben dem Genius der Menschheit dessen Stirn sich in den Sternen verliert und in dessen Hand die menschliche Seele bebt die sieben Siegel der Apokalypse. Dann folgen sieben durch Bilder und Texte erläuterte Kapitel mit einem allegorischen Bild und das achte Kapitel ist - wie in einer barocken Kantate - der virtuose Abschluss 'Amen'. Die lateinisch und französisch in einen Kreis und ein Achteck geschriebenen heiligen Worte sind umrahmt von einer wundervollen Arabeske aus abstrakten Ornamenten und naturalistischen Girlanden von Pflanzenmotiven. Die ureigenste Meditation ist jedoch als dramatische Szene konzipiert und mit Anklängen an die biblische Genesis in die Urzeit verlegt." J. Mucha Meister des Jugendstils. - Binding partly a bit stained some pages a bit wrikled. - See for the original edition Carteret V 154; MuchaJ. "The graphik work of Alphonse Mucha" p.131 and plate 24. hardcover
1896ref. 15844AB1896. Paris F.Champenois 1896. 1003 : 505 cm image Lithograph in colours by Alphonse Mucha. Framed in contemporary wooden frame. Alphonse Mucha's poster "Été" "Summer" is part of his series titled The Seasons created in 1896. This poster captures the essence of summer with its warm golden hues and lush flowing forms. Mucha depicts a young woman draped in a light flowing garment that accentuates the curves of her body embodying the sensuality and warmth of the season. She is surrounded by an abundance of flowers and foliage symbolizing the fullness and fertility of summer. Her hair long and wavy cascades down her back adding to the natural unrestrained feel of the image. Mucha's characteristic use of intricate lines and decorative patterns is evident in the detailed borders and the swirling motifs that frame the central figure. The poster exudes a sense of harmony and beauty typical of Mucha's Art Nouveau style where nature femininity and elegance are central themes. The soft color palette dominated by shades of gold green and soft pastels further enhances the idyllic dream-like quality of the work making "Été" a quintessential representation of summer's warmth and beauty. Alphonse Mucha was known for his distinctive Art Nouveau style characterized by its use of natural forms flowing lines and elaborate decoration. His techniques combined both traditional and innovative approaches contributing to his iconic aesthetic. Here are some of the key techniques and elements in Mucha's work: Line Work: Mucha's use of lines is one of the most defining aspects of his style. He employed fine flowing outlines to create graceful organic shapes that mimic the curves found in nature. His lines were often decorative and stylized contributing to the overall harmony and unity of the composition. Color Palette: Mucha favored a soft pastel color palette often using muted tones of gold green pink and blue. These colors were carefully chosen to create a sense of harmony and to evoke specific moods often reflecting the seasons or the subject matter of the piece. Ornamentation and Patterns: Mucha's works are rich in decorative elements and intricate patterns. He incorporated floral motifs arabesques and geometric designs into his compositions often framing the central figure with these ornate details. This ornamentation was not merely decorative but also served to enhance the thematic elements of the piece. Use of Light and Shadow: Although Mucha's work is more stylized than realistic he employed light and shadow to add depth and dimension to his figures. His approach to light was subtle often using gentle shading rather than harsh contrasts which contributed to the soft ethereal quality of his work. Symbolism: Mucha frequently used symbolic elements in his paintings and posters. For example flowers seasons and zodiac signs often carried deeper meanings related to themes of nature femininity and the passage of time. These symbols were seamlessly integrated into the decorative elements of his work. Composition: Mucha's compositions were carefully balanced often centered around a single idealized figure. He employed symmetry and repetition to create a sense of order and harmony with the figure often surrounded by elaborate circular frames or halos that draw the viewer's eye. Media and Techniques: While Mucha is best known for his posters and prints which were typically lithographs he also worked in a variety of media including painting drawing and jewelry design. His lithographic technique involved multiple layers of color carefully aligned to create richly textured and vibrant images. In his paintings he used traditional techniques such as oil on canvas but applied them with the same decorative and stylized approach as in his graphic works. Mucha's techniques were instrumental in defining the Art Nouveau movement blending fine art with applied arts and his work remains a cornerstone of this decorative style. Alphonse Mucha holds a significant place in the history of art particularly as a leading figure of the Art Nouveau movement. His influence extends beyond his immediate contributions to the art world affecting design advertising and popular culture. Here are some key reasons why Mucha is important in the history of art: 1. Pioneer of Art Nouveau: Mucha is often credited with shaping and popularizing the Art Nouveau style which emerged in the late 19th century. This movement was characterized by its use of organic forms flowing lines and intricate decorative patterns all of which are hallmarks of Mucha's work. His designs especially his posters became synonymous with the Art Nouveau movement defining its aesthetic and helping it gain widespread recognition. 2. Innovative Use of Graphic Design: Mucha was a pioneer in using graphic design as a fine art form. His work in advertising and posters elevated these mediums to a new level blending commercial appeal with artistic integrity. His posters for Sarah Bernhardt the famous actress are particularly notable. They not only promoted her plays but also became collectible works of art in their own right. 3. Influence on Decorative Arts: Mucha's influence extended beyond painting and posters to various decorative arts including jewelry furniture and interior design. His aesthetic principles were applied to everyday objects making art more accessible to the public. This blending of fine art with applied arts helped bridge the gap between high art and popular culture a concept that has continued to evolve in modern design. 4. Impact on Visual Culture: Mucha's style has had a lasting impact on visual culture influencing everything from early 20th-century design to contemporary art and popular media. His work has inspired countless artists and designers in the realms of illustration fashion and graphic design. The Art Nouveau style as epitomized by Mucha has seen periodic revivals and continues to be referenced in various cultural contexts demonstrating its enduring appeal. 5. Symbolism and National Identity: Beyond his contributions to Art Nouveau Mucha was also deeply involved in the promotion of Czech national identity. His later works particularly the Slav Epic reflect his interest in Slavic history and mythology aiming to create a visual narrative that celebrated his cultural heritage. This aspect of his work underscores the role of art in expressing and shaping national and cultural identity adding another layer to his importance as an artist. 6. Legacy in Fine Arts: Mucha's ability to blend aesthetics with practical applications laid the groundwork for future movements in art and design particularly in how art could be integrated into everyday life. His legacy is evident in the continued appreciation and study of his work which remains a significant part of museum collections and exhibitions worldwide. Alphonse Mucha's contributions to the art world go beyond his beautiful and iconic images; he played a crucial role in defining an era shaping modern design and influencing the intersection of art culture and commerce. His work continues to inspire and resonate across disciplines making him a central figure in the history of modern art. The panel 'Ètè' Summer out of the series 'Four Seasons'. Mucha made a panel for each of the four seasons. He represents each season with characteristic flair here the sultry Summer. Four Seasons was Mucha's first series of decorative panels and one of his most popular ones. An classic Art Nouveau piece. A highlight in each Mucha collection. - Here contemporary framed therefore in very good condition. unknown
1905ref. 58682London & Boston: Hope Waite & Long International Press 1905. Folio. 14 19-134 4 pp. Colour-printed half-title limitation page colour-illustrated title w/ gilt gilr and colour rubrication & ornament throughout each poem with hand-coloured or printed colour rubrication mounted India proof other tipped-in plates some internal colour illustrations. Three-quarter green morocco over ribbed green linen by Stikeman w/ binder’s stamp on verso of ffep. gilt lion rampant ornaments on covers gilt decorated spine raised bands white silk moire endpapers front hinge at lower fore-edge just starting minor bumping & wear to corners still VG copy numbered on limitation page. First edition No. 2 of 250 copies of the “Sub Rosa Edition” of this curious anthology of erotic poetry and verse some attributed to James Clarence Harvey perhaps best remembered for his “In Bohemia” issued by Caldwell as “Gift Books for Men.” The illustrations were executed by Alphonse Mucha Lilien Laitin Angell Albert Guillaume Belle Epoque caricaturist and others. At the time of publication Mucha was teaching his “Cours Mucha” at the New York Women’s School of Applied Design and at the Art Institute in Chicago. Henry Stikeman was one of the premier American fine binders from the 1880s through to World War I and during his heyday produced a stunningly large volume of high quality work. Worldcat locates 4 copies British Library 2 Cal-State LB Brown; See: Vance Randolph Blow the Candle Out “Unprintable” Ozark Folksongs and Folklore Vol. II Folk Rhymes and Other Lore p. 936; Jeff Stikeman Architectural Art Stikeman Bindings. Hope, Waite & Long International Press, hardcover
ref. 8364596322.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1898ref. 14589AB1898. Paris F. Champenois 1898 85 : 135 cm. Original colour lithograph by Alphonse Mucha. Postcard of one of Mucha's most famous posters. Here reduced to postcard size but still very well to recognize. On the reverse side imprinted Postkarte - CARTE POSTALE -Post card. Union postale universelle and in 8 different languages. This is perhaps one of Mucha's best-known advertising poster. This poster established the iconic image of the 'Mucha woman' with her swirls of exaggeratedly abundant hair. 'JOB' is a trademark for the Joseph Badou Company manufacturing cigarette papers. In this poster Mucha placed the prominent female figure against a background featuring job monograms. Holding a lighted cigarette in her hand the woman leans her head backward sensually and rising smoke forms an arabesque interwining with her hair and the company logo. - Upper right edge a bit demaged the image perfect. unknown