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1898ref. 74390Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume reunion with wide margins of the first year of publication. Artist's signature in the plate and deluxe printing number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. The interest of French collectors in artistic posters amplified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous cover illustration. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1898ref. 74609Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume gathering of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe Moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints is printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right like the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist recently arrived in Paris Alfons Mucha ""who has recently revealed himself in France and who has immediately conquered such a large place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that will be entrusted the first premium of the magazine offered ""to all subscribers of the twelve annual deliveries of L'Estampe Moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1898ref. 74362Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1898 41 x 56 cm une feuille Original black and white print with full margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume compilation with full margins of the first year of publication. Artist's signature in the plate and luxury edition number added in pencil. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other journals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the journal. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with full margins and 50 in black on China paper at the considerable price of 30F. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently emerged in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first premium of the journal was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual issues of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1899ref. 74618Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1899 41 x 56 cm une feuille Cover of L'Estampe Moderne n°21 January 1899 L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H.Piazza Paris January 1899 41 x 56 cm one leaf Original large margin print in black and white serving as the cover of the famous monthly publication Estampe Moderne. Entirely printed in black and white our print is the cover of the rare collection in a large-margin luxury print of the first year of publication. Artist's signature on the board and number of the luxury print added in pencil. A magnificent monthly French publication published between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as is stipulated on the protective tissue were specially made for the magazine by each artist. There are thus 100 prints that appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau the Pre-Raphaelites Orientalism and the Belle Epoque. Each delivery of four prints was printed with 2000 copies and sold for 3.50F with 100 on Japan offered for 10F. Henri Piazza also planned a high-luxury confidential print: 50 copies with wide margins on Japan and 50 in black and white at the considerable price of 30F. French collector's interest in artistic posters grew from the beginning of the 1890s. Octave Uzanne invented the term affichomanie poster-mania for this growing interest. The poster originally common-place and plastered across the streets of the capital then became an object of art and its ephemeral medium precious and dedicated to conservation. Piazza decided to remove the poster from its advertising role and elevate it to the rank of a work of art in its own right in the same way as the luxury illustrated book. Thus he composed a prestigious collection of entirely original works by the most well-known European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also included in his project a Czech artist newly arrived in Paris Alfons Mucha qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste. who has recently emerged in France and who has straightaway conquered a significant place in the public's favour. As in his posters that everyone knows and desires he shows us here the varied resources of his multiple and sure talent as an artist decorator and colourist. caption printed on the Salomé protective tissue. Incidentally it is also to him that the first premium of the magazine will be entrusted offered à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne to all the subscriber of the twelve annual deliveries of L'Estampe moderne as well as the famous illustration of the covers. A very beautiful copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897ref. 73910Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 41 x 56 cm une feuille Original black and white print with very full margins serving as cover for the famous monthly publication L'Estampe Moderne. Printed entirely in black our print is the cover of the rare deluxe volume with full margins from the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan with full margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist who had recently arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently been revealed in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine will be entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897ref. 73995Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1897 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margin volume gathering of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. The interest of French collectors in artistic posters amplified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and plastered on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist who had just arrived in Paris Alfons Mucha « qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste. » ""who has recently emerged in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as a draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine will be entrusted offered « à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne » ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897ref. 73935Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Août 1897 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication of L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume compilation with wide margins of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term « affichomanie ». The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral medium became precious and destined for conservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also included in his project a Czech artist newly arrived in Paris Alfons Mucha « who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist. » « qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste. » caption printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine was entrusted offered « to all subscribers of the twelve annual issues of L'Estampe moderne » « à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne » as well as the famous cover illustration. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897ref. 73920Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juillet 1897 41 x 56 cm une feuille Original black and white print serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume edition with wide margins of the first year of publication. Artist's signature in the plate and deluxe printing number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were specially created by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. The interest of French collectors in artistic posters intensified in the early 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral support became precious and destined for conservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right equal to the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as a draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first premium of the magazine was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual issues of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897ref. 73969Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Octobre 1897 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume compilation of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was to him that the first premium of the magazine would be entrusted offered ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897ref. 73985Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Novembre 1897 41 x 56 cm une feuille Original black and white print with full margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume edition with full margins of the first year of publication. Artist's signature in the plate and luxury edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with full margins and 50 in black on China paper at the considerable price of 30F. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first premium of the magazine was entrusted offered ""to all subscribers of the twelve annual issues of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897ref. 73911Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1897 41 x 56 cm une feuille Original black and white print with full margins serving as cover for the famous monthly publication L'Estampe Moderne. Printed entirely in black our print is the cover of the rare deluxe volume with full margins from the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan with full margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist who had recently arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently been revealed in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine will be entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897ref. 73955Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1897 41 x 56 cm une feuille Original black and white print serving as cover for the celebrated monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume binding of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne comprises unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late nineteenth century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and plastered on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist who had just arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first bonus of the magazine was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous illustration of the covers. Very fine copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1921ref. 7984The Brooklyn Museum 1921. 1st. Original Wraps. Collectible; Very Good. Uncommon 1921 Brooklyn Museum catalogue of Alfons Mucha's epic series of paintings portraying the "development of the Slavic nations". A VG octavo in its ribbon-tied light-brown wrappers with very light creasing to the front panel and a very light trace of soiling at the foot of several of the pages not at all afffecting the plates which are bright and immaculate. This 1st edition limited to 5000 copies. The Brooklyn Museum unknown
1898ref. 24116Paris: La Plume 1898. Fine. La Plume Paris 1er janvier au 15 décembre 1898 19 x 25 cm relié First edition of the final year edited by Léon Deschamps founder of this magazine which gave a predominant place to the visual arts. 24 issues gathered here including the exceptional number devoted to Alexandre Falguière. Publisher's binding in full fir green cloth smooth spine red shagreen title label gilt floral motif blind fillets on boards. The cover of the first issue illustrated by Mucha is bound at the head of the volume. Contributions by Théophile Gautier Jules Barbey d'Aurevilly Karl Boès Adolphe Retté Francis Jammes Victor Margueritte Ernest Raynaud Stuart Merrill etc. Numerous illustrations including a watercolored frontispiece by Eugène Grasset and drawings by Henri de Toulouse-Lautrec Alfons Mucha Alexandre Falguière Vivant-Denon Willette Jossot André des Gachons Ferdinand Cazals Henri Detouche James Ensor. The frontispiece by Emile Berchmans announced on the title page is not present in our copy. Table and index at end of volume. Manuscript dedication by a former owner on the endpaper. Tiny tear on the front board otherwise a rare and handsome copy. La Plume hardcover
ref. 2692Paris, Calmann-Lévy, 1900.Un volume relié (14 x 20,5 cm) de 188 pages. Illustré par Mucha de 8 planches en couleurs (d'une grande vignette au début et 7 planches) et de 5 illustrations in-texte (13 illustrations en couleurs au totale).Reliure signée Dubois d'Enghien. Demi maroquin à coins bleu nuit, dos à nerfs, caissons ornés mosaïqués, titre doré, tranche supérieure dorée. Très bel exemplaire.
ref. 2692Paris, Calmann-Lévy, 1900.Un volume relié (14 x 20,5 cm) de 188 pages. Illustré par Mucha de 8 planches en couleurs (d'une grande vignette au début et 7 planches) et de 5 illustrations in-texte (13 illustrations en couleurs au totale).Reliure signée Dubois d'Enghien. Demi maroquin à coins bleu nuit, dos à nerfs, caissons ornés mosaïqués, titre doré, tranche supérieure dorée. Très bel exemplaire.
ref. 4414Grenoble, Librairie Dauphinoise, 1900. 27 x 21 cm, 279-Cl pp. Broché, couverture rempliée, dos froissé sinon bon état. Nombreuses illustrations photographiques in et hors-texte culs-de lampe couv. et dos illustrés. Couverture dos culs-de-lampe et illustrations de Mucha, photographie du frontispice de Nadar postures exécutées par la danseuse Lina. Un des 1100 ex. numérotés.
ref. 4414Grenoble, Librairie Dauphinoise, 1900. 27 x 21 cm, 279-Cl pp. Broché, couverture rempliée, dos froissé sinon bon état. Nombreuses illustrations photographiques in et hors-texte culs-de lampe couv. et dos illustrés. Couverture dos culs-de-lampe et illustrations de Mucha, photographie du frontispice de Nadar postures exécutées par la danseuse Lina. Un des 1100 ex. numérotés.
ref. 5311Paris, Editions Eole, 1989. 26,5 x 19,5 cm, 123 pp. Relié cartonnage d'éditeur illustré, nombreuses illustrations in et hors texte. Bel exemplaire. Edition originale, tirage limité à 1300 exemplaires numérotés. Enrichi d'un bel envoi autographe signé de Willy Mucha.
ref. 5311Paris, Editions Eole, 1989. 26,5 x 19,5 cm, 123 pp. Relié cartonnage d'éditeur illustré, nombreuses illustrations in et hors texte. Bel exemplaire. Edition originale, tirage limité à 1300 exemplaires numérotés. Enrichi d'un bel envoi autographe signé de Willy Mucha.
1983ref. 55486BBUppsala, Hjert&Hjiert. 1983. 32,5x24 cm. 136 S. Mit vielen meist farbigen Abbildungen. Originalleinwand mit farbigem Deckelbild.
1980ref. 24551980 broché in-octavo, dos blanc, couverture illustrée en couleurs sur le recto / verso, illustrations : très nompbresuses reproductions, 153 pages, 1980 Paris Editions de la Réunion des Musées Nationaux,
1969ref. 88671969 broché in-octavo tellière, dos blanc, couverture rose, nombreuses illustrations in et hors-texte d'après Daumier - Toulouse-Lautrec - Picasso - Chéret - Steilen - Villette - Mucha - Cappiello - Cassandre - Carlu - Colin - Sepo - Paul Grimault - Paxton-Chadwick - Lebedeff - Penfield - Dudovich - Mauzan - Molnar - Adolf Münzer - Bernhard - Ottler - Gipkens - Köhler - etc., 128 pages, 1969 Paris Presse Universitaires de France,
1904ref. 23494paris Beauchamp 1904 in-4 bradel demi-toile un volume, reliure Bradel demi-toile (half cloth-bound) verte grand in-quarto éditeur avec son étui vert editeur imprimé en vert et "or", dos long (spine without raised band) décoré et imprimé en vert fonçé, plats en plaquage de bois décoré en couleurs d'une fleur de chardon sur le premier plat, d'une cigogne sur le second, médaillon-portrait en ivoirine de Sarah Bernhardt dans Princesse lointaine d'après le tableau de Mucha sur le premier plat de couverture. tête lisse (top edge smooth) dorée (gilt top edge), gouttière et tranche de queue non rognées (no smooth fore-edge and edge of bottom), Textes sur papier vergé, Belle impression sur vergé. Luxueuse publication dont seul le présent volume a paru. Il recèle - et est complet - de ses 28 superbes planches réalisées dans le plus pur style Art Nouveau, avec ornementations de Vogel, Habert-Dys, Orazi ou encore Fraikin. En regard du portrait de chacune des 28 personnalités ici présentées, sa notice biographique ainsi que la reproduction de son autographe. En outre, illustrations dans le texte en sanguine et lettrines. Les portraits photographiques ont été réalisés par Nadar, Boyer, Reutlinger, Pierre Petit ou encore Braun. Figurent dans cet album : Victorien Sardou, Sarah Bernhardt, François Coppée, Mme Edmond Adam, Anatole France, Mme la Duchesse D'Uzès, Jules Lemaître, Mme Réjane, Jules Claretie, Mme Segond-Weber, Jean Richepin, Melle Marthe Brandès, Coquelin aîné, Mme Jeanne Granier, Jules Massenet, Mme Aïno Ackté, Mounet-Sully, Mme Jane Hading, Gérôme, Mme Jane Hatto, Antonin Mercié, Mme Marie Delna, Luc-Olivier Merson, Mme Sibyl-Sanderson, F.-A. Bartholdi, Mme Carrère-Xanrof, Alfred Capus et La reine Ranavalo , non paginé [66] p.-[28] f. de planches, Janvier 1904 Paris Publication Octave Beauchamp (Imprimerie G. De Malherbe) Editeur,
1904ref. 18578paris Beauchamp 1904 in-4 bradel demi-toile un volume, reliure Bradel demi-toile (half cloth-bound) verte grand in-quarto éditeur, dos long (spine without raised band) décoré et imprimé en vert fonçé, plats en plaquage de bois décoré en couleurs d'une fleur de chardon sur le premier plat, d'une cigogne sur le second, médaillon-portrait en ivoirine de Sarah Bernhardt dans Princesse lointaine d'après le tableau de Mucha sur le premier plat de couverture. tête lisse (top edge smooth) dorée (gilt top edge), gouttière et tranche de queue non rognées (no smooth fore-edge and edge of bottom), Textes sur papier vergé, portraits sur papier glacé fort. Portraits, autographes, notices biographiques illustrées de Paul Acker, Portraits humoristiques des célébrités contemporaines par Cappiello (14 lithographies originales hors-texte en couleur). Illustrations de Vogel, Ornement d'Habert-Dys, Orazi et Fraikin , non paginé [66] p.-[28] f. de planches, Janvier 1904 Paris Publication Octave Beauchamp (Imprimerie G. De Malherbe) Editeur,
