(Mucha) Quido Maria Vyskočil:Biblio.com
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1922réf. 8126Quarto 24.5x19 cm. wrappers 137 pp. Cover illustrations and book design by Alfons Mucha. Gold ink two-toned cover two- and three-color printing throughout. The story takes place in a village of Nordic fishermen living on an island that once served as the seat of a pagan temple. The fishermen come into conflict with the owner of the island who mercilessly exploits them but at the last moment they are saved by the intervention of the old gods who protect them from an armed attack and raise a new island from the waves on which the fishermen can live freely. OCLC locates three holdings in North America Cleveland Univ IN Univ IL. Very good E. Beaufort paperback
réf. 42399Quais de Paris - G. Kogan In-folio 35 cm n.p. 100pp. illustr. planches hors-texte reliure cart. de l'editeur bon etat Ats22 unknown
1899réf. 10392AB1899. Prag Ceske Graficke Spolecnosti "Unie" n.d. ca.1899. 255 : 19 cm. 8 illustrated ornamental plates 7 plates and 7 calligraphed plates with ornaments by Alphonse Mucha. Colored illustrated original cloth. A in size reduced reproduction of this important work by Mucha 'Le Pater'. The original is one of the most outstandinding books of French Art Nouveau. "So entstand 'Le Pater' neben 'Ilsée' der wertvollste Druck von seiner Hand. Um seine Persönlichkeit besser begreifen zu können wäre es nötig die Blätter des Vaterunser mit den dekorativen Panneaux der 'Edelsteine' oder der Vignetten für 'Moet et Chandon' zu vergleichen die zur selben Zeit entstanden sind. Sie sind die beiden Seiten ein und derselben Münze. Auf der einen vergeistiger Sensualismus auf der anderen sensueller Spiritualismus. Mitunter sind es die gleichen Mädchengestalten nur ist ihre Funktion eine andere." Prof. Cadik schreibt: ".im ganzen waren es dreißig Blätter auf starkem Zeichenpapier verziert mit Farblithographie und monochromen Lichtdrucken. Auf je einen Lichtdruck entfallen zwei Lithographien. Auf dem herrlichen Titelblatt sehen wir neben dem Genius der Menschheit dessen Stirn sich in den Sternen verliert und in dessen Hand die menschliche Seele bebt die sieben Siegel der Apokalypse. Dann folgen sieben durch Bilder und Texte erläuterte Kapitel mit einem allegorischen Bild und das achte Kapitel ist - wie in einer barocken Kantate - der virtuose Abschluss 'Amen'. Die lateinisch und französisch in einen Kreis und ein Achteck geschriebenen heiligen Worte sind umrahmt von einer wundervollen Arabeske aus abstrakten Ornamenten und naturalistischen Girlanden von Pflanzenmotiven. Die ureigenste Meditation ist jedoch als dramatische Szene konzipiert und mit Anklängen an die biblische Genesis in die Urzeit verlegt." J. Mucha Meister des Jugendstils. - Binding partly a bit stained some pages a bit wrikled. - See for the original edition Carteret V 154; MuchaJ. "The graphik work of Alphonse Mucha" p.131 and plate 24. hardcover
réf. ria9783738808186_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Infolge der Forderung nach immer schlankeren Stützen und zugleich einer erhöhten Lastaufnahme ergeben sich konstruktive Anpassungen im Anschlussdetail zwischen Stütze und Flachdecke. Die Flachdecken aus normalfestem Beton in Ortbetonbau paperback
1896réf. 15844AB1896. Paris F.Champenois 1896. 1003 : 505 cm image Lithograph in colours by Alphonse Mucha. Framed in contemporary wooden frame. Alphonse Mucha's poster "Été" "Summer" is part of his series titled The Seasons created in 1896. This poster captures the essence of summer with its warm golden hues and lush flowing forms. Mucha depicts a young woman draped in a light flowing garment that accentuates the curves of her body embodying the sensuality and warmth of the season. She is surrounded by an abundance of flowers and foliage symbolizing the fullness and fertility of summer. Her hair long and wavy cascades down her back adding to the natural unrestrained feel of the image. Mucha's characteristic use of intricate lines and decorative patterns is evident in the detailed borders and the swirling motifs that frame the central figure. The poster exudes a sense of harmony and beauty typical of Mucha's Art Nouveau style where nature femininity and elegance are central themes. The soft color palette dominated by shades of gold green and soft pastels further enhances the idyllic dream-like quality of the work making "Été" a quintessential representation of summer's warmth and beauty. Alphonse Mucha was known for his distinctive Art Nouveau style characterized by its use of natural forms flowing lines and elaborate decoration. His techniques combined both traditional and innovative approaches contributing to his iconic aesthetic. Here are some of the key techniques and elements in Mucha's work: Line Work: Mucha's use of lines is one of the most defining aspects of his style. He employed fine flowing outlines to create graceful organic shapes that mimic the curves found in nature. His lines were often decorative and stylized contributing to the overall harmony and unity of the composition. Color Palette: Mucha favored a soft pastel color palette often using muted tones of gold green pink and blue. These colors were carefully chosen to create a sense of harmony and to evoke specific moods often reflecting the seasons or the subject matter of the piece. Ornamentation and Patterns: Mucha's works are rich in decorative elements and intricate patterns. He incorporated floral motifs arabesques and geometric designs into his compositions often framing the central figure with these ornate details. This ornamentation was not merely decorative but also served to enhance the thematic elements of the piece. Use of Light and Shadow: Although Mucha's work is more stylized than realistic he employed light and shadow to add depth and dimension to his figures. His approach to light was subtle often using gentle shading rather than harsh contrasts which contributed to the soft ethereal quality of his work. Symbolism: Mucha frequently used symbolic elements in his paintings and posters. For example flowers seasons and zodiac signs often carried deeper meanings related to themes of nature femininity and the passage of time. These symbols were seamlessly integrated into the decorative elements of his work. Composition: Mucha's compositions were carefully balanced often centered around a single idealized figure. He employed symmetry and repetition to create a sense of order and harmony with the figure often surrounded by elaborate circular frames or halos that draw the viewer's eye. Media and Techniques: While Mucha is best known for his posters and prints which were typically lithographs he also worked in a variety of media including painting drawing and jewelry design. His lithographic technique involved multiple layers of color carefully aligned to create richly textured and vibrant images. In his paintings he used traditional techniques such as oil on canvas but applied them with the same decorative and stylized approach as in his graphic works. Mucha's techniques were instrumental in defining the Art Nouveau movement blending fine art with applied arts and his work remains a cornerstone of this decorative style. Alphonse Mucha holds a significant place in the history of art particularly as a leading figure of the Art Nouveau movement. His influence extends beyond his immediate contributions to the art world affecting design advertising and popular culture. Here are some key reasons why Mucha is important in the history of art: 1. Pioneer of Art Nouveau: Mucha is often credited with shaping and popularizing the Art Nouveau style which emerged in the late 19th century. This movement was characterized by its use of organic forms flowing lines and intricate decorative patterns all of which are hallmarks of Mucha's work. His designs especially his posters became synonymous with the Art Nouveau movement defining its aesthetic and helping it gain widespread recognition. 2. Innovative Use of Graphic Design: Mucha was a pioneer in using graphic design as a fine art form. His work in advertising and posters elevated these mediums to a new level blending commercial appeal with artistic integrity. His posters for Sarah Bernhardt the famous actress are particularly notable. They not only promoted her plays but also became collectible works of art in their own right. 3. Influence on Decorative Arts: Mucha's influence extended beyond painting and posters to various decorative arts including jewelry furniture and interior design. His aesthetic principles were applied to everyday objects making art more accessible to the public. This blending of fine art with applied arts helped bridge the gap between high art and popular culture a concept that has continued to evolve in modern design. 4. Impact on Visual Culture: Mucha's style has had a lasting impact on visual culture influencing everything from early 20th-century design to contemporary art and popular media. His work has inspired countless artists and designers in the realms of illustration fashion and graphic design. The Art Nouveau style as epitomized by Mucha has seen periodic revivals and continues to be referenced in various cultural contexts demonstrating its enduring appeal. 5. Symbolism and National Identity: Beyond his contributions to Art Nouveau Mucha was also deeply involved in the promotion of Czech national identity. His later works particularly the Slav Epic reflect his interest in Slavic history and mythology aiming to create a visual narrative that celebrated his cultural heritage. This aspect of his work underscores the role of art in expressing and shaping national and cultural identity adding another layer to his importance as an artist. 6. Legacy in Fine Arts: Mucha's ability to blend aesthetics with practical applications laid the groundwork for future movements in art and design particularly in how art could be integrated into everyday life. His legacy is evident in the continued appreciation and study of his work which remains a significant part of museum collections and exhibitions worldwide. Alphonse Mucha's contributions to the art world go beyond his beautiful and iconic images; he played a crucial role in defining an era shaping modern design and influencing the intersection of art culture and commerce. His work continues to inspire and resonate across disciplines making him a central figure in the history of modern art. The panel 'Ètè' Summer out of the series 'Four Seasons'. Mucha made a panel for each of the four seasons. He represents each season with characteristic flair here the sultry Summer. Four Seasons was Mucha's first series of decorative panels and one of his most popular ones. An classic Art Nouveau piece. A highlight in each Mucha collection. - Here contemporary framed therefore in very good condition. unknown
réf. ria9783631664391_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Die Auslegung des apokalyptischen Schrifttums vor dem Hintergrund der Herrschaft Domitians ermöglicht einen neuen Blick auf den letzten Flavier. Die Perspektive der Christen als Minderheit im Römischen Reich auf Domitian und die Verbind paperback
1898réf. 14589AB1898. Paris F. Champenois 1898 85 : 135 cm. Original colour lithograph by Alphonse Mucha. Postcard of one of Mucha's most famous posters. Here reduced to postcard size but still very well to recognize. On the reverse side imprinted Postkarte - CARTE POSTALE -Post card. Union postale universelle and in 8 different languages. This is perhaps one of Mucha's best-known advertising poster. This poster established the iconic image of the 'Mucha woman' with her swirls of exaggeratedly abundant hair. 'JOB' is a trademark for the Joseph Badou Company manufacturing cigarette papers. In this poster Mucha placed the prominent female figure against a background featuring job monograms. Holding a lighted cigarette in her hand the woman leans her head backward sensually and rising smoke forms an arabesque interwining with her hair and the company logo. - Upper right edge a bit demaged the image perfect. unknown
réf. ria9781032854939_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book critically examines the framework of consumer collective redress within EU law with a particular focus on Poland where such measures have operated since 2009. It will be of interest to researchers focused on EU consumer law hardcover
réf. 0711225176.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3763023828.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9780197262368_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Features the coins from three major private collectors of the nineteenth century. This volume includes 60 coins of William I purchased in London that derive from the 1833 hoard from Beauworth Sussex. It serves as a source for medieva hardcover
2022réf. E1-OJLP-3C1L2022 Brill hardcover edition. Light reading wear else very good condition. From the cover: Volume II of Africa's Radicalisms and Conservatisms continues the broad themes of radicalisms and conservatisms that were examined in volume I. Like volume I the essays examine why the two "isms" of radicalisms and conservatisms should not be viewed as mere irreconcilable conceptual tools with which to categorize or structure knowledge. The volume demonstrates that these concepts are intertwined have multiple and diverse meanings as perceived and understood from different disciplinary vantage points hence the deliberate pluralization of the terms. The twenty-two essays in the volume show what happens when one juxtaposes the two concepts and when different peoples' lived experiences of politics pop culture democracy liberalism the environment colonialism migration identities and knowledge etc. across the length and breadth of Africa are brought to bear on our understandings of these two particularisms. Contents: Introduction: Edwin Etieyibo Obvious Katsaura and Muchapara Musemwa PART 1 Pop Culture Identities Knowledge and Politics 1 Knowledge and Social Transformations in Africa: Craig Calhoun 2 Belongingness and Obligation to the Community: Rethinking the Foundation for Human Flourishing in the 21st Century: Victor Clement Nweke and Charles Nkem Okolie 3 Democracy Politics and the Media in Nigeria: Edwin Etieyibo and Godwin Ehiarekhian Oboh 4 Implications of Ubuntu for Ordinary Encounters in South Africa: A Philosophical Enquiry: Diana Ekor Ofana 5 Axiological Proximisation and Discourse Strategies in Fela Anikulapo-Kuti's Anti-establishment Songs: Akin Tella 6 Multiple Social Identities: A Theoretical Review of the Complexities of Conflicting Social Identities: Folusho Ayodeji Gabriel A. Akinbode and Nathan Osareme Odiase 7 Discourse on Restructuring in Nigeria: Edwin Etieyibo PART 2 Environment Climate Change and Justice 8 Ezin'ulo as an African Paradigm for Eco-conservation: Lucky Uchenna Ogbonnaya 9 'De-epistemiciding' Knowledge in the Quest for Environmental Justice in Post-colonial Africa: Akinpelu Ayokunnu Oyekunle 10 Climate Injustice and the Role of Climate Justice Movements in Africa: The Case of Zimbabwe: Sandra Bhatasara and Admire M. Nyamwanza 11 The Role of Local Institutions in Building Smallholder Farmers' Adaptive Capacity against Climate Change Impacts in Bikita Zimbabwe: Owen Mafongoya Paramu Mafongoya and Maxwell Mudhara PART 3 Colonialism and Globalization 12 The Anti-colonial Revolution Converse: Limitations of Nationalism and the Demands of Positive Freedom and Positive Justice: Joseph C. A. Agbakoba 13 Developing Nations and the Imperatives of Globalization: Philip Onyekachukwu Egbule 14 Racism Colonialism and African Philosophy: Edwin Etieyibo 15 Global Oil Capital and the Alienation of Women's Land Rights in Uganda's Oil Village Communities OVCs: Julius Niringiyimana William Muhumuza and Rutanga Murindwa 16 Enclavism and Dependency: Coffee Production and Illusive Development in Zimbabwe: Takesure Taringana 17 Enlightenment Ideas and Colonialism: Zainab Monisola Oloitan 18 Mental Decolonization: towards a Self-Reliant Africa: Okpowhovatu Dan Eker PART 4 Migration and Economy 19 A Liberal World with or without Borders: Edwin Etieyibo 20 Trafficking and Migration Crises in West Africa: The Case of Nigeria and Benin Republic Border: Tunde A. Abioro and Omolara Victoria Akinyemi 21 Dialectics of Migration as a Vital Household Investment Strategy in Nigeria and a Major Source for Libya's 'Slave Market': Bamidele Otomudunde Alabi 22 Unemployment Youth Restiveness and Skills Development in Nigeria: Adesoji A. Oni and Olakunle Lateef Olaniran Brill hardcover
1989réf. 128855Rizzoli 1989-03-15. hardcover. Like New. 12x10x1. Looks unread with just a touch of shelf wear oversized and overweight. Please email for photos. Rizzoli hardcover
1898réf. 68951898 reliure éditeur prune, plat orné, tête dor. (qq. épidermures au dos et aux mors). in-4, (4ff.), 328pp., 40 h.t, P. Armand Colin 1898,
2000réf. BN99268Belser 2000. 2000. Softcover. Alfons Mucha Alfons Mucha Belser paperback
réf. 62214799Oxford University Press OUP . Hardback. New. pp. 87 Oxford University Press OUP hardcover
réf. 34938096like new. unknown
réf. 1934449296.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. B9781015649224Hardback. New. hardcover
1974réf. 473846London : Academy Editions 1974. First Edition. Hardcover. Fine cloth copy in a fine somewhat dust-dulled and edge-bumped dust wrapper. Remains well-preserved overall. Physical description; 95 p. : of ill. ; 30 cm. Notes; Spine title: Mucha photographs. Illustrations on lining papers. Contents; Foreword -- A biographical outline -- Notes to the photographs -- Plates. Subjects; Mucha Alphonse 1860-1939. Photography Artistic. Mucha Alphonse photographer. Ovenden Graham compiler. London : Academy Editions hardcover
1989réf. 337339Tokyo : Doi Bunka Jigyoshitsu 1989. 1st edition. Softcover. Previous owner's signature. Very good copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description: 246 pages: illustrations some color; 29 cm. Notes: Catalog of exhibitions held at Takashimaya Tokyo Shiten and 9 other cities from April 6 1989 to July 1 1990. NCC JACWP title; may be loaned through ILL. Subjects: Mucha Alphonse -- 1860-1939 -- Exhibitions.Decoration and ornament -- Art nouveau -- Exhibitions.Decoration and ornament -- Austria -- Vienna -- Art nouveau -- Exhibitions. Genre: Illustrated. [Tokyo] : Doi Bunka Jigyo?shitsu paperback
réf. 44485381like new. unknown
réf. 69-6319London United Kingdom: Academy Editions 1973. F. Hardcover clothbound in a dust jacket with a protective mylar sheet. 143 pp. Color and B&W plates. Good some tears to corners of dust jacket.With library paraphernalia from the library of Pasquale Ianetti. London, United Kingdom: Academy Editions, 1973 hardcover
réf. 69-6317London United Kingdom: William Heinemann Ltd 1966. 4to. Hardcover clothbound in a dust jacket with a protective mylar sheet. 391 pp. B&W plates. Good tears to top of dust jacket.With library paraphernalia from the library of Pasquale Ianetti. London, United Kingdom: William Heinemann Ltd, 1966 hardcover
réf. 69-6321New York New York: Harmony Books 1980. F. Hardcover clothbound in a dust jacket. 95 pp. Color plates. Very Good.With library paraphernalia from the library of Pasquale Ianetti. New York, New York: Harmony Books, 1980 hardcover
