Maria MuchaBiblio.com
561 risultati
2005rif. __0197262368British Academy 2005. Hardcover. New. 96 pages. 9.75x7.50x0.50 inches. British Academy hardcover
1973rif. 325998London: Academy Editions 1973. hardcover. near fine/very good. Mucha. Illustrated with 150 images including 24 color plates. Slim 4to red cloth d.w. faded at spine and edges. London: Academy Editions 1973. First Edition. A near fine copy in very good dust wrapper. Academy Editions unknown
1974rif. 325997London: Academy Editions 1974. hardcover. fine/near fine. Alphonse Mucha. Filled with many color and b/w illustrations by the artist. 144 pages. Slim 4to red cloth d.w. London: Academy Editions 1974. A fine copy in a near fine dust wrapper. Revised Enlarged Edition. Academy Editions unknown
rif. 3819279121.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. ABE-1767046689309RELIURE COMPRENANT LES NUMEROS ALLANT DU NUMERO 2784 DU 4 JUILLET 1896 AU NUMERO DE NOEL N°2809 DU 25 DECEMBRE 1896-NOMBREUX DESSINS DE CARAN D'ACHE-2 ILLUSTRATIONS DE MUCHA DANS LE NUMERO DE NOEL-(E25)
1988rif. 103586Cambridge: Cambridge University Press 1988. Hardcover. Fine/Near Fine. First edition. Light bumping at the extremities else fine in near fine dustwrapper with bumping at the extremities. Review copy with review slip laid in. Cambridge University Press hardcover
1981rif. __0486240444Dover Pubns 1981. Paperback. New. 80 pages. 11.25x9.25x0.50 inches. Dover Pubns paperback
1976rif. 288311London England: Academy Editions 1976. Hardcover. Near Fine/Near Fine. Fifth printing. Near fine in a near fine dustwrapper. Academy Editions hardcover
1901rif. 4573Original monochrome lithograph.18.2 x 13 in mat 17 x 20 in. Librairie Central des Beaux Arts
1901rif. 4862Original lithograph.18 x 13 in mat 16 x 20 in. Librairie Central des Beaux Arts
rif. 3738808183.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1965rif. 55370Prague: Artia Verlag. Near Fine in Near Fine dust jacket. 1965. First Edition. Hardcover. Oversized gilt-blocked cloth pictorial eps. Text in German. Very near fine. The DJ has a small chip and slight edgewear. In plain cardboard slipccase. Laid in "Namenregister" at rear. ; quarto . Artia Verlag hardcover
rif. 0980227135.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996rif. KFZZQ100676Broadcasting Network 1996. Soft Cover. Fine. KFZZQ100676 Broadcasting Network paperback
1956rif. KFZZQ100128Sanshengtang Bookstore 1956. Soft Cover. Fine. KFZZQ100128 Sanshengtang Bookstore paperback
1893rif. 5115Paris: Librairie Centrale des Beaux-Arts 1893. First illustrated edition. Mucha Alphonse. Original decorated wrappers. Corner clipped from front free endpaper otherwise a very nice copy. Cover design and 14 illustrations after paintings by Mucha. Copy 6 of 75 printed on japon the tirage de tête from a total edition of 200. Inscribed by the author "au cher Maître Alexandre Dumas de l'Académie Française un puissant et inpeccable moraliste. Librairie Centrale des Beaux-Arts unknown
2021rif. __9027209278John Benjamins Publishing Company 2021. Hardcover. New. 290 pages. 9.50x6.50x0.75 inches. John Benjamins Publishing Company hardcover
rif. 1458202461.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1957rif. 90728Praha: Státní nakl. krásné literatury hudby a umení 1957. hardcover. Near fine; Edges of boards and spine lightly rubbed edges of dust jacket frayed. with some edge-chipping; pages are browning but clean and binding is tight. Quarto cream cloth in yellow/black illus d.j. with archival mylar wrap; 721 pages: illustrations; 21 cm. In Czech. Scarce. Attractive cover illustration. Series: Soudobá svetová próza;; sv. 46. Státní nakl. krásné literatury hudby a umení unknown
1898rif. 74327Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1898 41 x 56 cm une feuille Cover of L'Estampe Moderne n°10 February 1898 L'Estampe Moderne Imprimerie Champenois for C. H. Masson & H. Piazza Paris February 1898 41 x 56 cm one leaf Original print in black and white with large margins serving as the cover for the famous monthly publication Estampe Moderne. Entirely printed in black and white our print is the cover of the rare collation in large-margin luxury print of the first year of publication. Artist's signature on the board and number of the tirage de luxe added in pencil. A magnificent monthly French publication that appeared between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs that unlike those in other magazines like Les Maîtres de l'Affiche and as is stipulated on the guard sheets were specially made by each artist for the magazine. There are thus 100 prints that appeared in total covering the major artistic currents of the late 19th Century: Symbolism Art Nouveau the Pre-Raphaelites Orientalists and the Belle époque. Each fascicule of four prints was printed in 2000 copies and sold for 3.50F with 100 on Japan paper sold at 10F. Henri Piazza also planned a very luxurious secret printing of 50 copies on Japan paper with wide margins and 50 in black and white on China paper at the considerable price of 30F. This well-sized print is superbly printed in colors on the most prestigious of papers: Japan. Thick creamy satin and with a nice sheen it contributes to making each page a work of art in itself. Its absorptive qualities for ink and its affinity for colors make it the ideal support for these lovely lithographs.The interest of French collectors for artistic posters grew from the beginning of the 1890s. Octave Uzanne invented a term for this growing interest: affichomanie or poster mania. The poster originally not rare and posted up in the streets of the capital thus became a work of art and its ephemeral background became precious and essential for conservation.Piazza decided to extract the poster from its advertising role and to elevate it to a form of art similarly to luxury illustrated artists' books. He thus put together a prestigious collection of entirely original works by the most fashionable European artists of the age: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc.He also included in this project a Czech artist freshly arrived in Paris Alfonse Mucha who has only recently become active in France but who has immediately carved out for himself the affection of the public. Like in his posters which everyone knows and covets he shows us here the varied resources of his multifaceted talents as accomplished draughstman decorator and colorist from the notes printed on the guard for Salomé. The two first special numbers of the review were in fact dedicated to him and were given to all the subscribers for all twelve annual numbers of L'Estampe moderne as well as the famous illustration of the covers.A very beautiful copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897rif. 73887Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris s. d. Mai 1897 22 x 38 cm une feuille et une serpente ""L'incantation"" Salammbô Original lithograph on papier japon L'Estampe Moderne L'Estampe Moderne Imprimerie Champenois for C H Masson & H Piazza Paris june 1897 subject: 23.5 x 33 cm plate: 40.8 x 55 cm one leaf and one captioned silk tissue Rare Alphonse Mucha color lithograph heightened with gold for L'Estampe Moderne 'The free first prize reserved to subscribers to a whole annual run of L'Estampe Moderne'. One of 50 'grand luxe' prints with wide margins signed by the artist in the plate publisher's stamp to lower margin de luxe printing numbered stamp to verso upper margin slightly sunned; the plate itself preceded by a silk tissue with the name of the artist title a poem and a caption - a tear to the tissue not affecting the text. A lithograph inspired by Gustave Flaubert's Salammbô with a excerpt from the novel printed on the silk protective paper: And Salammbô went out onto the balcony of her palace. L'Estampe moderne was a magnificent monthly French publication published between May 1897 and April 1899. It included unpublished chromolithographs specially made by each artist for the magazine as mentioned on the protective silk tissue over each plate unlike other publications such as Les Maîtres de l'Affiche. 100 prints were published in total covering major artistic movements of the late 19th-century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle époque'. 2000 copies were printed of each fascicule containing four prints and sold for 3.50F. 100 copies were printed on papier japon for 10F. Henri Piazza also planned a very luxurious secret print of 50 copies on papier japon with wide margins and 50 in black and white on papier chine at the considerable price of 30F. This well-sized print is superbly printed in colors on the most prestigious of papers: japon. Thick creamy satin and with a nice sheen it contributes to making each page a work of art in itself. Its qualities of absorption and its affinity for colors make it the ideal support for these lovely lithographs. The interest of French collectors for artistic posters grew from the beginning of the 1890s. Octave Uzanne invented a term for this new form of collection: affichomanie' or poster mania. The initially common poster displayed in the streets of Paris became a work of art and its ephemeral material became precious and made to last. Piazza decided to separate the poster from its advertising role and to elevate it to a form of art similarly to luxury illustrated artists' books. He put together a prestigious collection of entirely original artworks by the most fashionable European artists: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. He also included in this project a Czech artist freshly arrived in Paris Alfonse Mucha who has only recently become active in France but immediately carved out for himself the affection of the public. Like his posters which everyone knows and covets he shows us here the varied resources of his multifaceted talents as accomplished draughstman decorator and colorist from the notes printed on the silk protective paper of Salomé. The two first special numbers of the journal were in fact dedicated to him and were given to all the subscribers for all twelve annual numbers of L'Estampe moderne as well as the famous illustration of the covers. A fine signed plate by the master of Art nouveau. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897rif. 73919Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1897 23.50 x 33 cm une feuille ""Salomé"" - Original lithograph on China paper - L'Estampe Moderne L'Estampe Moderne Imprimerie Champenois for C H Masson & H Piazza Paris june 1897 subject: 23.5 x 33 cm plate: 40.8 x 55 cm one leaf and one guard Rare original black and white lithograph by Alphonse Mucha for L'Estampe Moderne series number 2 published in June 1897. One of the 50 grand luxe proofs printed on China paper with wide margins signed and dated by the artist in the plate. Embossed stamp of the publisher showing a child in profile to lower margin laid down on a leaf of vélin paper with the numbered stamp of the tirage de luxe to verso occasional spotting to margins not touching image blank guard. A magnificent monthly French publication that appeared between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs that unlike those in other magazines like Les Maîtres de l'Affiche and as is stipulated on the guard sheets were specially made by each artist for the magazine. There are thus 100 prints that appeared in total covering the major artistic currents of the late 19th Century: Symbolism Art Nouveau the Pre-Raphaelites Orientalists and the Belle époque. Each fascicule of four prints was printed in 2000 copies and sold for 3.50F with 100 on Japan paper sold at 10F. Henri Piazza also planned a very luxurious secret printing of 50 copies on Japan paper with wide margins and 50 in black and white on China paper at the considerable price of 30F. This well-sized print is superbly printed in colors on the most prestigious of papers: Japan. Thick creamy satin and with a nice sheen it contributes to making each page a work of art in itself. Its absorptive qualities for ink and its affinity for colors make it the ideal support for these lovely lithographs. The interest of French collectors for artistic posters grew from the beginning of the 1890s. Octave Uzanne invented a term for this growing interest: affichomanie or poster mania. The poster originally not rare and posted up in the streets of the capital thus became a work of art and its ephemeral background became precious and essential for conservation. Piazza decided to extract the poster from its advertising role and to elevate it to a form of art similarly to luxury illustrated artists' books. He thus put together a prestigious collection of entirely original works by the most fashionable European artists of the age: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. He also included in this project a Czech artist freshly arrived in Paris Alfonse Mucha who has only recently become active in France but who has immediately carved out for himself the affection of the public. Like in his posters which everyone knows and covets he shows us here the varied resources of his multifaceted talents as accomplished draughstman decorator and colorist from the notes printed on the guard for Salomé. The two first special numbers of the review were in fact dedicated to him and were given to all the subscribers for all twelve annual numbers of L'Estampe moderne as well as the famous illustration of the covers. A fine signed plate by the master of Art nouveau. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897rif. 73918Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris s. d. Juin 1897 23.50 x 33 cm une feuille et une serpente Salomé Original lithograph on papier japon L'Estampe ModerneL'Estampe Moderne Imprimerie Champenois for C. H. Masson & H. Piazza Paris June 1897 subject: 23.5 x 33 cm plate: 40.8 x 55 cm one leaf and one captioned silk tissue Rare Alphonse Mucha color lithograph heightened with gold for L'Estampe Moderne series number 2 published in June 1897. One of 50 grand luxe proofs printed on papier japon with wide margins signed by the artist in the plate publisher's stamp to lower margin de luxe printing numbered stamp to verso upper margin slightly sunned; the plate itself preceded by a silk tissue with the name of the artist title a poem and a caption. L'Estampe moderne was a magnificent monthly French publication published between May 1897 and April 1899. It included unpublished chromolithographs specially made by each artist for the magazine as mentioned on the protective silk tissue over each plate unlike other publications such as Les Maîtres de l'Affiche. 100 prints were published in total covering major artistic movements of the late 19th-century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle époque'. 2000 copies were printed of each fascicule containing four prints and sold for 3.50F. 100 copies were printed on papier japon for 10F. Henri Piazza also planned a very luxurious secret printing of 50 copies on papier japon with wide margins and 50 in black and white on papier chine at the considerable price of 30F. This well-sized print is superbly printed in colors on the most prestigious of papers: japon. Thick creamy satin and with a nice sheen it contributes to making each page a work of art in itself. Its qualities of absorption and its affinity for colors make it the ideal support for these lovely lithographs. The interest of French collectors for artistic posters grew from the beginning of the 1890s. Octave Uzanne invented a term for this new form of collection: affichomanie' or poster mania. The initially common poster displayed in the streets of Paris became a work of art and its ephemeral material became precious and made to last. Piazza decided to separate the poster from its advertising role and to elevate it to a form of art similarly to luxury illustrated artists' books. He put together a prestigious collection of entirely original artworks by the most fashionable European artists: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. He also included in this project a Czech artist freshly arrived in Paris Alfonse Mucha who has only recently become active in France but immediately carved out for himself the affection of the public. Like his posters which everyone knows and covets he shows us here the varied resources of his multifaceted talents as accomplished draughstman decorator and colorist from the notes printed on the silk protective paper of Salomé. The two first special numbers of the journal were in fact dedicated to him and were given to all the subscribers for all twelve annual numbers of L'Estampe moderne as well as the famous illustration of the covers. A fine signed plate by the master of Art nouveau. Imprimerie Champenoispour CH. MassonH. Piazza unknown
rif. DDC59GM
1903rif. 225326 illustrated silk leaves including title sizes from 140 x 170 m to 400 x 180 mm mounted within blind embossed frames on 22 white cardboards. The illustrations woven color images are after various French Fin de Siècle and Art Noveau artists like Alphonse Mucha 6 including a series of 4 leaves illustrating the seasons Ernest Meissonier Lionel Royer Achille Fould P. A. Cot and others. Loosely contained in cont. green half morocco portfolio with gilt title on front cover La section Stéphanoise de la société de géographie commerciale de Paris. A son secrétaire perpétuel M. Charles Gauthiot Décembre 1903. Doublures. Paste-downs with watered silk covering framed by richly gilt green morocco borders. Folio 540 x 335 mm. Ties lacking front cover rubbed extremeties slightly worn. Charles Gauthiot 1832-1905 was a French journalist and secretary-general of the Société de Geographie Commerciale de Paris founded in 1873 by M. Meurand E. Levasseur C. Gauthiot M. Tourasse B. Garnier M. Dietz-Mounin E. Berge F. de Lesseps M. Peghoux. No other copy found unique a fine specimen of the French craftsmanship of silk weaving with only minor traces of use. Title-leaf with a yellowish spot in lower right corner probably due to the adhesive used. Société de géographie commerciale de Paris
