466 Ergebnisse
1981Best.-Nr. 007516New York: Dover Publications Inc. 1981. Publisher's promotional poster featuring the classic Art Nouveau Alphonse Mucha poster "Salon des Cent" 1896 celebrating Dover's 40th anniversary. Dover Publications was founded in 1941. A poster distributed in limited numbers at the ABA trade show in 1981. Near Fine faint creases. Printed on heavy paper. Well suited for framing will be shipped loosely rolled in a mailing tube. . First Printing. Poster. Near Fine. 22" w x 33" h. Dover Publications, Inc. books
1984Best.-Nr. 007523Boston: G. K. Hall 1984. Publisher's promotional poster for the book published in 1984 22 1/2"w x 33"h featuring Mucha's classic image "Reverie". Distributed in limited numbers at the ABA trade show in 1984. Well suited for framing will be shipped loosely rolled in a mail;ing tube. . First Printing. Poster. Near Fine. 22 1/2" x 33". G. K. Hall books
1971Best.-Nr. 007536New York: Dover Publications Inc. 1971. Publisher's promotional poster 22" w x 34" h featuring Mucha's famous woman for JOB cigarette papers. Near Fine faint creases. Well suited for framing. Will be shipped loosely rolled in a mailing tube. First Thus. Poster. Near Fine. 22" w x 34" h. Dover Publications, Inc. books
Best.-Nr. 15263EBeverly Hills CA: Galerie Michael n.d. First Edition. Paperbound 8 3/8” x 11”. With the ownership signature dated 1988 of E.R. Hagemann art scholar and author of German and Austrian Expressionism in the United States 1900 - 1939. An illustrated catalogue issued to accompany an exhibition of poster art created at the turn of the century by such masters as Jules Cheret Mucha Toussaint Ibels Grun Pal Steinlen and Grasset. With an essay by Gabriel P. Weisberg “Jules Cheret and the Color Revolution.” Fine in printed wrappers. Galerie Michael unknown books
1989Best.-Nr. 169216London: Academy Editions 1989. Hardcover. VG-/VG- stain at bottom of back cover light wear to edges and corners of book and dust jacket. Red cloth boards with gilt stamped lettering. Beige and color-illustrated dust jacket with brown lettering. 300 pp. Color and BW illustrations. ".the definitive biography of that superb decorative artist. As Mucha's son the author has enjoyed unrivalled aceess to his writings and correspondence. He has documented works in private collections which would have remained closed to the general public and has talked to many people still alive who knew his father. With the additions of his personal recollections he has provided us with a uniquie portrait of a remarkable man and his work." -Jacket. Academy Editions hardcover books
1893Best.-Nr. 5115Paris: Librairie Centrale des Beaux-Arts 1893. First illustrated edition. Mucha Alphonse. Original decorated wrappers. Corner clipped from front free endpaper otherwise a very nice copy. Cover design and 14 illustrations after paintings by Mucha. Copy 6 of 75 printed on japon the tirage de tête from a total edition of 200. Inscribed by the author "au cher Maître Alexandre Dumas de l'Académie Française un puissant et inpeccable moraliste." Librairie Centrale des Beaux-Arts unknown books
Best.-Nr. 234179San Francisco: Christopher-Clark Fine Art. Paperback. 48p. highly-glazed alkaline stock with profuse color reproductions sepia where appropriate captioned briefly titlepage printed on metallic gold stock softbound in 11x8.5 inch decorated wraps. Mildly edgeworn with short crimps along spine panel gallery business card stapled to cover corner staples show with holograph notes on card a sound clean copy. Christopher-Clark Fine Art paperback books
Best.-Nr. 4157Mucha's printed name appears to the left under the image and the Czech title to the right. Mucha has signed in his fine hand "Mucha" above and perpendicular to his printed name. A note on provenance: the signed postcard originally came from Mucha's daughter. Ideal for display and exceptionally attractive. unknown books
Best.-Nr. 4156Mucha's printed name appears to the left under the image and the Czech title to the right. Under the title Mucha has signed in his fine hand "Mucha." A note on provenance: the signed postcard originally came from Mucha's daughter. Ideal for display and exceptionally attractive. unknown books
1971Best.-Nr. 177162London: Academy Editions 1971. Hardcover. VG/Good light foxing to text block previous owner book plate on ffep pages of text and illustrations are otherwise clean. Dust jacket has heavy shelf wear/tears inside corner of dust jacket flap is clipped. Black cloth boards with gilt lettering on spine white dust jacket with color illustration on front and rear black lettering 136 pp 157 illustrations of which 40 are in color. "The grace and originality of Mucha's art is illustrated by a comprehensive selection of his work with over 100 black and white and 40 colour reproductions of the high quality necessary for the true representation of Mucha's suble and muted colours and delicate draughtsmanship. Many of the photographs that Mucha took of his models have recently ben re-discovered giving a fascinating glimpse of the raw material that Mucha transmuted in his drawings and paintings. The photographic section of the book is introduced by Dr. Aaron Scharf who places Mucha's photography in the context of his time. and the use that Mucha made of his photographs in the planning of his work is discussed by Marina henderson in an essay on Mucha and the Camera." Dust Jacket. Academy Editions hardcover books
1966Best.-Nr. 170959Prague: Artia Prague 1966. Hardcover. VG-/G foxing to boards to block overall shelfwear to boards corners bumped moderate wear to dust jacket including rips. White cloth boards with gilt design and stamped spine lettering. Glossy color-illustrated dust jacket with black and gold lettering. Illustrated end pages 291 pp. BW and color illustrations. Translated by Geraldine Thomsen. Introduction by Enid Da Silva. Photographs by Ladislav Neubert. Artia Prague hardcover books
1973Best.-Nr. 145744London / New York New York: Academy Editions / St. Martin's Press Inc 1973. Hardcover. VG / VG Some faint darkening around page edges. Otherwise clean and tight. Some light wear to extremities of dj. Red cloth over boards color illus. dj.; 143 pp.; Profusely illustrated in color and bw. Edited by Mucha's son Jiri. Introduction by Marina Henderson. Nicely illustrated with many full-page plates. Academy Editions / St. Martin's Press Inc hardcover books
Best.-Nr. 412Photo relief. Czechoslovakia. June and December 1897. LITHOGRAPH FROM L'ESTAMPE MODERNE. L'Estampe Moderne 1897-1898 a more commercial and later version of L'Estampe Originale was a monthly publication of print portfolios producing twenty-four issues containing four color lithographs each. Only a few prints exhibiting Japanese influence were issued mostly by minor artists yet they were equally as beautiful in image as their predecessors. unknown books
Best.-Nr. 12519303-6Rizzoli International Publications Incorporated. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Rizzoli International Publications, Incorporated unknown
2025Best.-Nr. __1636813992Mucha Foundation 2025. Hardcover. New. 240 pages. 12.00x9.50x12.05 inches. Mucha Foundation hardcover
2010Best.-Nr. 1025Dark Horse Comics 2010. 1st Edition 1st Printing. Hardcover. New/New. New in new dust jacket. SIGNED by Andrew Vachss on the title page signature only with a pitbull stamp. 1st edition 1st printing complete number line. New unread copy with dust jacket in a protective mylar sleeve. Sewn binding. Paper over boards. With dust jacket. 99 p. Contains: Illustrations. Audience: General/trade. Graphic novel by the author of 'The Weight' and 'Strega'. Rare signed. Where possible all books come with dust jacket in a clear protective plastic sleeve sealed in a ziplock bag wrapped in bubble wrap shipped in a box. Dark Horse Comics hardcover
1980Best.-Nr. 26050España: Dover Publications 1980. Tapa Blanda. Muy bien. 31x24. 9780486240442Dover PublicationsEspaña198031x24cm.0pp.Tapa blandaEstado=Muy bienRaro portfolio del sumo sacerdote del Art Nouveau. Joyería papel pintado vidrieras muebles estudios de figuras motivos vegetales y animales mucho más. Esta edición las 72 impresionantes láminas de 'Documents Décoratifs' en su color original. Edición David M. H. Kern. Prólogo Gabriel Mourey. Rústica. Texto: Inglés. Sin paginar. Dover Publications unknown
Best.-Nr. 30454Paris: H. Piazza and Cie. 1899. First edition first printing. First edition first printing. Limited edition. Folio. Contemporary half brown morocco by Paul Affolter with gilt titles and beautiful floral gilt and tinted leather inlay decorations to the spine the marbled boards ruled in gilt. Top edge gilt. Marbled endpapers. Printed rectos only. Upper and lower wrappers retained and bound in at the front and rear. Half title. Lavishly illustrated by Alphonse Mucha throughout in colour gilt and black and white. A very good or better copy the binding square and firm with some rubbing at the corners spine tips and hinges with a few light abrasions to the upper and lower boards the gilt bright and fresh. The contents with a discrete heraldic book label to the front pastedown some spotting to the early and late pages and to the margins are otherwise clean throughout. An excellent example of a scarce spectacular Mucha publication. Issued in an edition of 400 copies on laid paper from which this example is numbered 247. There was also an edition of 110 copies on Japanese paper. Published in December 1899 Le Pater is among the most visually and intellectually ambitious works of Alphonse Mucha the defining artist of the Art Nouveau movement. Conceived as a spiritual manifesto for the dawning twentieth century it marked a decisive departure from the commercial commissions that had brought Mucha international fame but in his own words little "true satisfaction". Having achieved immense success designing posters and advertisements for clients such as JOB cigarette papers and Moët & Chandon Mucha sought a project of greater artistic philosophical and spiritual significance one that would as he hoped "shine a light" into humanity's darkest corners. He found that inspiration in the Lord's Prayer bringing to it not only his Catholic upbringing but also his deep interest in spiritualism and Freemasonry. Mucha regarded Le Pater as one of his greatest achievements describing it as "the thing I have put my soul into". Charles Masson the influential critic reviewed Mucha's book in 'Art et Decoration' as "an opus of remarkable unity of ideas and execution". The volume presents a graphic and literary allegorical interpretation of the prayer that consists of seven sections each of which contains three pages: a heavily decorated title page that gives a line of The Lord's Prayer in Latin and French; a longer narrative interpretation in French of the line decorated in the style of an illuminated manuscript; finally a black and white illustration provides a visual expression of Mucha's interpretation. The title and narrative pages are printed in colour with gilt accents and are rich with Christian Masonic floral and folkloric symbolism. They are executed in Mucha's instantly recognisable primarily flat style that utilises thick outlines and intricate detail commonly seen in his poster designs. The black and white illustrations in contrast employ a soft-edged painterly technique and create a strong sense of depth and dimension through a dramatic use of light and shadow. The wide array of techniques displayed in one volume beautifully exemplify Mucha's impressive breadth of skill as both a graphic and a fine artist the latter being an aspect of his oeuvre that has perhaps been neglected by history. Mucha's interpretation of the Lord's Prayer is both unconventional and profoundly imaginative. Humanity appears as a vast multitude traversing surreal mountainous landscapes beneath immense luminous manifestations of the divine figures that are frequently female or androgynous in form. In the illustration accompanying "Give us this day our daily bread" a colossal figure with three breasts pours forth rivers of milk while a smaller floating figure bears a radiant heart symbolising the physical and spiritual nourishment upon which humanity depends. In the meditation on "Thy kingdom come" the assembled multitude advances in reverence toward a radiant figure marked by a glowing heart upon its chest expressing Mucha's conviction that love the central pillar of human existence is itself the embodiment of God's kingdom. This fusion of mystical imagery philosophical reflection and visual symbolism invites comparison with the visionary imagination of William Blake whose works likewise sought to unite poetry art and spiritual revelation into a single transformative whole. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Paris: H. Piazza and Cie. 1899 hardcover
Best.-Nr. 123437Paris Imprimerie F. Champenois 1897. . Two original colour lithographs both heightened with gold signed by the artist in the plate publisher's stamp to lower margins. Paper size: 41 cm x 31 cm framed and glazed overall size: 50 cm x 40 cm x 5 cm. L'Estampe moderne was a magnificent monthly French publication published between May 1897 and April 1899. Alfons Maria Mucha known in English as Alphonse Mucha was a Czech painter illustrator and graphic artist. Living in Paris during the Art Nouveau period he was widely known for his distinctly stylised and decorative theatrical posters particularly those of Sarah Bernhardt. Paris, Imprimerie F. Champenois, 1897. unknown
2018Best.-Nr. 216827Prague: Mucha Foundation Publishing 2018. First edition. Small softcover. 143 pages. A look at the photographs of Czech artist Alphonse Mucha who is best known for his art nouveau art works. Text in English. Features contributions by Tomoko Sato and Ian Jeffrey. Includes numerous black and white images a checklist chronology and a selected bibliography. A fine copy in wrappers. Surprisingly uncommon with only 3 copies listed in OCLC. Mucha Foundation Publishing unknown
Best.-Nr. 30007Bohemia Czech Republic: Johann Maresch. c.1898. Art Nouveau bas-relief siderolith plaque produced by Johann Maresch after 'Danse' one of four lithographs in Alphonse Mucha's 'Les Arts' series 1898. Stamped JM and with the model number 4495 to the reverse. In excellent condition with just one small nick to the paint surface of the dress. Dimensions 59 cm x 39.5 cm. A rare and beautiful bas-relief plaque that exemplifies Art Nouveau's emphasis on the marriage of the fine and decorative arts as well as Alphonse Mucha's monumental impact on the movement. The design is from Mucha's 'Danse' decorative panel from his 'Les Arts' series commissioned and printed by the Parisian printer Champenois. Mucha and Champenois embarked upon a successful partnership in 1896 producing theatre posters and advertisements for companies such as Moët and Chandon and Job cigarettes. Mucha's designs were so popular with the public that Champenois asked him to produce purely decorative posters without text for sale to collectors a new concept at the time. This prompted Mucha to develop his decorative panel series the first of which depicted the seasons personified as beautiful women. Later series were based on precious stones the moon and stars and times of day. Mucha's Chapenois panels present an intriguing distillation of Art Nouveau values reproducing incredibly skilfully executed and visually rich designs whilst also utilising industrial production methods embracing the practical nature of the decorative arts and rendering art available to a wide audience. Of the panels Mucha wrote "I was happy to be involved in an art for the people and not for private drawing rooms. It was inexpensive accessible to the general public and it found a home in poor families as well as in more affluent circles" Mucha Foundation. The work of Johann Maresch and his ceramic studio heavily influenced by Art Nouveau straddled a similar convergence of concepts creating both practical and purely decorative objects that were durable accessible and reflected commercially popular designs but always centred beauty and artistic merit. Johann Maresch produced ceramics of all kinds from fishbowls to figurines but Art Nouveau sensibilities surface particularly strongly in their vases many of which were designed by August Otto and relief plaques. Bas-relief was a common component of the Art Nouveau style utilised in architecture sculpture and interior and applied design to build the highly decorative opulent and naturalistic appearance for which the movement was known. This Johann Maresch production of 'Danse' creates an interesting extension of the Champenois panels and the idea of art as interior decoration. Originally designed for reproduction and for decorative use by a wide range of people the design is here reproduced with a further degree of separation in a material and form with a long history of use in mass-production and the applied arts rooting Mucha's work even further within the world of crafts. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Bohemia (Czech Republic): Johann Maresch. [c.1898] unknown
2005Best.-Nr. ANAIS-0197262368The British Academy 2005-05-05. 1. hardcover. Good. 19.4x1.4x25.5. Buy with confidence. Excellent Customer Service & Return policy. The British Academy hardcover
Best.-Nr. 3631664397.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2005Best.-Nr. x-0197262368British Academy 2005. Hardcover. New. 96 pages. 9.75x7.50x0.50 inches. British Academy hardcover
1989Best.-Nr. 076025Cambridge: Cambridge University Press. 288pp hardback brown boards gilt in dust-wrapper spine of wrapper sunned else very good . Very Good. Hardcover. 1st Edition. 1989. Cambridge University Press hardcover