562 Ergebnisse
Best.-Nr. DDC59GM
1900Best.-Nr. 19107Par Alfons (Alphonse) Mucha (1860-1939). Affichiste, illustrateur, graphiste, peintre Tchèque, il est le fer de lance du style "Art nouveau". Il se rend à Paris en 1887 pour continuer ses études. En 1900 il reçoit la médaille d'argent à l'exposition universelle.Carte postale verticale, avec le dessin sur 60% à gauche dans un cartouche rectangulaire aux arcs croisés "Art nouveau". Vers 1900. Non écrite au dos. Signée en bas à droite.Pas de rousseur. Très bon état. Format in-16°(14x9).
1900Best.-Nr. 19106Par Alfons (Alphonse) Mucha (1860-1939). Affichiste, illustrateur, graphiste, peintre Tchèque, il est le fer de lance du style "Art nouveau". Il se rend à Paris en 1887 pour continuer ses études. En 1900 il reçoit la médaille d'argent à l'exposition universelle.Carte postale verticale, avec le dessin sur 60% à gauche dans un cartouche rectangulaire aux arcs croisés "Art nouveau". Vers 1900. Non écrite au dos. Signée en bas à droite.1 ou 2 rousseurs au dos de la carte. Très bon état. Format in-16°(14x9).
1900Best.-Nr. 19105Par Alfons (Alphonse) Mucha (1860-1939). Affichiste, illustrateur, graphiste, peintre Tchèque, il est le fer de lance du style "Art nouveau". Il se rend à Paris en 1887 pour continuer ses études. En 1900 il reçoit la médaille d'argent à l'exposition universelle.Carte postale verticale, avec le dessin sur 60% à gauche dans un cartouche rectangulaire aux arcs croisés "Art nouveau". Vers 1900. Non écrite au dos. Signée en bas à droite.1 ou 2 rousseurs au dos de la carte. Très bon état. Format in-16°(14x9).
1902Best.-Nr. 19104Par Alfons (Alphonse) Mucha (1860-1939). Affichiste, illustrateur, graphiste, peintre Tchèque, il est le fer de lance du style "Art nouveau". Il se rend à Paris en 1887 pour continuer ses études. En 1900 il reçoit la médaille d'argent à l'exposition universelle.Programme de 6 pages intérieures, annonçant diverses représentations théâtrales à la comédie française. Les Burgraves (mercredi 26 février 1902) avec Mounet Sully, Paul Mounet.Couverture gaufrée sur laquelle figure une jeune femme en blanc sur fond gris, en train d'écrire. Signée de Mucha en creux, en bas à gauche.Ce programme annonce également le prochain journal l'illustration dont le numéro est presque entièrement consacré au centenaire de Victor Hugo. Un buste de Victor Hugo est représenté sur la première page.Pas de rousseur. Très bon état. Format in-12°(20x11).
1900Best.-Nr. 19103Par Alfons (Alphonse) Mucha (1860-1939). Affichiste, illustrateur, graphiste, peintre Tchèque, il est le fer de lance du style "Art nouveau". Il se rend à Paris en 1887 pour continuer ses études. En 1900 il reçoit la médaille d'argent à l'exposition universelle.Carte postale verticale, femme tenant un petit cartouche vertical. Vers 1900. Non écrite au dos. Signée en bas à gauche.1 ou 2 rousseurs au dos de la carte. Très bon état. Format in-16°(14x9).
Best.-Nr. 16864Titres et coupons illustrés, en couleurs, signés dans la planche, Paris, Imprimerie Chaix, 1898, série de 5 titres en 5 couleurs in-4.
2024Best.-Nr. PEINTUREEE951200724Paris, In Fine Editions d'art / Musée de Collioure, 2024, 19,5 x 25, 144 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée du 8 juin au 29 septembre 2024. "L'après-guerre ouvre une période heureuse et prospère pour Collioure qui attire alors à elle des artistes désireux de renouer avec le plaisir de la création et une certaine insouciance. Pendant un peu plus de 20 ans, Collioure, à l'instar d'autres villages de la côte méditerranéenne, construit sa légende. Ce Collioure, joyeux et festif, vibre autour de quelques personnalités fortes. Willy Mucha, René Pous, Balbino Giner aimantent autour d'eux artistes mais aussi stars du show-biz se mêlant dans une ambiance où le travail n'exclut pas la fête. On va à Collioure autant pour voir que pour être vu. Les derniers feux de la cité des peintres brillent alors de tout leur éclat avant que ne s'opère la mutation de cette côte en aire de loisirs sous la pression de l'héliotropisme et de l'aménagement touristique. En 1968, dans un immense feu de joie brûlent les barques de Collioure pour libérer la plage et faire de la place au tourisme naissant. Le port de pêche devient station balnéaire, l'authenticité se mue en folklore et les artistes désertent la ville. En 1985, l'installation du musée au sein de la villa Pams muséalise cette histoire désormais devenue patrimoine. Un monde en chasse un autre."
1973Best.-Nr. R300327981Academy Editions. 1973. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 143 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors texte et en frontispice. Texte en anglais. Jaquette passée, fanée sur le dos et déchirée.. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1992Best.-Nr. RO40173240Pontificia Università Lateranense, Roma. 1992. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 183 pages. Etiquette de code sur le 1er plat. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Best.-Nr. 24136Pars Imprimerie Chaix 1897 Planche N°94, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon (Our plate is one of the few copies printed on Japanese paper, original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches en lithographie, des plus belles affiches illustrées des grands artistes français et étrangers. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales données en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire d'une des très rares épreuves imprimées sur papier Japon, du tirage de tête (Our plate is one of the few copies printed on Japanese paper) ( Photographies sur demande / We can send pictures of this book on simple request )
2008Best.-Nr. SBS-9781593701116PENNWELL 2008. Hardcover. New. PENNWELL hardcover
2008Best.-Nr. SBS-9781593701116PENNWELL 2008. Hardcover. New. PENNWELL hardcover
1896Best.-Nr. 15844AB1896. Paris F.Champenois 1896. 1003 : 505 cm image Lithograph in colours by Alphonse Mucha. Framed in contemporary wooden frame. Alphonse Mucha's poster "Été" "Summer" is part of his series titled The Seasons created in 1896. This poster captures the essence of summer with its warm golden hues and lush flowing forms. Mucha depicts a young woman draped in a light flowing garment that accentuates the curves of her body embodying the sensuality and warmth of the season. She is surrounded by an abundance of flowers and foliage symbolizing the fullness and fertility of summer. Her hair long and wavy cascades down her back adding to the natural unrestrained feel of the image. Mucha's characteristic use of intricate lines and decorative patterns is evident in the detailed borders and the swirling motifs that frame the central figure. The poster exudes a sense of harmony and beauty typical of Mucha's Art Nouveau style where nature femininity and elegance are central themes. The soft color palette dominated by shades of gold green and soft pastels further enhances the idyllic dream-like quality of the work making "Été" a quintessential representation of summer's warmth and beauty. Alphonse Mucha was known for his distinctive Art Nouveau style characterized by its use of natural forms flowing lines and elaborate decoration. His techniques combined both traditional and innovative approaches contributing to his iconic aesthetic. Here are some of the key techniques and elements in Mucha's work: Line Work: Mucha's use of lines is one of the most defining aspects of his style. He employed fine flowing outlines to create graceful organic shapes that mimic the curves found in nature. His lines were often decorative and stylized contributing to the overall harmony and unity of the composition. Color Palette: Mucha favored a soft pastel color palette often using muted tones of gold green pink and blue. These colors were carefully chosen to create a sense of harmony and to evoke specific moods often reflecting the seasons or the subject matter of the piece. Ornamentation and Patterns: Mucha's works are rich in decorative elements and intricate patterns. He incorporated floral motifs arabesques and geometric designs into his compositions often framing the central figure with these ornate details. This ornamentation was not merely decorative but also served to enhance the thematic elements of the piece. Use of Light and Shadow: Although Mucha's work is more stylized than realistic he employed light and shadow to add depth and dimension to his figures. His approach to light was subtle often using gentle shading rather than harsh contrasts which contributed to the soft ethereal quality of his work. Symbolism: Mucha frequently used symbolic elements in his paintings and posters. For example flowers seasons and zodiac signs often carried deeper meanings related to themes of nature femininity and the passage of time. These symbols were seamlessly integrated into the decorative elements of his work. Composition: Mucha's compositions were carefully balanced often centered around a single idealized figure. He employed symmetry and repetition to create a sense of order and harmony with the figure often surrounded by elaborate circular frames or halos that draw the viewer's eye. Media and Techniques: While Mucha is best known for his posters and prints which were typically lithographs he also worked in a variety of media including painting drawing and jewelry design. His lithographic technique involved multiple layers of color carefully aligned to create richly textured and vibrant images. In his paintings he used traditional techniques such as oil on canvas but applied them with the same decorative and stylized approach as in his graphic works. Mucha's techniques were instrumental in defining the Art Nouveau movement blending fine art with applied arts and his work remains a cornerstone of this decorative style. Alphonse Mucha holds a significant place in the history of art particularly as a leading figure of the Art Nouveau movement. His influence extends beyond his immediate contributions to the art world affecting design advertising and popular culture. Here are some key reasons why Mucha is important in the history of art: 1. Pioneer of Art Nouveau: Mucha is often credited with shaping and popularizing the Art Nouveau style which emerged in the late 19th century. This movement was characterized by its use of organic forms flowing lines and intricate decorative patterns all of which are hallmarks of Mucha's work. His designs especially his posters became synonymous with the Art Nouveau movement defining its aesthetic and helping it gain widespread recognition. 2. Innovative Use of Graphic Design: Mucha was a pioneer in using graphic design as a fine art form. His work in advertising and posters elevated these mediums to a new level blending commercial appeal with artistic integrity. His posters for Sarah Bernhardt the famous actress are particularly notable. They not only promoted her plays but also became collectible works of art in their own right. 3. Influence on Decorative Arts: Mucha's influence extended beyond painting and posters to various decorative arts including jewelry furniture and interior design. His aesthetic principles were applied to everyday objects making art more accessible to the public. This blending of fine art with applied arts helped bridge the gap between high art and popular culture a concept that has continued to evolve in modern design. 4. Impact on Visual Culture: Mucha's style has had a lasting impact on visual culture influencing everything from early 20th-century design to contemporary art and popular media. His work has inspired countless artists and designers in the realms of illustration fashion and graphic design. The Art Nouveau style as epitomized by Mucha has seen periodic revivals and continues to be referenced in various cultural contexts demonstrating its enduring appeal. 5. Symbolism and National Identity: Beyond his contributions to Art Nouveau Mucha was also deeply involved in the promotion of Czech national identity. His later works particularly the Slav Epic reflect his interest in Slavic history and mythology aiming to create a visual narrative that celebrated his cultural heritage. This aspect of his work underscores the role of art in expressing and shaping national and cultural identity adding another layer to his importance as an artist. 6. Legacy in Fine Arts: Mucha's ability to blend aesthetics with practical applications laid the groundwork for future movements in art and design particularly in how art could be integrated into everyday life. His legacy is evident in the continued appreciation and study of his work which remains a significant part of museum collections and exhibitions worldwide. Alphonse Mucha's contributions to the art world go beyond his beautiful and iconic images; he played a crucial role in defining an era shaping modern design and influencing the intersection of art culture and commerce. His work continues to inspire and resonate across disciplines making him a central figure in the history of modern art. The panel 'Ètè' Summer out of the series 'Four Seasons'. Mucha made a panel for each of the four seasons. He represents each season with characteristic flair here the sultry Summer. Four Seasons was Mucha's first series of decorative panels and one of his most popular ones. An classic Art Nouveau piece. A highlight in each Mucha collection. - Here contemporary framed therefore in very good condition. unknown
Best.-Nr. 91686Academy Editions London. 1974. 4to 96pp. 93 black and white plates. A very good hardback copy in like dust jacket with some light creasing and sunning. Inscribed by Ovenden. Academy Editions, London. 1974 hardcover
Best.-Nr. B9781015649224Hardback. New. hardcover
189712 fasc. in un vol. in-folio (cm. 41,2x31,4), pp. (4), XLVIII, 248 (numerazione continua) + 21 meravigliose TAVOLE f.t. in typogravure (tra cui 19 a colori, 3 doppie); legatura editoriale m. pelle marron zigrinata, con titolo e fregi oro su dorso a 5 nervi. Gran titolo oro editoriale ornato al piatto in tela granulosa rossa, pelle solida e spessa, con qualche graffio o escoriazione, ma solida. Sguardie editoriali a fogliami oro su fondo malva, con brachetta edit. in tela. In fine sono legate le XLVIII pagine iniziali a numerazione romana. Conservate le superbe COPERTINE illustrate a colori da Frédérique Vallet, Hernandez, Bourgain, Jeanniot, Ridgway Knight, Carrier-Belleux, Adrien Moreau, Barrau, E. N. BLUE (la stupenda cop. "l'AUTOMOBILE"), Georges Cain (con BOUQUINISTE e damina; con strappo e manc. ang., da restaurare), Kaemmerer (Les Forains: CIRCO e giocolieri), Flameng. Appena avvertibile alle copp. l'insignif. rifilatura editoriale; forte carta patinata. Strappi a p. 177, minimi a 8 fogli, grave mancanza di un angolo al foglio introduttivo. Da segnalare i due racconti con 12 grandi disegni a colori (uno a piena pagina) di Alphonse MUCHA (Ivancice 1860 - Praga 1939): "Le Verglas" di Henri Ferrare (pp. 61-66) e "Le Fou" di Désiré Malonyay (pp. 221-223); "La Danse de la Petite Sorcière" (pp. 224-226) è anch'essa illustrata a colori da MUCHA + un disegnino b.n. a p. 173. Inoltre, centinaia di ILLUSTRAZIONI a colori e in b.n. n.t. e f.t., dovute a noti nomi dell'arte francese del tempo: JOB, Henri Willems, Trianon, METIVET, BAC, P. Avril, Alfred PARIS (militaria), Flameng, Albert Guillaume, Georges Roux, Adrien e Jean Moreau, Delbrueck (bella ciclista), Rosen (Napoleone), Ad. La Lyre, Piot, Sydney, Dusseuil, Mabuse, Holyoake, Mignard, Lafon ecc. Fra gli autori dei testi: Willy (Henri Gauthier-Villars), Ernest Daudet, Maurice Loir, Emile Duboc, Antonin Proust, Clarétie, Frédéric Masson, Henry Gréville, ecc. Numerose altre illustrazioni fotografiche intercalate n.t. Gli scritti comprendono prose narrative, poesie e saggi di vario genere. Fra gli argomenti toccati: bal masqué, Madame Du Barry, la vita culturale e i teatri a Parigi, Eleonora DUSE, la vita militare, Cosacchi, cannoni e torpediniere, la MARINA militare, la Banca di Francia, la SPEDIZIONE DI NAPOLEONE in SIRIA, WAGRAM, il Maharajah di Kapurthala, num. spec. sulla COMEDIE franç. (ritr. di Molière, molte foto si scena a col.), il giubileo della Regina Vittoria, la Guerra di CRIMEA, il Prix de Rome, ceramiche, viaggio a DELFO, l'Indocina, num. spec. (con 30 sontuosi dis. e foto) sul CIRCO e gli ACROBATI, la lotta libera, le MARIONETTE, i venditori di stracci ("chiffonniers"). 3 partiture musicali.
Best.-Nr. 6139024749.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2018Best.-Nr. 2-6139083990Editorial Académica Española 2018. Paperback. New. 160 pages. Spanish language. 8.66x5.91x0.37 inches. Editorial Académica Española paperback
1977Best.-Nr. Q-0486234444Dover Publications 1977-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
Best.-Nr. 34938096-nnew. unknown
Best.-Nr. 34938096like new. unknown
Best.-Nr. A9781138369405Hardback. New. hardcover
Best.-Nr. PJH53795Frankfurt Museum fr Moderne Kunst 1993. Booklabel of Simon Lee Near Fine in slightly creased publishers wrappers. Illustrated throughout. English Language edition. ISBN 3882704691 Frankfurt Museum fr Moderne Kunst 1993 unknown
Best.-Nr. 74219The Netherlands or Belgium ca. 1898. Six uniform printed cards. Oblong cards 9.3 x 14.0 cm. Printed on both sides. = A fine set of six Art Nouveau postcards with full colour illustrations after the great Jugendstil artist Alfons "Alphonse" Maria Mucha 1860-1939 with his autograph. The publisher is unknown. Probably published in the Netherlands as a Belgian publisher would more probably have printed a French as well as a Dutch text. Well-preserved. Not used. Slight age-toning a few tiny irregularities - including a small spot on one card - at the edges otherwise very good unmarked. Rare as we found no reference at all although a very similar card is known from a French publisher. unknown