561 résultats
1897réf. 73911Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1897 41 x 56 cm une feuille Original black and white print with full margins serving as cover for the famous monthly publication L'Estampe Moderne. Printed entirely in black our print is the cover of the rare deluxe volume with full margins from the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan with full margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist who had recently arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently been revealed in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine will be entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897réf. 73955Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1897 41 x 56 cm une feuille Original black and white print serving as cover for the celebrated monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume binding of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne comprises unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late nineteenth century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and plastered on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist who had just arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first bonus of the magazine was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous illustration of the covers. Very fine copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
réf. 1934449296.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 50-0961Craven 1953. Poster. Printed by Mourlot. Craven, 1953. unknown
réf. 30007Bohemia Czech Republic: Johann Maresch. c.1898. Art Nouveau bas-relief siderolith plaque produced by Johann Maresch after 'Danse' one of four lithographs in Alphonse Mucha's 'Les Arts' series 1898. Stamped JM and with the model number 4495 to the reverse. In excellent condition with just one small nick to the paint surface of the dress. Dimensions 59 cm x 39.5 cm. A rare and beautiful bas-relief plaque that exemplifies Art Nouveau's emphasis on the marriage of the fine and decorative arts as well as Alphonse Mucha's monumental impact on the movement. The design is from Mucha's 'Danse' decorative panel from his 'Les Arts' series commissioned and printed by the Parisian printer Champenois. Mucha and Champenois embarked upon a successful partnership in 1896 producing theatre posters and advertisements for companies such as Moët and Chandon and Job cigarettes. Mucha's designs were so popular with the public that Champenois asked him to produce purely decorative posters without text for sale to collectors a new concept at the time. This prompted Mucha to develop his decorative panel series the first of which depicted the seasons personified as beautiful women. Later series were based on precious stones the moon and stars and times of day. Mucha's Chapenois panels present an intriguing distillation of Art Nouveau values reproducing incredibly skilfully executed and visually rich designs whilst also utilising industrial production methods embracing the practical nature of the decorative arts and rendering art available to a wide audience. Of the panels Mucha wrote "I was happy to be involved in an art for the people and not for private drawing rooms. It was inexpensive accessible to the general public and it found a home in poor families as well as in more affluent circles" Mucha Foundation. The work of Johann Maresch and his ceramic studio heavily influenced by Art Nouveau straddled a similar convergence of concepts creating both practical and purely decorative objects that were durable accessible and reflected commercially popular designs but always centred beauty and artistic merit. Johann Maresch produced ceramics of all kinds from fishbowls to figurines but Art Nouveau sensibilities surface particularly strongly in their vases many of which were designed by August Otto and relief plaques. Bas-relief was a common component of the Art Nouveau style utilised in architecture sculpture and interior and applied design to build the highly decorative opulent and naturalistic appearance for which the movement was known. This Johann Maresch production of 'Danse' creates an interesting extension of the Champenois panels and the idea of art as interior decoration. Originally designed for reproduction and for decorative use by a wide range of people the design is here reproduced with a further degree of separation in a material and form with a long history of use in mass-production and the applied arts rooting Mucha's work even further within the world of crafts. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Bohemia (Czech Republic): Johann Maresch. [c.1898] unknown
réf. 74910Alphonse Mucha DAWN & DUSK Set of 2 posters Reproduction Colour Lithograph of Original From Mucha Foundation 60 x 45.5 cm Embossed Mucha Foundation lower middle Editioned 117/300 130/300 in pencil lower left Signed by the printer in pencil lower right
réf. 0980227135.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2005réf. Q-1891799258UNKNO 2005-03-30. Hardcover. New. In shrink wrap. Looks like an interesting title! UNKNO hardcover
réf. 3631664397.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9783631664391_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Die Auslegung des apokalyptischen Schrifttums vor dem Hintergrund der Herrschaft Domitians ermöglicht einen neuen Blick auf den letzten Flavier. Die Perspektive der Christen als Minderheit im Römischen Reich auf Domitian und die Verbind paperback
2008réf. 1-3836485095Vdm Verlag Dr. Müller 2008. Paperback. New. 72 pages. German language. 8.43x5.83x0.39 inches. Vdm Verlag Dr. Müller paperback
2008réf. 1-3639017315Vdm Verlag Dr. Müller 2008. Paperback. New. 92 pages. German language. 8.66x5.91x0.21 inches. Vdm Verlag Dr. Müller paperback
réf. 13930MUCHA Alfons Dictionnaire des Arts Décoratifs 1902 Illustration pour la Couverture du dictionnaire des arts décoratifs de Paul ROUAIX 1902. 265x165mm. Bon état
réf. ABE-3630195847"OUVRAGE ILLUSTRE D'ENVIRON 600 GRAVURES" DONT CERTAINES EN COULEURS-2 TOMES REUNIS EN UN SEUL OUVRAGE-RELIURE DEMI CUIR-PLATS MARBRES-4 FAUX NERFS-COUVERTURE AVEC ILLUSTRATION COULEURS DE MUCHA REPRISE EN PLANCHE INTERIEURE-QUELQUES ROUSSEURS (ETACA)
réf. 1190Paris, librairie illustrée Jules Tallandier, s.d. Deux volumes pleine percaline marron, reliure de l'éditeur par P. Ginoux, dos lisses ornés de motifs floraux en noir, titre doré, plats décorés en noir, titre doré sur les plats, dessin de Mucha en couverture, illustrations en n&b in-texte, xvii planches hors-texte. Rousseurs éparses, charnières frottées, mention manuscrite en page de faux-titre néanmoins bel exemplaire.
2026réf. LRB9004895Paris: Editions Recreasoft 2026 Langue : Français. Environ 706 pages. Impression sur papier premium. Français : Réimpression à la demande. Édition originale : 1902. Ouvrage de référence consacré aux arts décoratifs présentant un vaste ensemble de termes de notions et de techniques liés aux arts appliqués aux styles et aux métiers d'art. L'illustration abondante et variée met en valeur l'esthétique de l'ouvrage et son intérêt documentaire pour l'histoire du décor des formes et des procédés de fabrication au début du XXe siècle. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1902. This reference work is devoted to decorative arts offering a broad range of terms concepts techniques styles and crafts associated with applied arts. Its rich and varied illustrations underline both the visual appeal and the documentary value of the book for the study of ornament design and artistic production in the early twentieth century. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 0980227127.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3639381270.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1983réf. 76612Technisches Nationalmuseum Prag, 1983. 10 Bildtafeln in Mappe 10 Karten in Mappe (21x15 cm)
1901réf. 4603Original lithograph.11 x 15 in mat 17 x 21 in. Librairie Central des Beaux Arts
1901réf. 4862Original lithograph.18 x 13 in mat 16 x 20 in. Librairie Central des Beaux Arts
réf. 77936Paris Librairie Central des Beaux Arts 1901. Folio 46 x 33 cm. Original monochrome print. = A fine print from Alphonse Mucha's quintessential Art Nouveau book Documents décoratifs. Alfons Alphonse Maria Mucha 1860-1939 was a Czech decorative artist who wanted to bring aesthetic values into arts and crafts. He invented the Mucha Style which soon became known as Art Nouveau. His work immediately became immensely popular and has remained very sought after. This plate shows examples of horizontal bands with repeating patterns: the top one showing stag beetles and flowers the second showing turtles and flowers the third fish bubbles and "waves" and the fourth consisting of female portraits in circular frames and narrow ornamental bands suggesting a corniche frieze and architrave. Lower edge with a short tear; a few minute marginal spots; otherwise fine. Very rare especially in this excellent state. unknown
réf. 73317Paris Librairie Central des Beaux Arts 1901. Folio 46 x 33 cm. Original print. = A beautiful print from Alphonse Mucha's quintessential Art Nouveau book Documents décoratifs. Alfons "Alphonse" Maria Mucha 1860-1939 was a Czech decorative artist who wanted to bring aesthetic values into arts and crafts. He invented the "Mucha Style" which soon became known as Art Nouveau. His work immediately became immensely popular and remained very sought-after ever since. This plate shows two sides of this gifted artist: his ability to produce fine images in lithography but also his practical design skills in this case for jewelry including pins and rings. Slight toning towards the edges; outer edge with some light creasing; a few tiny spots otherwise fine. Very rare especially in this good state. unknown
réf. 72445Paris Librairie Central des Beaux Arts 1901. Folio 46 x 33 cm. Original monochrome print. = A fine print from Alphonse Mucha's quintessential Art Nouveau book Documents décoratifs. Alfons Alphonse Maria Mucha 1860-1939 was a Czech decorative artist who wanted to bring aesthetic values into arts and crafts. He invented the Mucha Style which soon became known as Art Nouveau. His work immediately became immensely popular and has remained very sought after. This plate shows examples of how to apply his new highly decorative style in glassware. Edges with minimal wear and light toning; lower edge with a short crease and tear; a few minute marginal spots; otherwise fine. Very rare especially in this excellent state. unknown
réf. 69774Paris Librairie Central des Beaux Arts 1901. Two plates. Folio 46 x 33 cm. Original prints. = A fine set of print from Alphonse Mucha's quintessential Art Nouveau book Documents décoratifs. Alfons "Alphonse" Maria Mucha 1860-1939 was a Czech decorative artist who wanted to bring aesthetic values into arts and crafts. He invented the "Mucha Style" which soon became known as Art Nouveau. His work immediately became immensely popular and remained very sought-after ever since. This set of plates show two sides of this gifted artist: his ability to produce fine images in lithography but also his practical design skills in this case for cutlery and other silverware. Edges with minimal wear otherwise fine. Very rare especially in this excellent state. unknown