W H BartlettBiblio.com
rif. 0331108674.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1331563933.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1331804124.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0331955776.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0259471089.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0259466883.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0331682303.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1838rif. 31686London: Published for the proprietors by George Virtue 1838. First edition. Three quarter dark green morocco over marbled boards boards ruled in gilt five raised bands ruled in gilt four compartments with floral gilt decorations two with gilt titles marbled endpapers all edges gilt. Very good boards and extremities rubbed owner's bookplate to free front end paper small faint semicircular stain to fore edge of first two preliminary leaves tissue guard and engraved title foxed and offset faint dampstain to lower inner corner marginal only scattered foxing to plates nearly all marginal or on blank backs otherwise plates are crisp text clean binding sold. A very handsome copy. 164 pp. 81 lvs. Illus. with 81 steel engravings: port. frontis title page vignette 78 view plates and 1 map. Sm. 4to. "This work had much influence in terms of increasing popular appreciation of its subject" Blackmer Lib. p. 405. Atabey 922; CBEL 3rd IV: 1378; Blackmer Coll. 1254; Blackmer Lib. 888. Published for the proprietors by George Virtue hardcover
1976rif. 26869Berkeley: Univ. California Press 1976. First edition. Cloth. A near fine copy with faint creasing to two leaves in a very good rubbed dust jacket. x 207 pp. Illus. with b/w photos. Sq. 8vo. Freitag 8929. Univ. California Press hardcover
1964rif. 35239Baton Rouge LA: Louisiana State University Press 1964. First. Hardcover. Very good/Very good. First edition thus very good red cloth hardcover shows bit of soil and staining at page edges toning along gutters of endpapers and some other trace wear in very good dust jacket price at flap that shows soil toning along spine end edgewear including small chips and tears. Still a pleasing copy of this engaging work originally published in 1875. Louisiana State University Press hardcover
rif. 6892001like new. unknown
rif. 44778730like new. unknown
rif. 026715898X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0267203365.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0267377711.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0267173857.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1330443756.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1331842921.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 133058905X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 16-5816London: A. Hall Virtue & co. 1853. 8vo. 15.5 x 24.1cm. Original publisher's gilt moroccoPhysical Description:xii 240 p : illus ; 26 cm.OCLC Number / Unique Identifier:1154931627 London: A. Hall, Virtue & co. 1853 unknown
rif. C270301353LWW 2018-11-09. hardcover. Very Good. 8x2x11. VERY GOOD Contains one or two pages of minor writing or highlights and Underlines. Legible and in good shape. Minor to slightly heavy wears on cover from warehouse shelves. Used so may not contain codes/CDs/Inserts that is included with the book. LWW hardcover
1948rif. 208972Andover MA: Addison Gallery of American Art 1948. First edition. Hardcover. Good dj ripped with dampstaining stuck in some places to boards. Boards and pages in excellent condition. White dj with color illustrations and black text Gray boards with green text. 6 7-78 pp. Features many bw and some color illustrations. "The creative process lies not in imitating but in paralleling nature translating the impulse received from nature into the medium of expression thus vitalizing this medium. The picture should be alive the statue should be alive and every work of art should be alive." Thus Hans Hofmann wrote nearly half a century ago. He left the Old World Germany for the New at the age of 50. In 1948 when the retrospective exhibition was held at the Addison Gallery of American Art Hofmann was 68; he had been in the United States for 18 years a citizen for seven years. Yet he was scarcely recognized in Europe or America as an artist of significance and had never had a full-scale retrospective exhibition of his work. Beginning with a group exhibition in Germany in 1909 he had been given 12 one-man shows and had been included in four group exhibitions before the exhibit at Andover. Subsequently he was to have 33 one-man shows and to be in over 60 group exhibitions including the 1960 Venice Biennale in which he was one of the four artists chosen to represent America. The catalogue of the 1948 retrospective at the Addison Gallery incorporated Hofmann's writings all originally written in German some pieces translated fluently others awkwardly paraphrasing the original. He had written them over a period of 40 years for periodicals journals or his own teaching purposes occasionally they overlapped there was no sequence of development. In the original volume of Search for the Real published in 1948 it was felt desirable to edit his writing as little as possible nevertheless to present the essays in the most lucid English true to his meaning printed only with his approval. "The Search for the Real in the Visual Arts" "Sculpture" and "Painting and Culture" were all printed in full. The section "Excerpts from the Teaching of Hans Hofmann" was composed of selections from his essays "On the Aims of Art" and "Plastic Creation." The last brief section "Terms" was gleaned from the other essays lectures diagrams notes and cryptic memoranda written to himself headed by one of Hoffman's diagrams. It was a further distillation of his own definitions in the nature of a vocabulary. In the last 18 years of his life recognition was his nationally and internationally in proportion to the originality and depth of his thinking his versatility and comprehensiveness his productivity and vigor. His was a prophetic visual expression of action in a three-dimensional world on a vibrating two-dimensional surface. He was a dynamic teacher the wide range of his influence is to be seen in the list of artists comprising an exhibition "Hans Hofmann and His Students" circulated in America and abroad during the three years before his death in 1966. Among the 32 painters and sculptors in this exhibition were students as varied in their developed personal idioms as Helen Frankenthaler Larry Rivers Louise Nevelson Richard Stankiewicz and Alan Kaprow. Running simultaneously and also shown in South America and Europe as well as in the United States a one-man show of 40 major works initiated by the Museum of Modern Art New York is a testimony to the words of the "dean of the New York School of Abstract-Expressionist Painting." Addison Gallery of American Art hardcover
2014rif. 209557New York NY: Damiani and Matsumoto Editions 2014. Hardcover. VG. Orange boards with yellow text. 87 pp. Many color and bw illustrations. "Jennifer Bartlett came to prominence in New York in the late 1960s and early 70s. Her iconic style is defined by an adherence to the grid structure and consistent use of baked enamel steel plates for support among various other materials. Throughout her career Bartlett has consistently worked in a serial nature choosing to investigate her subjects in depth." Damiani and Matsumoto Editions hardcover
1953rif. 206003NY: New York Historical Society 1953. Hardcover. VG ex library with small bookplate otherwise tight clean and unused. Green cloth. 18 bw plates. Volume 1 xiv 311 p.: Introduction. Contains a History of The American Academy by Theodore Sizer and a Foreword by James Thomas Flexner. Essay on the American Art Union by Charles E. Baker; Publications of The Art-Union by Mary Bartlett Cowdrey; Sale of Art-Union Holdings by Malcolm Steams Jr. Includes Table of Art Works purchased with buyers and prices alphabetically by artist and list of buyers with artists whose work they purchased. Extremely rare. New York Historical Society hardcover
1877rif. 207083Troy N.Y.: William H. Young 1877. Hardcover. VG: Exlibrary book. Sticker at the base of the spine. Plate on the front pasted end page. Wear to the edges and corners of the boards. Some tanning to the pages. Solid binding and readable text. A red casebound book with gilt text on the spine. 316 pages; black-and-white frontispiece; black-and-white plate. William H. Young hardcover
