COURTELINE (Georges); SEMLivre Rare Book
409 risultati
rif. 19859Paris, Javal et Bourdeaux, 1927. In-4, 152 pp, maroquin vert de René Kieffer, plats mosaïqués et dorés, dos à nerfs orné de filets dorés, important encadrement intérieur orné de filet doré, doublure et garde de toile ornée de motifs floraux, tête dorée, couverture conservée, étui bordé (insolation, quelques petites épidermures).
1917rif. 12996Paris, Pierre Lafitte, 1917. 1 vol. in-8. Demi-maroquin havane à coins, filet doré sur les plats, dos à nerfs, motifs mosaiqués ornant le dos : obus, légionnaire et chinois, titre, auteur et date dorés, tête dorée, exemplaire à toutes marges, couvertures et dos conservés. [VERMOREL].
1915rif. 191415SSParis: MOT 1915. First Edition. all issues bound in one volume. Very Good. LE MOT hedomadaire illustre published and printed by MOT gerant: Paul Iribe Paris. Vols. 1-20 Nov. 1914 - July 1915 all published. Contemporary private half leather. Folio. 17.5" x 11.5" Untrimmed. With various invitation-leaflets for subscription bound in. Each title page has a very small stamp "J de Sainte Foy" on top Complete set of famous satirical bi-monthly by Jean Cocteau marked by its pacifist and anti-militaristic stance with pronounced anti-German sentiment. Contributors incl. a.o.: Raoul Dufy Sem Gleizes Iribe André Lhote Léon Bakst and Cocteau some contributions signed under his pseudonym Jim after his dog's name. MOT unknown
1914rif. 21301Paris Imprimerie du Succes 1914 1 in-folio Paris, Imprimerie Succès, 1914, premier fascicule in-folio, broché, couverture illustrée d'une paire de ciseaux dorés et gaufrés, titre en noir, 32 pages.
1914rif. 23308Paris Imprimerie du Succes 1914 1 in-folio Paris, Imprimerie Succès, 1914, fascicule in-folio, broché, couverture illustrée d'une paire de ciseaux dorés estampée à froid, titre en noir, 32 pages.
1914rif. 125086Paris: Succes 1914. Hardbound. Condition varies sold as a collection of plates. The front cover with the gold scissors is dampstained and soiled. The first three sheets of mounted ads show moisture offsetting to some degree. The next 35 pages or so 17 sheets are virtually free of defects other than very slight waviness. Following these sheets the progression of moisture damage is rapid through the final four sheets of text and the following sheets of ads. Thus sold as a collection of rare pochoir plates. Large folio mounted in buckram with pochoir plates tipped-in advertisements and additional illustrations throughout. Approx. 66 pp. including 22 pp. narrative text. See condition notes. No statement of limitation is noted as has been described by other booksellers. Stunning and rare a real shame that is is not in better condition. Please contact me for more information. Created by the French artist/caricaturist George Goursat 1863-1934. His work both written and illustrated was full of humor inspired by his observations of European high society. Succes hardcover
1914rif. 125086Paris: Succes 1914. Hardbound. Condition varies sold as a collection of plates. The front cover with the gold scissors is dampstained and soiled. The first three sheets of mounted ads show moisture offsetting to some degree. The next 35 pages or so 17 sheets are virtually free of defects other than very slight waviness. Following these sheets the progression of moisture damage is rapid through the final four sheets of text and the following sheets of ads. Thus sold as a collection of rare pochoir plates. Large folio mounted in buckram with pochoir plates tipped-in advertisements and additional illustrations throughout. Approx. 66 pp. including 22 pp. narrative text. See condition notes. No statement of limitation is noted as has been described by other booksellers. Stunning and rare a real shame that is is not in better condition. Please contact me for more information. Created by the French artist/caricaturist George Goursat 1863-1934. His work both written and illustrated was full of humor inspired by his observations of European high society. Succes hardcover books
1914rif. 1696631914. SEM Georges Goursat. Le Vrai et le Faux Chic. The True and the False Chic. 32pp. Colour lithography Illustrated throughout. Folio. 470 mm x 330 mm. Original decorated wrappers with a large embossed illustration of a golden pair of scissors on the front cover and a woman sitting side saddle on a horse on the rear cover. Paris Imprimerie du Succes 1914. A handsome copy of this satirical view of the high life in Paris on the eve of World War One. The illustrations in color and black and white including mounted photos include pictures of cars interior design and fashion along with several advertising pages of French luxury restaurants champagne and perfume. Wear to the wrappers as well as a small stain to rear wrapper otherwise a fine copy. unknown
rif. 53831Bordeaux: Librairie Nouvelle 1889-1890. Folio 50 x 33 cm. Introductory leaf plus 10 leaves of illustrations and 4 leaves of advertisements printed in red. Original paper wrappers titled in silver and gilt. 10 illustrated leaves ONLY of. comprising 8 full page and one double page pochoir colour illustrations signed G.G in the print. Covers dust-soiled occasional minor blemishes the double page image rather foxed remainder generally clean. Issued without date but some advertisements proclaiming successes in the Paris exposition of 1889 One of Goursat's earliest publications still signing his illustrations with his own initials. Rare - although sadly incomplete. Bordeaux: Librairie Nouvelle, [1889-1890].* unknown
rif. 90891Paris 1913. . Lithograph hand-coloured in pochoir. Overall size: 58.5 x 43.5cm - mounted. Tangoville sur Mer featured caricature portraits of well-known men and women in France including Coco Channel; Octave Mirbeau; Caroline Otero; Auguste Rodin; Gabrielle d'Annunzio; Baron Edmond de Rothschild; Aga Khan III etc. Paris, 1913. unknown
rif. 90890Paris 1913. . Lithograph hand-coloured in pochoir. Overall size: 58.5 x 43.5cm - mounted. Tangoville sur Mer featured caricature portraits of well-known men and women in France including Coco Channel; Octave Mirbeau; Caroline Otero; Auguste Rodin; Gabrielle d'Annunzio; Baron Edmond de Rothschild; Aga Khan III etc. Paris, 1913. unknown
rif. 90889Paris 1913. . Lithograph hand-coloured in pochoir. Overall size: 58.5 x 43.5cm - mounted. Tangoville sur Mer featured caricature portraits of well-known men and women in France including Coco Channel; Octave Mirbeau; Caroline Otero; Auguste Rodin; Gabrielle d'Annunzio; Baron Edmond de Rothschild; Aga Khan III etc. Paris, 1913. unknown
1876rif. 94796Nice: D. Boistier & Fleuedelys Editeur. 1876. First editions of these attractive souvenirs featuring spirited renderings of the carnival procession at Nice in 1876. Both were clearly taken on the spot Giordano's perhaps being the more sophisticated and featuring identifications of some of the floats. These include the Floats of the Beetles and of the Rabbits the Float of Cosmography and the Float of the Kitchen turned Upside-down la Cuisine Renversée with a group of animals feasting on human flesh with a chef hanging in the meat-safe all of which feature in both panoramas. Details of both artists are elusive: neither is listed in Thiemme-Becker or Vollmer and Sem is often confused with the later and better-known caricaturist Georges Goursat who would have been just 13 at the time of publication. Frederick Sem seems to have made some sort of career as an artist-illustrator based in London catering to literary and theatrical circles Blake. Fragile and consequently highly ephemeral these panoramas offer an appealing evocation of the beginnings of the modern carnival in Nice. We locate the Bibliothèque nationale Française copy only of the first-named; the second is unrecorded. Both landscape octavo. Folding lithographic panorama to each 720 and 880 mm long respectively. Original pictorial paper wrappers. A little used a few minor chips and splits misfolds to the panoramas but overall very good. Erin Blake "The mysterious 'Sem'" Folger Shakespeare Library website blog post. unknown
rif. 5238LAUTREC/LE RIRE deuxième année 1895/1896.hebdomadaire n°53 à 104 dans une reliure demi-cuir rouge époque,titre,filets dorés.Faux-titre,titre,n°53 du 9 novembre 1895 au n° 104 du 31 octobre 1896,non rogné, plats légèrement frottés.Sinon très bon état.Année complète avec les 6 n° avec illustration noir ou couleur de TOULOUSE LAUTREC n°du 21/12/1895,du.8/02/1896,du 11/02/1896,du 15/021896,28/09/1896,du 24/10/1896 illustrations noir et couleurs,pleine page ou bine dans le texte de Théophile Alexandre STEINLEN,Jean Louis FORAIN,Benjamin RABIER, LEANDRE,CARAN d’ACHE,ROUBILLE,CAPIELLO,GERBAULT VALLOTON, VEBER etc.textes de Pawlowski,Willy,Jules Renard,Alphonse Allais,Franc-Nohain etc.
1910rif. 55501c. 1910. Georges Goursat 1863-1934 known as Sem attained a high level of success with his wonderful portrayals of Paris at the turn of the century. This outstanding caricaturist was a member of the Salon des Humoristes and an officer of the Legion of Honor. His works offer us glimpses into Parisian high society at the turn of the Century. Sem's unique talent made his work very identifiable particularly because of the essential sobriety of his composition in which his characters usually emerge from a white or plain background rather than being more obvious caricatures. Sem captured the spirit of the subject and in turn produced images that were true to life. This wonderful print is a brilliant example of Sem's series "Famous Personalities from Montecarlo" published in Paris c.1910. Size: 725 x 515 mm. Lithograph. Printed colour. Mounted size 855 x 640 mm. Very good condition. unknown
1946rif. YMX-1718Editions Javal et Bourdeaux 1927.Illustrations de SEM (Marie Joseph Georges Goursat dit)-Un grand volume in-4°.Tiré à 590 exemplaires,1/15(II) sur Japon impérial numérotés en chiffres romains réservés à un groupe de bibliophiles indépendants et signés par l'artiste,celui-ci est signé et accompagné d'une suite en noir,avec serpente, sur Japon .Relié en 1/2 chagrin rouge à coins tr.Dorée,couverture conservée (chAl)
rif. 35600176Monsieur Heidsieck habillé en bouteille de Champagne se faisant croquer par Sem. Au second plan, chevaux, jockeys et turfistes. Eventail édité par Chambrelent à Paris. Belle composition en couleurs sur une face par le caricaturiste mondain Sem montrant des courses à Auteuil.
1910rif. 74727Paris c. 1910. Georges Goursat 1863-1934 known as Sem attained a high level of success with his wonderful portrayals of Paris at the turn of the century. This outstanding caricaturist was a member of the Salon des Humoristes and an officer of the Legion of Honor. His works offer us glimpses into Parisian high society at the turn of the century. Sem's unique talent made his work very identifiable particularly because of the essential sobriety of his composition in which his characters usually emerge from a white or plain background rather than being more obvious caricatures. Sem captured the spirit of the subject and in turn produced images that were true to life. This beautiful print is a part of Album de Sem published in Paris c. 1910. Lithograph. Printed colour. Size: 560 x 723 mm Fair condition. unknown
rif. 2666313,2x8,6 cm,collé sur carton fort,signé
1910rif. 234861910 1 S.l., (1910), in-8, en feuilles sous étui vert, à rabats, en simili peau verte cartonnée estampée à froid titré, illustré de 10 planches.
1930rif. 27102Paris 1930. Folio. 19 3/4 x 13 inches. 16pp. with illustrations coloured using the pochoir process. Stitched wrappers. A fine copy of this work containing two stories: one of creative hair-dressing and the second of a nose-job. Georges Goursat moved to Paris in about 1900 and adopted the professional name 'SEM' in honour of the 19th-century illustrator Chaim Amédée de Noé and during his long and very successful working life recorded Paris and the French upper classes during four decades - a speciality was to produce images which are somewhere between straight portraits and outright caricature. He was also capable of more straight-forward illustration satirical work as well as producing a great deal of purely commercial work. unknown
1897rif. 550141 vol. in-folio agrafé, Tourny-Printemps, 1897, 26 pp. avec 4 planches doubles hors texte dont : Une Partie de Lawn-Tennis (par Sem)
1900rif. 20752Paris 1900. Very good condition. Lithograph by the French caricaturist 'SEM' Georges Goursat 1863-1934 who was recognized for his caricatures of socialites of the French Belle Epoque and of the people who served their fashion needs. He was active in the early years of the 20th century. The caricature depicts a bowler hat being produced through 'alchemy' by the famous Paris hat maker Gelot located at the place Vendome. Gelot was the preferred hat maker of King Edward VII; his coat of arms is at the top of the image. The hat maker raises a domed cover or cloche to reveal a freshly produced black bowler hat as steam billows in the background. One has the impression the hat was fashioned or cooked up through some instant proprietary process and all the hat maker had to do was raise the lid to reveal his latest creation. The cloche was perfected by the French as a way of protecting tender plants. Lithograph with stenciled color signed in the plate. Approximately 13 x 19 3/4" unknown
1930rif. 27102Paris 1930. Folio. 19 3/4 x 13 inches. 16pp. with illustrations coloured using the pochoir process. Stitched wrappers. A fine copy of this work containing two stories: one of creative hair-dressing and the second of a nose-job. Georges Goursat moved to Paris in about 1900 and adopted the professional name 'SEM' in honour of the 19th-century illustrator Chaim Amédée de Noé and during his long and very successful working life recorded Paris and the French upper classes during four decades - a speciality was to produce images which are somewhere between straight portraits and outright caricature. He was also capable of more straight-forward illustration satirical work as well as producing a great deal of purely commercial work. unknown books
rif. 26877Paris early 20th century. Folio. 20 pages of illustrations many highlighted in white and other colours. Unbound. The noble emperor in many settings mostly shopping including at the tailor in a Rolls Royce and looking at girls in 1920s costumes. Georges Goursat moved to Paris in about 1900 and adopted the professional name 'SEM' in honour of the 19th-century illustrator "Cham" Amédée de Noé and during his long and very successful working life recorded Paris and the French upper classes during four decades - a speciality was to produce images which are somewhere between straight portraits and outright caricature. He was also capable of more straightforward illustration satirical work as well as producing a great deal of purely commercial work. unknown
