33 risultati
1929rif. 3961Sixteen colored etchings including 15 hors texte. Foxing to periphery see images. Number 154 of only 325 copies on Rives paper. ; Quarto 10 x 13.2 inches; 255 x 333 mm; xiv 258 1 pages; All shipments through USPS insured Priority Mail. Editions d'Art de Intermediaire du Bibliophile paperback
1925rif. 737231925. Signed. CHIMOT douard. ÒNu Feminin.Ó Original signed color aquatint. Paris circa 1925. Original large aquatint image 13 by 17-1/2 inches sheet measures 20-1/2 by 26 inches. $1800.Impression number 21 of only 200 copies of this beautiful full-length color aquatint of a female nude signed by Chimot both in the plate and on the print.Influenced by Lautrec Renoir Rodin and later the Symbolists douard Chimot taught himself painting and directed his talent primarily to etching often for fine private-press limited editions. Best known for his voluptuous erotic images he has been called Òthe painter of feminine sensualityÓ Slatkine Livres Illustrs 1900-1930. Chimot reached his artistic height during the 1920s and early 30s. He had become a significant figure in the Paris art world with a public Òhungry for his late-Symbolist nudes Ôsoumises leurs passions mortelles et dlicieusesÓ Andr Warnod. Fine condition with only a few minor white spots to margin not affecting image. unknown
1927rif. 47879Paris.: Les Editions d'Art Devambez. 1927. Loose as issued in original publisher's cream printed wrappers with titles to front cover and spine in black blue faux leather-backed marbled board chemise with title labels and matching slipcase. Large 8vo. 290 x 196 mm. Half-title with justification verso original colour etching by Chimot as frontispiece printed title and Magere's text illustrated with 17 original etching 9 full-page 'Table des Poèmes' 'Table des Illustrations' and final leaf with colophon and achevé d'imprimer; each of Chimot's etchings is present in two states: as published and in monochrome with remarques. 'Les Belles de Nuite' with additional suite and a signed original drawing by Chimot.From the edition limited to 446 numbered copies with this one of 75 on Japon Impérial with the etchings in two states 'état définitif' and 'état avec remarque' and with an original signed drawing by Chimot.Chimot's original drawing a head and shoulders portrait of a woman executed in pencil charcoal and with colour crayon highlights on a sheet of Arches is signed in pencil at lower right.Also included loosely inserted is an additional etching one of four issued only with the first 20 copies of the book. Les Editions d'Art Devambez. hardcover
1929rif. 75240Paris: Editions d'Art de l'Intermédiaire du Bibliophile 1929. Fine. Editions d'Art de l'Intermédiaire du Bibliophile Paris 1929 25 x 33 cm relié sous étui Edition illustrated with 16 original color etchings by Edouard Chimot one of 25 copies on Imperial Japan paper deluxe copy after 46 other Japan copies variously enhanced. Full red morocco binding spine with four large raised bands set with gilt fillets burgundy watered silk endpapers and pastedowns frame of triple gilt fillets on the pastedowns following endpapers of marbled paper all edges gilt original wrappers preserved slipcase with red morocco entry moiré-effect paper boards marbled paper interior superb full morocco binding signed Vaissière relieur castrais. Our copy contains the three states of the 16 plates hors-texte and an original color drawing signed by Edouard Chimot as indicated in the justification page. Fine copy perfectly established in a signed full morocco binding with an original color drawing by Edouard Chimot. Editions d'Art de l'Intermédiaire du Bibliophile hardcover
1920rif. 63889Paris: Le livre du bibliophile 1920. Fine. Le livre du bibliophile Paris 1920 18.50 x 27.50 cm relié First edition one of 70 copies on Hollande Van Gelder initialed by the author and artist and containing two states of the etchings. Work illustrated with twelve original color etchings by the artist and twenty-three pencil drawings printed typographically by Edouard Chimot. Full red and dark brown morocco binding smooth spine depicting an infernal landscape inlaid with light brown grey and dark blue morocco boards illustrated with bronze flame motifs intertwining in inlay bronze and gilt fillets emphasizing the separation between the red and brown morocco gilt zigzag fillet at foot of first board pastedowns framed with red and dark brown morocco gilt and palladium fillets framing the pastedowns pastedowns and endpapers lined with red moiré silk top edge gilt deckled edges covers and spine preserved. Slipcase lined with paper and edged with red morocco. Near-contemporary binding signed A. Bianchi. Paper of the slipcase detached in places. Very handsome copy in a remarkable Art Deco-inspired decorative binding. Le livre du bibliophile hardcover
1938rif. 38034Paris: Chez l'Artiste 1938. Edouard Chimot. Two volumes COMPLETE WITH THE SUPPLEMENT. Chimot's rarest and most sought-after book. Illustrated with six original full-page hors-texte color etchings with aquatint. Edition limited to 97 numbered copies SIGNED BY CHIMOT of which this is one of 75 numbered copies printed on fine Rives wove paper. WITH THE SUPPLEMENT of truly obscene poems OF WHICH ONLY A FEW COPIES WERE PRINTED "Quelques exemplaires pour l'artiste et ses amis". The supplement includes four additional etchings FOR A TOTAL OF TEN FINE COLOR ETCHINGS BY CHIMOT CONSIDERED TO BE HIS BEST WORK. Large 4to. Loose as issued in original wraps. Uncut. A bit of scattered foxing on text plates clean else fine and bright. In the original slightly worn board chemise and slipcase. A LEGENDARY RARITY. Chez l'Artiste paperback
1931rif. 132689Paris: Éditions d'Art Devambez 1931. Signed by the illustrator First edition thus artist's copy number G of 15 copies on different types of paper reserved to the collaborators and signed by Chimot on the justification page. Édouard Chimot 1880-1959 was a French artist illustrator and editor whose career reached its peak in the 1920s in Paris through the publication of fine quality art-printed books. His own artistic work occupies a characteristic place and his editorial role was extremely important in bringing together some of the outstanding talents of that distinctive period in French art. With the Wall Street Crash of 1929 wiping out the market for fancy limited editions the present work was the last of Chimot's productions for Devambez. A rare survival: Library Hub lists only 1 copy held institutionally at the Bibliothèque nationale de France. Folio 325 x 248 mm. 23 full-page aquatint etchings in different states on 75 plates including the extra suite of 23 plates in two states some in bistre with remarques or in black; and 17 large in-text illustrations by Édouard Chimot. Near-contemporary red morocco by Trinckvel gilt titles on spine "ERS" tooled in gilt on front board marbled paper boards heightened in gold top edge gilt others uncut marbled endpapers heightened in gold original printed wrappers preserved printed in red and black. Early ink inscription dated 1932 to one of the preliminary blanks. Light wear to extremities light foxing throughout a near-fine copy. OCLC 458495941. hardcover
1941rif. 47759Paris.: Le Livre du Bibliophile Georges Briffaut Editeur. 1941. Loose as issued in original publisher's printed wrappers with titles in red and black to front cover and spine burgundy board chemise with paper label with titles to spine and matching slipcase. Small folio. 330 x 254 mm. Half-title with justification verso inserted leaf with original colour etching by Chimot as frontispiece printed title in red and black dedication to Théophile Gautier 'Au Lecteur' and Baudelaire's verse illustrated with 20 etchings in colour by Edouard Chimot frontis. included 'Table des Matières' and final leaf with achevé d'imprimer From the edition limited to 500 numbered copies with this one of 26 from the édition de tête on Japon Impérial with five planches refusées in three states an original signed drawing for one of the plates and two additional suites of the plates each with remarques.The material with this set includes:1. 20 colour etchings as published.2. 20 colour etchings with remarques.3. 20 monochrome etchings with remarques.3. 5 planches refusées each in 3 state.4. Original signed drawing for one of the prints. Le Livre du Bibliophile, Georges Briffaut, Editeur. unknown