269 résultats
1929réf. 75240Paris: Editions d'Art de l'Intermédiaire du Bibliophile 1929. Fine. Editions d'Art de l'Intermédiaire du Bibliophile Paris 1929 25 x 33 cm relié sous étui Edition illustrated with 16 original color etchings by Edouard Chimot one of 25 copies on Imperial Japan paper deluxe copy after 46 other Japan copies variously enhanced. Full red morocco binding spine with four large raised bands set with gilt fillets burgundy watered silk endpapers and pastedowns frame of triple gilt fillets on the pastedowns following endpapers of marbled paper all edges gilt original wrappers preserved slipcase with red morocco entry moiré-effect paper boards marbled paper interior superb full morocco binding signed Vaissière relieur castrais. Our copy contains the three states of the 16 plates hors-texte and an original color drawing signed by Edouard Chimot as indicated in the justification page. Fine copy perfectly established in a signed full morocco binding with an original color drawing by Edouard Chimot. Editions d'Art de l'Intermédiaire du Bibliophile hardcover
1930réf. 74957Paris: Editions Lapina 1930. Fine. Editions Lapina Paris 1930 16 x 23 cm relié First edition one of 50 numbered copies reimposed on Japan Imperial paper ours being one of the few hors commerce copies deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan. Illustrated work as frontispiece with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff. Half chocolate brown morocco binding with corners spine with five raised bands gilt date at foot black roulettes on headcaps black fillet frame on wood-effect paper boards wood-effect paper endpapers and pastedowns covers and spine preserved top edge gilt perfect unsigned binding. Very handsome copy perfectly executed and complete as stipulated in the justification page with the double state of Edouard Chimot's drypoint with remarques 1 proof of the cancelled plate and 1 suite of the lithographs on Japan. Editions Lapina hardcover
1956réf. 75013Paris: Presses de Pierre Gaudin 1956. Fine. Presses de Pierre Gaudin Paris 1956 24.50 x 32.50 cm relié sous étui Illustrated edition with 12 original color compositions by Edouard Chimot one of 50 numbered copies on Rives wove deluxe issue after 23 other copies on Rives wove. Half orange-red morocco over corners smooth spine illustrators name gilt at foot gilt fillet framing on vellum-style paper boards marbled endpapers and pastedowns original covers preserved all edges gilt slipcase edged in orange-red morocco with marbled paper panels and interior binding signed Vassière binder in Castres. This copy includes the additional suite of the illustrations in black as stated in the colophon. A fine copy handsomely bound. Presses de Pierre Gaudin hardcover
1926réf. 66486Paris: Editions de l'intermédiaire du bibliophile 1926. Fine. Editions de l'intermédiaire du bibliophile Paris 1926 22 x 26 cm broché Edition illustrated with 10 original etchings by Edouard Chimot one of 25 numbered copies on Japon imperial paper deluxe copy. The work is also illustrated with typographical ornaments by Paul de Pidoll. Handsome full-margined copy. The first gathering tends to come slightly loose. Our copy like all copies printed on Japon imperial paper contains the complete suite of 10 original compositions by Edouard Chimot in triple state. Editions de l'intermédiaire du bibliophile unknown
1920réf. 63889Paris: Le livre du bibliophile 1920. Fine. Le livre du bibliophile Paris 1920 18.50 x 27.50 cm relié First edition one of 70 copies on Hollande Van Gelder initialed by the author and artist and containing two states of the etchings. Work illustrated with twelve original color etchings by the artist and twenty-three pencil drawings printed typographically by Edouard Chimot. Full red and dark brown morocco binding smooth spine depicting an infernal landscape inlaid with light brown grey and dark blue morocco boards illustrated with bronze flame motifs intertwining in inlay bronze and gilt fillets emphasizing the separation between the red and brown morocco gilt zigzag fillet at foot of first board pastedowns framed with red and dark brown morocco gilt and palladium fillets framing the pastedowns pastedowns and endpapers lined with red moiré silk top edge gilt deckled edges covers and spine preserved. Slipcase lined with paper and edged with red morocco. Near-contemporary binding signed A. Bianchi. Paper of the slipcase detached in places. Very handsome copy in a remarkable Art Deco-inspired decorative binding. Le livre du bibliophile hardcover
1951réf. 095777Paris: Deux-Rives 1951. Limited edition. Hardcover. Edouard Chimot. Loose gatherings in card covers and glassine jacket in hard-covered sheath with a rose-coloured gilt-lettered velvety spine - and in a matching velvety slipcase. Colour illustrations throughout. A few spots here and there to contents some sunning and scuffing to velvet. No. 837/975. Text in French. Deux-Rives hardcover
réf. 34787Couverture rigide. Bon/1916. in-8. Paris 1916 in-8 358pp reliure demi-chagrin Très bel exemplaire illustré par les meilleurs artistes! Musique originale par Massenet. unknown
réf. 4872Couverture rigide. Bon/1936. in-8. Paris Emile Chamontin 1936 in-8 157pp broché Exemplaire en parfait état de l'édition numérotée superbement illustré en couleurs par Chimot. unknown
réf. 4866Couverture rigide. Bon/1936. in-8. Paris Rombaldi 1936 in-8 201pp broché Exemplaire en parfait état de l'édition numérotée. Non coupé. superbement illustré de six compositions en couleurs par Chahine Lobel Riche et Chimot reproduites en héliogravure. unknown
réf. 4882Couverture rigide. Bon/1935. in-8. Paris Rombaldi 1935 in-8 254pp broché Exemplaire en parfait état de l'édition numérotée. Superbement illustré de cinq compositions originales en couleurs par Edouard Chimot reproduites en héliogravure. unknown
réf. 4825Couverture rigide. Bon/1937. in-8. Paris Rombaldi 1937 in-8 160pp broché Exemplaire en parfait état de l'édition numérotée. Non coupé. superbement illustré de compsitions originales en couleurs par Chimot. unknown
réf. 76-0537Paris: French Publisher 1930s. Color etching and aquatint on Arches wove paper. 33.5 x 25.5 cm sheet. Signed in the plate. Very Good some light specks of foxing. [Paris: French Publisher, 1930s]. unknown
réf. 76-0535Paris: French Publisher 1930s. Etching and aquatint on wove paper. 29 x 22.5 cm sheet. Initialed in pencil and annotated ‘5th Etat’. Very Good. [Paris: French Publisher, 1930s]. unknown
réf. 76-0536Paris: French Publisher 1930s. Color etching and aquatint on Devambez wove paper. 30.5 x 25 cm sheet. Initials in pencil and annotated ‘3e etat’. Very Good. [Paris: French Publisher, 1930s]. unknown
1936réf. 56102Paris Emile Chamontin 1936. Softcover. Ends of backstrip worn; bottom corner of front cover and early pages slightly bumped; previous owners name penciled on preliminary blank; otherwise very good condition in edge-worn and sun-darkened glassine wrapper. . 157p. Illus. Ten plates including frontispiece. No. 2728 of edition of 3150. Paris, Emile Chamontin paperback
1926réf. 44185Paris: Éditions de l'Intermédiaire du Bibliophile 1926. Limited edition. Softcover. vg. 1/705. Quarto 9 x 7". 220 4pp. Uncut and unopened. Original glassine over printed dust-jacket and blind wrappers. Tissue-guarded etched frontispiece in two states. Publisher's device on title page. "Le Spleen de Paris" is a collection of 50 short prose poems by Charles Baudelaire the iconic author of "Les Fleurs du Mal" The Flowers of Evil. The collection was published posthumously in 1869 and is associated with the modernist literary movement. This limited edition is splendidly illustrated throughout with 10 tissue-guarded etchings by Édouard Chimot. One of 705 numbered copies of which this is No. 622. Some age-toning to glassine. Text in French. Dust-jacket wrappers and interior in very good condition. Éditions de l'Intermédiaire du Bibliophile unknown
1941réf. 47759Paris.: Le Livre du Bibliophile Georges Briffaut Editeur. 1941. Loose as issued in original publisher's printed wrappers with titles in red and black to front cover and spine burgundy board chemise with paper label with titles to spine and matching slipcase. Small folio. 330 x 254 mm. Half-title with justification verso inserted leaf with original colour etching by Chimot as frontispiece printed title in red and black dedication to Théophile Gautier 'Au Lecteur' and Baudelaire's verse illustrated with 20 etchings in colour by Edouard Chimot frontis. included 'Table des Matières' and final leaf with achevé d'imprimer From the edition limited to 500 numbered copies with this one of 26 from the édition de tête on Japon Impérial with five planches refusées in three states an original signed drawing for one of the plates and two additional suites of the plates each with remarques.The material with this set includes:1. 20 colour etchings as published.2. 20 colour etchings with remarques.3. 20 monochrome etchings with remarques.3. 5 planches refusées each in 3 state.4. Original signed drawing for one of the prints. Le Livre du Bibliophile, Georges Briffaut, Editeur. unknown
1937réf. 39458Paris: Le Vasseur et Cie 1937. Edouard Chimot. A stunning livre d'artiste with 25 GORGEOUS FULL-PAGE HORS TEXTE COLOR AQUATINTS BY EDOUARD CHIMOT depicting lithe female nudes. One of 400 numbered copies printed on very fine Rives wove paper. 4to. Original wraps. Uncut. FINE AND BRIGHT like new with no defects. Le Vasseur et Cie paperback
1938réf. 38034Paris: Chez l'Artiste 1938. Edouard Chimot. Two volumes COMPLETE WITH THE SUPPLEMENT. Chimot's rarest and most sought-after book. Illustrated with six original full-page hors-texte color etchings with aquatint. Edition limited to 97 numbered copies SIGNED BY CHIMOT of which this is one of 75 numbered copies printed on fine Rives wove paper. WITH THE SUPPLEMENT of truly obscene poems OF WHICH ONLY A FEW COPIES WERE PRINTED "Quelques exemplaires pour l'artiste et ses amis". The supplement includes four additional etchings FOR A TOTAL OF TEN FINE COLOR ETCHINGS BY CHIMOT CONSIDERED TO BE HIS BEST WORK. Large 4to. Loose as issued in original wraps. Uncut. A bit of scattered foxing on text plates clean else fine and bright. In the original slightly worn board chemise and slipcase. A LEGENDARY RARITY. Chez l'Artiste paperback
1937réf. 1154216Rombaldi Editeur 1937. Hardcover. Very good/No jacket. In French. Illustrated with five color plates by Edouard Chimot. Rebound in boards. Great condition. Cover has wear but binding is tight and inside is clean and unmarked. Rombaldi, Editeur hardcover
1919réf. 080551Paris: L'Edition 1919. Full decorated morocco by Magnier stamped Leroy depicting Le Moulin Blute-Fin / Galette with a decorative border of vine leaves and flowers inner dentelles raised bands top edges gilt in very good condition some light spotting in places containing 14 tissue guarded etchings by Edouard Chimot from the Hollande edition of 50 121-170 a superb example. Hardcover. Very Good. Illus. by Chimot Edouard . Small Folio. L'Edition Hardcover
1929réf. 1521Paris: Éditions d'Art de l'Intermédiaire du Bibliophile. 1929. One of 20 copies hors-commerce from the overall edition of 325 copies this copy being reserved for the artist Édouard Chimot signed by Chimot to the limitation page containing an original pencil and pastel drawing of a nude by the artist signed in ink and an additional suite of 16 loose black and white etchings curiously perhaps in error the additional etching of the fifteenth illustration here is lacking but two copies of the additional etching of the sixteenth illustration are present thus still collating as 16 additional etchings as called for. Folio in sheets within printed paper wrappers with titles in red and black in glassine. 33 x 25.5cm. Printed on Japanese paper. Illustrated with 16 colour etchings by Édouard Chimot. A near fine copy with just a small mark to the rear of the glassine wrapper; the contents remain clean and crisp. The illustrator Édouard Chimot's 1880-1959 own hors-commerce copy of this sumptuous edition of the Belgian poet and writer Pierre Louÿs's 1870-1925 first novel depicting courtesan life in ancient Alexandria originally published in 1896 containing an additional suite of etchings and an original drawing by the artist. Paris: Éditions d'Art de l'Intermédiaire du Bibliophile. unknown
1920réf. LD20023Paris: Le Livre du Bibliophile 1920. Limited Edition. Hardcover. Very Good. One of 500 copies on vergé d'arches. Full dark blue crushed morocco gilt lettered spine title all edges gilt turn-ins with gilt rules and colored leather onlays watered silk doublures and endpapers original wrappers bound; binding signed G. Levitsky. Housed in a slipcase. 166 pp. frontispiece etchings and illustrations in text. Light wear spine a bit sunned a few small spots in the text otherwise quite fresh. Le Livre du Bibliophile hardcover
1925réf. LD20024Paris: Éditions D'Art Devambez 1925. Limited Edition. Hardcover. Near Fine. Copy # 34 overall this being one of twelve on papier de Montval with a suite de composition and an original drawing by Chimot the drawing and some of the plates are signed or captioned in pencil. Orange crushed morocco over spine and front edge of boards gilt with vertical wood veneers over boards top edge gilt. 13 x 9 inches 33 x 22.5 cm; vii 1 158 4 pp. with 12 etchings by Édouard Chimot in the text as well as the aforementioned suite and drawing. Spine and the top of the front board sunned a few spots of wear to extremities one stain on the spine the contents clean and bright. Éditions D'Art Devambez hardcover
1927réf. 4984Paris: Devambez 1927. A very nice copy of an etching by Chimot with a brief comment and initialled by him to the bottom edge. This was taken from the work "Le Belle de Nuit" by Maurice Magre. It was published in various states by Devambez. The 75 copies on Japon paper came with the illustrations in two suites / states. One was that as shown in the book the other was the proof copies with remarks by Chimot. In addition to the printed remark to the base this copy is also initialled in pencil. A nice impression heavily printed image. The backing paper has considerably darkened over time. It would seem that not all of the proof copies were signed. We attach to this listing a photograph of one of the Japon copies where the two states can be seen ours to the right but in this example there is no annotation or initial by Chimot. Engraving area is 21.5cm x 16cm. The sheet is 30.5cm x 23cm. . Très bel exemplaire d'une eau-forte de Chimot accompagnée d'un bref commentaire et paraphée par lui sur le bord inférieur. Elle est tirée de l'ouvrage "Le Belle de Nuit" de Maurice Magre. Elle a été publiée en divers états par Devambez. Les 75 exemplaires sur papier Japon sont accompagnés des illustrations en deux suites / états. L'une est celle qui figure dans le livre l'autre est celle des épreuves avec les remarques de Chimot. En plus de la remarque imprimée à la base cet exemplaire est également paraphé au crayon. Une belle impression une image fortement imprimée. Le papier de soutien a considérablement noirci avec le temps. Il semblerait que toutes les épreuves n'aient pas été signées. Nous joignons à cette liste une photographie d'une des copies du Japon où les deux états peuvent être vus le nôtre à droite mais dans cet exemple il n'y a pas d'annotation ou d'initiales de Chimot. La surface gravée est de 215 cm x 16 cm. La feuille mesure 30.5cm x 23cm. Devambez unknown