GAVARNI.Livre Rare Book
1906 risultati
rif. 23479Paris, J. Hetzel et Blanchard 1857, 225x135mm, demi-percaline verte, titre au dos doré, mouillures par endroits.
1868rif. 596Paris, Librairie du Figaro, 1868. In-8 (18x26. 8) de 352 pages, cartonnage d’éditeur rouge, tranches dorées. Cartonnage légèrement défraîchi (petits trous, dos passé, coins frottés), intérieur frais.
rif. 201907406Paris, J. Hetzel, 1845 ; in-4, 380 pp., cartonnage de l'éditeur. Demi-cuir vert dos a caissons bon état, coins bien usés. Photos sur demande.
rif. 11264In 8 cartonné à l’italienne, couverture illustrée avec titre. Titre illustré, 94 pages, texte sur 2 colonnes, très nombreux dessins par les meilleurs artistes ADOLPHE , BARON, GAVARNI, DAUMIER, E. FOREST, GAVARNI, JANET LANGE, T. JOHANNOT, LORENTZ, H. MONNIER , C.NANTEUIL TRIMOLET etc. Paris Chez Aubert & Cie sans date. (1846) 150€ Petites traces de manipulations, habituelles. Sans gravité, dos restauré. Peu courant en cartonnage.
rif. 3717Paris et les Parisiens mœurs et coutumes, caractères et portraits des habitants de Paris, Tableau complet de leur vie privée,publique,politique, artistique,littéraire,industrielle etc… texte par George SAND, STAHL,GOSLAN,SOULIE,NODIER BRIFFAULT,de BALZAC, DELORD,A KARR G de NERVAL,Th GAUTIER, A MUSSET. Grand in 8 demi-chagrin vert à nerfs, titre, filets, roulette dorée, plats papier chagriné avec fers double filet doré en encadrement. Faux-titre, frontispice, titre avec vignette, XXXII, 380 pages, tranches dorées, nombreuses illustrations dans et hors-texte par GAVARNI . Paris J HETZEL éditeur 1845.Edition originale
1860rif. YRG-279Masques et visages, avec des notices par Sainte Beuve. Paris, Calmann Lévy, Éditeur, 1860; in-folio, 152 pp., reliure d'éditeur percaline rouge, dos lisse, 1er plat illustré.
1868rif. 43021868 librairie du Figaro 1868
1850rif. 5995Paris: Beauger et Cie; Lith Coulon et Cie n.d. about 1850. Acceptable. 35 cm; Lithographed title page and 40 full-page lithographed plates with captions. Bound in plain black morocco with leather backstrip decorated in gilt. Head and tail worn with loss. Corners and edges worn with some fraying. Light scattered foxing. One of the great masters of lithography" says Gordon N. Ray. Beauger et Cie; Lith Coulon et Cie hardcover
1850rif. 5995Paris: Beauger et Cie; Lith Coulon et Cie n.d. about 1850. Acceptable. 35 cm; Lithographed title page and 40 full-page lithographed plates with captions. Bound in plain black morocco with leather backstrip decorated in gilt. Head and tail worn with loss. Corners and edges worn with some fraying. Light scattered foxing. One of the great masters of lithography" says Gordon N. Ray. Beauger et Cie; Lith Coulon et Cie hardcover books
rif. 16-6137Paris: Chez Bauger 1842. Lithograph sur blanc. 33.3 x 24.5 cm. Armelhault and Bocher no. 247. Paris: Chez Bauger, 1842 unknown
rif. 16-5526Paris: Pannier circa 1843. Lithograph sur blanc. 27. 5 x 20cm. Plate no. 33 from the series: "Le Carnaval a Paris." Armelhault and Bocher no. 415 State ii/iii. Paris: Pannier, circa 1843. unknown
rif. 16-6135Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc. 33.3 x 23.5 cm. Plate no. XI from the series: "Les Lorettes." Armelhault and Bocher no. 773. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the government’s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in “maisons closes” or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown
rif. 16-6133Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc. 33.3 x 23.5 cm. Plate no. XIII from the series: "Les Lorettes." Armelhault and Bocher no. 775. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the government’s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in “maisons closes” or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown
rif. 16-5527Paris: La Caricature circa 1841. Lithograph sur blanc. 28 x 21cm. Armelhault and Bocher no. 532 LIV.From the series Les Débardeurs Paris: La Caricature, circa 1841. unknown
rif. 19-8240Paris: Le Charivari1843. 9.75 x 14.25 inches 25 x 36.5 cm. A&B No. 545. Unbound sheet. Very good with marginal creasing. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni” “Imp. d’Aubert & Cie” and “Chez Pannier Edit. R. du Croissant 16.” Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
rif. 19-8241Paris: Le Charivari1843. 9.75 x 14.125 inches 25 x 36.5 cm. A&B No. 729. Unbound sheet. Very good with marginal tearing. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni” “Imp. d’Aubert & Cie” “Chez Aubert & Cie. Place de la Bourse 29” and “Chez Pannier. R. du Croissant 16.” Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
1830rif. 274661 vol. in-4 relié demi-basane à coins rouge, supra-libris Madame de Monicault, s.d. (circa 1825-1840), Le Galopin Industriel. Scène comique. Paroles de E. Bourget, musique de A. Marquerie exécutée au Théâtre des Variétés par Levassor, Chez Heu - Le Petit Cochon de Barbarie. Tyrolienne chantée au Théâtre du Palais-Royal par Mr. Levassor. Paroles et musiques de Frédéric Bérat - Tétard au Bateau à Vapeur. Chantée au Théâtre du Palais-Royal par Mr. Levassor. Paroles d'Alfred Deschamps, musique de Eugène Dejazet - Le Nouveau Bélisaire. Complainte chantrée au Théâtre des Variétés par Levassor, paroles de Mr. Lefort, Chez Heu - Un Premier Bal. Paroles de M. Eugène de Lonlay. Musique de F. Masini, chez Gentile - Nella, paroles d'Emile Deschamps, musique de Meyerbeer - La fille de l'air, paroles de Méry - Une Scène des Apennins. Paroles de Deschamps, musique de Niedermeyer, dessin de Gavarni, Maurice Schlesinger Editeur ; Le Martyr. Mélodie pour voix de Basse. Paroles de M. Gustave Desfossés, musique d'Adolphe Vogel,Chez Colombier - L'Ange Déchu. Paroles de Defossé et musique de Vogel, lith. de Guillet d'après un dessin de Célestin Nanteuil - Tu es le repos de François Schubert - Mon âme par François Schubert, chez Richault - Délire par François Schubert, chez Richault - Adieu par François Schubert, chez Richault - Le Rendez-Vous par François Schubert, chez Richault - La Reine d'un Jour par Adolphe Adam - etc.
1853rif. LRB96Paris: Maresq et Havard 1853 Paris: Maresq et Havard 1853 GAVARNI - BERTAL - Le diable à Paris texte et gravures. Paris Maresq et Havard 1853 . in-4 environ 500 pp. Reliures demi-chagrin vert bouteille dos lisses. Les 3 volumes. Belle réunion des planches du fameux ouvrage le Diable à Paris. Avec 25 hors-texte et 149 vignettes de Jean-Jacques Grandville. Illus. by Jean-Jacques Grandville. Couverture rigide. Satisfaisant. Satisfaisant. Maresq et Havard hardcover
1853rif. LRB96Maresq et Havard Paris 1853 in-4, environ 500 pp
1860rif. 51728Illustrations de Gavarni, quatrième édition, 1 vol. in-4 reliure de l'époque demi-chagrin rouge, dos à 4 nerfs orné (caissons), toutes tranches dorées, Laplace, Sanchez et Cie, Paris, s.d. [ circa 1860 ], 380 pp.
1857rif. 46093Paris: Paulin et Lechevalier 1857. Gebunden. Paulin et Lechevalier unknown
1851rif. 5883Paris, [J. Bry], 1851. In-4 de [2]-344p. + 40p. demi-basane bleu nuit, dos lisse orné de petits fers romantiques (épidermures, coiffes frottées).
rif. 76-1881Paris: Le Charivari 1843. Lithographs. 28.5 x 20 cm sheet. Text in French on verso. Very Good aside from Plate 36 with oil spots in upper right quadrant.Literature: Armelhault & Bocher 711; 719; 720; 722; 723; 724; 725; 726. Paris: Le Charivari, 1843. unknown
rif. 76-1880Paris: Le Charivari 1841. Lithographs. 28.5 x 20 cm sheet. Text in French on verso. Very Good aside from Plate 36 with oil spots in upper right quadrant.Literature: Armelhault & Bocher 977; 980; 983; 985; 987; 993; 994; 997. Paris: Le Charivari, 1841. unknown
rif. 76-1882Paris: Le Charivari 1838-1843. . Lithographs. 28.5 x 20 cm sheet. Text in French on verso. Very Good.Literature: Armelhault & Bocher 233; 234; 240; 242; 243; 244; 454; 455. Paris: Le Charivari, 1838-1843. unknown
