Paul GavarniBiblio.com
1 909 résultats
réf. 19980Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2091139Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2091140Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2091141Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2091142Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1911réf. ABE-1169775578040 PAGES FORMAT 31,5 CM X 42 CM-EN COUVERTURE PORTRAIT D'ALEXANDRE DUMAS PAR ACHILLE DEVERIA-BOILLY-MONTPENSIER-CHARLET-VERNET-GAVARNI-BELLANGE-NANTEUIL-MONNIER-DAUMIER-RAFFET-DELACROIX (PJ8)
réf. 19877Paris, Auber, s.d. In-folio, 37pl., en feuilles (petites rousseurs, quelques restaurations et micro-déchirures du papier sans atteinte aux images).
réf. 06055Paris: Chez Aubert gal. Véro-Dodat 1837. The Complete Second Series of Fourberies de Femmes With Fifty-Two Lithograph Plates by Gavarni GAVARNI pseudonym of Guillaume Sulpice Chevallier. Fourberies de femmes. Paris: Chez Aubert gal. Véro-Dodat n.d. 1837. Second Series Complete. Folio 13 1/8 x 9 7/8 inches; 334 x 251 mm. Fifty-two lithograph plates. Eight-page publisher's catalog bound in at end. Plate no. 13 with an expertly and almost invisibly 3 1/8 inches repaired marginal tear. All plates with two small 'unidentified' circular stamps on the lower blank corners. Some occasional light and mainly marginal foxing still an exceptional example. Bound ca. 1840 in quarter maroon roan over maroon grained paper boards front cover lettered in gilt smooth spine plain endpapers. Extremities of binding rubbed. A wonderful example. loosely inserted at the end are three duplicate plates nos. 7 23 & 25 all with the same small marginal stamps. "In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal.Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni's work particularly in mind when he wrote.that 'the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.' Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier's preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show 'youth at the prow and pleasure at the helm.' His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation with love intrigues and balls on the one hand and pawnbrokers' shops and debtors' prisons on the other. Their motto is carpe diem and they rarely think of the day or reckoning" Ray p. 217. "After the initial success of Caricaturana Philipon proposed to Gavarni that he draw 'Mme. Robert Macaire' for Le charivari. He responded with twelve studies of female deception in which he seems to have adopted Vigny's belief that 'A woman more or less is always Delilah.' They made little impression but three years later Gavarni returned to the theme in a subtler and more amiable way with one of his most searching and amusing series. In no. 37 he offers this exchange: 'How did you know papa that I loved Mr. Leon-Because you always talked to me about Mr. Paul.' Gavarni's playful mastery of female psychology is not the only attraction of the series. If Daumier could not draw a pretty woman as is sometimes alleged Gavarni at this period could hardly draw an ugly one" Ray pp. 220-221. Armelhault & Bocher 662-702; Ray The Art of the French Illustrated Book 151. Paris: Chez Aubert gal. Véro-Dodat, 1837 unknown
1857réf. 24519Paris: Cabochet Gregoire 1857. Very good condition. Caricature by Paul Gavarni 1804 - 1866 French satirical artist noted for his clever observations of contemporary life and elegant genre scenes and imitated by artists such as James McNeill Whistler. Depicting a husband in night dress holding a revolver and confronting a "sleeping" young wife overhearing a man's voice in her room. The wife holds a top hat in her dangling hand and an open book on the wife's lap reads "Feminine Morals". Magnificently hand colored lithograph highlighted with gum arabic dated in the print at the lower left; printed at upper right border is the number 9. Slight foxing mostly in margins. Paper size approximately 9 1/2 x 12 1/2" Cabochet, Gregoire unknown
réf. 06055Paris: Chez Aubert gal. Véro-Dodat 1837. The Complete Second Series of Fourberies de Femmes With Fifty-Two Lithograph Plates by Gavarni GAVARNI pseudonym of Guillaume Sulpice Chevallier. Fourberies de femmes. Paris: Chez Aubert gal. Véro-Dodat n.d. 1837. Second Series Complete. Folio 13 1/8 x 9 7/8 inches; 334 x 251 mm. Fifty-two lithograph plates. Eight-page publisher's catalog bound in at end. Plate no. 13 with an expertly and almost invisibly 3 1/8 inches repaired marginal tear. All plates with two small 'unidentified' circular stamps on the lower blank corners. Some occasional light and mainly marginal foxing still an exceptional example. Bound ca. 1840 in quarter maroon roan over maroon grained paper boards front cover lettered in gilt smooth spine plain endpapers. Extremities of binding rubbed. A wonderful example. loosely inserted at the end are three duplicate plates nos. 7 23 & 25 all with the same small marginal stamps. "In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal.Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni's work particularly in mind when he wrote.that 'the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.' Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier's preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show 'youth at the prow and pleasure at the helm.' His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation with love intrigues and balls on the one hand and pawnbrokers' shops and debtors' prisons on the other. Their motto is carpe diem and they rarely think of the day or reckoning" Ray p. 217. "After the initial success of Caricaturana Philipon proposed to Gavarni that he draw 'Mme. Robert Macaire' for Le charivari. He responded with twelve studies of female deception in which he seems to have adopted Vigny's belief that 'A woman more or less is always Delilah.' They made little impression but three years later Gavarni returned to the theme in a subtler and more amiable way with one of his most searching and amusing series. In no. 37 he offers this exchange: 'How did you know papa that I loved Mr. Leon-Because you always talked to me about Mr. Paul.' Gavarni's playful mastery of female psychology is not the only attraction of the series. If Daumier could not draw a pretty woman as is sometimes alleged Gavarni at this period could hardly draw an ugly one" Ray pp. 220-221. Armelhault & Bocher 662-702; Ray The Art of the French Illustrated Book 151. Paris: Chez Aubert gal. Véro-Dodat, 1837 unknown books
réf. 55-0023Paris: Le Charivari 1841. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 699. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1841. unknown
réf. 55-0021Paris: Le Charivari 1841. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 681. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1841. unknown
réf. 55-0022Paris: Le Charivari 1841. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 688. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1841. unknown
réf. 55-0020Paris: Le Charivari 1840. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 663. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1840. unknown
réf. 55-0019Paris: Le Charivari 1840. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 670. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1840. unknown
réf. 76-1889Paris: Le Charivari 1841. Lithographs. 28.5 x 20 cm sheet. Text in French on verso. Very Good a few plates with light soiling.Literature: Armelhault & Bocher 662; 677; 684; 685; 691; 692; 694; 695; 698; 701; 702. Paris: Le Charivari, 1841. unknown
1925réf. LIQ-4423P. Fasquelle 1925. In-8° broché, sous couverture illustrée, rempliée.
1924réf. LIQ-5563P. Floury 1924. Petit in-4° demi chagrin vert bouteille à coins, dos à 5 nerfs, titre doré, couverture conservée IX + 216 pages.
réf. L6702Librairie de l'Art. J. Rouam éditeur, 1887. Série " Les artistes célèbres ". In-4 reliure demi chagrin marron à la bradel, titre, date en pied, filets et tête dorés. Plats recouverts de tissu. Couvertures et dos conservés. Reliure regroupant deux livres. Le premier avec texte d'E. Forgues avec 23 illustrations. Le second volume regroupant toutes les gravures. E.O. 1/100 ex. num. sur Japon. État de neuf.
réf. 10944P., Henri Plon, imprimeur-éditeur, 1873, 1 vol. in-8° (243 x 150) relié 1/2 percaline verte à la Bradel, pièce de titre en maroquin marron, fleuron et date en queue du dos, couv. bleue impr. en noir cons. (Champs), de (2) ff. (faux-titre et titre) - IV - 432 pp. Pièce de titre épidermée, très bel exemplaire par ailleurs.
réf. 17180P., Louis-Michaud (Collection Les Ecrits et la Vie anecdotique et pittoresque des Grands Artistes), sans date (1912), in 8° broché, 192 pages ; couverture illustrée.
réf. 25154P., Fasquelle, 1925, in 4° broché, XVI-270 pages ; couverture rempliée illustrée (infimes défauts) ; traces de scotch sur les gardes.
réf. 32560P., Louis-Michaud (Collection Les Ecrits et la Vie Anecdotique et Pittoresque des Grands Artistes), sans date, in 8° broché, 192 pages ; non coupé ; couverture illustrée (infimes défauts).
réf. 55653P., Louis-Michaud (Collection Les Ecrits et la Vie Anecdotique et Pittoresque des Grands Artistes), sans date, petit in 8° broché, 192 pagese ; couverture illustrée (le dos et le plat inférieur manquent, traces de scotch). Exemplaire de travail, débroché.
réf. 3698Paris, Bibliothèque Nationale, 1954, 84 pp. 15,7 X 21 cm, br. Ouv. ill. h.t. 8 dess. préf. de Julien Cain, introduction par Jean Vallery-Radot.
