Paul GavarniBiblio.com
1 906 résultats
réf. 19916Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19917Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19915Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19914Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19865Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19864Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19862Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19863Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19901Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19902Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19904Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19903Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 42338Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1852. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 42340Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1852. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 42337Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1852. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 42339Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1852. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3503Inter-Livres, Paris, n.d. Un volume in folio pleine toile avec jaquette, 396 pages. Reprint de l'édition de Paulin et Le Chevalier, 1852-1853. Bon état.
1853réf. 150961853 2 volumes, reliure pleine percaline noire cartonnage romantique illustré à plaques spéciales monochromes pour le dos et le permier plat in-folio Editeur (editor hard-back percale with special covers editor for the spine and the front cover in-folio) , dos lisse ornés du titre doré dans une banderolle, plats supérieurs ornés d'un grand décor doré représentant Notre-Dame entre les colonnes Vendôme (surmontée de Napoléon en "petit caporal") et de Juillet, surmonté du blason de Paris rehaussé de rouge et de bleu, plats inférieurs ornés d'un décor doré central représentant trois personnages au tambour sur une estrade avec encadrement à froid, léger manque de dorure à la jambe de la lettre R de paris sur le plat du tome 1, coiffe légèrement manquantes , un mors inférieur fendu au niveau de la percale sur 10 cm + petit trou (manque) en haut du dos sur 1/5 de cm2 (trés aisément restaurable) au volume 2, toutes tranches dorées, un cahier légèrement débroché avec bord effiloché au tome 2, trés fines et légères rousseurs concentrées surtout sur les pages de titre, Texte sur trois colonnes, orné de 2 planches à double page en noir et 1500 gravures in et hors-texte en noir d'après les dessins de Gavarni, Grandville, Cham, Lami, Vernet, etc. , [(4) + IV + 388] + [(4) + 396] pages, 1852-1853 Paris Paulin et Le Chevalier Editeur,
1841réf. 602031 vol. grand in-8 br., s.n. [L. Curmer ], s.d. [ circa 1841 ], 58 pp. et 1 f. n. ch.
réf. cROU-1755Paris, Imprimerie de F.Chardin ainé, sans date ( 1862) ;petit in-4°,pleine toile grège à la bradel, titre doré sur étiquette de maroquin rouge (reliure vers 1960); une gravure un peu jaunie en marge sinon très rares piqûres.Recueil regroupant : un titre, feuillet manuscrit sur lequel est décrit la suite : " Gil Blas, Gavarni, 1862. 20 gravures sur acier d'après Gavarni par Ch.Colin, Ed Willmann, Ferd. Delannoy, Outhwaite, Gervais & Nargeot. Extraites de Gil Blas de Santillane par Lesage... Paris, Morizot, (octobre 1862), 1863, grand in-8°, jésus ... ", suivi du placement des gravures et des 20 gravures sur papier velin avec la lettre.
réf. 71-3248Paris: French Publisher circa 1841. Book illustration. 210 x 140 mm. sheet. Very Good a few specks of foxing.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris: French Publisher, circa 1841]. unknown
In-4 gr. (mm. 345x265), mz. pelle coeva, decoraz. e tit. oro al dorso. Bellissima e rara raccolta di 25 composizioni del grande artista parigino Gavarni in litografia, così suddivise: Souvenirs de Cavarnal (6 tavv.) - Les bals masqués (7 tavv.) - Costumes Historiques (12 tavv.), ciascuna con didascalia di gusto umoristico. Cfr. Benezit,V, p. 927: “Gavarni pseudonyme de Chevalir Sulpice Guillaume (1804-1866), peintre, illustrateur et caricaturiste. Son oeuvre est considérable et presque toutes les classes de la société lui ont servi de modèle. S’il n’a pas la puissance d’expression de Daumier, il a su particulièrement traduire la grace feminine”. Esempl. ben conservato.
1840réf. 84312Léopold Pannier et Cie | Paris s. d. [1840-1850] | 25.50 x 34.50 cm | 25 lithographies reliées en un volume
réf. 05960Paris: Bauger & Cie. 1839. A Unique Copy of Gavarni's Classic Featuring The Colorist's Models GAVARNI pseudonym of Guillaume Sulpice Chevallier. Souvenirs du Bal Chicard. Paris: Bauger & Cie. n.d. 1839-1843. A unique copy comprised of colorist Edouard Bouvenne's models. Large quarto 13 1/2 x 10 1/2 in; 341 x 266 mm. A suite of twenty hand colored lithographs representing the travesties of men and women commissioned for Le Charivari. Printed by Aubertet et Cie. All plates mounted on stubs. Fourteen plates have "Modele" stenciled in color at foot; five have "Modele" inked in Bouvenne's hand and Bouvenne has boldly signed and dated thirteen plates; only the first plate is unmarked by Bouvenne in any way. The plates are captioned: 1. "Chicard;" 2. "Un Covage Civilizé;" 3. "Balochard;" 4. "Mr. Floumann;" 5. "Pétrin;" 6. "Commissaire de Marine;" 7. "Général Étranger;" 8. "Insulaire de n'importe où;" 9. "Troubadour;" 10. "Titi;" 11. "Agréable;" 12. "Cacique;" 13. "Emir;" 14. "Andalouse;" 15. "Triton;" 16. "Garde Champêtre;" 17. "Bourguemestre;" 18. "Robinson;" 19. "Minon-Minard;" and 20. "Pistolet." Imprints vary slightly. Plates 1 2 3 4 5 and 20 have no publisher's imprint; plate 6 has imprint: "Chez Bauger R. du Croissant 16;" plate 8 has imprint: "Chez Bauger & Cie. R. du Croissant 16;" plates 17 18 and 19 have both imprints: "Chez Bauger R. du Croissant 16" and "Chez Aubert Place de la Bourse;" plates 7 and 9-16 have imprint at foot: "Se Vend chez Bauger & Cie. Editeurs des Dessins de la Caricature du Figaro et du Charivari Rue du Croissant 16" plates 9 10 14 15 and 16 have additional imprint: "Chez Aubert gal. Véro-Dodat". Early twentieth century green cloth front cover with maroon morocco label bordered and lettered in gilt spine with maroon morocco label lettered in gilt. A few plates with light foxing. Eighteen of twenty plates with Bouvenne's ink and/or color smudges at margins demonstrating their work-plate status. Second only to Daumier as the greatest social commentator and satirical artist of nineteenth century France Gavarni produced the work under notice during his first period whence he confined himself to the study of Parisian manners particularly those of the city's youth. Souvenirs du Bal Chicard Memories of the Chicard Ball dates from when he was in charge of the journal Le Charivari and was a regular at Paris's most prestigious balls for which he often designed many costumes. During this time many of his finest lithographic sets drew their subject matter from these costume balls including Souvenirs du Bal Chicard . "Costume balls had been a part of carnival celebrations in France since the fifteenth century but their popularity was unprecedented during the period of the July Monarchy. At first private and aristocratic they became increasingly popular among the new bourgeoisie and the aspiring lower classes when they could afford them. One of the more exclusive expensive fifteen francs and licentious of these bal masqués was also one of the most popular. The Bal Chicard was given by a prosperous businessman Alexandre Lévêque who was called by the nickname Chicard. Gavarni was a friend of Chicard's and as a result was one of those regularly in attendance. In this image "Chicard" from Souvenirs du Bal Chicard a series of twenty lithographs published in Le Charivari between 1839 and 1843 we see one of the parodies of the earlier historic costumes of the bal masqué made famous at the Bal Chichard along with some wilder forms of dancing" Beatrice Farwell The Charged Image: French Lithographic Caricature 1816-1848 p. 86. " In another image "Troubadour" from the same series.Gavarni depicts an uninhibited dancer whose cap rests temporarily on the bottle of wine on the floor behind him. Gavarni's intention here has obviously been to capture the character of the wild dancing for which the Bal Chicard was noted. In a pentimento he has disguised a previously drawn extended arm by incorporating it into the drapery that flies off at the left but it remains easy to visualize the figure with three arms. Gavarni not only drew the costumes he saw at the balls but also designed costumes for use there. This troubadour's costume purports to be a version of the late medieval doublet and hose with anachronistic modifications frequently seen at the Bal Chicard here emphasized by the pipe in the reveler's mouth" Beatrice Farwell The Charged Image: French Lithographic Caricature 1816-1848 p. 88. Armelhaut and Boucher L'Oeuvre de Gavarni pp. 253 524 and nos. 257 "Chicard" and 2280 "Troubadour". Paris: Bauger & Cie., 1839 unknown books
réf. 05611Paris: Rittner et Goupil 1837. French Society Enjoying the Foibles and Vices of Carnival as Depicted by Gavarni Six Exceptionally Rare Hand Colored Lithograph Plates GAVARNI Paul Sulpice Guillaume Chevallier. Souvenirs de Carnaval par Gavarni. Paris: Rittner et Goupil 1837. First edition first issue. Elephant folio 20 3/4 x 13 1/2 inches; 527 x 343 mm. Original front pink wrapper as title with small lithograph illustration by Gavarni. Six superb hand-colored lithograph plates all heightened with gum-arabic and all with the small oval marginal blind-stamp of the publishers. Some occasional light marginal foxing. Contemporary half red scored calf over red cloth boards. Front cover with rectangular red scored calf label bordered and lettered in gilt smooth spine. Some light wear to extremities still a very fine copy of this great rarity. Exceedingly rare suite of whimsical prints depicting French society enjoying the foibles and vices of carnival. Gavarni the pen name of Sulpice Guillaume Chevalier was a highly successful French illustrator and his work is accredited with capturing the essence of excess that enraptured Paris in the 19th century. Souvenirs de Carnaval is given the date '1837' based on the date inscribed on the stone on plate 5. The majority of Gavarni's later works centered around serious subject matter: they sought to unpack the failings of French familial life and directly and pointedly critiqued Parisian society. However his earlier published prints as seen with the present suite displayed a more whimsical and lighter satirical take on the popular pleasures of the Capital capturing the debauchery and decadence of high society life. Most of Gavarni's later works which became more serious were aimed at a different section of the public which had previously granted him so wide a popularity as did his works on Carnival of which this was one of the last. RBH only lists one copy at auction in the last 50 years this copy. OCLC & KVK locate just one uncolored example in libraries and institutions worldwide: The Gordon N. Ray copy at The Morgan Library & Museum NY US. That copy is uncolored and much smaller with a sheet size of just 13 7/8 x 10 5/8 inches; 352 x 270 mm. "Suite of nine lithographs six of which were previously published by Rittner and Goupil under the title: Souvenirs de Carnaval". Armelhault & Bocher p.74. The Plates: 1. L'ENTRÉE AU BAL. Ne perdez pas la tête mon cher! ENTRANCE TO THE BALL. Don't lose your head my dear! 2. UNE TOMBOLA. Le No. 43 a gagné.une chandelle! A RAFFLE. No. 43 won.a candle! 3. LE PLATEAU DES RAFRAICHISSEMENS. Pour les Dames Messieurs. THE REFRESHMENT TRAY. For ladies and gentlemen. 4. LE CORRIDOR DES LOGES. à Minuit. THE LODGING CORRIDOR. at midnight. 5. LA LOGE D'AVANT-SCÈNE. Veux-tu souper avec nous beau page! THE STAGE BOX. Do you want to have dinner with us handsome page! 6. UN DÉJEUNER. au petit Jour. A LUNCH. at dawn. Armelhault & Bocher 308; Beraldi VII 50; Bobins III 936; Not in Colas. Paris: Rittner et Goupil, 1837 unknown books
