GavarniBiblio.com
1 838 résultats
réf. 55-0024Paris: Le Charivari 1846. Lithograph. Image: 20 x 16.5 cm. Sheet: 36 x 24 cm. Armelhault & Bocher no. 1130. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1846. unknown
1944réf. 30991/2 chagrin havane, dos à nerfs, couvertures conservées, non rogné.Reliure moderne. Paris Horizons de France. 1944 1 volume in-8°.
réf. 9935P., Dentu 1869. In 12 demi-chagrin dos à nerfs, 249 pp.+ table (quelques rousseurs).
réf. 16905J. Hetzel / Garnier Frères "Paris, 1848, in-4 broché, couverture illustrée, 4ff.-30 planches / 2ff.-50 planches-2ff. (table et publications de l'éditeur.) Les notices sont de P.J. Stahl, pseudonyme de Jules Hetzel. Vicaire III-954 / Carteret III-260 / Brivois 168. Il s'agit de la quatrième et dernière série de ces oeuvres choisies. ""Ouvrage important à gravure sur bois, présentant une oeuvre originale dessinée à nouveau par l'artiste d'après ses lithographies. L'ensemble donne bien une idée du talent de Gavarni et des mœurs de son temps."" Premier tirage des gravures. Piqûres sur la couverture et quelques rousseurs éparses mais dans l'ensemble le papier est bien blanc. Cette condition brochée n'est pas courante. La figure de couverture représente Gavarni de dos en train de dessiner à la plume."
réf. 16906J. Hetzel "Paris, 1846, in-4 plein chagrin dos rond orné de fers dorés, plats décorés de grands fers à froid. Toutes tranches dorées. Le premier plat porte les initiales ""L.S"" surmontées d'une couronne comtale.Fourberies de femmes 4ff.-48 planches / Clichy 2ff.-19 planches / Paris le soir 2ff.-13 planches-2ff. (table + publication Hetzel). Vicaire III-953 / Carteret III-260 / Brivois 160. Il s'agit de la deuxième série de ces oeuvres choisies. ""Ouvrage important à gravure sur bois, présentant une oeuvre originale dessinée à nouveau par l'artiste d'après ses lithographies. L'ensemble donne bien une idée du talent de Gavarni et des mœurs de son temps."" Premier tirage des gravures. Quelques légères rousseurs mais dans l'ensemble le papier est bien blanc. Frottement à la reliure."
1864réf. 16599Paris, Aux Bureaux du Figaro et de l'Autographe, 1864 in-folio (30 X 42 cm) demi chagrin noir, dos lisse, filets dorés en place des nerfs, plats de papier marbré. (Les deux coins inférieurs sont rognés sur 2 cm environ, des rousseurs au début et à la fin).
réf. 2738Paris, Calmann-Lévy Editeurs, 3 rue Auber., In-Folio, (28 x 38,5 cm), broché, couverture illustrée. 10 lithographies en noir sous serpentes, de la série « Masques et visages ».
réf. 237481Paris, J. Hetzel & Garnier Frères, 1846 - 1848 4 volumes in-4, demi-maroquin vert à coins, dos à nerfs orné, tête dorée (Claessens).
réf. 4574En 6 volumes in 4 demi-chagrin marron à nerfs,titre,fers, roulette,initiales en pied dorés.Volume 1:Les misérables titre avec vignette,799 pages,texte sur 2 colonnes,200 dessins dans le texte de BRION Hetzel et Lacroix éditeurs sans date.Volume 2:Notre Dame faux-titre,frontispice de MATTHIS, titre avec vignette,272 pages, texte sur 2 colonnes,70 dessins dans le texte par BRION.Gravures de YON et PERRICHON Hetzel Lacroix 1865.A la suite HAN D’ISLANDE 192 pages,texte sur 2 colonnes,illustrations dans le texte de RIOU.BUG JARGAL faux-titre,titre avec vignette,84 pages,texte sur 2 colonnes,illustrations dans le texte de BEAUCE et RIOU gravées par PANNEMAKER;J HETZEL 1866.Le dernier jour d’un condamné suivi de Claude GUEUX faux-titre,titre avec vignette,68 pages,texte sur 2 colonnes, illustrations de GAVARNI et ANDRIEUX,J HETZEL 1866. Les travailleurs de la mer faux-titre,titre,275 pages, texte sur 2 colonnes.70 dessins dans le texte par CHIFFLART HETZEL 1869;Volume 3 Poésies odes,ballades,les voix intérieures,les rayons et les ombres, les orientalesles feuilles d’automne et les chants du crépuscule,le Rhin. Texte sur 2 colonnes,illustrations d’ EUSTACHE LORSAY, Gérard SEGUIN,J.A BEAUCE,LANCELOT sans mention d’éditeur. Volume 4 L’homme qui rit faux-titre,titre illustré,632 pages,illustrations de Daniel VIERGE en vent à la librairie Polo. Volume 5:théâtre Ruy-Blas,Marion De Lorme,Hernani, Lucrèce Borgia,Marie-Stuart,La Esméralda,Le rois s’amuse, Angelo,Procès d’Angelo et d’Hernani Marie Tudor,Les Burgraves,Cromwell.Texte sur 2 colonnes,illustrations de FOULQUIER,RIOU.Célestin NANTEUIL,Gérard SEGUIN,J.A BEAUCE Volume 6:Quatre vingt treize.Faux-titre,titre illustré,467 pages,texte encadré d’un filet noir,illustrations pleine page et dans le texte de Emile BAYARD,G.BRION,BODMER, FERAT,FERDINANDUS,Victor HUGO,LIX,Daniel VIERGE … rousseurs fortes çà certaines pages. Suivi de L’année terrible faux-titre,titre,280 pages,illustrations hors-texte de FLAMENG et Daniel VIERGE.Michel Levy 1874. Rousseurs habituelles.Belle réunion.Bien illustré.
réf. 06082Paris: Aubert & Cie. 1848. A Superb Hand-Colored Anthology of French Romantic Caricature Twenty Magnificent Lithographs by Daumier Gavarni Bouchot Pruche & Platier from Aubert's Celebrated Étrennes Comiques BOUCHOT Frédéric. PRUCHE Clément. GAVARNI Paul. PLATIER Jules & DAUMIER Honoré. Étrennes Comiques par les Principaux Dessinateurs du Journal pour Rire du Charivari du Musée Philipon et de la maison Aubert. Paris: Aubert & Cie. ca. 1848. Folio 13 1/8 x 9 7/8 inches; 333 x 251 mm. Pictorial lithographic title-page and twenty magnificent hand-colored lithographs all heightened with gum arabic. The plates comprise works by Frédéric Bouchot 6 Clément Pruche 5 Paul Gavarni 4 Jules Platier 3 and Honoré Daumier 2. Title-page neatly strengthened at the inner margin without loss. One Daumier plate with a neatly repaired marginal tear just touching the image; one Pruche plate with repaired and strengthened outer blank margin. Early twentieth-century light brown cloth over boards front cover lettered in gilt. An exceptionally handsome publisher's anthology celebrating the golden age of French Romantic caricature. Issued as an étrennes - a luxurious New Year's gift volume - Aubert assembled a selection of hand-colored impressions by the principal artists associated with Le Charivari the Journal pour rire the Musée Philipon and the publishing house itself. Rather than presenting the work of a single artist the volume offers a carefully balanced survey of the finest comic lithography of the 1830s and 1840s bringing together the distinctive artistic personalities of Daumier Gavarni Bouchot Platier and Pruche within a single album. The album is distinguished not only by the importance of its contributors but also by the exceptional quality of its hand-coloring. Executed in delicate transparent washes and frequently heightened with gum arabic the coloring preserves the richness and subtlety of the original lithographic crayon while imparting remarkable brilliance to costume interiors architecture and landscape. The impressions are uniformly fresh and well preserved and are introduced by Aubert's splendid pictorial title-page - a spirited composition crowded with comic figures that serves as both an engaging frontispiece and a visual advertisement for the publishing house that dominated French satirical lithography during the July Monarchy. The variety of subjects is one of the volume's greatest attractions. Daumier contributes two penetrating social satires of characteristic psychological insight; Gavarni observes fashionable Parisian society with his unrivalled elegance and wit; Bouchot supplies a series of charming domestic comedies drawn from Soins Tyranniques and Trop Tôt; Platier contributes fashionable figures together with scenes from La Famille Bas-Bleu; while Pruche provides lively political caricatures humorous urban incidents and comic coaching scenes. Collectively the plates present an engaging panorama of Parisian life fashion domestic manners politics travel and social aspiration during the closing years of the July Monarchy. The present volume is of particular bibliographical interest. We have previously handled another copy bearing the identical engraved title-page but containing an entirely different selection of hand-colored lithographs by Daumier Vernier Traviès Gavarni Platier and Bouchot. This strongly suggests that Aubert assembled these luxurious Étrennes Comiques albums from changing stocks of hand-colored impressions rather than issuing them in a fixed format. Each surviving copy is therefore effectively unique preserving not only a delightful anthology of French Romantic caricature but also important evidence of Aubert's publishing and marketing practices during the great flowering of nineteenth-century French satirical lithography. Paris: Aubert & Cie.,, 1848 unknown
réf. 06082Paris: Aubert & Cie. 1848. A Superb Hand-Colored Anthology of French Romantic Caricature Twenty Magnificent Lithographs by Daumier Gavarni Bouchot Pruche & Platier from Aubert's Celebrated Étrennes Comiques BOUCHOT Frédéric. PRUCHE Clément. GAVARNI Paul. PLATIER Jules & DAUMIER Honoré. Étrennes Comiques par les Principaux Dessinateurs du Journal pour Rire du Charivari du Musée Philipon et de la maison Aubert. Paris: Aubert & Cie. ca. 1848. Folio 13 1/8 x 9 7/8 inches; 333 x 251 mm. Pictorial lithographic title-page and twenty magnificent hand-colored lithographs all heightened with gum arabic. The plates comprise works by Frédéric Bouchot 6 Clément Pruche 5 Paul Gavarni 4 Jules Platier 3 and Honoré Daumier 2. Title-page neatly strengthened at the inner margin without loss. One Daumier plate with a neatly repaired marginal tear just touching the image; one Pruche plate with repaired and strengthened outer blank margin. Early twentieth-century light brown cloth over boards front cover lettered in gilt. An exceptionally handsome publisher's anthology celebrating the golden age of French Romantic caricature. Issued as an étrennes - a luxurious New Year's gift volume - Aubert assembled a selection of hand-colored impressions by the principal artists associated with Le Charivari the Journal pour rire the Musée Philipon and the publishing house itself. Rather than presenting the work of a single artist the volume offers a carefully balanced survey of the finest comic lithography of the 1830s and 1840s bringing together the distinctive artistic personalities of Daumier Gavarni Bouchot Platier and Pruche within a single album. The album is distinguished not only by the importance of its contributors but also by the exceptional quality of its hand-coloring. Executed in delicate transparent washes and frequently heightened with gum arabic the coloring preserves the richness and subtlety of the original lithographic crayon while imparting remarkable brilliance to costume interiors architecture and landscape. The impressions are uniformly fresh and well preserved and are introduced by Aubert's splendid pictorial title-page - a spirited composition crowded with comic figures that serves as both an engaging frontispiece and a visual advertisement for the publishing house that dominated French satirical lithography during the July Monarchy. The variety of subjects is one of the volume's greatest attractions. Daumier contributes two penetrating social satires of characteristic psychological insight; Gavarni observes fashionable Parisian society with his unrivalled elegance and wit; Bouchot supplies a series of charming domestic comedies drawn from Soins Tyranniques and Trop Tôt; Platier contributes fashionable figures together with scenes from La Famille Bas-Bleu; while Pruche provides lively political caricatures humorous urban incidents and comic coaching scenes. Collectively the plates present an engaging panorama of Parisian life fashion domestic manners politics travel and social aspiration during the closing years of the July Monarchy. The present volume is of particular bibliographical interest. We have previously handled another copy bearing the identical engraved title-page but containing an entirely different selection of hand-colored lithographs by Daumier Vernier Traviès Gavarni Platier and Bouchot. This strongly suggests that Aubert assembled these luxurious Étrennes Comiques albums from changing stocks of hand-colored impressions rather than issuing them in a fixed format. Each surviving copy is therefore effectively unique preserving not only a delightful anthology of French Romantic caricature but also important evidence of Aubert's publishing and marketing practices during the great flowering of nineteenth-century French satirical lithography. Paris: Aubert & Cie.,, 1848 unknown books
réf. 19-8247Paris: Le Charivari1840. 9.65 x 12.6 inches 24.5 x 32 cm. A&B No. 755. Unbound sheet. Very good with marginal staining on bottom. Original handcolored 19th century lithograph by Paul Gavarni. Gavarni’s signature on bottom right corner of print. Additional text on bottom reads: ”Imp. d’Aubert & Cie” and “Chez Banger R. du Croissant 16.” Published in Le Charivari. En Francais. Paris: Le Charivari,1840. unknown
réf. 19-8242Paris: Le Charivari1838. 8.46 x 11 inches 21.5 x 27.9 cm. A&B No. 855. Unbound sheet. Very good with light staining. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Chez Aubert gal. Vero dodat” and “Imp. d’Aubert & Cie.” Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1838. unknown
réf. 19-8235Paris: Le Charivari 1842. . 10.25 x 15 inches 26 x 37.5 cm. Unbound sheet. A&B No. 1192. Very good with slight edgewear on corners. Original black and white 19th century lithograph by Paul Gavarni. Contains signature on bottom left: “Gavarni” backwards. Additional text on bottom reads: “Chez Banger R. du Croissant 16” and “Imp. D’Aubert & Cie.” Verso is newspaper page from Le Charivari. En Francais. Paris: Le Charivari, 1842. unknown
réf. 19-8238Paris: Le Charivari1839. 9.75 x 14 inches 25 x 36 cm. A&B No. 892. Unbound sheet mounted on paper. Good with marginal tearing on bottom left corner and some staining on surface. Original black and white19th century lithograph by Paul Gavarni. Contains signature on bottom right: “Gavarni” backwards. Additional text on bottom reads: “Imp. d’Aubert & Cie” and “AChez Bauger R. du Croissant 16” En Francais. Paris: Le Charivari,1839. unknown
réf. 19-8236Paris: Le Charivari1837. 9.75 x 13 inches 25 x 33 cm. Unbound sheet.A&B No. 1735. Good with some foxing along edges staining on right side and perforations on left side. Original handcolored 19th century lithograph by Paul Gavarni in Le Charivari. Contains signature on bottom left: “Gavarni” backwards. Additional text on bottom reads: “Lith de Caboche Gregoire & Cie. pass Saulnier 19.” En Francais. Paris: Le Charivari,1837. unknown
réf. 19-8241Paris: Le Charivari1843. 9.75 x 14.125 inches 25 x 36.5 cm. A&B No. 729. Unbound sheet. Very good with marginal tearing. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni” “Imp. d’Aubert & Cie” “Chez Aubert & Cie. Place de la Bourse 29” and “Chez Pannier. R. du Croissant 16.” Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
réf. 19-8237Paris: Le Charivari1839. 13.75 x 10.25 inches 35 x 26 cm. A&B No. 960. Unbound sheet. Good with some foxing and edgewear along upper edges and residual adhesive from tape on upper corners. Original handcolored 19th century lithograph by Paul Gavarni. Contains signature on bottom left: “Gavarni” backwards. Additional text on bottom reads: “Imp. d’Aubert & Cie” and “Au Bureau du Charivari R. du Croissant 16.” En Francais. Paris: Le Charivari,1839. unknown
réf. 19-8244Paris: Le Charivari1835. . 10 x 14.57 inches 25.5 x 37 cm. A&B No. 1193. Unbound sheet. Good with marginal tearing foxing and staining on bottom right corner. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni” “Imp. d’Aubert & Cie.” and “Chez Banger R. du Croissant 16.” Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1835. unknown
réf. 19-8245Paris: Le Charivari1837. . 10.6 x 14.17 inches 27 x 36 cm. A&B No. 1736. Unbound sheet. Fair with substantial staining on left side perforations on all four corners and marginal tearing on top edge. Original handcolored 19th century lithograph by Paul Gavarni. Gavarni’s signature on bottom left corner of print. Additional text on bottom reads: “Chez Aubert Gal. Vero dodat” and “Imp. d’Aubert & Cie.” Published in Le Charivari. En Francais. Paris: Le Charivari,1837. unknown
réf. 19-8240Paris: Le Charivari1843. 9.75 x 14.25 inches 25 x 36.5 cm. A&B No. 545. Unbound sheet. Very good with marginal creasing. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni” “Imp. d’Aubert & Cie” and “Chez Pannier Edit. R. du Croissant 16.” Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
réf. 19-8239Paris: Le Charivari1843. 9.25 x 14.25 inches 23.5 x 36.5 cm. A&B No. 547. Unbound sheet. Good with marginal tearing on bottom and staining on upper right corner. Original black and white 19th century lithograph by Paul Gavarni. Contains signature on bottom left: “Gavarni” backwards. Additional text on bottom reads: “Imp. d’Aubert & Cie” and “Chez Pannier Edit. R. du Croissant 16.” Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
réf. 19-8243Paris: Le Charivari1858. . 11.25 x 16.5 inches 28.5 x 42.5 cm. A&B No. 855. Unbound sheet. Very good with light spotting on left side. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni” and “Imp. Lemercier Paris.” Published in Le Charivari. En Francais. Paris: Le Charivari,1858. unknown
réf. 1249277Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1854. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1249292Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1854. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
