36 résultats
1959réf. 2202210008Easton Press 1959-01-01. Hardcover. Like New. 9x6x1. Bound in full leather. Stamped with 22kt gold gilt design on cover front back and spine. All edges gold. Silk moire fabric end papers. Satin ribbon place holder. Fine binding and cover. Minor shelf wear. Corner bumped. Clean unmarked pages. For more than 30 years the Easton Press has been the standard for finely bound profusely gilt classic leather bindings. "Wilkie Collins's masterpiece hailed by many as the greatest English detective novel is a brilliant marriage of the sensational and the realistic." - The Guardian Easton Press hardcover
1922réf. 266671922. A Paris Les Arts et le Livre / Collection des Prix littraires 1925. Un vol. au format pt in-4 223 x 178 mm de 189 pp. broch sous couverture rabats remplis. Un des 725 exemplaires numrots du tirage sur vlin de Rives. Il s'ouvre sur une eau-forte originale lgÂrement teint par Andr Dignimont. ''Peut-on vivre avec un crime sur la conscience Quels sentiments viennent animer l'esprit d'un assassin une fois son forfait accompli '' Dos rid prsentant deux trÂs lgers manques en tÂte et queue. Premier plat prsentant un clat trÂs lgÂrement altr ; le second une petite cerne angulaire. Du reste trÂs belle condition. b42961 unknown
1959réf. 1418619Norwalk: The Easton Press 1959. Hardcover. Octavo xviii 464 pages. In Very Good condition. Spine is brown with gold print raised bands. Boards in brown cloth gold print. Text block has gilt edges moire endpapers gold ribbon marker. Illustrated: color frontispiece and plates. Laid in: short brochure "Notes from the Archives" 4 pages. NOTE: Shelved in Netdesk Column F ND-F . 1418619. FP New Rockville Stock. The Easton Press hardcover
1959réf. 20282Limited Edition Club 1959. Signed Limited. Hardcover. Very Good/No Jacket. Signed/Limited edition signed by the Illustrator on the limitation page 1398 of 1500. Book in near fine to fine condition. Slipcase in very good condition with minor scuffine Limited Edition Club hardcover
1930réf. 786185mile Hazan Paris 1930. Limited edition copy number 39 of 833. Good. 1930. Soft cover. paperback 4to 211pp illustrated with eaux-fortes in colour by Dignimont text in French slight foxing on edges contents clean and tight printed card covers edges slightly bumped Good condition . mile Hazan, Paris, 1930. Limited edition, copy number 39 of 833, paperback
1938réf. 153075Paris: Librairie Des Champs-Elyses 1938. 1st edition. Nice copy. small quarto. card covers 191pp. illusts. No. 742 of 2500 copies. Nice illustrations. FRENCH TEXT Librairie Des Champs-Elyses unknown
1944réf. 22671Paris: Les Editions Nationale. 1944. Softcover. Two volumes: Le Pain Quotidien 356pp. one of 400 copies this copy marked "HC" and with an extra suite of black and white lithographs by Leconte contained in torn glassine wrapper. The book is fine in fine wraps and lightly worn glassine. Presentation de 1900 unbound signatures laid into wraps 32pp. is No 338 of 475 copies illustrated by Dignimont and fine in fine wraps and glassine. ; 4to 11" - 13" tall; 356 32 pp . Les Editions Nationale paperback
1958réf. GW-737Heritage Press 1958 New York: Heritage Press 1958. Hardcover. First Edition Thus. First Printing. Book in Fine condition. Slight shelfwear to slipcase in Near fine condition. Slight fading to spine see pics. An otherwise clean tight copy. Shipped in well-padded box. Smoke-free shop. 1st Edition. Hardcover. Fine/No Jacket. Heritage Press hardcover
1942réf. 22316Paris: Editions Rombaldi. 1942. Softcover. #22 of 100 copies from an edition of 410 with an extra set of plates; wraps are fine in original glassine slightly sunned in repaired lightly sunned and lightly soiled chemise in sunned box.; 8vo 8" - 9" tall . Editions Rombaldi paperback
1927réf. 78997Paris: Édition de la Roseraie 1927. Multi-ring binder 29x23 cm. With 16 etchings 195x145 cm pasted on cardboard leaves. - Part of the series printed by Les Ateliers de l'imprimerie en taille douce de la Roseraie on "vélin de Rives" in 350 copies for Tristan Bernard 'Amants et Voleurs'. The etchings executed in 2 states: in black and in colour are signed and titled in pencil by the artist André Dignimont: 1 Le poignard malais. - 2 Lettre d'amour. - 3 Nicolas Glave. - 4 Edmond. - 5 jEn casque et sabre. - 6 Hardi Poitvin! - 7 La visite des bagages. - 8 Un guerrier. Édition de la Roseraie unknown
1951réf. 74315Saint-Avertin: S. n. 1951. Fine. S. n. Saint-Avertin 9 Septembre 1951 14 x 10.50 cm une feuille Autograph card recto-verso dated and signed by Jules Romains addressed to his friend André Dignimont asking for news of him and inquiring about the progress of his work: ""You would please me by giving me news of you both then by telling me if you are satisfied with your work. ""Hommes de bonne volonté"". ""Les hommes de bonne volonté"" ""Men of Good Will"" illustrated by André Dignimont would be published in 1954 by Flammarion. S. n. unknown
1927réf. 09199Editions de La Roseraie 1927-01-01. First Edition. Paperback. Good. 0x0x0. #314/350 printed on Velin de Rives. Paperbound wraps rebound in old lavender paper with original front cover affixed to the paper. String bound fine interior. Fifteen full page engravings. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Editions de La Roseraie paperback
1927réf. 15781Orig. wrappers uncut. No 346 of 600 "sur velin Montgolfier" a total of 718 copies. With 6 original etchings by Dignimont. unknown
1929réf. 15404Small 4to. All orig. wrappers uncut. No 47 of 800 "sur velin d'Arches". With 6 fine etchings in colour full page and 2 in the text. unknown
réf. 71-8540Paris: Votre Chance circa 1940. Color lithograph on Arches paper printed by Fernand Mourlot Paris. 51 x 37.5 cm sheet. Very Good light toning along sheet edges. Paris: Votre Chance, circa 1940. unknown
réf. 51-5698Paris: Les Arts et le Livre1926. . 23 etchings with remarques. 24.5 x 19.7 cm. 1 duplicate . Unbound in utilitarian chemise. Ref: Luc Monod no. 7538.Le Chant de l'équipage 1918: Le thème est celui bien connu de l'île au trésor. Mais la fortune ne se trouve pas là où on l'attendait tandis que le fantastique s'invite au rendez-vous. En fait avec Le Chant de l'équipage Mac Orlan montre quels dangers guettent l’aventurier passif qui quitte son cabinet de lecture pour franchir le pas de l'aventure active.Le début de ce roman plutôt documentaire prend une certaine originalité en s'installant dans une ambiance très particulière : la vie quotidienne sur la côte des rias cornouaillaise pendant la Première guerre mondiale. Le souvenir des peintres de l'École de Pont-Aven demeure vivace ; on perçoit l'atmosphère lourde du pays privé d'hommes jeunes et la jalousie suscitée par ceux qui ne sont pas au front ; on fantasme sur les sous-marins allemands dont les officiers paraît-il descendent parfois boire un verre dans les auberges de la côte en se faisant passer pour britanniques ; on imagine le petit monde des combines et des trafics rendus possibles par l'état de guerre. Et puis tout s'emballe… Dans l'hôtel Ploedac où vivent nos héros on serait tenté de voir la fameuse pension Gloanec de Pont-Aven dont l'hôte le plus célèbre fut Gauguin. Mais dans Le Mémorial du petit jour Mac Orlan se souvient des séjours que lui-même fit en ces lieux entre 1910 et 1914 : "À Brigneau-en-Moëlan… il existait à l'entrée de la cale qu'elle dominait une petite auberge de pêcheurs. Elle était posée sur le roc comme une carcasse de tourteau entre les tonneaux de boëtte et les détritus de crustacés… dans cette auberge vivaient les peintres Maurice Asselin et Jacques Vaillant Ricardo Florès et Jourdan. …" On les retrouve encore dans Les Poissons où il évoque les circonstances dans lesquelles la mobilisation d'Août 1914 le surprit ici en pleines vacances. En venant aujourd'hui à Brigneau on n'aura aucun mal à retrouver l'esprit du Chant de l'équipage surtout si on arrive à pied par le chemin des douaniers.Dominique Le Brun In: Mac Orlan Romans maritimes Ed. Omnibus [Paris: Les Arts et le Livre,1926.] unknown
1930réf. 15608Paris Émile Hazan 1930. Small 4to. Bound with all orig. wrappers in a fine hmorocco Anker Kyster 1942. No 226 of 800 "sur velin D'Arches.fabrique specialement pour cette edition" a total of 873 copies. With 6 fine etchings in colour by Dignimont. unknown
1942réf. 15688Small 4to. Bound uncut with all orig. wrappers in a fine hmorocco gilt back Anker Kyster 1942. No 243 of 800 "sur vélin D'Arches" a total of 873 copies. With 6 fine etchings in colour by Dignimont. unknown
1949réf. 15325Royal8vo. All orig. wrappers uncut. With dedic: "á Karin et John Drumm entout amitié. J.V. Pellerin". No 157 of 300 "exemplaires sur papier fil Lama" total of 330. With 7 original lithographs in colour. unknown
1924réf. 1451Paris: Les Bibliophiles du Palais 1924. Fine/Near fine. André Dignimont 1891 - 1965. 8vo 10 1/4 x 7 inches 260 x 178 mm; 96 8 pp. printed in black and red on Arches paper; wood engravings by André Digimont tissue guards some pages unopened signatures loosely stitched. Folded grey paper cover with title in black and Bibliophiles du Palais logo and spine title in red; original glassine overcover. Chemise and slipcase in marbled paper grey paper spine label printed in black; chemise and slipcase in very good condition with some sunning; interiors in perfect condition. Copy VIII specially printed for Monsieur Agostino Soldati as stated on the individual limitation page out of an edition of 200 numbered I-L and 1-150. Carteret IV 51; BNF31756713. Recognized as an "Edition estimée" by L. Carteret in his fundamental 5 volume work "Le trésor du bibliophile romantique et moderne 1801-1875 Paris 1948 this edition was commissioned by the Bibliophiles du Palais a society made up of members of the Council of State senior magistrates lawyers solicitors notariesand forensic doctors. It was established in 1924 and selected from a diverse array of authors from Aristophnes to Colette from Montesquieu to Verlaine for publication refined and illustrated works in editions of 200 copies. Carteret Vol. 2 pp. 229-230. This novella is part of Balzac's series of novels or Roman-fleuve known as La Comédie humaine The Human Comedy which depicts and parodies French society in the period of the Restoration 1815-1830 and the July Monarchy 1830-1848. Originally published in Le Constitutionnel was adapted for six different motion pictures including two silent films. This edition is richly illustrated with woodblock prints by André Dignimont 1891 - 1965 an illustrator engraver painter a notable figure in Montmartre's art scene known for his delicate illustrations of female beauty. Les Bibliophiles du Palais unknown
1926réf. 15589Small 4to. Fine hmorocco richly gilt back top-edge gilt uncut. Bound with all orig. wrappers. No 531 of 490 numb. 139 a 628 "sur Rives" a total of 678 copies. Colour-illustrations pochoir by Dignimont. unknown
1926réf. 18011Editions Mornay Paris 1926. Hardback full purple morocco with horizontal strip of black morocco across foot of boards and spine and ruled in gilt by Kaiga. 25.5 x 19.5cm. 228pp 2. Number 14 of 18 copies on Japon ancien with 4 original signed watercolours loosely inserted from an edition limited to 628 with pochoir-coloured plates and illustrations by Andre Dignimont. Original printed wrappers bound in t.e.g. others uncut spine a little faded. Slight foxing and a few leaves with old worm damage to lower margins. Limited. Hard Cover. Good. Editions Mornay, Paris Hardcover
1927réf. 2003290004Paris: Editions De La Roseraie 1927. First Edition. Hardcover. Very Good. Signed. Lovers and thieves: Inscribed and signed by the illustrator Andre Dignimont. Early 20th-century French Erotica. Limited edition of 420 copies. Quarto 29.7 x 23.5 cm. Loose as issued. Held in publisher's color portfolio chemise and patterned copper paper covered box. Purple wraps. Printed on rives vellum paper. 16 plates in 3 states two in porchoir color and one in black and white. This copy unnumbered. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Paris: Editions De La Roseraie hardcover
1926réf. 15408Small 4to. All orig. wrappers. No 41 of 321 "tous sur vélin de Rives". With 22 fine original etchings in colours by André Dignimont. unknown
1926réf. 24551Paris: Éditions Mornay 1926. Dignimont Joseph. Original printed wrappers glassine cover; slight lean otherwise fine. One of 90 copies on Hollande total edition of 628. Truffé with one original watercolor signed in pencil for the illustration appearing on page 104. Éditions Mornay unknown