Gill, EricABAA
10.293 resultados
1931ref. 23175London: Sheed & Ward 1931. First edition. Hardcover. Orig. dark salmon cloth. Near fine. Gill Eric. 120 pages. 19.5 x 13 m. Limited edition one of 500 signed by Eric Gill and Rene Hague. Wide text margins and graphic examples of type and alphabetical examples and pictorial colophons. With 25 letterform examples four printed from wood engravings including Janson Baskerville and Gill’s Joanna slab serif. Clean very fresh copy. Sheed & Ward hardcover books
2004ref. CBS-9780306479731Sp Springer 2004. New. Sp Springer unknown
2004ref. CBS-9780306479731Sp Springer 2004. New. Sp Springer unknown
ref. 74335E-007. Hardcover. Very Good. Hardcover. 12mo. Printed by Hague and Gill for Sheed & Ward Pigotts London UK. 1931. Iv 121 pgs. Limited edition of one of 500 signed by Eric Gill and Rene Hague. Illustrated with twenty-five figures including ten type specimens and four illustrations from wood engravings by Gill. Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. Previous owner's bookplate present to the front pastedown. Text is clean and free of marks. Binding tight and solid. Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill a sculptor engraver printmaker and creator of many classic typefaces that can be seen around us today fused art history and polemic in a visionary work which has been hugely influential on modern graphic design. E-076; 8vo 8" - 9" tall . hardcover
ref. 8118London: Cassell & Co. Ltd. & Francis Walterson 1929. Sm 4to 10.25" x 7" red cloth over boards gilt title/author at spine deckled fore- and tail edges t.e.g. X 324 pp. colophon. Bookplate of Alfred Knopf designed by Rockwell Kent in 1928 on front paste-down. CONDITION: Very good spine moderately sunned light wear to extremities. This is number 55 of 100 copies printed on large paper. Signed and numbered by Gill on the colophon. London: Cassell & Co., Ltd. & Francis Walterson, 1929 unknown books
1931ref. 74635London: Sheed & Ward 1931. 8vo.Limited Edition. iv 121 pp. One of a limited run of 500 signed by the author Eric Gill and the printer Rene Hague. Red cloth in jacket. Jacket price-clipped with loss and a few tears at extremities. Minimal rubbing to extremities of book. Only a couple of spots to the text. . Near Fine. Gilt Lettered Cloth. Limited Edition. 1931. Sheed & Ward 1931 hardcover
1928ref. 118811928. Large collotype of a pencil portrait by Eric Gill signed with his monogram and dated 16.8.’28 in the print. In addition this has been signed in pencil by the artist ‘Eric G’. Image size 27 x 31 cm. on a large sheet of art card.John Gray had been a young poet and friend of Oscar Wilde in 1890s London and was rumoured to be the origin of Dorian Gray. He was a promising poet and the author of Silverpoints which was published in 1893 designed by Ricketts. Later he became a Catholic parish priest and then a canon living in surburban Edinburgh with Andre Raffalovich when he became friends with Eric Gill. At the time of this portrait Gill was due to publish Gray’s novel ‘Park’.MacCarthy p.132 241 Portrait by Gill of his friend Canon John Gray author of Silverpoints and friend of Oscar Wilde supposedly the inspiration for Dorian Gray unknown
ref. Bloomsbury-9780826472588Continuum. Hardback. New. 220 pages Continuum hardcover
ref. Bloomsbury-9780826472588Continuum. Hardback. New. 220 pages Continuum hardcover
2016ref. 1-1849497133Quadrille 2016. Hardcover. New. 288 pages. 10.00x7.83x1.57 inches. Quadrille hardcover
2005ref. Adhya-9780306479731SPRINGER 2005. HB. New. SPRINGER hardcover
2005ref. Adhya-9780306479731SPRINGER 2005. HB. New. SPRINGER hardcover
2010ref. NEW-MAY2-2017--19158McGraw-Hill Education 2010-01-28. Hardcover. New. New US Edition Textbook Ships with Emailed Tracking from USA McGraw-Hill Education hardcover
1996ref. SONG0941975347Brand: Powerhouse Publishing Fawnskin CA 1996-06-01. Student/Teacher Bible Study. paperback. Used: Good. 11.01x8.54x0.46. Buy with confidence. Excellent Customer Service & Return policy. Brand: Powerhouse Publishing (Fawnskin, CA) paperback
1926ref. 000307Privately printed for Gill by Robert Gibbings at the Golden Cockerel Press. 1st Edition 1st Printing. No. 105 of an edition of 150 copies hand-numbered and signed 'Eric Gill TSI' on the colophon. Illustrated with two full-page copper plate engravings by Gill: 'David' and 'Flying Buttresses'. 'Id Quod Visum Placet' was the first of several books by Gill which were printed at Waltham for publication by Douglas Cleverdon or Gill himself. Description: Quarter tan cloth with blue paper boards white paper label with black lettering on the front board. Octavo: 20 × 12 cm; pp. 6 frontispiece title prologue 19 1 colophon. Printed on Batchelor hand-made paper. Edges untrimmed. Provenance: Contemporary gift inscription to front free endpaper 'J. & R. from BW January 22 1927' and in pencil by Anonymous 'Presented by Beatrice Warde' this statement cannot be verified. Ref.: Cave/Manson 44A; Skelton P372 P373 Condition: Some rubbing to extremities and slight wear to spine boards slightly discolored as usual. Pages tightly bound throughout and bright and clean. Golden Cockerel Press hardcover
1842ref. 106369London: Smith Elder & Co. 1842. First edition small octavo quarter leather boards with original gilt-lettered and blind-stamped boards later leather backstrip with gilt lettering folding map pp viii 186 v i. Previous owner's bookplate light tanning and some foxing to map. Corners lightly rubbed. Very good condition. An important and scarce document of Western Australian history Includes the original folding map by John Arrowsmith titled "Western Australia from the Government Surveys" dated December 7th 1842 with inset of "Environs of Australind". 1st Edition. Boards. Smith, Elder & Co hardcover
2003ref. SBBIH-YZZU5K6W3C7NCambridge University Press 2003. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Cambridge University Press paperback
ref. 06638London: The Folio Society 2010. One of the Great Books of the Twentieth Century" No. 8 of 1980 Copies - A Superb Folio Society Facsimile CHAUCER Geoffrey. The Canterbury Tales. With wood engravings by Eric Gill. London: The Folio Society 2010. "This Facsimile Edition." Limited to 1980 numbered copies this example no. 8. Folio 12 1/8 x 7 1/2 inches; 308 x 191 mm. 1-7 8-764 2 1 limitation statement 1 blank pp. Illustrated throughout with Gill's celebrated wood engravings originally printed at the Golden Cockerel Press under the direction of Robert Gibbings. Printed in Germany by Memminger MedienCentrum on Corolla Classic Watermark laid paper. Elegantly bound by G. Lachenmaier in full black goatskin boards front cover decoratively stamped and lettered in gilt to a design by Neil Gower smooth spine gilt-lettered blue endpapers all edges gilt silk marker. With: The Golden Cockerel Press The Canterbury Tales. Decoration and the Mise en Page. Essay by Peter Holliday. London: The Folio Society 2010. Folio 12 1/4 x 8 inches; 311 x 204 mm. 1-6 7-48 pp. Frontispiece and ten illustrations in the text. Quarter black cloth over blue boards front cover with printed paper label. Together housed in the original black cloth clamshell case spine lettered in gilt. With the original "Two Sample Pages" in black paper folder and the publisher's four-page prospectus. A mint as new set. A magnificent facsimile of the Golden Cockerel Press Canterbury Tales 1929-31 widely regarded as one of the greatest achievements of twentieth-century private press printing. This Folio Society production faithfully recreates the scale typography and mise-en-page of the original preserving the remarkable integration of text and image conceived by Gibbings and Gill. Gill's wood engravings - bold architectural and deeply expressive - rank among his most important book illustrations bringing a modern vitality to Geoffrey Chaucer's great pilgrimage narrative. The present edition printed on fine laid paper and bound in full goatskin succeeds not merely as a reproduction but as a worthy modern counterpart to the Golden Cockerel original. The accompanying essay volume by Holliday offers a detailed examination of the book's decoration and design further enhancing the set's bibliographical interest while the inclusion of the rarely preserved prospectus and sample leaves adds an additional layer of completeness and appeal. Examples of the original Golden Cockerel Press Canterbury Tales are now firmly in the realm of major private press collecting. This facsimile - particularly in such pristine condition and with its ancillary material intact - offers a compelling alternative: a museum-quality presentation of one of the defining illustrated books of the twentieth century at a fraction of the cost. London: The Folio Society, 2010 unknown
ref. 06638London: The Folio Society 2010. One of the Great Books of the Twentieth Century" No. 8 of 1980 Copies - A Superb Folio Society Facsimile CHAUCER Geoffrey. The Canterbury Tales. With wood engravings by Eric Gill. London: The Folio Society 2010. "This Facsimile Edition." Limited to 1980 numbered copies this example no. 8. Folio 12 1/8 x 7 1/2 inches; 308 x 191 mm. 1-7 8-764 2 1 limitation statement 1 blank pp. Illustrated throughout with Gill's celebrated wood engravings originally printed at the Golden Cockerel Press under the direction of Robert Gibbings. Printed in Germany by Memminger MedienCentrum on Corolla Classic Watermark laid paper. Elegantly bound by G. Lachenmaier in full black goatskin boards front cover decoratively stamped and lettered in gilt to a design by Neil Gower smooth spine gilt-lettered blue endpapers all edges gilt silk marker. With: The Golden Cockerel Press The Canterbury Tales. Decoration and the Mise en Page. Essay by Peter Holliday. London: The Folio Society 2010. Folio 12 1/4 x 8 inches; 311 x 204 mm. 1-6 7-48 pp. Frontispiece and ten illustrations in the text. Quarter black cloth over blue boards front cover with printed paper label. Together housed in the original black cloth clamshell case spine lettered in gilt. With the original "Two Sample Pages" in black paper folder and the publisher's four-page prospectus. A mint as new set. A magnificent facsimile of the Golden Cockerel Press Canterbury Tales 1929-31 widely regarded as one of the greatest achievements of twentieth-century private press printing. This Folio Society production faithfully recreates the scale typography and mise-en-page of the original preserving the remarkable integration of text and image conceived by Gibbings and Gill. Gill's wood engravings - bold architectural and deeply expressive - rank among his most important book illustrations bringing a modern vitality to Geoffrey Chaucer's great pilgrimage narrative. The present edition printed on fine laid paper and bound in full goatskin succeeds not merely as a reproduction but as a worthy modern counterpart to the Golden Cockerel original. The accompanying essay volume by Holliday offers a detailed examination of the book's decoration and design further enhancing the set's bibliographical interest while the inclusion of the rarely preserved prospectus and sample leaves adds an additional layer of completeness and appeal. Examples of the original Golden Cockerel Press Canterbury Tales are now firmly in the realm of major private press collecting. This facsimile - particularly in such pristine condition and with its ancillary material intact - offers a compelling alternative: a museum-quality presentation of one of the defining illustrated books of the twentieth century at a fraction of the cost. London: The Folio Society, 2010 unknown books
ref. 9781631178436NOVA SCIENCE PUBLISHERS INC
1976ref. mon0000069127The Lute Society 1976-01-01. Hardcover. Good. in x in x in. Ex-library book usual markings. Clean copy sound binding. The Lute Society hardcover
20122 vols., 8vo., First Edition thus, with very numerous illustrations, initials, and head- and tail-pieces by Gill in the text; full niger morocco, sides and backstrip blocked and lettered in gilt, gilt edges, silk marker, Commentary Volume bound in boards with buckram back, the two fine volumes housed in publisher's cloth solander case lettered in gilt. EDITION LIMITED TO 1980 COPIES. A magnificent facsimile of the Golden Cockerel masterpeice, widely regarded as the finest private press production of the period.
1934ref. 9188Waltham St Lawrence: The Golden Cockerel Press 1934. A deluxe copy from the first 50 issued in a black morocco binding and with a suite of additional engravings lacking one image. Full black morocco binding top edge gilt; a little scuffed to edges; offsetting from glue used to secure the front pastedown. Vignette title and five engravings in the text with tissue guards printed on untrimmed leaves. Signed by Enid Clay and 'Eric G' and numbered on the limitation leaf to the rear. On the final leaf is a pocket for the additional images which has been slit open along the right edge. Additionally there are loose images printed on thick paper of: Marionette; The Housewife; Benediction and The Young Girl's Room - lacking A Baby. These have two of their own paper folders labelled in a calligraphic hand: 'Eric Gill Engravings for Enid Clay's "The Constant Mistress"'. PROVENANCE: from the collection of a Palestinian woman living in Switzerland in the 1980s whose sister knew Eric Gill. A very good copy of a scarce issue of this book. Please contact Christian White Rare Books Ltd for more information or images of this item 1934 The Golden Cockerel Press unknown
1880ref. R10GLTGRN289London: John Murray London 1880. Hardbacks rebound with recent quarter green cloth gilt titles to spines. New end-papers. 2 volume set. 420pp; 11pp 453pp. Complete with all maps and plates as called for. 1st edition 1880. Ex-Cambridge Union Society copy with stamp to title page and the last page in each volume. Binding slightly marked and worn. Many archival tape repairs to back of folding map at rear of volume 1. Some lower corners of last few pages in the first volume scuffed. No publisher ads to rear of volume 2. Half of frontis and title page in the second volume waterstained but otherwise generally clean. Scarce. A heavy set additional postage may be required for orders outside the UK. r10. 1st Edition. Hard Cover. Good. John Murray, London Hardcover
1909ref. 9627London: John Hogg 1909. First edition first impression. 16 plates including 5 by Eric Gill which are reproductions of his carved and written alphabets. 32 x 25.5 cms original linen backed printed blue paper covered portfolio linen ties. Some rubbing and bumping to the edges and corners some darkening to the boards boards but the linen is in good condition and generally a good bright copy. Inserted loose is a scarce advertisement leaf for plaster casts of lettering by Eric Gill available from the publisher. Ownership inscription of the Scottish architect Basil Oliver dated April 11 1911. With 5 plates of carved and written alphabets by Eric Gill John Hogg hardcover
