12.687 risultati
2024rif. __1382053452OUP Oxford 2024. Paperback. New. 8.27x0.79x11.65 inches. OUP Oxford paperback
2024rif. __1382053177OUP Oxford 2024. Paperback. New. 8.27x0.79x11.65 inches. OUP Oxford paperback
2024rif. __138205338XOUP Oxford 2024. Paperback. New. 8.27x0.79x11.61 inches. OUP Oxford paperback
2024rif. __1382053312OUP Oxford 2024. Paperback. New. 8.27x0.79x11.61 inches. OUP Oxford paperback
rif. 9811260206.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 019886616X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1138112399.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. ANAIS-023111804XColumbia University Press. hardcover. Good. 6.3x0.8x9.3. Buy with confidence. Excellent Customer Service & Return policy. Columbia University Press hardcover
rif. A9781608053841Paperback / softback. New. paperback
2023rif. __1517909716MP – University Of Minnesota Press 2023. Hardcover. New. 237 pages. 8.50x5.75x1.00 inches. MP – University Of Minnesota Press hardcover
rif. 6764415Taylor & Francis Group . Papeback. New. pp. 306 Taylor & Francis Group unknown
rif. 9027222746.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 3639173880.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. A9781009476744Hardback. New. Many would agree that human perfection is unattainable. Yet depictions of human perfection are widespread. Examining both secular culture and the New Testament Robin Gill explores this paradox. Gill argues that Synoptic accounts of the Transfiguration offer a Christian understanding of perfection with important implications for social ethics. hardcover
rif. 1801770018.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 365947357X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1918rif. 33378Ditchling: Printed and Publisher by Douglas Pepler 1918. Limited edition one of 400 copies ii 21 1 4 advertisement pp. Engraving by Gill in the advertisements at the end. Original printed wrappers lacking the lower wrapper. Taylor & Sewell A28. Evan Gill 5. The price has not been corrected to the upper wrapper. Ditchling: Printed and Publisher by Douglas Pepler unknown
rif. PJH46529Cape 1931. Inscription on endpaper VG bright copy in green hessian cloth in browned dustjacket particularly to spine with couple small chips. 1st edition 1st issue and unusual in the dustjacket. ISBN B00AKZHUCG Cape 1931 hardcover
rif. 40637LONDON FOLIO SOCIETY 2018. A FINE COPY IN A SOUND BUT SLIGHT MARKED SLIPCASE. PRECEDEDBY APERSONAL REMINISCENCE BY ROBERT GIBBINGS PROPRIETOR OF THE GOLDEN COCKEREL PRESS 1924-1933. LONDON, FOLIO SOCIETY, 2018 unknown
2011rif. 18619Laurence King Publishing 2011. Hardcover. Very Good/very good. 10x8x1. Embrossed Ex libris stamp on flyleaf Laurence King Publishing hardcover
1968rif. 045659Lund Humphries 1968. revised and enlarged edition winter 1968. corner curled 2cm tear to spine bottom. jacket has some dampstaining to bottom edge jacket edges rubbed with 5mm to 2cm tears at flyleaf joints 3cm tear to jacket at spine bottom and a frayed 9cm tear to top left corner at front of jacket. Soft Cover. Very Good -/Good. 8vo - over 7¾" - 9¾" tall. Lund Humphries paperback
rif. 29806London: The Kynoch Press. 1963. First edition. First edition. Publisher's metallic card covers printed in red. 16 pages unpaginated. Illustrated with folding plates in colour throughout. Publisher's information printed in black on a single brown paper sheet loosely laid in as issued. A very good copy the binding firm with a little rubbing bumping and creasing to the extremities. The contents are clean throughout and without inscriptions or stamps. The second in the series of quarterly graphic design essays printed and published by The Kynoch Press in co-operation with the Desingers and Art Directors Association of London. Scarce. Bob Gill born 1931 Brooklyn NY studied at the Philadelphia Museum School of Art and the Pennsylvania Academy of the Fine Arts before launching a freelance career in New York. His early work included illustrations for Esquire Architectural Forum Fortune Seventeen The Nation as well as children's books and film titles. In 1955 he received a New York Art Directors Club Gold Medal for a CBS television title. In 1960 Gill moved to London to work for the advertising agency Charles Hobson. There he joined forces with Alan Fletcher and Colin Forbes to form Fletcher / Forbes / Gill an influential studio that would later help lay the groundwork for Pentagram. The early 1960s in England were a period of extraordinary creative energy. The Beatles were rapidly transforming from a Liverpool band into a global cultural force. The satirical revue Beyond the Fringe introduced Jonathan Miller Alan Bennett Dudley Moore and Peter Cook as sharp-witted social commentators. Designer Mary Quant was redefining fashion and modern femininity. Graphic design too was part of this cultural surge and Fletcher / Forbes / Gill stood at its leading edge. Working from a mews studio off Baker Street the trio developed a bold avant-garde approach that fused typography and image in ways largely unseen in the traditionally conservative British design scene. Their work quickly gained attention beyond the design community including features in Vogue and they soon attracted a growing list of high-profile clients. In 1965 Gill left the partnership which was restructured as Crosby / Fletcher / Forbes with the addition of architect Theo Crosby. Gill later returned to New York where his work spanned disciplines: he designed a proposed peace monument for Times Square directed the film 'The Double Exposure of Holly' and collaborated with Robert Rabinowitz on the multimedia musical Beatlemania which ran on Broadway for three years. Throughout his career Gill championed a direct idea-driven approach to design. As he wrote in 1981 "Drawing illustration is just like design. It's a process a means not an end. Both are ways of making statements. So unless you have a specific point of view about something don't even begin the process". In 1999 he was awarded the British D&AD President's Award. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. London: The Kynoch Press. 1963 unknown
1990rif. 231520Edinburgh: W. Green and Son Limited 1990. Second Edition. Brown Cloth. Very Good/No Jacket. 8vo - over 7¾" - 9¾" Large. Type: Z 760pp. 1990. Second edition. Rare. A very good clean tight copy in original publisher's brown cloth with dark brown and black title blocks to the spine - gilt embossed to the spine and to the front board. No inscriptions. Two brown ribbon page-dividers. Slight dust soiling to the rear board and very slight rubbing to the spine. A very good clean tight copy. W. Green and Son Limited hardcover
1979rif. 17399Newton Abbot: David & Charles 1979. Book. Good. Hardback. First Edition. 8vo - over 7¾" - 9¾" tall. Price is for volume I and II these will not be sold separately. The first history ever to deal with the whole area making up the modern city. David & Charles Hardcover
1979rif. 17398Newton Abbot: David & Charles 1979. Book. Good. Hardback. Second Revised Edition. 8vo - over 7¾" - 9¾" tall. Price is for volume I and II these will not be sold separately. The first history ever to deal with the whole area making up the modern city. David & Charles Hardcover
