10.293 Ergebnisse
2022Best.-Nr. Scientific-9781644350720Medicare Health Science 2022. New. Medicare Health Science unknown
1878Best.-Nr. 317555London: John Murray 1878. With a Map. liv 285pp. 8vo. Bound in three quarters modern brown polished calf and marbled boards red leather title label. Fine. With a Map. liv 285pp. 8vo. Life on Ascension Island with her husband Scottish Astronomer David Gill to measure the solar parallax-the distance between the Earth and the Sun-by observing Mars which was then the closest to Earth than it had been for a century. John Murray unknown
1878Best.-Nr. 317555London: John Murray 1878. With a Map. liv 285pp. 8vo. Bound in three quarters modern brown polished calf and marbled boards red leather title label. Fine. With a Map. liv 285pp. 8vo. Life on Ascension Island with her husband Scottish Astronomer David Gill to measure the solar parallax-the distance between the Earth and the Sun-by observing Mars which was then the closest to Earth than it had been for a century. John Murray unknown books
2011Best.-Nr. 47394Berkshire: Memminger Medien Center for the Folio Sociaty 2011. Facsimile edition after the original. Hardcover. Fine condition. 477/1250. Folio. 309 2 48pp. Original black goatskin with gilt stamped illustrations and lettering on cover and spine gilt edges with companion book in black half leather over dark blue boards with black lettering on cream paper label on cover; housed in matching black cloth slipcase with gilt lettering on spine. Dark blue endpapers. Illustrated title page. Red initials. Historiated endpieces. Black ribbon marker. Companion volume with frontispiece photograph of Eric Gill by Howard Coster 1927. Exquisite publication and beautifully illustrated in margins with large drawings by Eric Gill. These drawing were perceived by the public as erotic. Modern prose translation of Chaucer's masterpiece printed on Rigoletto Panna felt-merked paper. "Troilus and Criseyde was originally printed by Robert Gibbings at the Golden Cockerel Press in 1926-7 using the text from the Globe edition of 1898. This facsimile edition was printed in 2011 by Memminger MedienCentrum for the Folio Society on Rigoletto Panna felt-marked paper and bound by G. Lachenmaier in full goatskin leather with Merida Indigo endleaves. Colophon. The companion volume "Barry Windeatt's essay on Troilus and Criseyde was first published as an introduction to his translation of the poem published by the Clarendon Press in 1992. Reprinted by permission of Oxford University Press. The text of this edition follows that of the first edition with minor emendations. " Imprint. Contains notes at rear. Memminger Medien Center for the Folio Sociaty hardcover
2011Best.-Nr. 47394Berkshire: Memminger Medien Center for the Folio Sociaty 2011. Facsimile edition after the original. Hardcover. Fine condition. 477/1250. Folio. 309 2 48pp. Original black goatskin with gilt stamped illustrations and lettering on cover and spine gilt edges with companion book in black half leather over dark blue boards with black lettering on cream paper label on cover; housed in matching black cloth slipcase with gilt lettering on spine. Dark blue endpapers. Illustrated title page. Red initials. Historiated endpieces. Black ribbon marker. Companion volume with frontispiece photograph of Eric Gill by Howard Coster 1927. Exquisite publication and beautifully illustrated in margins with large drawings by Eric Gill. These drawing were perceived by the public as erotic. Modern prose translation of Chaucer's masterpiece printed on Rigoletto Panna felt-merked paper. "Troilus and Criseyde was originally printed by Robert Gibbings at the Golden Cockerel Press in 1926-7 using the text from the Globe edition of 1898. This facsimile edition was printed in 2011 by Memminger MedienCentrum for the Folio Society on Rigoletto Panna felt-marked paper and bound by G. Lachenmaier in full goatskin leather with Merida Indigo endleaves. Colophon. The companion volume "Barry Windeatt's essay on Troilus and Criseyde was first published as an introduction to his translation of the poem published by the Clarendon Press in 1992. Reprinted by permission of Oxford University Press. The text of this edition follows that of the first edition with minor emendations. " Imprint. Contains notes at rear. Memminger Medien Center for the Folio Sociaty hardcover books
2007Best.-Nr. 75917London: Folio Society 2007. Facsimile. Hardcover. fine. Quarto.13 1/2 x 9": Volume one is the essay by John Dreyfus and Robert Gibbings. Volume 2 is The Four Gospels. Bound in full black goatskin leather with pictorial gilt lettering and design by Lachenmaier with Fabriano Tiziano endleaves.Ribbon. AEG. This is copy number 764 of an edition of 2750 In folding box. A beautiful set. Facsimile of the 1931 edition produced by Golden Cockerel Press. Folio Society hardcover
1929Best.-Nr. BBS-2012727Cassell & Co. Ltd. & Francis Walterson 1929. First Edition. Hardcover. Good. Signed. Includes a letter signed by Gill. Lacks the dust jacket. Blue buckram with gilt spine titles; cloth rubbed age-soiled with heavy sunning to spine. Gilt is still sharp and bright though visually it blends with the sunning at spine. Spine square. Binding sound. No DJ; stored and sold in protective clear wrapper. Top edge of textblock dusty. Pages sparsely foxed throughout with more moderate foxing to rear endsheet. Bookplate belonging to Eleanor and Reginald Jebb adhered at front paste down. Interior otherwise unmarked. Includes a letter from Gill to previous owner Eleanor Jebb hand-written and signed by Gill on letterhead from Pigott's North Dean High Wycombe; dated February 1931. The letter had been torn and has been reconstructed by pasting its pieces onto a different piece of paper; this has been tipped-in by a previous owner at half title. Additional correspondence between Mrs. Jebb and Gill's wife Mary and with Fr. Vincent McNabb is laid-in at the back. The letters with Mary Gill are dated 1944 and the postcard from McNabb is from 1931. Photographs available upon request. Cassell & Co., Ltd. & Francis Walterson hardcover
1927Best.-Nr. 622470Abergavenny: Francis Walterson 1927. Hardcover. Near Fine. First edition. Frontispiece engraved by David Jones. 12mo. 42 1pp. Blue cloth gilt. Sunning at edges of the boards and the spine else near fine. Copy number 5 of 200 numbered copies printed by The Shakespeare Head Press and Signed by both Gill and David Jones. Francis Walterson hardcover
1927Best.-Nr. 622470Abergavenny: Francis Walterson 1927. Hardcover. Near Fine. First edition. Frontispiece engraved by David Jones. 12mo. 42 1pp. Blue cloth gilt. Sunning at edges of the boards and the spine else near fine. Copy number 5 of 200 numbered copies printed by The Shakespeare Head Press and Signed by both Gill and David Jones. Francis Walterson hardcover books
2012Best.-Nr. 343Centre National de l'Audiovisuel 2012. First Edition First Printing. Hardcover. NEW. SIGNED COPY Centre National de l'Audiovisuel Luxembourg 2012. Hardcover in unique marbled paper-covered boards marbling by Gill. First Edition First Printing. 152 pages. Edition of 1500 copies. Quarter bound in black leather. Gilt titles. No jacket as issued. 90 color reproductions with color gate-fold. SIGNED by Stephen Gill. Book Condition: New/Fine. SIGNED. Publisher's Description: "Coexistence In the summer of 2010 I was asked if I would be interested in making a photographic response to an area containing a pond situated within an industrial wasteland – the remains of the deceased steelmaking industry in Dudelange Luxembourg. My only previous experience with ponds had been during my teenage years when an obsession with pond life led me to spend long hours in my bedroom wearing a lab coat and peering into a microscope. That obsessive immersion into a strange and disorientating world had a profound effect on me personally and certainly left its mark on many of the photographic studies I have subsequently produced. I knew that the pond in Dudelange would be teeming with unseen life now that its industrial past had come to an end. From the 1920s until it was put out of use in 2006 the pond had been used to cool the blast furnaces and tiny but dense communities would be now forming and thriving in the absence of that extreme heat. For the eight months leading up to my first visit to the territory my mind increasingly started tuning into microscopic worlds within worlds and I became ever more aware of the many parallels between patterns and processes in the pond and those in our own lives as individual humans within societies. Slowly I became committed to the idea of attempting to bring these two apparently disparate worlds – so physically close yet so different in scale – visually closer together. Grappling with the idea of knitting together these parts of life that coexist but don’t belong together nor are ever usually seen together I decided to make a photographic study that would resemble a kind of tapestry. The University of Luxembourg kindly taught me to use one of their medical microscopes so that I was able to study single drops of the water and I began searching the pond for diatoms and other minuscule creatures and plant life. The more I thought about the human factor that was so essential to the series forming in my head the more I wanted to involve local people from the small town of Dudelange which has a substantial community of families with Portuguese and Italian origins. Many of these people used to work in the steelmaking industry. For health and safety reasons it was not possible to invite people to come to the cooling ponds so I decided instead to take the pond to the people. I filled a red plastic mop bucket with water from the pond and dipped my underwater camera into this pond water prior to making portraits of the Dudelange residents. Later on I also dipped the prints into the pond itself so microscopic life was also transferred onto the surface of the paper. Stephen Gill. Centre National de l'Audiovisuel hardcover
2007Best.-Nr. 11151Liverpool: Liverpool University Press 2007. Good. Liverpool: Liverpool University Press 2007. First Edition. Oblong quarto 11.5 x 8.5"; 23pp. Photos throughout. Photo-illustrated boards with green cloth spine and black lettering. Boards heavily rubbed with exposure at corners and spine ends with splits starting at bottoms of both joints. Spine cocked. Creasing to back pastedown along gutter. Staining along bottom of textblock but not encroaching up into pages themselves with a but of a musty smell. Notes either page or phone numbers written clumsily in blue pen on copyright page at back else pages unmarked. Binding is sound. A bit rough overall but internally sound and legible. Published to accompany the exhibition The Ghosts of Song: A Retrospective of the Black Audio Film Collective which travelled from Liverpool to Bristol and finally to London between February 2007 and August 2008. The BAFC was a group of Black British and diaspora filmmakers and artists active from 1982 - 1998 whose work focused on Black identity and the Black British experience and responded to contemporary social and post-colonial theory. The British Film Institute states that the BAFC created "some of the most challenging and experimental documentaries in Britain in the 1980s. Liverpool University Press unknown books
1957Best.-Nr. SKU1044002Addison-Wesley Publishing 1957. Second Edition. hardcover. Very Good. 0x0x0. Addison-Wesley Publishing Company; Reading 1957. Hardcover. Second Edition. A Very Good red cloth binding with gilt lettering on spine binding sturdy and intact some handling/scuffing to boards rubbing along board and spine edges handwritten ink name top front free endpaper some age toning to text block slightly cocked without Dust wrapper. A nice and clean copy. 8vooctavo or approx. 6 x 9 inches. 238pp. appendix bibliography indexed. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. Addison-Wesley Publishing hardcover
Best.-Nr. 18408Paris, Au bureau du journal l'Éclipse, 4 juin 1869-16 janvier 1870. 21 numéros en 1 vol. in-4, [310] pp., demi-basane havane, dos lisse orné de filets dorés (petits manques et frottements à la reliure, quelques petites taches).
Best.-Nr. 16025Paris, 1869-1870. 21 numéros petit in-folio, 309 pp. pagination continue, complet (quelques dos partiellement fendus, petite déchirure à la couverture du n° 1).
1883Best.-Nr. 027661London 1883 JOHN MURRAY Hardcover
Best.-Nr. 38559309-nnew. unknown
Best.-Nr. 38559309like new. unknown
1923Best.-Nr. 11987Ditchling: St. Dominic's Press 1923. With preface and notes by Eric Gill and Hilary Pepler. 6 wood engravings by Eric Gill and 3 by David Jones colophon page printed in red. 8vo. original blue cloth with printed paper label on upper cover. A very good copyThe title is from one of the poems which is for Petra Gill on her seventeenth birthday and which has a chorus line In petra exaltavit te : He exalted me upon a rock. Physick 61 144 224 240 245 259. Taylor & Sewell A111. For Petra Gill on her 17th birthday - with wood engravings by Eric Gill and by David Jones who was to become her fiancee St. Dominic's Press hardcover
1982Best.-Nr. TECS00166Los Angeles & San Francisco: Tomash Publishers 1982 WYSIWYG pricing--no added shipping charge for standard shipping within USA. Full maroon cloth gilt titles on front board & spine xxxi 13 167 2 pp 8 b & w photos index. Fragile tissue DJ with blind spider-web pattern is slightly chipped and browning especially about the edges. Facsimile reprint with an added introduction by Martin Campbell-Kelly of the first book about programming an actual digital computer there were earlier purely theoretical works. This is the first book in the Charles Babbage Institute Reprint Series for the Hiistory of Computing. Shipping weight 2 lbs. Reprint. . Fine/Near Fine. 23½ X 16 cm. Tomash Publishers Hardcover
2014Best.-Nr. Atlantic-9781780642734CABI 2014. Hardcover. New. CABI hardcover
2014Best.-Nr. Atlantic-9781780642734CABI 2014. Hardcover. New. CABI hardcover
2007Together 2 vols., 8vo., First Edition thus, with numerous fine typographical illustrations throughout; full morocco, upper board and backstrip blocked and lettered in gilt, gilt edges, Commentary volume bound in boards with paper label, buckram back, both near fine copies housed in publisher's board slip-case. EDITION LIMITED TO 2750 COPIES. Splendid facsimile of the original edition of 1931. Gill, 285 (recording the original edition).
2020Best.-Nr. Scientific-9781788825078Medplus 2020. Hardcover. New. Medplus hardcover
2020Best.-Nr. Scientific-9781788825078Medplus 2020. Hardcover. New. Medplus hardcover
2019Best.-Nr. x-3319996509Springer 2019. Hardcover. New. 494 pages. 9.25x6.10x1.34 inches. Springer hardcover