Page, GillBiblio.com
12 701 résultats
2008réf. 101449Cambridge University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 330 pages. -- with a bonus offer--; In 1204 the Byzantine Empire was conquered by troops from western Europe ostensibly taking part in the Fourth Crusade. This was a hugely significant event for the subjects of the Empire radically altering the Byzantines' self-image and weakening their state for the later conflict with the Ottoman Turks. Using the theory of ethnicity - a comparatively recent tool with regard to the pre-modern era - Gill Page provides fresh insight into the late Byzantine period providing a corrective to nationalistic interpretations of the period of Frankish rule and more broadly to generally held assumptions of ethnic hostility in the period. A systematic analysis of texts in Greek from the period 1200-1420 from both ends of the social spectrum is backed up by an in-depth study of Frankish rule in the Peloponnese to reveal the trends in the development of Byzantine identity under the impact of the Franks. . 2008. 0521871816 . Cambridge University Press hardcover
1999réf. 101580Yale University Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 268 pages. -- with a bonus offer--; Art and Its Histories Series; This volume examines the ways in which works of art have achieved a position in the canon of Western art. Focusing on art and institutions in Britain and France from the 17th to the 19th century the contributors explore the construction and evolution of canonical values. . 1999. 0300077432 . Yale University Press paperback
2013réf. 106831Manchester University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2013. 0719090393 . Manchester University Press hardcover
2013réf. 106582Reaktion Books. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer--; Art Since the '80s . 2013. 1780231806 . Reaktion Books paperback
1993réf. 100896Yale University Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 270 pages. -- with a bonus offer--; Modern Art--Practices & Debates; The book presents a survey of art from the first two decades of the 20th century. The authors begin by exploring how aspects of the primitive were invoked by rural artists' colonies formed in France and Germany at the end of the 19th century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory considering the social and cultural values encoded in such signifying systems and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian. . 1993. 0300055161 . Yale University Press paperback
2011réf. 100291University of Michigan Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pp. ; 120 illus. -- with a bonus offer--; Women first appeared on the legitimate stage in England following the Restoration in 1660 heralding a major change in British theater. The First Actresses: From Nell Gwyn to Sarah Siddons explores the vibrant and sometimes controversial relationship between art gender and the English theater in the 18th century. The richly illustrated book combines both well-known and seldom-seen portraits with fascinating essays that explore the ways that actresses used portraiture to enhance their reputations deflect scandal and increase their popularity and professional status. The featured works include paintings by major artists such as Johann Zoffany Joshua Reynolds Thomas Gainsborough and Thomas Lawrence. Created to accompany the National Portrait Gallery’s exhibition of the same name The First Actresses provides a vivid spectacle of femininity fashion and theatricality from Nell Gwyn to Sarah Siddons during a period when portraiture became an important vehicle for the expression of concerns about female sexuality social status decorum gender and celebrity. The authors also chart the commercialization of the spectacle of the actress as well as the connections between the 18th-century “star system” and modern celebrity culture. . 2011. 0472118277 . University of Michigan Press hardcover
2015réf. 113789Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 1851778527 . Museum hardcover
2011réf. 94927V & A Publishing. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 254 pages; 144 illustrations including 135 in color. -- with a bonus offer--; Recording Britain was an artistic documentary project sponsored by the British government in the late 1930s as the country faced the potentially devastating impact of a second world war. The resulting collection of more than 1500 watercolors and drawings by both well-known and amateur artists is a rich visual record of buildings landscapes and livelihoods perceived to be under threat. Recording Britain brings together highlights from this extraordinary collection at the V&A vivid images of national and regional identity that often portray an idealized account of the country for which its audience at the time was fighting. The pictures are discussed in relation to contemporary British artists and photographers such as John Virtue Conrad Atkinson Richard Long and Laura Oldfield Ford whose work also reflects on a sense of place. . 2011. 1851776613 . V & A Publishing hardcover
1963réf. 38909New York: Citadel Press / Book Sales Inc. . As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- with a bonus offer--; T-Shagill; Shakespeare William; Decorations By Gill Eric The Love Poems of Shakespeare . 1963. Citadel Press / Book Sales Inc. hardcover
2014réf. 107494Flammarion. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2014. 2080201816 . Flammarion hardcover
2010réf. 99365S Karger Pub. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- -- with a bonus offer--; In 1933 Paul Klee's work was branded as "Entartete Kunst" "Degenerate Art" by the National Socialists and he was dismissed from his professorial post at the Due sseldorf Academy of Fine Arts. This led him together with his wife Lily to return to his 'real home' of Bern. Here his avant-garde art was not understood and Klee found himself in unasked for isolation. In 1935 Klee started to suffer from a mysterious disease. The symptoms included changes to the skin and problems with the internal organs. In 1940 Paul Klee died but it was only 10 years after his death that the illness was actually given the name 'scleroderma' in a publication about Klee. However the diagnosis remained mere conjecture. Since his adolescence the dermatologist and venereologist Dr. Hans Suter has been fascinated by Paul Klee and his art and more than 30 years ago this fascination spurred him to commence research into the illness and its influence on the art of Paul Klee's final years. It was due to Dr. Suter's meticulous investigations that Klee's illness could be defined as 'diffuse systemic sclerosis'. In this book the author assembles his findings and describes the rare and complex disease in a clear and comprehensible way. Further he empathetically interprets more than 90 of Klee's late works. The point of view of a dermatologist renders a unique source of information. It provides on one hand new insights into everyday medical practices at the University of Bern in the 1930s which will fascinate doctors and local historians alike. While on the other hand art historians and art lovers will be absorbed by the newly discovered links between Paul Klee's work and his illness. . 2010. 3805593813 . S Karger Pub hardcover
2012réf. 104200D. A. P. Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish and English. 224 pages; over 100 illustrations many in color. -- with a bonus offer-- . 2012. 8492480734 . D. A. P. (Distribution) hardcover
1994réf. 50217Oxford England: Clarendon Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Inscribed & signed by Vickers. 255 pages. Book Description: Exciting and provocative in its argument this book challenges the widely held view that Greek pottery vases were objects of great value in antiquity commissioned by rich patrons from the greatest artists of the day. Instead they are shown to have been simply low cost versions of tablewareoriginally made in silver and gold. This book demonstrates how Greek pottery first came to be regarded as a high value commodity in the eighteenth century thanks to clever if not fraudulent sales techniques; it examines the primary sources both literary and epigraphic to find what materials theancients did consider to be important; and it explores the ways in which work in gold and silver influenced painted pottery. -- with a bonus offer-- . 1994. 0198132263 . Clarendon Press hardcover
2014réf. 113095Zabludowicz Art Projects. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2014. 1907921109 . Zabludowicz Art Projects hardcover
1842réf. 738L2Boston: William Crosby and Company 1842. First edition. Fine Binding. Fine. 7" by 4.5". None. A fine example of this uncommon work regarding a dinner hosted in Boston where Charles Dickens gave a speech on International Copyright. This work was published following Dickens' first trip to America. He visited many locations including Virginia Missouri and New York. He enjoyed the city of Boston which is where this celebratory dinner was held. It is a faithful account of the speeches made that evening. In attendance at the dinner were Oliver Wendell Holmes Washington Allston George Bancroft and Nathan Hale Jr among many noted literary figures. Dickens' own speech is recorded to pages 10-15 and he introduces the subject of International Copyright. A truly fine copy of this uncommon work. In a finely bound full morocco binding. Externally fine. Internally firmly bound. Pages are bright. Spotting to the first and last few pages. Scattered spots to the fore-edge. Not affecting the pages. Fine William Crosby and Company unknown
1922réf. 12056Ditchling c.1922. Original watercolour and pencil on paper. 14.6 x 11.5cm. Float mounted framed and glazed 38 X 34cm in total. Exhibition label to the reverse of the frame for the Gillian Jason Gallery London along with the catalogue for the 1992 exhibition ‘The Childhood Drawings of Joanna Gill’ contained within a pouch 16pp. stapled colour card wrappers the present painting being item no. 33g. Condition is very good with just a few spots of light toning to the yellow area at the top. The colours remain bright. Created during her home education at Ditchling Common Joanna Gill’s paintings reflect the styles and motifs of the unique artistic environment in which she was immersed. As Lottie Hoare however points out in her introductory essay in the accompanying exhibition catalogue regarding the childhood art of Joanna Gill and her early upbringing in Ditchling it was a two-way influence as Eric Gill was himself “inspired by his children’s drawings. He produced woodcuts with blocks taken from their own sketches and collaborated with Hilary Pepler to produce booklets of their work on St. Dominic’s Press”. Joanna later married the printer René Hague 1905-81 who had collaborated with her father in establishing the printing press Hague and Gill for which Eric Gill designed a range of typefaces.Gillian Jason Gallery ‘The Childhood Drawings of Joanna Gill’ exhibition catalogue no.33 Charming childhood illustration for The Lady of Shallott by Eric Gill’s daughter Joanna unknown
1931réf. 6655Pigotts London: Hague and Gill Sheed & Ward 1931. First Edition. Hardcover. Fine/near fine. Hardcover completely fine. Jacket without a single nick or tear spine lightly toned printer's smudge on a letter. Printed on laid paper. I have illuminated the Hague & Gill watermark -- see last page. A gorgeous copy of the one of the great books of typography rare in this condition. A Century for the Century No. 28. Hague and Gill | Sheed & Ward hardcover
réf. 8445La Lune Rousse Au Bureau 1876 - 1879, première à troisième année. Les numéros sont en feuilles tels que parus, le tout dans une boîte pleine toile, pièces de titre au dos. Quelques exemplaires sont très proprement restaurés sinon exemplaires en bel état. Journal satirique fondé par André Gill qui succède à l'Eclipse. Gill est également l'auteur de toutes les caricatures. Une caricature en couleurs en première page sur les numéros 1 à 9 et 135 à 142, les autres numéros ont une grande caricature sur la double page centrale.
réf. 8445La Lune Rousse Au Bureau 1876 - 1879, première à troisième année. Les numéros sont en feuilles tels que parus, le tout dans une boîte pleine toile, pièces de titre au dos. Quelques exemplaires sont très proprement restaurés sinon exemplaires en bel état. Journal satirique fondé par André Gill qui succède à l'Eclipse. Gill est également l'auteur de toutes les caricatures. Une caricature en couleurs en première page sur les numéros 1 à 9 et 135 à 142, les autres numéros ont une grande caricature sur la double page centrale.
1865réf. 129583London: Published by Paul Jerrard & Son for the Proprietor Messrs. Newbold & Co 1865. Very Good. London Published by Paul Jerrard & Son for the Proprietor Messrs. Newbold & Co. after 1865. Two hand-coloured lithographs individually framed and glazed at a much later date matted just outside the printed border obscuring the series title and plate number above the upper border; visible image sizes approximately 210 × 260 mm; external dimensions 422 × 447 mm. Hand-colouring a little faded; light uneven tanning to the 'Bushrangers' plate; overall in excellent condition but not examined out of the frames. The complete series comprises twelve views of the Australian goldfields in the manner of S.T. Gill; the set 'was probably issued loose without any title or wrapper' Wantrup page 327. The two plates on offer are 'The Lost Bushman or The Unfortunate Digger That Never Returned' Number 2 and 'Bushrangers waiting for the Mails in New South Wales' Number 5. The title is printed beneath the image along with four lines of explanatory text; the 'Lost Bushman' plate also has an additional four lines of verse. Wantrup suggests a date of publication after the appearance of Gill's 'Australian Sketchbook' in 1865 due to the numerous similarities between the two works. Complete sets of this series and probably individual plates too are clearly rare: Wantrup refers to incomplete sets selling at auction in 1977 and 1982 and the only addition to the book auction records since then is the incomplete set in the 2008 Davidson Collection sale when 11 framed and glazed plates sold for $18640 against an estimate of $6000-8000. Ferguson 15738b; Wantrup 255. 2 items. Published by Paul Jerrard & Son for the Proprietor Messrs. Newbold & Co unknown
1936réf. 303936Pigotts North Dean High Wycombe 1936. 1 p. each annotations in another hand at bottom of one. 8vo. Old folds letter of July 2 unevenly toned. 1 p. each annotations in another hand at bottom of one. 8vo. Three letters to Dr. Alfred Charles Jordan 1872-1956 British radiologist co-founder of the New Heath Society and Honorary Secretary of the Men's Dress Reform Party. In the letter of June 9 Gill agrees to present a copy of his book Clothes 1931 at the upcoming revel of the MDRP and says he's asked his publisher Cape to send a copy for him to autograph. In the letter of June 17 he encloses the book and thanks Jordan for tickets to the event saying he will "certainly come . unless run over or in jug." In the letter of July 2 he writes "I did enjoy the evening at Suffolk St. very much. But I was sorry so many of the men were merely in 'fancy' dress." He also accepts Jordan's invitation to have his name added to the organization's permanent committee. Accompanying the group is a Typed Letter Signed of Gill dated May 13 1936 in which Gill requests four issues of the MDRP publication. The subtitle of Gill's "Clothes" is "An essay upon the nature and significance of the natural and artificial integuments worn by men and women." In it Gill presents many ideas on dress reform for both men and women among which was his advocacy the skirt or tunic by both men and women a style that Gill himself adopted. The Men's Dress Reform Party was active from 1929-1940 and grew out of discussions within the Clothing Subcommittee of the New Health Society which had been co-founded by Dr. Jordan in 1925. For a history of the MDRP including Dr. Jordan's role in it see Barbara Burman "Better and Brighter Clothes" Journal of Design History Vol. 8 No. 4 1995 pp. 275-290. unknown
1936réf. 303936Pigotts North Dean High Wycombe 1936. 1 p. each annotations in another hand at bottom of one. 8vo. Old folds letter of July 2 unevenly toned. 1 p. each annotations in another hand at bottom of one. 8vo. Three letters to Dr. Alfred Charles Jordan 1872-1956 British radiologist co-founder of the New Heath Society and Honorary Secretary of the Men's Dress Reform Party. In the letter of June 9 Gill agrees to present a copy of his book Clothes 1931 at the upcoming revel of the MDRP and says he's asked his publisher Cape to send a copy for him to autograph. In the letter of June 17 he encloses the book and thanks Jordan for tickets to the event saying he will "certainly come . unless run over or in jug." In the letter of July 2 he writes "I did enjoy the evening at Suffolk St. very much. But I was sorry so many of the men were merely in 'fancy' dress." He also accepts Jordan's invitation to have his name added to the organization's permanent committee. Accompanying the group is a Typed Letter Signed of Gill dated May 13 1936 in which Gill requests four issues of the MDRP publication. The subtitle of Gill's "Clothes" is "An essay upon the nature and significance of the natural and artificial integuments worn by men and women." In it Gill presents many ideas on dress reform for both men and women among which was his advocacy the skirt or tunic by both men and women a style that Gill himself adopted. The Men's Dress Reform Party was active from 1929-1940 and grew out of discussions within the Clothing Subcommittee of the New Health Society which had been co-founded by Dr. Jordan in 1925. For a history of the MDRP including Dr. Jordan's role in it see Barbara Burman "Better and Brighter Clothes" Journal of Design History Vol. 8 No. 4 1995 pp. 275-290. unknown books
2012réf. Atlantic-9783527328406John Wiley 2012. Hardcover. New. John Wiley hardcover
2012réf. Atlantic-9783527328406John Wiley 2012. Hardcover. New. John Wiley hardcover
1926réf. 51314Waltham St. Lawrence: Golden Cockerel Press 1926. Limited edition no. 210 of 250 copies small 4to ii 15 3 pp. Six wood engravings and a wood engraved press device. Original cream buckram d.w. browned with some loss to the spine and extremities. Chanticleer 35. Evan Gill 276. Waltham St. Lawrence: Golden Cockerel Press unknown
