12 863 résultats
réf. 200612188Paris, ACR-Gismondi Editeurs, 1987 ; in-4, 332 pp., cartonnage de l'éditeur. Sous emboitage cartonné-avec jaquette.
1947réf. 39CfParis Arthaud 1947 In8 220 pages - cartonnage editeur avec jaquette ( jaquette avec manques - ) - in8 - etat correct
1947réf. 39CfParis Arthaud 1947 In8 220 pages - cartonnage editeur avec jaquette ( jaquette avec manques - ) - in8 - etat correct
1876réf. Fb52Paris Lemerre 1876 Paris, Lemerre , 1876- In12 ( 18x12 cm) - broché - 177 pages - papier bruni - coiffe inférieure rognée - papier du dos fendu. Belle Eau-Forte de Gill en frontispice.
1876réf. Fb52Paris Lemerre 1876 Paris, Lemerre , 1876- In12 ( 18x12 cm) - broché - 177 pages - papier bruni - coiffe inférieure rognée - papier du dos fendu. Belle Eau-Forte de Gill en frontispice.
1877réf. Zt308Meaux Cochet 1877 Ensemble de 29 Numéros du Bulletin de vote - dans la reliure se trouve les N. : 1 / 2 / 4 / 7 / 8 / 9 / 10 / 11 / 23 / 24 / 25 / 27 / 28 / 31 / 32 / 33 / 34 / 35 / 38 / 39 / 41 / 42 / 45 / 50/ 51 / 67 / 68 / 71/ 72 . Soit 29 numéros . la série complète devant en avoir 72 .
1877réf. Zt308Meaux Cochet 1877 Ensemble de 29 Numéros du Bulletin de vote - dans la reliure se trouve les N. : 1 / 2 / 4 / 7 / 8 / 9 / 10 / 11 / 23 / 24 / 25 / 27 / 28 / 31 / 32 / 33 / 34 / 35 / 38 / 39 / 41 / 42 / 45 / 50/ 51 / 67 / 68 / 71/ 72 . Soit 29 numéros . la série complète devant en avoir 72 .
1876réf. Grav2591876 Format Infolio ( 34 X 50 Cm ) - quelques déchirures en bordures - Fondé par André Gill( pseudo de Louis Alexandre Gosset 1840/1885) qui fut un grand artiste et caricaturiste . Il finit sa vie a l'asile de Charenton , l'esprit totalement parti ... dans la lune .
1876réf. Grav2591876 Format Infolio ( 34 X 50 Cm ) - quelques déchirures en bordures - Fondé par André Gill( pseudo de Louis Alexandre Gosset 1840/1885) qui fut un grand artiste et caricaturiste . Il finit sa vie a l'asile de Charenton , l'esprit totalement parti ... dans la lune .
1868réf. Tir4271868 Infolio ( 50 X 35 cm ) - 4 pages - fait suite bien sur à la lune frappée par la foudre de la censure !
1868réf. Tir4271868 Infolio ( 50 X 35 cm ) - 4 pages - fait suite bien sur à la lune frappée par la foudre de la censure !
1940réf. 1470Wilkes Barre, PA: The Collins Press 1940 Couvertures en papier agrafé crème avec titres et décorations rouges (avec une gravure du Christ crucifié). Détails de l'éditeur au dos de la couverture. Chacune des stations est accompagnée d'un verset et d'une réponse, d'une description et d'une brève réflexion. Il n'y a pas d'imprimatur et la couverture indique que l'ouvrage ne doit être utilisé que pour la dévotion privée. Le livret est d'une propreté irréprochable, à l'intérieur comme à l'extérieur, et ne présente aucune marque significative. COPAC cite cet ouvrage comme une autre édition de Social Justice and the Stations of the Cross, et donne la date de publication comme étant 1940. 16 pages. 145 x 90 mm (5Ÿ x 3œ pouces).
1899réf. 5072Genéve S.A.D.A.G. 1899 Joli programme publicitaire français pour des pièces de théâtre jouées en février 1899. La feuille, destinée à être pliée en deux, comporte au recto une pleine page de publicité pour "Un chapeau de Paille d'Italie", une comédie de Labiche. Celle-ci est illustrée par Edmond Filliard. Noir et blanc. De l'autre côté de la feuille se trouvent deux pièces. L'une est une publicité pour "Le Beau Léandre" de Banville (illustré par Gill). L'autre est un poème montrant un colleur d'affiches en train de coller une publicité sur un mur. Il s'agit également d'un poème de Filliard, qui présente le seul éclat de couleur de la feuille. Un petit texte en rouge sur le panneau arrière (probablement) indique que le phototype a été produit par la S.A.D.A.G. de Genève. (Société Anonyme des Arts Graphiques Genève). 41,5cm x 25,5cm. Une seule feuille. Nous n'avons pas trouvé de copies de cet objet éphémère.
1976réf. 3534PAC 1976 1976. Paris, PAC, collection Grands du Sport, broché in-8, couverture rempliée; 333 pages. Nombreuses photos hors.texte. en noir et blanc | Etat : Bon état général (Ref.: ref8841)
réf. acs1508University of Tampa 1943. Quarto hardcover textured and illustrated slick padded white boards unpaginated with ads for local Tampa business at rear. Very Good with wear to spine. Contents: Vistas photographs of Tampa and the University campus; Administration and Faculty; Classes; Organizations; Social Organizations; Applied Music; Athletics; Features; Advertisements. hardcover books
1927réf. 1300131927. First Edition. GILL Eric illustrator. The Way of the Cross. Text of the Devotion Traditional in the Catholic Church. Garden City New York: Country Life Press 1927. Octavo contemporary full red morocco gilt raised bands marbled endpapers all edges gilt; housed in a matching morocco-tipped slipcase. $1200.Limited first American edition one of 350 copies with 15 illustrations by Eric Gill including one on the title page not included in the English editions.Gill converted to Catholicism in 1913 the same year he was approached by the architect-in-charge of London's Westminster Cathedral about sculpting the Stations of the Cross for the Mother Church of English Catholics. ""For the next four years Gill was principally engaged in carving the fourteen panels called Stations of the Cross for Westminster Cathedral the work which put him definitely in the front rank of contemporary English sculptors"" Donald Attwater Eric Gill: Workman. After four years' work Gill's designs for the limestone panels in the Cathedral were completed in the spring of 1918 just in time for the dedication on Good Friday. Echoing Gills' sculpted designs the Way of the Cross was first printed in 1917 by Gill's fellow convert Hilary Douglas Clark Pepler at Ditchling St. Dominic's Press. Prefaced by the Stabat Mater Dolorosa there 14 wood-engravings are printed in Latin and English and captioned with the antiphon Adoramus Te ""We Adore Thee"". St. Dominic's Press printed four more editions before this first American edition was printed in a limited edition of 350 that includes an additional illustrationÑAgnes Redemit OvesÑon the title page. Mild fading to spine. Nearly fine condition. hardcover books
2011réf. 38447London: The Folio Society 2011. Hardcover. Fine. Hardcover. Number 459 of 1250 numbered copies for sale to members of The Folio Society. There were also 25 lettered copies that were not for sale. This folio sized work was originally printed b Robert Gibbings at the Golden Cockerel Press in 1926-27 using the text from the Globe edition of 1898. This is an exquisite modern edition of this classic work by Chaucer that is beautifully illustrated with drawings by famed artist and illustrator Eric Gill. It is a facsimile edition after the original of 1898. Bound in black goatskin with gilt stamped illustrations and lettering on front cover and spine gilt edges accompanied with a companion book in black half leather over dark blue boards with black lettering on cream paper label on cover; housed in matching black cloth slipcase with gilt lettering on spine. Dark blue endpapers. Illustrated title page. With a companion volume that has a frontispiece photograph of Eric Gill by Howard Coster 1885-1959 a self-styled photographer of men taken in 1927. This facsimile edition was printed in 2011 by Memminger MedienCentrum for the Folio Society on Rigoletto Panna felt-marked paper and bound by G. Lachenmaier in full goatskin leather with Merida Indigo endleaves. The companion volume here Barry Windeatt's essay on Troilus and Criseyde was first published as an introduction to his translation of the poem published by the Clarendon Press in 1992. Reprinted by permission of Oxford University Press. The text of this edition follows that of the first edition with minor emendations. " from the imprint. Contains notes at rear. A beautiful production fine condition in a near fine solander box. 309 2; 48 pages. Measures 7.75 x 12.25 inches. PRI/101826. The Folio Society hardcover books
1972réf. 89569San Francisco: Cranium Press 19720. First edition. Single long sheet folded three times 7 1/2 x 5 inches closed. One of 200 copies printed in two colors for the joint meeting of the Roxburge and Zamorano Clubs in San Francisco. A fine presentation of Gill’s original holograph manuscript corrected proof and final draft. Original mailing envelope present. San Francisco: Cranium Press unknown books
1996réf. 64452London & NY: Routledge 1996. First edition. xiii 234 pp w/index. Tiny bump on spine else fine in decorated boards. A collection of twelve essays plus a previously-unpublished letter by Blanchot addressing his political sympathies in the 1930s. London & NY: Routledge hardcover books
1993réf. 76847London: John Murray 1993. First edition. xii 304 pp w/index. Fine in near fine dust jacket that is lightly rubbed. London: John Murray unknown books
1988réf. 3566Wellingborough: Christopher Skelton at the September Press 1988. First Thus. Fine. Limited to 600 copies this being one of 480 unnumbered examples. Full black buckram by The Fine Bindery Limited. Spine with tan morocco label lettered in gilt top edge gilt. Housed in the publisher's felt-lined cream buckram slipcase. Folio 13 x 9 1/4 inches; 330 x 235 mm. collating 1 blank 1 imprint 268 1 1 blank 1 colophon 1 blankxiv 1 colophon 1 limitation with sixty-four wood-engraved initial letters and illustrations by Eric Gill counting the initial "N" on p. 8 and the lettering which goes with it as one illustration although they are actually from two separate blocks. Printed on St Cuthbert's Mould-made 140g half rag paper. In a six-page note at the end of the volume Christopher Skelton writes: "This book is a reproduction version of The Four Gospels published by the Golden Cockerel Press in 1931. I call it a reproduction version rather than a facsimile because that is what it is a copy produced by photo-lithography with no attempt to simulate the paper or binding of the original ." At the end of the book is Robert Gibbings's short four-page essay Memories of Eric Gill illustrated with photographs. "Conceived in the fruitful mind of Robert Gibbings this is the Golden Cockerel book usually compared with the Doves Bible and the Kelmscott Chaucer. A flower among the best products of English romantic genius it is also surely thanks to its illustrator Eric Gill the book among all books in which Roman type has been best mated with any kind of illustration" Blackmer. Fine. Christopher Skelton at the September Press unknown books
1889réf. 5268fdBoston: Alfred Mudge & Son 1889. Octavo burgundy cloth hardcover 227 76 188 81 75 pp. Very Good; some rubbing to joints. Alfred Mudge & Son, 1889. hardcover books
1915réf. 1071841915. Ditchling Sussex: Douglas Pepler 1915. 4to 13 x 10.5 inches. Woodcut title-page with triangular device enclosing the letters HDCP EG 1915. Original printed blue paper wrappers slightly soiled and spotted internally perfect. Enclosed in a quarter blue morocco box. § First printing limited edition; this is # 14 of 15 on Japanese paper printed on one side of the leaf only and signed by Eric Gill in pencil. These emblems were engraved for the "Devil's Devices or Control versus Service" a book written by Douglas Pepler HDCP and published at the Hampshire House Workshops Hammersmith London on Saint Thomas' day 1915. unknown books
1929réf. 1071401929. Bristol: Douglas Cleverdon 1929. 4to xii 49 5 pp. With an extra suite of the engravings on Japon wood-engraved self-portrait and 103 plates a few printed in red or red and black additional plates loose as issued in pocket at end. Original de luxe binding of quarter vellum. A very good copy. Bookplate of R.L. Langdon-Down. § Limited to 80 de luxe copies signed by Gill with the extra suite on Japon of all the plates printed from the original blocks from a total edition of 490. The de luxe copy of a scarce title - the first collection of Gill's work including his magnificent illustrations for several Golden Cockerel Press books as well as designs for the St. Dominic's Press and many other ephemeral pieces all printed from the original blocks. Evan Gill 17. unknown books
1928réf. 1071741928. London: Lanston Monotype Corp. for Eric Gill 1928. Very slim small 8vo 17 3 pp. Original black buckram as new. Bookplate by David Jones of Walter Shewring. § A true rarity limited to 55 copies and so inscribed in ink at the back by Eric Gill. Only two copies have sold at auction in the last 40 years; a handful of Institutional copies are noted. The book is a tiny treasure -- the title-page has a lovely device printed in red and the colophon has a large woodcut map of the location of Pigotts where Gill lived and worked at that time. unknown books
