Wilkins, Gill,Biblio.com
12 687 résultats
réf. 35118809-nnew. unknown
2002réf. 2-1853837539Earthscan / James & James 2002. Paperback. New. 240 pages. 8.00x5.50x0.75 inches. Earthscan / James & James paperback
2002réf. Q-1853837539Routledge 2002-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Routledge paperback
réf. 1853837539.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002réf. __1853837539Earthscan / James & James 2002. Paperback. New. 240 pages. 8.00x5.50x0.75 inches. Earthscan / James & James paperback
réf. DADAX1853837539Routledge 0000-00-00. paperback. New. 5.83x0.58x8.27. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
réf. Juanpebooks023936WE ship worldwide. Brand new 100%guarentee unknown
réf. 2549No Publisher. Two original signed drawings by Lorraine Gill; 105 by 150mm ink on paper. Both drawn on the evening of 29th November 1995 at St George's Church Gloucester Road London where Ted Hughes recited some of his favourite T. S. Eliot's poems. Additionally signed by Raymond Keene chess grandmaster and former British Chess Champion Sir Brian Tovey KCMG who was director of GCHQ and his wife Mary Tovey. Also present at the event but were Tony Buzan best-selling author and inventor of mind maps and T. S. Eliot's widow Valerie. Tony Buzan Ray Keene Brian Tovey and Lorraine Gill were friends with Ted Hughes meeting at the Lavender Bar on Lavender Hill London and at Tony's home in Henley. Those five were part of the training for the Liechtenstien Global Academies in 1994-1997 where Tony lectured on brain power and creativity Ray lectured on mind sports Brian on strategic thinking Lorraine on art and perspective and Ted on poetry but also Shakespeare and creativity. Lorraine Gill grew up in the Australian Bush influenced by the extremes of nature and the starkness of the environment and its vividly distinctive colours. She came to Europe in 1966 winning a Scholarship to City and Guilds of London culminating in a Scholarship to Florence Italy. Her first One Woman show followed in 1972 in London. Her work has been written about extensively by John Berger who has followed her progress for forty years. She has also been featured in BBC films both on Cezanne and on her own life and work; she has also featured in books on remarkable women; 'Interview with the Muse' and the 'Wise Virgin'. Fine paper a little browned. No Publisher unknown
réf. 1858546362.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1999réf. AME_9781890504137OncologNursinSociety 1999. 1st. Paperback. New/New. _ OncologNursinSociety paperback
réf. ANAIS-023111804XColumbia University Press. hardcover. Good. 6.3x0.8x9.3. Buy with confidence. Excellent Customer Service & Return policy. Columbia University Press hardcover
réf. 646516like new. unknown
réf. 646516-nnew. unknown
2000réf. Q-0231118058Columbia University Press 2000-05-15. Paperback. New. In shrink wrap. Looks like an interesting title! Columbia University Press paperback
2000réf. SONG023111804XColumbia University Press 2000-05-15. hardcover. Used: Good. 6.22x0.70x9.28. Buy with confidence. Excellent Customer Service & Return policy. Columbia University Press hardcover
2000réf. x-023111804XColumbia Univ Pr 2000. Hardcover. New. 222 pages. 9.00x6.00x0.50 inches. Columbia Univ Pr hardcover
réf. ria9780231118040_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Focusing on an impoverished city on the periphery of La Paz the Bolivian capital Gill examines the ways in which neoliberal policies reorder social relations among poor men and women-and between them and the state. hardcover
réf. A9780231118040Hardback. New. Focusing on an impoverished city on the periphery of La Paz the Bolivian capital Gill examines the ways in which neoliberal policies reorder social relations among poor men and women-and between them and the state. hardcover
2000réf. x-0231118058Columbia Univ Pr 2000. Paperback. New. 222 pages. 8.75x6.00x0.50 inches. Columbia Univ Pr paperback
réf. 026384711X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 57883798-20Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. 0648903532.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 18837725-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
2013réf. Q-1589256182Tiger Tales 2013-09-03. Board book. New. In shrink wrap. Looks like an interesting title! Tiger Tales unknown
1928réf. 689191928. GILL Eric. . Golden Cockerel Press association. Ten Signed Original Wood Engravings. With Nine from "The Canterbury Tales" and One from "Troilus and Cresida" n.p. n.d. c.a. 1928-1930. Ten original wood engravings by Eric Gill for the publication of the Golden Cockerel Press's "The Canterbury Tales" and "Troilus and Cresida." Most are two wood engravings on a single sheet numbered and signed by Gil. Nine sheets for "The Canterbury Tales" are uniformly matted framed and glazed in slim gold frames. Frames measure: 14 3/4 x 11 inches; 375 x 278 mm. All are about fine. The single sheet from "Troilus and Cresida" is matted framed and glazed in a slightly smaller slim black frame. Frame measures: 12 1/4 x 9 1/4 inches; 311 x 237 mm. Some minor toning to mat and sheet to this single one. Still about fine. This set comprises: 1. Single sheet from page 98& 99 of "Troilus and Cresida" Girl turning into tree. Skelton P456 and P457 on a single sheet numbered 5/10 signed EricG. Visible image size: 190 x 130 mm. 2. First page of "The Clerk's Tale." page 113 of volume III. A Large initial "S" and a figure holding a broom in a tree. Skelton P656 1930 numbered 8/10 signed EricG. Visible image size: 225 x 165 mm. 3. Spray of eight leaves and four flowers Skelton P538 & Spray of twelve triple-lobed leaves. Skelton P538 1928. Found first on pages 3 and 4 of volume I and repeated again throughout. On a single sheet numbered 9/10 signed EricG. Visible image size: 227 x 122 mm. 4. Child crawling at foot of spray Skelton P544 1928; & Child Peeping Skelton P546 1928. Found on pages 65 and 67 of volume I and repeated again throughout. On a single sheet numbered 10/10 signed Eric G. Visible image size: 235 x 134 mm. 5. Nun blowing Kiss. Skelton P533 1928 & Cherub on Branch. Skelton P534 1928. Found first in pages 8 and 9 of volume I and repeated again throughout. On a single sheet numbered 6/10 signed EricG. Visible image size: 220 x 130 mm. 6. Spray of eight leaves. Skelton P521 1928 & Naughty Boy Climbing Skelton P522. Found first on pages 12 and 45 of volume I and repeated again throughout. on a single sheet numbered 4/10 signed EricG. Visible image size: 217 x 130 mm. 7. Tree Woman. Skelton P517 1928; & Spray of fifteen leaves Skelton P518 1928. First found on pages 34 and 35 of volume I and repeated again throughout. On a single sheet numbered 3/10 signed EricG. Visible image size: 210 x 125 mm. 8. Man waving eight-leaved spray. Skelton P529 1928 & Man waving ten-leaved spray. Skelton P530 1928. First found on pages 26 and 27 of volume I and repeated again throughout. On a single sheet numbered 4/10 signed EricG. Visible image size: 225 x 130 mm. 9 & 10. 2 copies of: St Thomas of Canterbury. Skelton P519 1928 & Crucifix on Tree Skelton P520 1928. First found on pages 24 and 25 of volume I and repeated again throughout. On a single sheet numbered 4/10 and 5/10 signed EricG. Visible image size: 218 x 130 mm. "Most of the borders are leaf and stem but among the leaves hiding or beckoning climbing or leaning out are girls and men kings and boys priests and nuns who take part or seem to be commenting upon the stories.the pattern continues affectionate and cheeky erotic enjoyable and relevant decorative and explanatory a balance of taste and eye. Borders are repeated sometimes in new combinations. One other quality in these borders should be noticed- their mannerism the distortion of human figures sometimes so that they almost share the forms of leaf and stem- and sometimes grow from them. It is another rather touching aspect of Gill's idea and all these manners work towards a single art- the poetry people leaves decoration and explanation." Colin Franklin The Private Presses pp. 143-144. Gill. Skelton. HBS 68919. $3000. unknown
