347 Ergebnisse
Best.-Nr. EXE-190Paris, Manuel Bruker, 1928. In-4° en feuilles, couverture rempliée illustrée. Illustré de 11 gravures sur bois en couleurs. Tiré à 305 exemplaires, un des 25 de tête sur Japon Impérial. Contient une suite des gravures signée par l’artiste.
1919Best.-Nr. 58443Paris: Léon Pichon 1919. Fine. Léon Pichon Paris 1919 16 x 16.50 cm broché First printing of the 20 original woodcut by Hermann-Paul one of 50 numbered copies on vergé ancien du Japon deluxe edition after 20 grand vélin Turkey. Nice copy. Léon Pichon unknown
1925Best.-Nr. 69872Léon Pichon | Paris 1925 | 28.50 x 38 cm | en feuilles sous chemise à lacets et à rabats
1926Best.-Nr. EXE-469Paris, Société "Les Exemplaires", 1926. Grand portefeuille titré renfermant quatre gravures sur bois en couleurs. Tiré à 99 exemplaires, tous réservés aux membres de la société et 10 exemplaires pour l'artiste.
Best.-Nr. B172871-2Paris Léon Pichon 1925. 10pp. 13 original woodcuts each printed in two colors. Titled tissued guards. Contents loose as issued. Sm. folio. Publishers portfolio boards with supralibros title ties. New fitted cloth clamshell case. Edition limited to 150 copies on vélin dArches initialled and numbered in ink in the justification by the artist. Paris (Léon Pichon), 1925. hardcover
Best.-Nr. 37492Paris Edmond Chatenay, Editeur 1903 in 4 (31,5x24,5) 13 fascicules brochés, couvertures illustrées en couleurs, non paginés, avec des illustrations en noir et blanc (dont nombreux hors-texte, et une double page centrale par N°) par Cappiello, Abel Faivre, Grandjouan, Hermann-Paul, Paul Iribe, Kupka (N°7,8,9,10,11,12,13), Poulbot, Roubille, Sem, Steinlen, Valotton, Jean Villemot, Willette, et pages publicitaires. Avec des textes inédits, dont: Alfred Jarry, Charles-Louis Philippe, Lucien Pissarro (N°3), Jules Renard, etc. Revue littéraire et satirique paraissant tous les samedi. Tous les textes et dessins sont inédits. Journal ''Le Canard Sauvage '', 1ère année, N°1 du 21-28 mars 1903 au N°13 du 14-20 juin 1903. Tête de collection. Rare ensemble des 13 premiers numéros en bel état ( Photographies sur demande / We can send pictures of this book on simple request )
1910Best.-Nr. 181431910 Dessin aux crayons de couleurs, avec cachet de la vente d'atelier au verso, (1910), 50 x 32,5 cm.
1925Best.-Nr. 3219PARIS. CHEZ L'IMPRIMEUR LEON PICHON. 1925. IN-FOLIO EN FEUILLES SOUS PORTEFEUILLE A RABATS EN 1/2 PERCALINE NOIRE A COINS DE L'EDITEUR, TITRE IMPRIME EN NOIR SUR ETIQUETTE COLLEE SUR LE PLAT SUPERIEUR (29,5 X 39 X 1 CENTIMETRES ENVIRON). CONTIENT 13 PLANCHES TIREES EN DEUX TONS, SOUS SERPENTE LEGENDEE. PREMIER ET UNIQUE TIRAGE LIMITE A 150 EXEMPLAIRES NUMEROTES ET PARAPHES PAR L'AUTEUR, TOUS SUR VELIN A LA FORME DES PAPETERIES D'ARCHES, CELUI-CI PORTANT LE NUMERO 21, IMPRIME POUR MONSIEUR LUCIEN J.... . ON JOINT LE FEUILLET DE PRESENTATION DE L'OUVRAGE. ENVOI D'AUTEUR SIGNE SUR LE FEUILLET DE FAUX-TITRE : "A MR LUCIEN J..., AVEC PLAISIR. HERMANN PAUL". BON EXEMPLAIRE DE CETTE SUITE D'ESTAMPES RARE ET RECHERCHEE.
1926Best.-Nr. 22055Paris LÉON PICHON 1926 1 Paris, 1926, Léon Pichon, in-4, demi-toile rouge à coins, sous portefeuille aux plats cartonnés bruns avec rabats, cordons de fermeture, 4 feuilles lithographiées en couleurs.
Best.-Nr. 196Lithograph. Numbered in pencil. B.N. #9. Image: 9¼ x 7¼. Margins: 15¼ x 11 . unknown
1925Best.-Nr. 69872Paris: Léon Pichon 1925. Fine. Léon Pichon Paris 1925 28.50 x 38 cm en feuilles sous chemise à lacets et à rabats First edition consisting of a series of 13 prints of Hermann-Paul engraved on wood in two tones and printed in 150 numbered copies and signed by Hermann Paul on vellum in the form . Pleasant copy despite small spots at the bottom of the front of the lace-up shirt. Léon Pichon hardcover
1921Best.-Nr. 24496Paris: Léon Pichon 1921. Limited edition. Softcover. vg. 1/480. Folio. 62pp. Uncut. Original printed wrappers with gold Hebrew lettering on front cover. Title-page in red and black lettering with publisher's device. Decorative initials. Text in red Latin and black French lettering. Somptuous limited edition of the first book of the Bible profusely illustrated with numerous original wood engravings by Hermann-Paul and printed on paper Vergé d'Arches. Signature of publisher Léon Pichon at bottom of colophon. Head and tail of wrappers slightly chipped. Hebrew title on front cover somewhat faded. Offset on endpapers. Text in French and Latin. Wrappers in overall very good interior in near to fine condition. Léon Pichon unknown
Best.-Nr. 100508Paris Manuel Brucker 285x242mm 62pp., frontispice et 11 illustrations ou vignettes dans le texte gravées sur bois en couleurs une aquarelle originale, une suite sur chine signée (12 planches), une suite de la décomposition des couleurs (43 pl) signée; en feuilles sous couverture titrée. exemplaire n°2/5 madagascar d'un tirage total de 305 Bel exemplaire. (100508)
1924Best.-Nr. 19076Paris, Librairie de France, 1924. In folio en feuilles, sous couverture rempliée illustrée par Mariano Andreu conservée sous chemise cartonnée. [8]-38-[10] pages et 14 hors-texte, chemise d'éditeur.
1927Best.-Nr. 3650Paris: Printed by Leon Pichon for Hermann-Paul 1927. A gorgeous livre d'artiste illustrated with FOUR LARGE STUNNING ORIGINAL COLOR WOODCUTS and four small woodcut tailpieces depicting the symbols of the evangelists BY HERMANN-PAUL. Text elegantly printed throughout in black and blue on extremely fine Van Gelder wove paper. EDITION LIMITED TO ONLY 45 NUMBERED COPIES of which this is one of 15 numbered in Roman numerals III. Folio. Loose as issued in original wraps. FINE AND BRIGHT WITH NO DEFECTS in the original lightly-worn board chemise. A gem of a book and one of Hermann-Paul's best and rarest. Printed by Leon Pichon for Hermann-Paul paperback
1927A gorgeous livre d'artiste, illustrated with FOUR LARGE, STUNNING ORIGINAL COLOR WOODCUTS (and four small woodcut tailpieces depicting the symbols of the evangelists) BY HERMANN-PAUL. Text elegantly printed throughout in black and blue on extremely fine Van Gelder wove paper. EDITION LIMITED TO ONLY 45 NUMBERED COPIES, of which this is one of 15 numbered in Roman numerals (III). Folio. Loose as issued in original wraps. FINE AND BRIGHT, WITH NO DEFECTS, in the original (lightly-worn) board chemise. A gem of a book, and one of Hermann-Paul's best (and rarest).
1919Best.-Nr. 329346Paris: Leon Pichon 1919. Limited. hardcover. fine. 20 wood engravings by Rene Hermann-Paul. No text save title and plate names. Square 12mo rebound by J.A. Quereuil in full black crushed morocco decorated on the cover spine and dentelles with skulls & cross-bones; original front wrapper bound in. Paris: Leon Pinchon 1919. Limited edition. Fine. Number 18 of 20 copies printed on grand veil Turkey Mill with a double-suite of proofs on chine and on japon. Leon Pichon unknown
1895Best.-Nr. 38694Paris: Chez l'Artiste 1895. ONE OF THE UNDISPUTED MASTERPIECES OF 1890s LITHOGRAPHY a sardonic and desultory and yet subtly humorous portrayal in ten lithographs on fine Chinese paper of the life of "Madame Whoever" a typical woman of the Parisian bourgeoisie. Even as her life passes before our eyes her face is never revealed to us. Each lithograph measures 41 x 31.5 cm. They are loose as issued in the original lithographed folder with the series title and the titles of the individual lithographs printed lithographically on the front cover which is also numbered in pencil and SIGNED by the artist with his monogram. Minor marginal defects else FINE AND BRIGHT. Very rare especially complete. Chez l'Artiste unknown
Best.-Nr. 5797Liège, Les Éditions du balancier, 1932. In-folio (252 x 331 mm), 27 ff. n. ch. Chemise blanche imprimée d'éditeur et chemise noire cartonnée d'éditeur avec étiquette imprimée et rabats bleu ciel.
1895ONE OF THE UNDISPUTED MASTERPIECES OF 1890s LITHOGRAPHY, a sardonic and desultory (and yet subtly humorous) portrayal (in ten lithographs on fine Chinese paper) of the life of "Madame Whoever", a typical woman of the Parisian bourgeoisie. Even as her life passes before our eyes, her face is never revealed to us. Each lithograph measures 41 x 31.5 cm. They are loose, as issued, in the original lithographed folder with the series title and the titles of the individual lithographs printed (lithographically) on the front cover, which is also numbered in pencil and SIGNED by the artist with his monogram. Minor marginal defects, else FINE AND BRIGHT. Very rare, especially complete.
1932Best.-Nr. 38256Paris: Les Editions du Balancier 1932. A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED ALL ON JAPON NACRE AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT LIKE NEW. Extremely rare. Les Editions du Balancier paperback
1932A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts, each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED, ALL ON JAPON NACRE, AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT, LIKE NEW. Extremely rare.
