454 résultats
1910réf. 181431910 Dessin aux crayons de couleurs, avec cachet de la vente d'atelier au verso, (1910), 50 x 32,5 cm.
1925réf. 3219PARIS. CHEZ L'IMPRIMEUR LEON PICHON. 1925. IN-FOLIO EN FEUILLES SOUS PORTEFEUILLE A RABATS EN 1/2 PERCALINE NOIRE A COINS DE L'EDITEUR, TITRE IMPRIME EN NOIR SUR ETIQUETTE COLLEE SUR LE PLAT SUPERIEUR (29,5 X 39 X 1 CENTIMETRES ENVIRON). CONTIENT 13 PLANCHES TIREES EN DEUX TONS, SOUS SERPENTE LEGENDEE. PREMIER ET UNIQUE TIRAGE LIMITE A 150 EXEMPLAIRES NUMEROTES ET PARAPHES PAR L'AUTEUR, TOUS SUR VELIN A LA FORME DES PAPETERIES D'ARCHES, CELUI-CI PORTANT LE NUMERO 21, IMPRIME POUR MONSIEUR LUCIEN J.... . ON JOINT LE FEUILLET DE PRESENTATION DE L'OUVRAGE. ENVOI D'AUTEUR SIGNE SUR LE FEUILLET DE FAUX-TITRE : "A MR LUCIEN J..., AVEC PLAISIR. HERMANN PAUL". BON EXEMPLAIRE DE CETTE SUITE D'ESTAMPES RARE ET RECHERCHEE.
1926réf. 22055Paris LÉON PICHON 1926 1 Paris, 1926, Léon Pichon, in-4, demi-toile rouge à coins, sous portefeuille aux plats cartonnés bruns avec rabats, cordons de fermeture, 4 feuilles lithographiées en couleurs.
réf. 196Lithograph. Numbered in pencil. B.N. #9. Image: 9¼ x 7¼. Margins: 15¼ x 11 . unknown
réf. 196Lithograph. Numbered in pencil. B.N. #9. Image: 9¼ x 7¼. Margins: 15¼ x 11 . unknown books
1925réf. 69872Paris: Léon Pichon 1925. Fine. Léon Pichon Paris 1925 28.50 x 38 cm en feuilles sous chemise à lacets et à rabats First edition consisting of a series of 13 prints of Hermann-Paul engraved on wood in two tones and printed in 150 numbered copies and signed by Hermann Paul on vellum in the form . Pleasant copy despite small spots at the bottom of the front of the lace-up shirt. Léon Pichon hardcover
1921réf. 24496Paris: Léon Pichon 1921. Limited edition. Softcover. vg. 1/480. Folio. 62pp. Uncut. Original printed wrappers with gold Hebrew lettering on front cover. Title-page in red and black lettering with publisher's device. Decorative initials. Text in red Latin and black French lettering. Somptuous limited edition of the first book of the Bible profusely illustrated with numerous original wood engravings by Hermann-Paul and printed on paper Vergé d'Arches. Signature of publisher Léon Pichon at bottom of colophon. Head and tail of wrappers slightly chipped. Hebrew title on front cover somewhat faded. Offset on endpapers. Text in French and Latin. Wrappers in overall very good interior in near to fine condition. Léon Pichon unknown
1921réf. 24496Paris: Léon Pichon 1921. Limited edition. Softcover. vg. 1/480. Folio. 62pp. Uncut. Original printed wrappers with gold Hebrew lettering on front cover. Title-page in red and black lettering with publisher's device. Decorative initials. Text in red Latin and black French lettering. Somptuous limited edition of the first book of the Bible profusely illustrated with numerous original wood engravings by Hermann-Paul and printed on paper Vergé d'Arches. Signature of publisher Léon Pichon at bottom of colophon. Head and tail of wrappers slightly chipped. Hebrew title on front cover somewhat faded. Offset on endpapers. Text in French and Latin. Wrappers in overall very good interior in near to fine condition. Léon Pichon unknown books
réf. 100508Paris Manuel Brucker 285x242mm 62pp., frontispice et 11 illustrations ou vignettes dans le texte gravées sur bois en couleurs une aquarelle originale, une suite sur chine signée (12 planches), une suite de la décomposition des couleurs (43 pl) signée; en feuilles sous couverture titrée. exemplaire n°2/5 madagascar d'un tirage total de 305 Bel exemplaire. (100508)
réf. B175423-1Paris n.d. 25 woodcuts each signed and numbered 7/25 in pencil by the artist printed on lightweight simili-Japon . Sheet: 257 x 331 mm. ca. 10 1/8 x 13 inches. Each with the Hermann-Paul estate sale stamp on the verso Vente Galerie de Chartres 23-10-2000. Oblong 4to. Later paper chemise. Subjects in this unidentified series include clients at art galleries elderly men and their mistresses dissolute figures in waiting rooms confrontations with the war-wounded and others. [Paris, n.d.]. unknown
réf. B175423-1Paris n.d. 25 woodcuts each signed and numbered 7/25 in pencil by the artist printed on lightweight simili-Japon . Sheet: 257 x 331 mm. ca. 10 1/8 x 13 inches. Each with the Hermann-Paul estate sale stamp on the verso Vente Galerie de Chartres 23-10-2000. Oblong 4to. Later paper chemise. Subjects in this unidentified series include clients at art galleries elderly men and their mistresses dissolute figures in waiting rooms confrontations with the war-wounded and others. [Paris, n.d.]. unknown books
1924réf. 19076Paris, Librairie de France, 1924. In folio en feuilles, sous couverture rempliée illustrée par Mariano Andreu conservée sous chemise cartonnée. [8]-38-[10] pages et 14 hors-texte, chemise d'éditeur.
1927réf. 3650Paris: Printed by Leon Pichon for Hermann-Paul 1927. A gorgeous livre d'artiste illustrated with FOUR LARGE STUNNING ORIGINAL COLOR WOODCUTS and four small woodcut tailpieces depicting the symbols of the evangelists BY HERMANN-PAUL. Text elegantly printed throughout in black and blue on extremely fine Van Gelder wove paper. EDITION LIMITED TO ONLY 45 NUMBERED COPIES of which this is one of 15 numbered in Roman numerals III. Folio. Loose as issued in original wraps. FINE AND BRIGHT WITH NO DEFECTS in the original lightly-worn board chemise. A gem of a book and one of Hermann-Paul's best and rarest. Printed by Leon Pichon for Hermann-Paul paperback
1927A gorgeous livre d'artiste, illustrated with FOUR LARGE, STUNNING ORIGINAL COLOR WOODCUTS (and four small woodcut tailpieces depicting the symbols of the evangelists) BY HERMANN-PAUL. Text elegantly printed throughout in black and blue on extremely fine Van Gelder wove paper. EDITION LIMITED TO ONLY 45 NUMBERED COPIES, of which this is one of 15 numbered in Roman numerals (III). Folio. Loose as issued in original wraps. FINE AND BRIGHT, WITH NO DEFECTS, in the original (lightly-worn) board chemise. A gem of a book, and one of Hermann-Paul's best (and rarest).
1919réf. 329346Paris: Leon Pichon 1919. Limited. hardcover. fine. 20 wood engravings by Rene Hermann-Paul. No text save title and plate names. Square 12mo rebound by J.A. Quereuil in full black crushed morocco decorated on the cover spine and dentelles with skulls & cross-bones; original front wrapper bound in. Paris: Leon Pinchon 1919. Limited edition. Fine. Number 18 of 20 copies printed on grand veil Turkey Mill with a double-suite of proofs on chine and on japon. Leon Pichon unknown
1895réf. 38694Paris: Chez l'Artiste 1895. ONE OF THE UNDISPUTED MASTERPIECES OF 1890s LITHOGRAPHY a sardonic and desultory and yet subtly humorous portrayal in ten lithographs on fine Chinese paper of the life of "Madame Whoever" a typical woman of the Parisian bourgeoisie. Even as her life passes before our eyes her face is never revealed to us. Each lithograph measures 41 x 31.5 cm. They are loose as issued in the original lithographed folder with the series title and the titles of the individual lithographs printed lithographically on the front cover which is also numbered in pencil and SIGNED by the artist with his monogram. Minor marginal defects else FINE AND BRIGHT. Very rare especially complete. Chez l'Artiste unknown
réf. B172961-1Paris Léon Pichon 1926. 4pp. single sheet folding 4 original color woodcuts. Contents loose as issued. Sm. folio. Publishers portfolio boards 3/4 cloth with supralibros title. New fitted cloth clamshell case. One of 99 copies on vélin dArches reserved for the Société Les Exemplaires signed and numbered in ink in the justification by the artist from the limited edition of 109. Presentation copy with a dramatic signed half-length watercolor sketch on the title-page of a helmeted skeleton inscribed by the artist to Madame Goffin. Also laid in the membership list of the Société in which Hermann-Paul appears as Vice-President. Paris (Léon Pichon), 1926. hardcover
réf. B172961-1Paris Léon Pichon 1926. 4pp. single sheet folding 4 original color woodcuts. Contents loose as issued. Sm. folio. Publishers portfolio boards 3/4 cloth with supralibros title. New fitted cloth clamshell case. One of 99 copies on vélin dArches reserved for the Société Les Exemplaires signed and numbered in ink in the justification by the artist from the limited edition of 109. Presentation copy with a dramatic signed half-length watercolor sketch on the title-page of a helmeted skeleton inscribed by the artist to Madame Goffin. Also laid in the membership list of the Société in which Hermann-Paul appears as Vice-President. Paris (Léon Pichon), 1926. hardcover books
1919réf. 329346Paris: Leon Pichon 1919. Limited. hardcover. fine. 20 wood engravings by Rene Hermann-Paul. No text save title and plate names. Square 12mo rebound by J.A. Quereuil in full black crushed morocco decorated on the cover spine and dentelles with skulls & cross-bones; original front wrapper bound in. Paris: Leon Pinchon 1919. Limited edition. Fine. Number 18 of 20 copies printed on grand veil Turkey Mill with a double-suite of proofs on chine and on japon. Leon Pichon unknown books
réf. 5797Liège, Les Éditions du balancier, 1932. In-folio (252 x 331 mm), 27 ff. n. ch. Chemise blanche imprimée d'éditeur et chemise noire cartonnée d'éditeur avec étiquette imprimée et rabats bleu ciel.
1895ONE OF THE UNDISPUTED MASTERPIECES OF 1890s LITHOGRAPHY, a sardonic and desultory (and yet subtly humorous) portrayal (in ten lithographs on fine Chinese paper) of the life of "Madame Whoever", a typical woman of the Parisian bourgeoisie. Even as her life passes before our eyes, her face is never revealed to us. Each lithograph measures 41 x 31.5 cm. They are loose, as issued, in the original lithographed folder with the series title and the titles of the individual lithographs printed (lithographically) on the front cover, which is also numbered in pencil and SIGNED by the artist with his monogram. Minor marginal defects, else FINE AND BRIGHT. Very rare, especially complete.
1932réf. 38256Paris: Les Editions du Balancier 1932. A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED ALL ON JAPON NACRE AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT LIKE NEW. Extremely rare. Les Editions du Balancier paperback
réf. B173116-1Paris Dorbon Aîné 1915. 5 color woodcut plates each with the artists stamp at lower right. Oblong folio. Publishers dec. portfolio wraps. with dec. woodcut title composition by the artist. New fitted cloth portfolio. An unnumbered copy on papier blanc apart from the numbered tirage of 250 thus from the limited edition of 300. This copy includes two subjects for Printemps one of which may have been meant to be suppressed for its particularly brutal character. This copy without the decorative woodcut title-page reprised here on the front cover of the portfolio. Paris (Dorbon Aîné), [1915]. hardcover
réf. B173116-1Paris Dorbon Aîné 1915. 5 color woodcut plates each with the artists stamp at lower right. Oblong folio. Publishers dec. portfolio wraps. with dec. woodcut title composition by the artist. New fitted cloth portfolio. An unnumbered copy on papier blanc apart from the numbered tirage of 250 thus from the limited edition of 300. This copy includes two subjects for Printemps one of which may have been meant to be suppressed for its particularly brutal character. This copy without the decorative woodcut title-page reprised here on the front cover of the portfolio. Paris (Dorbon Aîné), [1915]. hardcover books
1932A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts, each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED, ALL ON JAPON NACRE, AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT, LIKE NEW. Extremely rare.