HERMANN-PAULBiblio.com
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1925Best.-Nr. 69872Paris: Léon Pichon 1925. Fine. Léon Pichon Paris 1925 28.50 x 38 cm en feuilles sous chemise à lacets et à rabats First edition consisting of a series of 13 prints of Hermann-Paul engraved on wood in two tones and printed in 150 numbered copies and signed by Hermann Paul on vellum in the form . Pleasant copy despite small spots at the bottom of the front of the lace-up shirt. Léon Pichon hardcover
1921Best.-Nr. 24496Paris: Léon Pichon 1921. Limited edition. Softcover. vg. 1/480. Folio. 62pp. Uncut. Original printed wrappers with gold Hebrew lettering on front cover. Title-page in red and black lettering with publisher's device. Decorative initials. Text in red Latin and black French lettering. Somptuous limited edition of the first book of the Bible profusely illustrated with numerous original wood engravings by Hermann-Paul and printed on paper Vergé d'Arches. Signature of publisher Léon Pichon at bottom of colophon. Head and tail of wrappers slightly chipped. Hebrew title on front cover somewhat faded. Offset on endpapers. Text in French and Latin. Wrappers in overall very good interior in near to fine condition. Léon Pichon unknown
Best.-Nr. 100508Paris Manuel Brucker 285x242mm 62pp., frontispice et 11 illustrations ou vignettes dans le texte gravées sur bois en couleurs une aquarelle originale, une suite sur chine signée (12 planches), une suite de la décomposition des couleurs (43 pl) signée; en feuilles sous couverture titrée. exemplaire n°2/5 madagascar d'un tirage total de 305 Bel exemplaire. (100508)
Best.-Nr. B175423-1Paris n.d. 25 woodcuts each signed and numbered 7/25 in pencil by the artist printed on lightweight simili-Japon . Sheet: 257 x 331 mm. ca. 10 1/8 x 13 inches. Each with the Hermann-Paul estate sale stamp on the verso Vente Galerie de Chartres 23-10-2000. Oblong 4to. Later paper chemise. Subjects in this unidentified series include clients at art galleries elderly men and their mistresses dissolute figures in waiting rooms confrontations with the war-wounded and others. [Paris, n.d.]. unknown
1924Best.-Nr. 19076Paris, Librairie de France, 1924. In folio en feuilles, sous couverture rempliée illustrée par Mariano Andreu conservée sous chemise cartonnée. [8]-38-[10] pages et 14 hors-texte, chemise d'éditeur.
1927Best.-Nr. 3650Paris: Printed by Leon Pichon for Hermann-Paul 1927. A gorgeous livre d'artiste illustrated with FOUR LARGE STUNNING ORIGINAL COLOR WOODCUTS and four small woodcut tailpieces depicting the symbols of the evangelists BY HERMANN-PAUL. Text elegantly printed throughout in black and blue on extremely fine Van Gelder wove paper. EDITION LIMITED TO ONLY 45 NUMBERED COPIES of which this is one of 15 numbered in Roman numerals III. Folio. Loose as issued in original wraps. FINE AND BRIGHT WITH NO DEFECTS in the original lightly-worn board chemise. A gem of a book and one of Hermann-Paul's best and rarest. Printed by Leon Pichon for Hermann-Paul paperback
1927A gorgeous livre d'artiste, illustrated with FOUR LARGE, STUNNING ORIGINAL COLOR WOODCUTS (and four small woodcut tailpieces depicting the symbols of the evangelists) BY HERMANN-PAUL. Text elegantly printed throughout in black and blue on extremely fine Van Gelder wove paper. EDITION LIMITED TO ONLY 45 NUMBERED COPIES, of which this is one of 15 numbered in Roman numerals (III). Folio. Loose as issued in original wraps. FINE AND BRIGHT, WITH NO DEFECTS, in the original (lightly-worn) board chemise. A gem of a book, and one of Hermann-Paul's best (and rarest).
1919Best.-Nr. 329346Paris: Leon Pichon 1919. Limited. hardcover. fine. 20 wood engravings by Rene Hermann-Paul. No text save title and plate names. Square 12mo rebound by J.A. Quereuil in full black crushed morocco decorated on the cover spine and dentelles with skulls & cross-bones; original front wrapper bound in. Paris: Leon Pinchon 1919. Limited edition. Fine. Number 18 of 20 copies printed on grand veil Turkey Mill with a double-suite of proofs on chine and on japon. Leon Pichon unknown
1895Best.-Nr. 38694Paris: Chez l'Artiste 1895. ONE OF THE UNDISPUTED MASTERPIECES OF 1890s LITHOGRAPHY a sardonic and desultory and yet subtly humorous portrayal in ten lithographs on fine Chinese paper of the life of "Madame Whoever" a typical woman of the Parisian bourgeoisie. Even as her life passes before our eyes her face is never revealed to us. Each lithograph measures 41 x 31.5 cm. They are loose as issued in the original lithographed folder with the series title and the titles of the individual lithographs printed lithographically on the front cover which is also numbered in pencil and SIGNED by the artist with his monogram. Minor marginal defects else FINE AND BRIGHT. Very rare especially complete. Chez l'Artiste unknown
Best.-Nr. B172961-1Paris Léon Pichon 1926. 4pp. single sheet folding 4 original color woodcuts. Contents loose as issued. Sm. folio. Publishers portfolio boards 3/4 cloth with supralibros title. New fitted cloth clamshell case. One of 99 copies on vélin dArches reserved for the Société Les Exemplaires signed and numbered in ink in the justification by the artist from the limited edition of 109. Presentation copy with a dramatic signed half-length watercolor sketch on the title-page of a helmeted skeleton inscribed by the artist to Madame Goffin. Also laid in the membership list of the Société in which Hermann-Paul appears as Vice-President. Paris (Léon Pichon), 1926. hardcover
Best.-Nr. 5797Liège, Les Éditions du balancier, 1932. In-folio (252 x 331 mm), 27 ff. n. ch. Chemise blanche imprimée d'éditeur et chemise noire cartonnée d'éditeur avec étiquette imprimée et rabats bleu ciel.
1895ONE OF THE UNDISPUTED MASTERPIECES OF 1890s LITHOGRAPHY, a sardonic and desultory (and yet subtly humorous) portrayal (in ten lithographs on fine Chinese paper) of the life of "Madame Whoever", a typical woman of the Parisian bourgeoisie. Even as her life passes before our eyes, her face is never revealed to us. Each lithograph measures 41 x 31.5 cm. They are loose, as issued, in the original lithographed folder with the series title and the titles of the individual lithographs printed (lithographically) on the front cover, which is also numbered in pencil and SIGNED by the artist with his monogram. Minor marginal defects, else FINE AND BRIGHT. Very rare, especially complete.
1932Best.-Nr. 38256Paris: Les Editions du Balancier 1932. A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED ALL ON JAPON NACRE AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT LIKE NEW. Extremely rare. Les Editions du Balancier paperback
Best.-Nr. B173116-1Paris Dorbon Aîné 1915. 5 color woodcut plates each with the artists stamp at lower right. Oblong folio. Publishers dec. portfolio wraps. with dec. woodcut title composition by the artist. New fitted cloth portfolio. An unnumbered copy on papier blanc apart from the numbered tirage of 250 thus from the limited edition of 300. This copy includes two subjects for Printemps one of which may have been meant to be suppressed for its particularly brutal character. This copy without the decorative woodcut title-page reprised here on the front cover of the portfolio. Paris (Dorbon Aîné), [1915]. hardcover
1932A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts, each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED, ALL ON JAPON NACRE, AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT, LIKE NEW. Extremely rare.
Best.-Nr. B172875-1N.p. ca. 1895. 10 original lithographs on thin laid Japan paper. Sheet size: 416 x 316 mm ca. 16 1/2 x 12 1/2 inches. Contents loose as issued. Folio. Orig. printed chemise with list of the prints on the front cover artists monogram at foot. New fitted cloth clamshell case. The prolific illustrator Hermann Paul was noted for his simple caricature and satiric characterizations of the foibles of French society. Issued without justication. This copy is designated No. 78 in pencil at the foot of the cover next to the artists monogram. N.p., [ca. 1895]. hardcover
1913Best.-Nr. 37466Paris.: Chez l'Auteur. 1913. Original publisher's blue paper wrappers with titles and large vignette illustration to front cover in black titles to spine and vignette to rear cover black endpapers later blue cloth box. Folio. 474 x 408 mm. Half-title with justification verso printed title with large monochrome vignette matching the front cover 51 leaves each with mounted reproduction drawing after Hermann-Paul with printed title beneath and numbered 1 - 51 final leaf with list of illustrations recto and vignette verso matching that for the rear cover; the present example see below includes all of Hermann-Paul's original drawings for the book inserted loose as appropriate each mounted to grey blue paper initialled 'HP' in pencil and numbered and titled beneath in ink as for the printed versions. An exceptional copy marked 'Hors Tirage' and including all of Hermann-Paul's original drawings.From the edition limited to 300 copies with this unique example inscribed 'hors tirage originaux' and including all of Hermann-Paul's original drawings for the work each initialled 'HP' in pencil.As well as all 51 of the drawings for the book executed in ink and initialled by Hermann-Paul in pencil many of these also feature pencil attributions as to place by the artist the imprint for the cover has been effaced and marked 'Chez / l'Auteur' presumably by Hermann-Paul himself the justification has been altered to reflect this unique copy marked 'Hors tirage originaux' as above and the title imprint has been effaced; the original illustrations for the covers have also been included together with a version of the title itself executed in ink.The vignette for the rear cover is inscribed in pencil by Hermann-Paul as follows: 'croquis pour le cul de lampe de l'album 'Sur le Rhône' / c'est le St. Nicolas patron des bateliers du Rhône qui est au / Musée d'Arles. / Hermann-Paul'. Chez l'Auteur. hardcover
1893Best.-Nr. 48437Paris. 1893 – 1894. Later burgundy cloth-backed marbled paper boards original publisher's printed illustrated wrappers preserved. 11 issues. Folio. 396 x 294 mm. Each issue with title and cover illustration printed text in French throughout and advertisements to rear cover and with 33 illustrations by Toulouse-Lautrec Bonnard Ibels Willette Vallotton Hermann-Paul and others. An excellent complete set of the very scarce fin-de-siècle illustrated revue 'L'Escarmouche' with additional important ephemera and original material.Directed by Georges Darien the writer satirist and artist the anarchist 'L'Escarmouche' was short-lived even by the standards of the day appearing weekly for only three short months from November 1893 to January 1894 a very rare final number included here was issued as an afterthought and without illustration apart from the cover by Ibels in March 1894. Noted rather more for its illustration than any literary merit 'LEscarmouche' featured covers by Henri-Gabriel Ibels 4 René Georges Hermann-Paul 5 and Félix Vallotton 1.The illustration fine and typical examples from the French fin-de-siècle features 12 lithographs by Henri de Toulouse-Lautrec. Artistic contributors to the revue also included Louis Anquetin Pierre Bonnard Henri-Gabriel Ibels René Georges Hermann-Paul Félix Vallotton and Adolphe Willette.Also included inserted loose is the following additional material:- the original 'affiche' for 'L'Escarmouche' by Ibels 650 x 485 mm a large colour lithograph showing the interior of a bar with the patrons turned to watch soldiers marching past outside the image was reduced and printed in black for the cover of issue no. 1; - the reproduction of the same from 'Les Maîtres de l'Affiche'; - the catalogue for Ibels' first exhibition in 1894 which includes many of the drawings that appeared in 'L'Escarmouche'; - Ibels' carte de visite with some lines in manuscript; - Ibels' letter dated Janvier 1906 to Achille Astre Gustave Geffroy's secretary; - the manuscript for Arsène Alexandre's article on Toulouse-Lautrec published in PAN in October 1893; - the original prospectus for the exhibition of lithographs by Henri de Toulouse-Lautrec at the Musée de Luxembourg Décembre 1904 - Janvier 1905 in many of the artist's lithographs from 'L'Escarmouche' were published.- Also included is a letter from Ibels dated 21 Fevrier 1906 Manuscript receipt from Hermann Paul Visiting card of Ibels Catalogue of an exhibition of Hermann Paul's drawings and printsat Bernheim Jeune c. 1905.'L'Escarmouche' is one of the scarcest of the periodicals from the French fin-de-siècle and this exceptional set includes the final number - almost always missing from sets - issued two months after the penultimate number. OCLC reports a single complete set that at the Bibliothèque Nationale in France; sets without the final number are also scarce and we can only trace those at the Swiss Bibliothèque d'Art et d'Archéologie the National Library of Canada the National Gallery of Australia and Iowa only.not in Ray. hardcover
