443 résultats
réf. 0366614479.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0366640615.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3744612538.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0259778117.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 033207465X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0332108538.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B172871-1Paris Léon Pichon 1925. 10pp. 13 original woodcuts each printed in two colors. Titled tissued guards. Contents loose as issued. Sm. folio. Publishers portfolio boards with supralibros title ties. New fitted cloth clamshell case. Edition limited to 150 copies on vélin dArches initialled and numbered in ink in the justification by the artist. Paris (Léon Pichon), 1925. hardcover
1920réf. 0086896Paris: Artheme Fayard 1920. Hardcover. Fine. Large 8vo original yellow wraps bound into calf backed patterned boards very good with 16 woodcuts by Hermann Paul. Very handsome. Artheme Fayard hardcover
1926réf. 31596Paris: Editions Mornay 1926. Near Fine. Paris: Éditions Mornay 1926. First Edition Limited to 360 copies on Arches paper of which this is no. 292. Small quarto; mid-century three-quarter brown crushed morocco over marbled paper boards gilt spine in five compartments top edge gilt marbled endpapers original wrappers bound in; 300pp.; illus. throughout. Very light shelf wear to leather margins spine slightly sunned spotting to half title faint offsetting from illustrations else a Very Good to Near Fine example. Editions Mornay unknown
réf. A9781167718069New. unknown
réf. A9781167241253New. unknown
réf. T12OS-01052Max Niemeyer. Used - Acceptable. Acceptable condition. Reading copy only. Lacking rear cover and spine. Front cover detatched but present. Pages shaken. Edges chipped and torn. In protective mylar cover. In protective mylar cover. From the collection of John Gach 1946-2009 a bibliophile and a nationally known bookseller who specialized in rare books devoted to the human sciences. language linguistics Max Niemeyer unknown
1958réf. 142408010023Veb Max Niemeyer Verlag 1958. Hardcover. Very Good. 0x0x0. Good COMPLETE Set of 5 Hardcovers. SCARCE ORIGINAL 1958-1959 PRINTINGS. Grey cloth covers show shelf wear rubbing to corners and edges. Pages are clean and unmarked slightly tanned. AN EXCELLENT READING OR REFERENCE SET!; 100% Satisfaction Guaranteed! Ships same or next business day! Veb Max Niemeyer Verlag hardcover
1921réf. ST12683-014Paris: Léon Pichon 1921. Edition Nouvelle. No. 353 OF 967 COPIES. 283 x 222 mm. 11 1/8 x 8 3/4". 180 1 pp. colophon. Publisher's brown paper wrappers uncut edges spine and fore edges very neatly reinforced with Japanese rice paper. In a slightly scuffed marbled paper slipcase. With 105 woodcut head- and tailpieces woodcut initials and printer's device by Hermann-Paul. Half title page and title page printed in red and black as are the initials chapter headings printed in red. ◆Occasional faint offsetting from woodcuts otherwise a fine copy internally in a solid and very clean binding. Striking Modernist woodcuts by French artist René Georges Hermann-Paul enliven our edition of this comic masterpiece in which Rabelais ca. 1494-1553 uses the giant Gargantua and his son Pantagruel to satirize scholastic education the monastic system which Rabelais knew from his time as a monk the papacy French magistrates and considerably more. Hermann-Paul 1864-1940 was a French artist who produced a great many illustrations for magazines and newspapers and his works of fine art found themselves displayed in galleries next to those by some of the great names of the Impressionist age. Léon Pichon unknown
réf. 3744613003.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3744612643.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. A9781168491008New. unknown
réf. B9781167241253New. unknown
réf. B9781167718069New. unknown
réf. B9781168491008New. unknown
réf. B172874-1Paris Librairie de lEstampe n.d. 4pp. 13 plates each signed and numbered in pencil in the margins. Contents loose as issued. Oblong sm. folio. Publishers chemise with cover illustration by the artist. Glassine d.j. New fitted cloth clamshell case. Édition de tête: one of 50 hand-numbered copies on Japon from the limited edition of 250. This copy complete with the suppressed thirteenth plate scène de viol". Paris (Librairie de lEstampe), n.d. hardcover
réf. B175423-1Paris n.d. 25 woodcuts each signed and numbered 7/25 in pencil by the artist printed on lightweight simili-Japon . Sheet: 257 x 331 mm. ca. 10 1/8 x 13 inches. Each with the Hermann-Paul estate sale stamp on the verso Vente Galerie de Chartres 23-10-2000. Oblong 4to. Later paper chemise. Subjects in this unidentified series include clients at art galleries elderly men and their mistresses dissolute figures in waiting rooms confrontations with the war-wounded and others. [Paris, n.d.]. unknown
réf. B171809-1Paris Léon Pichon 1919. 1 20 1ff. 20 full-page woodcut plates. Sm. sq. 8vo. Wraps. slightly dusty. One of 420 numbered copies on vergé à la cuve from the limited edition of 490 in all. Paris (Léon Pichon), 1919. paperback
réf. B174725-1Bayonne A. Foltzer n.d. 3ff. 30 plates. Oblong 4to. Dec. self-wraps. with front cover composition in color by the artist secured with cord as issued light wear. Bayonne (A. Foltzer), n.d. paperback
réf. B172875-1N.p. ca. 1895. 10 original lithographs on thin laid Japan paper. Sheet size: 416 x 316 mm ca. 16 1/2 x 12 1/2 inches. Contents loose as issued. Folio. Orig. printed chemise with list of the prints on the front cover artists monogram at foot. New fitted cloth clamshell case. The prolific illustrator Hermann Paul was noted for his simple caricature and satiric characterizations of the foibles of French society. Issued without justication. This copy is designated No. 78 in pencil at the foot of the cover next to the artists monogram. N.p., [ca. 1895]. hardcover