348 resultados
ref. Bloomsbury-9781538134498Rowman & Littlefield. Hardback. New. 238 pages Rowman & Littlefield hardcover
ref. ria9781538134498_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Supernatural: A History of Television’s Unearthly Road Trip is a captivating examination of the cultural phenomenon that is Supernatural the longest running genre series in US television history. It examines the show’s predecessors hardcover
ref. A9781538134498Hardback. New. Supernatural: A History of Television's Unearthly Road Trip is a captivating examination of the cultural phenomenon that is Supernatural the longest running genre series in US television history. It examines the show's predecessors characters major storylines devoted fanbase and how it has influenced other series that followed. hardcover
ref. 1538134497.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2021ref. x-1538134497Rowman & Littlefield Pub Inc 2021. Hardcover. New. 219 pages. 9.00x6.00x0.75 inches. Rowman & Littlefield Pub Inc hardcover
1973ref. 072153Manchester: World Distributors Manchester Limited 1973. 1st Edition 1st Printing. Hardback. Near Very Good. 8vo - over 7¾ - 9¾" tall. Giannini. Forst edition first printing quarto hardback. 60 pp. Colour illustrated throughout Near Very Good condition No inscriptions. Scarce World Distributors (Manchester) Limited hardcover
ref. ria9780857932136_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Curzio Giannini's history of the evolution of central banks illustrates how the most relevant institutional developments have taken place at times of widespread confidence crises and in response to deflationary pressures. hardcover
ref. 64321040Edward Elgar Publishing Limited . Hardback. New. pp. xxxi 298 Edward Elgar Publishing Limited hardcover
2011ref. __0857932136Edward Elgar Pub 2011. Hardcover. New. 336 pages. 9.75x6.25x1.00 inches. Edward Elgar Pub hardcover
2024ref. __3031538641Springer-Nature New York Inc 2024. Hardcover. New. 779 pages. 9.26x6.11x9.49 inches. Springer-Nature New York Inc hardcover
ref. 0874884497.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1420848127.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 18690032-nnew. unknown
ref. 18690032like new. unknown
2012ref. x-1461383021Springer-Verlag 2012. Paperback. New. reprint edition. 303 pages. 9.25x6.10x0.70 inches. Springer-Verlag paperback
2011ref. DADAX1461383021Springer 2011-11-08. Softcover reprint of the original 1st ed. 1993. paperback. New. 6.10x0.70x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
ref. CON-FOL-GIORGI-07-20-21Plastic Comb. Good. Inscribed by Yelva Giorgi Giannini on inside front cover. Spiral bound small crease and edge tear on upper edge of front cover otherwise good. Recipe pages very good clean with no markings or writing. Satisfaction guaranteed. unknown
1906ref. 15785London: Gowans & Gray. Very Good- with no dust jacket. 1906. First Edition; Fifth Printing. Hardcover. Light soil page wrinkling cover tie missing otherwise light wear. Solid hardcover. ; Striking artistic Florentine vellum binding by Giulio Giannini - Firenze re-covers this 1906 printing of photographic pictorial book of Rubens art. ; Gowans's Art Books; Vol. 1; Photographs; 64 pages . Gowans & Gray hardcover
ref. 47839131-nnew. unknown
ref. 47839131like new. unknown
2022ref. __8897162940Timeo Editore SRL 2022. Hardcover. New. 247 pages. 9.72x6.89x0.87 inches. Timeo Editore SRL hardcover
ref. A9788897162940Hardback. New. After an introduction to the basic science related to the biological materials used: stem cells platelet aggregates and scaffolds some cell isolation systems are presented. Subsequently animal studies and the most common clinical applications are presented including bone repair cartilage muscle and tendons. hardcover
ref. 45046095-nnew. unknown
ref. 45046095like new. unknown
1896ref. ST20603London New York and Bombay: Printed at the Chiswick Press for Longmans Green and Co 1896. FIRST EDITION but see below. 216 x 130 mm. 8 1/2 x 5 1/8". Two volumes. REMARKABLY ANIMATED SCARLET MOROCCO GILT BY GIULIO GIANNINI stamp-signed on foot of spine covers with mitered frame of double gilt rules enclosing a foliate roll the central compartment with floral scroll cornerpieces and a central gilt-ruled lozenge surrounding a scrolling mandorla all studded with small floral tools and annular dots raised bands spine gilt in compartments with floral tools turn-ins gilt leather hinges crimson endpapers in a leather-grain pattern all edges gilt. Forman 165; LeMire A80.02. Spines evenly darkened to crimson a handful of small stains in the text but A BEAUTIFUL SET nearly pristine internally in still gleaming bindings. This first printing of Morris' fantasy novel was very handsomely bound by an esteemed Florentine workshop currently in its 170th year. Pietro Giannini 1811-82 founded his business in 1856 as a stationery store with a sideline in bookbinding. In 1878 he was joined by his son Giulio 1853-1931 who chose to concentrate exclusively on fine bindings and other luxury leather goods a move that transformed the business. When his son Guido Giannini Sr. 1877-1956 joined the firm in the 1890s he commissioned a large number of bronze stamps that would allow the Gianninis to create bindings tooled in a wide range of historical styles. Some of the stamps have been put to fine use on the covers here. According to the firm's website by the late 19th century Florence had a substantial community of wealthy and cultured English expatriates who appreciated fine craftsmanship; this provided Giulio with "a large and faithful clientele." It seems likely that it was one of these expats who had this English novel bound by an Italian master. Today the fifth and sixth generation of Giannini family binders operate the Giulio Giannini e Figlio in its original location in Piazza Pitti. The present printing of "Well at World's End" is considered by bibliographers the true first edition. Battling his way through the bibliographical weeds Sparling indicates that the production of our trade edition was actually completed before the limited Kelmscott edition even though the latter was issued first. He says "The ordinary edition was . . . being printed for Longmans at the Chiswick Press and the Kelmscott Press edition was set up from the sheets of this which was ready for publication in 1894 though not actually published until October 1896 being held back in order that the Kelmscott Press edition might be the first" to appear. [Printed at the Chiswick Press for] Longmans, Green, and Co unknown