1212 risultati
2004rif. BN678436Narr Francke Attempto 2004. 2004. The Influence of consonants on native and non-native vowel production: A cross-linguistic study. Diss. Language Development The Influence of consonants on native and non-native vowel production: A cross-linguistic study. Diss. Language Development Steinlen Anja K. Narr Francke Attempto unknown
1903rif. 12890Paris: Editions D'Art Edouard Pelletan 1903. Limited Edition. Leather. Near Fine. Th.- A. Steinlen lithographs. 12mo. Pp. 34. Engraved Steinlen frontis. printed on rice paper signed by engraver Perrichon and text paper signed by Steinlen. French text. Printed at the Imprimerie nationale. Copy number 3 on Washi Japon paper for Doctor H. Stilling with illustration proofs printed recto only on rice paper adjacent to those in the text and specially bound with ephemera. With the artist's signature "St." on the limitation page. Green three quarter leather over green marbled paper covered boards marbled endpapers gilt spine titles between five raised bands top edges gilt original wraps bound in: spine moderately sunned. Bound in: 1. Autograph letter signed from Steinlen to Dr. Stilling thanking him for an invitation dated 12 April 1904. 2. Steinlen illustrated exposition invitation card printed in red and black . "Monsieur le Docteur H. Stilling" is likely the Swiss pathologist and bibliophile Heinrich Henri Stilling 1853-1911. Editions D'Art Edouard Pelletan unknown
1984rif. 79271984. Pierre de Tartas éditeur 1984. In/4 reliure plein cuir gaufré avec plat à décor de cerf sous étui bordé de cuir dos à nerfs et titres dorés doré trois tranches lithographies de Steinlen monochromes et en couleur 168 p. Exemplaire numéroté sur grand bouffant des papeteries Buhn. Excellent état. Préface de Genevoix. Les agents de la chasse animaux nuisibles gibier à poil chasse au chien darrêt chasse au marais sur les étangs et dans les rivières. unknown
1897rif. 1417704Paris: Felix Juven 1897-1901. Hardcover. Quartos Five volumes. In Good minus condition. Spines are green with red labels and gilt lettering. Quarter-bound in green cloth over marbled paper boards. Boards show mild to moderate overall shelf wear with rubbing to corners and edges. Scattered scuffs and scratches to all boards. Loss of paper along rear joint on 1899. Moderate bumping to corners and surface stain in 1897. Spines show mild to moderate wear with rubbing to head tail label and body. Labels or remnants of adhesive to all spines. Scattered light soiling to cloth. Text block shows mild age toning to interior; moderate toning to edges with occasional chip. Text block is loose or detached from binding in 1899 1900 and 1901. Loose foldout in 1897. Fly leaf and first two leaves detached in 1898. CONTENTS: 1897 No. 113-No. 164--1898 No. 165-No. 217--1899 No. 218-No.269--1900 No. 270-No. 321--1901 No. 322-No. 373. Shelved in Room C. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. . 1417704. Special Collections - Upstairs. Felix Juven hardcover
1894rif. 1417705Paris: Felix Juven 1894-1905. Hardcover. Quartos Seven volumes. In Good condition. Spines are red with gilt designs and lettering. Quarter-bound in red leather over black and red marbled paper boards. Boards show mild shelf wear overall with rubbing along edges and bumping to corners. Chip to front bottom edge in 1905. Scattered minor scratches to all covers. Spines show mild rubbing to head and tail moderate rubbing and tape remnants in 1894-1895 and 1896-1897. Text block shows mild age toning throughout interior. Occasional moderate toning with chip to fore edge. CONTENTS: 1905 No. 101 - No. 152--1903 No. 426 - No. 430 plus No. 1 - No. 47 New Series--1901 No. 322 - No. 373--1900 No. 270 - No. 321--1899 No. 218 - No. 269--1896-97 No. 114 - No. 150--1894-95 No. 1 - No. 52 plus special issue. Shelved in Room C. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1417705. Special Collections - Upstairs. Felix Juven hardcover
1902rif. 1417737Paris: Felix Juven 1902. Hardcover. Quarto 26 issues. In Good condition. Spine is brown with gilt lettering. Fully bound in brown textured cloth. Boards show mild overall shelf wear with rubbing to corners and edges. Scattered light scuffs and scratches to both covers. Specks of discoloration to lower corner of front cover revealing original cloth. Spine shows mild shelf wear with fraying to head and tail and rubbing to tail revealing original cloth underneath. Text block shows mild age toning throughout interior. Loose foldout from one of the issues in back shows moderate chipping to edges. Previous owner's bookplate to front paste down. Pale green patterned paste downs and fly leaves. All page edges faintly marbled. CONTENTS: No. 374 - No. 399 Shelved in Room C. 1417737. Special Collections - Upstairs. Felix Juven hardcover
1903rif. 1417743Paris: Felix Juven 1903. Hardcover. Quarto 52 issues. In Good condition. Spine is red with gilt lettering. Quarter-bound in red leather over red and white marbled paper boards. Boards show mild rubbing to edges and moderate bumping to corners exposing green cloth. Small brown stains to lower right corner of front cover. Spine shows mild overall shelf wear with rubbing to raised bands and a few scuffs to spine body. Text block lacking free end pages. Cracking to gutters. Light foxing to title page of issue No. 426 and occasional interior page. Wear along joints with partial 1.5 in. split along bottom front joint. Mild to moderate age toning throughout interior. CONTENTS: No. 426 - No. 430 plus No. 1 - No. 47 "Nouvelle Serie". Shelved in Room C. 1417743. Special Collections - Upstairs. Felix Juven hardcover
1895rif. 1417745Paris: Felix Juven 1895. Hardcover. Quarto 52 issues. In Very Good condition. Spine is grayish blue with gilt lettering. Fully bound in cadet gray buckram with gilt lettering to spine. Boards show mild overall shelf wear with rubbing and a few nicks along edges; bumping to corners. Scattered light surface scratches to both covers. Spine shows mild wear and creasing to head and tail. Rubbing along front and rear joints in three spots where text block is sewn into binding. Text block shows mild age toning throughout interior; occasional moderate toning with chipping to page edge. Marbled light blue end pages. CONTENTS: No. 1 - No. 52 Shelved in Room C. 1417745. Special Collections - Upstairs. Felix Juven hardcover
1898rif. 1417746Paris: Felix Juven 1898-99. Hardcover. Quarto 36 issues. In Good condition. Spine is red with raised bands and gilt lettering. Half-bound in red leather over marbled paper boards. Boards show moderate shelf wear with rubbing to corners and edges. Scratches and abrasions to front cover. 4 in. crease to front board just above lower right corner. Extensive wear along joints. Moderate cracking and shelf wear to spine with abrasions to body head and tail. Cracking to gutter. Text block shows light foxing to end pages light creasing to first 6 issues and mild age toning throughout interior. CONTENTS: No. 208 - No. 243 Shelved in Room C. 1417746. Special Collections - Upstairs. Felix Juven hardcover
1896rif. 1417747Paris: Felix Juven 1896-1897. Hardcover. Quarto 52 issues. In Good Minus condition. Spine is red with gilt lettering Half-bound in red leather over marbled paper boards. Boards show mild wear along edges and moderate wear to corners. Numerous scratches and abrasions to both covers. Spine shows mild overall shelf wear with rubbing to body head and tail. Moderate wear along joints with 1.5 in. splits along head. Front fly leaf end pages and first few leaves of issue No. 105 loose from binding. Two pages from issue No. 126 loose from binding show moderate creasing and chipping to fore edge. Last issue--and rear fly leaf--loose from binding moderate chipping to title page fore edge. Bibliotheque bookplate and small ownership sticker to front paste down. CONTENTS: No. 105 - No. 156. Shelved in Room C. 1417747. Special Collections - Upstairs. Felix Juven hardcover
1902rif. 1417748Paris: Felix Juven 1902. Hardcover. Quarto 52 issues. In Very Good Minus condition. Spine is red with gilt lettering. Half-bound in red leather over marbled paper boards. Boards show mild overall shelf wear with rubbing to corners and edges. Spine shows mild shelf wear with a few scrapes along joints and creasing to head. Text block shows mild age toning to interior and moderate toning to page edges. Occasional loose page or chip to fore edge. CONTENTS: Issue No.374 - No.425 Shelved in Room C. 1417748. Special Collections - Upstairs. Felix Juven hardcover
1900rif. 1417749Paris: Felix Juven 1900. Hardcover. Quarto 52 issues. In Very Good Minus condition. Spine is red with gilt lettering. Half-bound in red leather over marbled boards. Boards show mild overall shelf wear with rubbing along edges and bumping to corners. A few abrasions to rear board. Spine shows mild shelf wear with a few scuffs to raised bands and tail. 1 in. split along upper front hinge. Text block shows mild age toning throughout interior; occasional moderate toning and chipping to page edges. Occasional light foxing to page edges. Split along gutter between first 2 leaves of first issue. CONTENTS: No. 270 - No.321 Shelved in Room C. 1417749. Special Collections - Upstairs. Felix Juven hardcover
1909rif. 1417798Paris: Felix Juven 1909. Hardcover. Quarto 52 issues. In Good minus condition. Spine is brown with gilt ruling and lettering. Quarter-bound in brown leather over dark brown marbled paper boards. Boards show moderate shelf wear with rubbing to corners and edges. Chipping along paper board fore edges. Moderate rubbing along hinges. Spine shows moderate rubbing to body and chipping to head and tail. Foxing to paste downs and end pages. Two tears to end page with 2 x 1 in. potion missing. Text block shows moderate age toning throughout interior with occasional chip to fore edge. First 2 leaves loose. First and last issues also show numerous partial tears. CONTENTS: No.319 - No.360 Shelved in Room C. 1417798. Special Collections - Upstairs. Felix Juven hardcover
1897rif. 1417962Paris: Felix Juven 1897-1909. Softcover. A collection of 12 issues of "Le Rire" from the early 19th century. The group includes: No. 3 14 23 37 52 115 2 issues 136 150 153 315 363. In Good condition. Moderate to heavy overall age toning darker at margins and spines. Exhibit edge wear short tears and small losses. . 1417962. Special Collections - Upstairs. Felix Juven unknown
1885rif. 92455Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 11 avril 1885 31 x 45 cm En feuillets First edition. The issue consists of four pages The issue consists of four pages and includes a comic strip by Steinlen ""Horrible fin de Bazouge ou les Suites funestes de l'Intempérance"" and a composition by Henri Rivière framing a poem by Emile Gourdeau. Political column by Rodolphe Salis literary contributions by Emile Gourdeau with the poem ""Le Discours du Bitume"" by Louis Marsolleau ""L'Eau qui coule"" and Georges d'Esparbès ""Les Justices bibliques"". A pleasant copy despite some foxing. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885rif. 92459Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 25 avril 1885 31.2 x 45 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen ""Impressions d'un Lecteur."" Literary contributions by Alphonse Allais with ""L'Esprit d'Ellen"" Louis Denise with the poem ""Hiver"" Albert Glatigny with ""Il n'aimait pas le boeuf"" Louis Marsolleau with ""Voyage à la découverte de l'Ile d'Amour"" George Auriol with ""Ernest"" and Albert Tinchant with ""Cottage."" Fine copy. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885rif. 92464Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 7 février 1885 31.5 x 44.6 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen: ""Ce qu'il advint d'une Petite Fille."" Literary contributions by Fernand Fau with ""Economies"" Victor Margueritte with the poem ""Vu royal"" Charles Cros with ""La Chanson de la plus belle femme"" Louis Denise with ""Statuette byzantine"" Paul Morisse with ""Féminines"". A pleasant copy despite a few marginal tears and light soiling. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885rif. 88817Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 14 février 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This 4-page issue features a comic strip by Steinlen: ""La mauvaise aventure de Maigriou."" Includes literary contributions by Charles Cros Pour en avoir le coeur net Charles Chincholle Les jours dabsinthe George Auriol La saint Charlemagne François Coppée Lesclave ivre . A well-preserved copy. Le Chat Noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famed cabaret of the same name of which it served as a living memory. It featured the texts performed during the shows. The publication also stands as a significant literary and artistic testimony of the late 19th century centered on the bohemian world and the vibrant cultural scene of Paris at the time. Au cabaret Le Chat noir unknown
1918rif. 88522Paris: s. n. 1918. Fine. s. n. Paris 1er avril 1918 21.3 x 29.5 cm Une feuille Autograph letter dated and signed by Théophile-Alexandre Steinlen 30 lines in black ink written from his Montmartre residence at 21 rue Caulaincourt addressed to his friends the Lefèvres.Folding marks inherent to mailing minor marginal tears.The painter inquires after the health of Madame Lefèvre who was unwell at the time and asks his correspondent to see that everything is put in order at their house in Saint Ay where his wife and model Massia would soon be staying.Steinlen is held back in Paris: ""Pour moi je ne se sais trop ce que je ferai en tout cas je ne puis quitter Paris avant le 15 - d'ici là des évènements peuvent survenir qui me bloqueront ici. ou ailleurs - s'ils ne s'arrangent pas de la façon que je souhaite St Ay ne me verra pas cette année."" s. n. unknown
1887rif. 88808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
1885rif. 88583Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 1er août 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Coqs et poule"". Literary contributions by Alphonse Allais with ""Le pauvre bougre et le bon génie"" dedicated to Henry Somm François Villon with the poem ""Rondel"" George Auriol with ""Au diable vert"" dedicated to Steinlen Rodolphe Salis. A handsome copy. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly it constitutes a major literary and artistic record of the late 19th century centered on bohemian life and the unique creative fervor of Paris at the time. Au cabaret Le Chat noir unknown
1885rif. 88582Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 25 juillet 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Le plus vexé des trois"". With literary contributions by Alphonse Allais ""Absinthes"" dedicated to Adolphe Willette Rodolphe Darzens with the poem ""Le conseil de la chair"" Camille de Sainte-Croix ""Paul Margueritte"" Louis Marsolleau ""Villon"" among others. A handsome copy despite a small paper flaw at the head of the first page due to a printing defect. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence. Au cabaret Le Chat noir unknown
1888rif. 88811Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 27 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features a comic strip by Steinlen ""Du dernier bien avec le général"" as well as drawings by Henry Somm on the facing page. Literary contributions by Alphonse Allais ""La forêt enchantée"" dedicated to George Auriol Raoul Gineste ""Les vieux chats"" and José Rolla ""A l'église"". A well-preserved copy despite a few faint marginal stains. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century capturing the bohemian spirit and vibrant Parisian scene of the time. Au cabaret Le Chat noir unknown
1898rif. 74859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 34.50 x 21 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by an excerpt from Germinie Lacerteux by the Goncourts. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late nineteenth century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints is published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential printing of very high luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters amplifies at the beginning of the 1890s. Octave Uzanne to qualify this fever invents the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then becomes an art object and its ephemeral support becomes precious and devoted to conservation. Piazza decides to remove the poster from its advertising vocation and to elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composes a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1898rif. 75859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 19.50 x 36 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin with the numbered stamp of the deluxe issue on verso some foxing. Lithograph inspired by an extract from Germinie Lacerteux by the Goncourts. A magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of previously unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe issue: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown