[STEINLEN] - AURIOL (George) & DYSSORD (Jacques)Livre Rare Book
1 265 résultats
réf. 34183Paris, Eugène Rey Editeur, 1930. Gr. in-4°, non paginé (plus de 200 pages). Broché, couverture rempliée.
1999réf. 101630Genève, Musées d'Art et d'Histoire 1999 In-8 broché 24 cm sur 20. 191 pages, couverture illustrée. Ouvrage illustré. Très bon état d’occasion.
1986réf. 500301986 Lausanne, Editions du Grand Pont, 1986, in 4° relié pleine toile rouge de l'éditeur, jaquette illustrée en couleurs, 120 pages ; nombreuses reproduction in et hors-texte.
1930réf. 510931930 Paris, Eugène Rey, 1930, grand in 4° broché ; couverture rempliée imprimée (queue du dos légèrement frottée).
1995réf. 20454Amsterdam, Katten Kabinett, 1995. In-4 broché, couverture illustrée. En belle condition. Illustré de nombreuses reproductions.
1930réf. 5551Paris, Eugène Rey, 1930. Grand in-4 de 106 feuillets (non numérotés), couvertures et dos conservés, demi-maroquin chocolat, dos à nerfs, tête dorée. Nerfs à peine frottés. Reliure signé par Bernasconi.
réf. 35771Lausanne, Rencontre (coll. "Monographies des grands artistes suisses"), 1970. In-8° carré, 127p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
1985réf. 20668Art Life 1985 In-8, broché couv. illustrée, illustrations en noir et en couleurs, 114 pp. En japonais et en anglais. Bon état d’occasion, jaquette légèrement insolée.
2004réf. 496312004 Paris, Fragments Editions, 2004, in 4° broché, 187 pages ; très nombreuses reproductions en couleurs ; couverture illustrée en couleurs.
1833réf. 316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019. There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown
réf. 0810924293.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1896réf. 4158Paris 1896. Large folio 17 x 12 inches image size on cream wove paper 13 x 20 inches. Paris 1896. Original lithograph poster printed in three colors: black pale green and gold. The scarce poster by Theophile Alexandre Steinlen 1859-1923 for the book "Chanson de femmes" which was issued in the same year as the poster 1896 Paris Enoch & Cie. Theophile Steinlen Theophile Steinlen Swiss-born French Art Nouveau painter illustrator and printmaker is best known for his iconic posters and depictions of Parisian life. He moved to Paris in the 1880s and became a key figure in Montmartre artistic scene associating with figures like Toulouse-Lautrec.His art combined realism with Art Nouveau influences making him a significant contributor to the Belle Epoque visual culture. A most delicate image. Extremely scarce thus. Fine. unknown
In-8 carré, 38p. Edition limitée et numérotée 1/500 exemplaires. Hommage prononcé le 31 mars 1979 à l'occasion du vernissage de l'exposition Steinlen au Musée des Beaux-Arts du Locle. Avec 6 reproductions en noir reproduites en pleine page.
1985Mm 260x340 Volume rilegato in tela con sovraccoperta originale, 406 pagine in gran parte illustrate con numerose tavole in nero e a colori fuori testo. Volume in ottime condizioni. Testo in francese. Spedizione in 24 ore dalla conferma dell'ordine.
1896réf. 27097paris Imprimerie Chaix 1896 Une Affichette Publicitaire [Fac-similé réduit de l'affiche originale], lithographiée en couleurs, format : 40 x 29 cm, Signé en bas à droite : STEINLEN, Timbre sec dans le coin inférieur droit : "Les Maîtres de l'affiche // Imprimerie Chaix", 1896 [Paris] : Les Maîtres de l'Affiche Editeur,
réf. 51-2902Paris: Isabey & Salis 1890-1891. Illustrated throughout with cartoons advertisements etc. by Steinlen DoesSaint-Maurice Capy Fau Belon Cottin Malteste Sta Thélem Folio 43x30 cm 17x12" bound in red cloth decorated in gilt.A collection of original weekly issues of the Paris periodical spanning 30 August 1890 to 29 August 1891. Le Chat Noir was a nineteenth-century entertainment establishment in the bohemian Montmartre district of Paris considered to be the first modern cabaret. From 1892 to 1895 the cabaret published a weekly magazine with the same name featuring literary writings news from the cabaret and Montmartre poetry and political satire.Wear and some dampstaining to cloth some vertical slits to cloth along spine; interior sound with toning; very good. Few pages with tears. Paris: Isabey & Salis, 1890-1891. hardcover
1887réf. 83169Au cabaret Le Chat noir | Paris 1887 | 31 x 45 cm | en feuillets
1886réf. 83280Au cabaret Le Chat noir | Paris 1886 | 31 x 45 cm | en feuillets
1885réf. 88582Au cabaret Le Chat noir | Paris 25 juillet 1885 | 31 x 45 cm | en feuillets
1888réf. 88811Au cabaret Le Chat noir | Paris 27 octobre 1888 | 31 x 45 cm | en feuillets
1885réf. 92459Le Chat noir | Paris 25 avril 1885 | 31.2 x 45 cm | En feuillets
1885réf. 92459Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 25 avril 1885 31.2 x 45 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen ""Impressions d'un Lecteur."" Literary contributions by Alphonse Allais with ""L'Esprit d'Ellen"" Louis Denise with the poem ""Hiver"" Albert Glatigny with ""Il n'aimait pas le boeuf"" Louis Marsolleau with ""Voyage à la découverte de l'Ile d'Amour"" George Auriol with ""Ernest"" and Albert Tinchant with ""Cottage."" Fine copy. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885réf. 88582Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 25 juillet 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Le plus vexé des trois"". With literary contributions by Alphonse Allais ""Absinthes"" dedicated to Adolphe Willette Rodolphe Darzens with the poem ""Le conseil de la chair"" Camille de Sainte-Croix ""Paul Margueritte"" Louis Marsolleau ""Villon"" among others. A handsome copy despite a small paper flaw at the head of the first page due to a printing defect. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence. Au cabaret Le Chat noir unknown
1888réf. 88811Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 27 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features a comic strip by Steinlen ""Du dernier bien avec le général"" as well as drawings by Henry Somm on the facing page. Literary contributions by Alphonse Allais ""La forêt enchantée"" dedicated to George Auriol Raoul Gineste ""Les vieux chats"" and José Rolla ""A l'église"". A well-preserved copy despite a few faint marginal stains. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century capturing the bohemian spirit and vibrant Parisian scene of the time. Au cabaret Le Chat noir unknown
1887réf. 83169Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen dedicated to Alphonse Allais. Literary contributions by Alphonse Allais ""Idylle"" Rodolphe Salis Georges Auriol Pierre Mille . Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
