CLAMART J A (STEINLEN)Biblio.com
1,271 results
1984ref. 79271984. Pierre de Tartas éditeur 1984. In/4 reliure plein cuir gaufré avec plat à décor de cerf sous étui bordé de cuir dos à nerfs et titres dorés doré trois tranches lithographies de Steinlen monochromes et en couleur 168 p. Exemplaire numéroté sur grand bouffant des papeteries Buhn. Excellent état. Préface de Genevoix. Les agents de la chasse animaux nuisibles gibier à poil chasse au chien darrêt chasse au marais sur les étangs et dans les rivières. unknown
ref. 02-1103ca. 1915. Lithograph. 29 x 47 cm. Marginal tear. Signed in the stone. ca. 1915. unknown
ref. 97716Paris bureaux de l'Illustration 1897-99. 44 x 32 cm Papierbedingt gebräunt teilweise randrissig teilweise hinterlegt. - Théophile-Alexandre Steinlen 10. November 1859 in Lausanne; † 14. Dezember 1923 in Paris war ein französischer Maler Zeichner Grafiker und Illustrator schweizerischer Herkunft. Er wurde vor allem für seine Plakat-Entwürfe insbesondere für das Kabarett Le Chat Noir im Stil der französischen Kunstrichtung Art Nouveau bekannt. - Alphonse Gallaud de la Pérouse nach einigen Quellen Alphonse Galland genannt Zo d’Axa 24. Mai 1864 in Paris; † 30. August 1930 in Marseille war ein Anarchist Antimilitarist Autor und satirischer Journalist. Er war Gründer der Zeitschriften „L'Endehors“ und „La Feuille“. Bis 1899 veröffentlichte Zo d'Axa in La Feuille verschiedene antimilitaristische und antikapitalistische Artikel. Er lancierte eine Kampagne gegen Kindergefängnisse. Bei den Wahlen kürte La Feuille einen Esel zum offiziellen Kandidaten; während dieser durch Paris spazierengeführt wurde erregte er einen Skandal. Am Tag des Wahlganges ließ sich Zo von einem durch den weißen Esel gezogenen Panzer durch die Stadt ziehen dem eine zahlreiche lachende Menge folgte. Die Polizei erschien und wollte der Demonstration ein Ende setzen und den Esel ins Tierheim bringen woraufhin sich ein Krawall entzündete und Zo d'Axa den Esel mit den Worten „Das ist nicht mehr wichtig dies ist nun ein offizieller Kandidat!“ freiließ. 010 Paris, bureaux de l'Illustration, 1897-99 unknown
1833ref. 316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019. There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown books
1833ref. 316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019. There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown
1918ref. 181449France` 1918. Paperback. G age wear throughout.Cover has some tears. interior pages shwo some staining. French language edition. Brown paper wrap with B&W illustration with clera mylar cover. 52 pgs heavily illustrated. paperback
1919Librairie Schwarz & cie, Paris, 1919. 3 forts volumes in folio reliures (Engel) demi-basane havane, dos et plats ornés, nombreuses illustrations cartes in et hors-texte, nombreuses photos noir & blanc des illustrations couleur contrecollées et noir et blanc in et hors-texte de Willette, Steinlen, Fouqueray, Levy-Dhurmer, Laborde, Gervex, Lucien Jonas, Mahut, Joron, Cappiello, etc ; Manquezs les médailles sur les plats.
1918ref. 181449France` 1918. Paperback. G age wear throughout.Cover has some tears. interior pages shwo some staining. French language edition. Brown paper wrap with B&W illustration with clera mylar cover. 52 pgs heavily illustrated. paperback books
ref. 02-11931903. Lithograph. 39 x 49 cm. Signed and titled in the stone. Crauzat 252. 1903. unknown
1916ref. 66844Paris: Georges Crès & Cie 1916. Fine. Georges Crès & Cie Paris 1916 12 x 19 cm broché First edition on ordinary paper. Frontispiece by Théphile Alexandre Steinlen. Beautiful autograph inscription signed by Colette to her lover Valentine Feydeau : ""A Valentine Feydeau 1 / 1 Elle n'aura le reste de la dedication que si elle revient."" Georges Crès & Cie unknown
ref. 02-1113E. Sansot 1907. Lithograph. 168 x 122 mm. Signed in the stone. One of the 25 impressions on Japan for the deluxe edition of Les Gueules Noires by E. Morel. Crauzat 277. E. Sansot, 1907. unknown
ref. 118388Épinal Pellerin & Cie. Imp. Édit.1900. 8 feuillets. 32 x 25 Cm. Broché couvertures illustrées d'origine. Dos acassé. Coins émoussés. Tous les ingrédients sont réunis ici pour amuser les enfants. Les dessins de Steinlen apportent à ces personnages de comédie tout le mouvement d'un spectacle vivant. Quelques taches et rousseurs. Petits accrocs sur les bords. Épinal, Pellerin & Cie. Imp. Édit.(1900) unknown
ref. 84260Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 84261Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 84263Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 84262Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 02-1114E. Sansot 1907. Lithograph. 253 x 430 mm. Signed in the stone. First state of 2 before becoming the cover to Les Gueules Noires by E. Morel. Crauzat 269. Tape mark extending 5 cm. into the image. Waterstain in margin. E. Sansot, 1907. unknown
1902ref. 16859AB1902. Paris Schwarz 1902. 305 : 24 cm. 14 pages with coloured illustrations by Steinlen. Coloured illustrated original wrappers. With double-page coloured lithographs by Steinlen. - Front wrapper a bit loosened. unknown
ref. 87054Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 87053Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 87052Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 87051Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 93172aafLausanne, Roth & Sauter S.A., Printed in Switzerland, s.d. vers 1940, 100x65 cm, pt. déchirure en haut sans perte.
ref. 7862Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 7863Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
