1.270 Ergebnisse
Best.-Nr. 93172aafLausanne, Roth & Sauter S.A., Printed in Switzerland, s.d. vers 1940, 100x65 cm, pt. déchirure en haut sans perte.
1932Best.-Nr. RES7L20Paris André Barry 1932 In4 153 pages - broché - belles illustrations Très bel état intérieur - mouillures et légères rousseurs à la couverture voir scan
1932Best.-Nr. RES7L20Paris André Barry 1932 In4 153 pages - broché - belles illustrations Très bel état intérieur - mouillures et légères rousseurs à la couverture voir scan
1932Best.-Nr. GITj138Paris André Barry 1932. In-8 carré 153pp 1 feuillet non chiffré table. Demi basane bleu nuit, dos à nerfs, couverture illustrée sur les 2 plats conservée, reliure de l'époque. Frontispice d'après un dessin de Steinlen et 33 illustrations de Georges Hautot dont 9 hors texte. Edition originale tirée à 5300 exemplaires, celui-ci 1 des 5000 numérotés sur Alfa Fort. Rousseurs sur 1 feuillet blanc et le faux-titre, intérieur en bon état et complet, reliure sobre et solide.
1932Best.-Nr. 39151Paris André Barry 1932 1 vol. Broché in-4, broché, couverture illustrée, 153 pp. Edition originale. Ce rare témoignage d'un des 10.000 combattants suisses qui se sont engagés dans la Légion étrangère pendant la Grande Guerre est illustré de 33 dessins par Hautot, dont 9 hors-texte, et d'un portrait-frontispice par Steinlen. Exemplaire numéroté sur alfa fort. Quelques rousseurs.
1932Best.-Nr. 39151Paris André Barry 1932 1 vol. Broché in-4, broché, couverture illustrée, 153 pp. Edition originale. Ce rare témoignage d'un des 10.000 combattants suisses qui se sont engagés dans la Légion étrangère pendant la Grande Guerre est illustré de 33 dessins par Hautot, dont 9 hors-texte, et d'un portrait-frontispice par Steinlen. Exemplaire numéroté sur alfa fort. Quelques rousseurs.
Best.-Nr. 4232Paris, Société d'Editions Littéraire et Artistiques - Librairie Ollendorf sans date ( 1923 ). In-8 broché de 83 pages au format 14 x 19,5 cm. Couverture avec titre imprimé. Dos légèrement gauchi. Pâle trace brune en haut du 4ème plat. Intérieur frais. Tirage unique numéroté à 500 exemplaires ( n° 149 ), sur couché. Superbe état. Rare édition originale.
Best.-Nr. 18-7765Montreuil France: Centre des Expositions 1987. 8vo. 191 pp. Oblong. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear and crease at bottom right corner. Color and B&W plates throughout. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. Text in French. Montreuil, France: Centre des Expositions, 1987. paperback
1987Best.-Nr. 56436Ville de montreuil / musee de l'histoire vivante 1987 In-4 broché 22,8 cm sur 24,7. 192 pages. État correct d’occasion.
Best.-Nr. 98128sd La Belle Edition, Paris - Sans date - In-8, broché, couverture rempliée, sous papier cristal, dans un étui cartonné - 239 pages - Exemplaire sur Vélin de Lana
Best.-Nr. c4856Paris, Au Mirliton, 1893 ; in-12° broché, couverture illustrée et imprimée en noir et rouge, dos muet; 56pp. Couverture reproduisant une affiche de Toulouse-Lautrec et 30 vignettes par Steinlen dans le texte.A la fin de l' ouvrage on trouve " Oscar Méténier par Aristide Bruant ".
Best.-Nr. 59226P., Au Mirliton, 1893, in 12 broché, 56 pages ; ex-libris contrecollé au verso du titre, cachet-ex-libris et signature ; couverture factice ; papier uniformément jauni.
Best.-Nr. 23414Paris Enoch & Cie, Editeurs, sans date (fin XIXème) 0 in 8 (27x17,5) 1 fascicule broché, couverture imprimée, plat supérieur illustré par Théophile-Alexandre Steinlen, et 2 pages de musique notée (Paris, Imp. E. Dupré). Poésie de Léon Durocher. Musique de Paul Delmet. Théophile-Alexandre Steinlen, Lausanne 1859 - Paris 1923, peintre, dessinateur, lithographe suisse, s'installe à Paris en 1881 (naturalisé français en 1901), il réalisa aussi de nombreux travaux d'illustration d'oeuvres musicales, ou souvent son trait parvient à exprimer un réalisme social original tiré des scènes de moeurs populaires de l'époque. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Best.-Nr. 51-2902Paris: Isabey & Salis 1890-1891. Illustrated throughout with cartoons advertisements etc. by Steinlen DoesSaint-Maurice Capy Fau Belon Cottin Malteste Sta Thélem Folio 43x30 cm 17x12" bound in red cloth decorated in gilt.A collection of original weekly issues of the Paris periodical spanning 30 August 1890 to 29 August 1891. Le Chat Noir was a nineteenth-century entertainment establishment in the bohemian Montmartre district of Paris considered to be the first modern cabaret. From 1892 to 1895 the cabaret published a weekly magazine with the same name featuring literary writings news from the cabaret and Montmartre poetry and political satire.Wear and some dampstaining to cloth some vertical slits to cloth along spine; interior sound with toning; very good. Few pages with tears. Paris: Isabey & Salis, 1890-1891. hardcover
1885Best.-Nr. 92459Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 25 avril 1885 31.2 x 45 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen ""Impressions d'un Lecteur."" Literary contributions by Alphonse Allais with ""L'Esprit d'Ellen"" Louis Denise with the poem ""Hiver"" Albert Glatigny with ""Il n'aimait pas le boeuf"" Louis Marsolleau with ""Voyage à la découverte de l'Ile d'Amour"" George Auriol with ""Ernest"" and Albert Tinchant with ""Cottage."" Fine copy. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885Best.-Nr. 88582Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 25 juillet 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Le plus vexé des trois"". With literary contributions by Alphonse Allais ""Absinthes"" dedicated to Adolphe Willette Rodolphe Darzens with the poem ""Le conseil de la chair"" Camille de Sainte-Croix ""Paul Margueritte"" Louis Marsolleau ""Villon"" among others. A handsome copy despite a small paper flaw at the head of the first page due to a printing defect. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence. Au cabaret Le Chat noir unknown
1888Best.-Nr. 88811Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 27 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features a comic strip by Steinlen ""Du dernier bien avec le général"" as well as drawings by Henry Somm on the facing page. Literary contributions by Alphonse Allais ""La forêt enchantée"" dedicated to George Auriol Raoul Gineste ""Les vieux chats"" and José Rolla ""A l'église"". A well-preserved copy despite a few faint marginal stains. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century capturing the bohemian spirit and vibrant Parisian scene of the time. Au cabaret Le Chat noir unknown
1887Best.-Nr. 83169Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen dedicated to Alphonse Allais. Literary contributions by Alphonse Allais ""Idylle"" Rodolphe Salis Georges Auriol Pierre Mille . Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1886Best.-Nr. 83280Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Henry Somm: ""Dévouement et repentir"". Literary contributions by Rodolphe Salis ""La dévotion de Jacques de Pissardière illustré de 2 dessins de Théophile Alexandre Steinlen"" text dedicated to Jules Barbey d'Aurevilly Alphonse Allais ""Une mauvaise blague"" George Auriol. Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its chronicle. It published texts recited during performances. It also forms an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1885Best.-Nr. 88817Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 14 février 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This 4-page issue features a comic strip by Steinlen: ""La mauvaise aventure de Maigriou."" Includes literary contributions by Charles Cros Pour en avoir le coeur net Charles Chincholle Les jours dabsinthe George Auriol La saint Charlemagne François Coppée Lesclave ivre . A well-preserved copy. Le Chat Noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famed cabaret of the same name of which it served as a living memory. It featured the texts performed during the shows. The publication also stands as a significant literary and artistic testimony of the late 19th century centered on the bohemian world and the vibrant cultural scene of Paris at the time. Au cabaret Le Chat noir unknown
1886Best.-Nr. 83164Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""La rose"". Literary contributions by Charles Cros ""Un drame interastral"" Caran d'Ache ""Carnet de la semaine"" Albert Tinchant Rodolphe Salis ""Comment fut parachevée l'église saint-Pierre de Poictiers"" dedicated to Guy de Maupassant. Handsome copy despite minor worming. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it serves as the memory. It publishes the texts recited during the performances. It is furthermore an important literary and artistic testimony of the late 19th century around bohemian life and the Parisian effervescence that characterizes it. Au cabaret Le Chat noir unknown
1885Best.-Nr. 88583Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 1er août 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Coqs et poule"". Literary contributions by Alphonse Allais with ""Le pauvre bougre et le bon génie"" dedicated to Henry Somm François Villon with the poem ""Rondel"" George Auriol with ""Au diable vert"" dedicated to Steinlen Rodolphe Salis. A handsome copy. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly it constitutes a major literary and artistic record of the late 19th century centered on bohemian life and the unique creative fervor of Paris at the time. Au cabaret Le Chat noir unknown
1886Best.-Nr. 83276Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen ""Actualité brûlante"". Literary contributions by Francisque Sarcey ""Chronique du bon sens"" Jean Richepin ""Le chat noir"" Abel Hamel ""Qui a bu ne peut plus boire"" Georges Courteline ""Madame Dieu-nous-voit"". Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the performances. It constitutes moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1885Best.-Nr. 92455Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 11 avril 1885 31 x 45 cm En feuillets First edition. The issue consists of four pages The issue consists of four pages and includes a comic strip by Steinlen ""Horrible fin de Bazouge ou les Suites funestes de l'Intempérance"" and a composition by Henri Rivière framing a poem by Emile Gourdeau. Political column by Rodolphe Salis literary contributions by Emile Gourdeau with the poem ""Le Discours du Bitume"" by Louis Marsolleau ""L'Eau qui coule"" and Georges d'Esparbès ""Les Justices bibliques"". A pleasant copy despite some foxing. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885Best.-Nr. 92464Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 7 février 1885 31.5 x 44.6 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen: ""Ce qu'il advint d'une Petite Fille."" Literary contributions by Fernand Fau with ""Economies"" Victor Margueritte with the poem ""Vu royal"" Charles Cros with ""La Chanson de la plus belle femme"" Louis Denise with ""Statuette byzantine"" Paul Morisse with ""Féminines"". A pleasant copy despite a few marginal tears and light soiling. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
