Régnier, Henri deAntiquariat.de
450 Ergebnisse
1918Best.-Nr. 18543Paris, Georges Crès & Cie, 1918. Gr.-8°. 130,(8) S., mit zahlreichen Abbildungen. Privater Halbmaroquinband der Zeit mit eingebundenen Orig.-Umschlägen.
1956Best.-Nr. 22383Editions Manuel Bruker. 1956. First Edition; First Printing. Softcover. Unbound signatures laid into wraps No. 162 of 200 copies fine in near fine bit sunned wraps with somewhat worn glassine. The 13 engravings were chosen to reflect the diversity of Daragnes's work and include two double-page spreads. In former owner's slipcase. ; 4to 11" - 13" tall . Editions Manuel Bruker paperback books
1946Best.-Nr. 22511Paris: Textes Pretextes. 1946. First Edition. Softcover. Unbound signatures laid into wraps No. 163 of 250 copies illustrated by original lithographs by Daragnes. Fine in fine wraps in publisher's lightly soiled clamshell box.; 8vo 8" - 9" tall . Textes Pretextes paperback books
1952Best.-Nr. 22664Paris: Eliane Norberg. 1952. First Edition; First Printing. Flexible vinyl. Soft flexible wraps loose gatherings laid in a numbered edition of 380 copies printed entirely on polyvinyl chloride plastic blue and white manufactured especially for this project and with more than half of the edition going to the two co-operating chemical companies Societe Interplast Paris and Societe Svenska Chemaco Sweden. This is one of only 160 copies distributed to the trade No. 330 with 23 engravings in color by Jean Boutet. Fine in clamshell box with see-through plastic cover. An amazing production and an obvious forerunner to Claes Oldenburg's "soft book". ; 4to 11" - 13" tall . Eliane Norberg unknown books
1917Best.-Nr. LD5807Paris: Chez Leharanger-Coq 1917 . 10/12 350. Paperback. Near Fine. Printed wraps. Number X from a limited edition of XII copies on Japanese vellum signed by Daragnes and sold with a small original pencil and ink drawing and additional suite of plates loose in printed wraps. Wraps of both volumes a bit dusty and lightly chipped and wrinkled along the edges -- but contents are overall bright and clean suitable for display with just occasionally some light rubbing or wrinkling along the edges. Very handsome indeed. Chez Leharanger-Coq paperback books
1924Paris, Emile Paul Frères 1924. In-4 relié plein chagrin bleu nuit, dos lisse à titre doré. Couverture conservée. Frontispice dessiné et gravé au burin sur cuivre par DARAGNES. Taches au bas des derniers feuillets blancs et de justificatif. 52 pages. Tirage à 840 exemplaires, celui ci sur vergé de rives n° 611.
Paris, Emile-Paul, Collection "Portrait de la France", N° 3, 1927. In-8, broché, couverture illustrée et rempliée, 70 pp. Édition originale. Un des exemplaires numérotés sur Vélin Lafuma. Bel exemplaire.
Paris, Emile-Paul, 1924. Petit in-8, oblong, couverture imprimée et rempliée, 75 pp. Edition originale tirée à 1.215 exemplaires. Un des exemplaires sur papier vergé. Bel ex.
Paris, Emile-Paul Frères, 31 août 1923. In-8, broché, couverture imprimée, 42 pp. Edition originale tirée à 1.100 ex. Ornementation typographique de Daragnès. Un des 25 exemplaires du tirage de tête numérotés sur vieux Japon. Bel exemplaire.
Paris, Editions de la Roseraie, 1924. In-4, broché, couverture rempliée. X pp- (introduction) -160 pp-[2] ff. (Légère tâche sur la page de faux-titre). Etui bordé. Traduction de Gérard de Nerval, préface de Pierre Mac Orlan, gravures hors-texte et culs-de-lampe noir et blanc de Gabriel Daragnès. Tirage limité à 439 exemplaires, celui-ci un des exemplaires d’Artiste sur Papier de Rives au filigrane de l’éditeur, spécialement imprimé pour l’Illustrateur Gabriel Daragnès, Envoi autographe de Daragnès « Pour Jules Roques, en hommage sympathique par contre coup, si je puis dire. » Bel exemplaire.
Paris, Georges Crès, Collection Le théâtre d'Art, n° 8, 1921. In-8, broché, couverture imprimée et rempliée, 229 pp. Belle planche illustrée en frontispice. Belle édition imprimée et numérotée sur papier vélin des Manufactures de Rives (n° 290). Les Ornementations typographiques et vignettes ont été dessinées et gravées sur bois par Paul-Emile Colin.
Paris, Georges Crès, Collection Le Théâtre d'Art, n° 9, 1921. In-8, broché, couverture imprimée et rempliée, 131 pp. Belle planche illustrée en frontispice. Belle édition imprimée et numérotée sur papier vélin des Manufactures de Rives (n° 699). Les ornementations typographiques ont été dessinées et gravées sur bois par G.-D. de Monfreid.
Paris, Le Courrier Graphique, Albert Cymboliste, 1948. In-4, broché, couverture rempliée et illustrée d'une eaux-forte originale d'ALEXEIFF, étui de l'éditeur. Très nombreuses illustrations de ALEXEIFF - BOFA - BONNARD - BOUSSINGAULT - CLAVE - DARAGNES - DAVIS - DECARIS - DUFY - DUNOYER DE SEGONZAC - HUGO - LABOUREUR - MAILLOL, etc. Exemplaire numéroté sur vélin du Marais. Edition originale et premier tirage. Exemplaire en parfait état.
1925formato 25X20. Brossura con sovraccoperta e velina piegata a busta pagine 94. Carta uso mano con barbe. Tiratura in 500 esemplari numerati (181) su Carta Rives. Con 8 incisioni su rame di Daragnes, di cui una a colori con velina al controfrontespizio. Ottima copia
First edition of this collection of stories by Hervieu, illustrated by her with five full-page original lithographs (one in color) and five wood engravings. Beautifully printed on fine Marais wove paper. From a total edition of 355 copies, this is one of 13 with a suite of the lithographs and wood engravings. This copy belonged to renowned artist and printer Jean-Gabriel Daragnes, with his wood-engraved bookplate. 4to, loose as issued in original wraps. Fine.
1944First and only edition of this tribute to Vuillard, one of the great painter-printmakers of the Nabi (or "Revue Blanche") group. ILLUSTRATED WITH FIVE ORIGINAL ETCHINGS BY VUILLARD, four of which are printed full-page and hors-texte. Vuillard made only seven etchings, and of the five printed here, only one had (or has) ever been printed elsewhere. From a total edition 150 numbered copies, this is ONE OF ONLY 20 COPIES WITH AN EXTRA SET OF THE ETCHINGS, PRINTED WITHOUT THE TEXT. Beautifully printed on fine Marais wove paper (with the suite on Arches wove paper) by Jean-Gabriel DaragnËs, one of the great printer-illustrators of the 20th century. Folio. Original wraps. Uncut, bright, and fine. The Artist & the Book 319; Roger-Marx 61, 62, 64, 65, and 66. An exceptional copy of a very rare book, with a total of ten original etchings by Vuillard.
1943A wonderful livre d'artiste featuring sonnets by Ronsard, Du Bellay, Louise LabÈ, Jodelle, Agrippa d'AubignÈ, Malherbe, Cyrano de Bergerac, Sainte-Beuve, Nerval, Musset, Leconte de Lisle, Baudelaire, and others, illustrated with ORIGINAL HORS-TEXTE ETCHINGS BY Camille Berg, Jean Bersier, Jacques Boullaire, Yves Brayer, Michel Ciry, DaragnËs, Hermine David, Dignimont, Dunoyer de Segonzac, Jean FrÈlaut, Galanis, Edouard Goerg, AndrÈ Jacquemin, Marie Laurencin, Luc-Albert Moreau, Maurice Savin, VergÈ Sarrat, Henri de Waroquier, and Roger Wild, and two small in-texte etchings by Bonfils. From a total edition of 326 numbered copies, this is ONE OF 26 COPIES ON FINE ARCHES WOVE PAPER, WITH A SECOND SUITE OF THE ETCHINGS ON FINE BERZELIUS PAPER. Large 4to. Loose as issued in original wraps. With the suite in a separate envelope. Wraps lightly worn, else FINE AND BRIGHT.
in-12, 452 pages, ornements, broche, couv. rempliee. Tres bel exemplaire s./Rives numerote. [CA32-6]
1937Best.-Nr. 003841Paris: Jean-Gabriel Daragnès 1937 Book measures 37x28cm 294pp in text plus index of all contributors. This book is a limited run of 500 copies with the first 200 copies reserved for collaborators this copy being No186. Loose sheets containing 62 original etchings including 31 full-page etchings and text describing various neighborhoods and aspects of Parisian life. Internally pages clean and bright a very fine copy. Housed in a heavily worn blue and red slip case. A very good clean copy. Jean-Gabriel Daragnès unknown
Best.-Nr. 84564Couverture rigide. Bon/1928. in-8. Paris 1928 in-8 75pp broché Très bel exemplaire de l'édition numérotée sur Vélin Lafuma! unknown
Best.-Nr. 84859Couverture rigide. Bon/1931. in-8. Paris 1931 in-8 18pp broché Edition originale publiée hors commerce a trente exemplaire de toute rareté! Bois de Daragnès! Dos et premier plat tachés. unknown
Best.-Nr. 65764Couverture rigide. Bon/1946. in-4. Paris 1946 in-4 23pp En feuilles sous chemise emboitage Exemplaire en parfait état de l'édition numérotée sur papier Vélin Blanc de Lana n° 214/330 après 20 ex. sur Vidalon. Frontispice par Daragnès. Très bel envoi manuscrit de l'auteur adressé à Madame Nénard ""en souvenir de Montmartre et de l'Isle d'Adam très cordialement Carco"" unknown
1921Best.-Nr. 88954Paris: L'édition française ilustrée 1921. Fine. The exceptionally rare first French edition of Jack London's masterpiece L'édition française ilustrée Paris s. d. 1921 13.5 x 20.3 cm Relié First edition of the French translation one of 25 numbered copies on pur fil the only copies printed on deluxe paper. Blood red morocco binding gilt title lengthwise gold stingray boards framed in morocco gilt decorative paper endleaves original wrappers preserved top edge gilt an elegant binding signed Boichot. Front free endpaper slightly toned otherwise a handsome untrimmed copy. Illustrated with original woodcuts by Jean-Gabriel Daragnès. L'édition française ilustrée hardcover
1948Best.-Nr. 91873Paris: L'originale 1948. Fine. L'originale Paris 1948 19 x 21 cm En feuilles First edition one of 60 numbered copies on Rives wove paper the only issue after 10 copies on Arches.A tear to the inner flap on the verso of the upper cover a pleasant copy.Illustrated with two original etchings by Jean-Gabriel Daragnès including the frontispiece. L'originale unknown
1931Best.-Nr. 86275Paris: Albert Pigasse 1931. Fine. Albert Pigasse Paris 1931 24 x 32.80 cm relié Illustrated edition limited to 68 copies. The illustrations comprise a title-frontispiece 28 colored vignettes in the text and numerous colored wood-engraved tailpieces by Daragnès after pastels by Anna de Noailles accompanied by the complete suite of thirty progressive states of a single plate showing the color breakdown. Bound in full lemon morocco mosaic boards composed of a border of brown morocco fillets in the form of stylized hearts surrounding two concentric undulating gilt fillet frames with hearts in brown and teal morocco fillets at the center of the boards smooth spine with mosaic of brown and teal morocco fillets and gilt dentelle original boards and wrappers preserved gilt and mosaic interior dentelle brown suede guards slipcase in half lemon morocco with gilt and mosaic smooth spine boards of wood-grain paper box edged in morocco with wood-grain paper boards binding signed by Madeleine Gras. Spine of slipcase slightly faded. This copy is exceptionally enriched with the following items: - an original pastel signed by Anna de Noailles used as tailpiece p. 64 - an autograph letter signed by Anna de Noailles to La Gandara concerning Le Cur innombrable 1 p. - 4 autograph poems by Anna de Noailles with additions and corrections: ""Chansons pour des jours d'été"" published here under the title ""Le Baiser"" ""La nuit"" published under the title ""A la nuit"" an untitled poem published under the title ""L'ardeur"" and ""La nature et l'Homme"" under the title ""Fraternité"" 6 pp. Ex-libris of Edouard de La Gandara mounted on one of the endpapers. A stage actor under the pseudonym Jean Dara La Gandara notably collaborated with Sarah Bernhardt and received numerous books with inscriptions from Colette Maurice Donnay the Comtesse de Noailles and Anatole France. A richly enhanced copy in a superb mosaic binding by Madeleine Gras. Albert Pigasse hardcover
