677 résultats
1885réf. 5635Paris: Divers éditeurs C1885. A nicely bound collection of six works by Willette in one volume. The works included are: MELANDRI La Halle aux Baisers P. Ollendorf 1883 second edition. 12 pages with vignettes throughout. This is a particularly scarce work and we can find no other copy. ; MELANDRI Les Pierrots L. Vanier n.d. but 1885. First edition. 12 pages all folded and illustrated; MELANDRI Giboulees d'Avril L. Vanier 1885 First edition. 16 pages. full page and vignette illustrations.; A. MASSON Par devant Notaire L. Vanier 1886. first edition. eight pages with vignettes; A. MELANDRI Le petit chaperon blue L. Vanier 1888 First edition. 12 pages with vignettes. This is a particularly scarce work and we can find only one other copy. ; Émile VITTA Farandole de pierrots L. Vanier 1890. First edition. Two identical covers. The first is darkened with edgewear. 32 pages with numerous illustrations. To the rear is a pink leaf advertising the seven "Albums Willette." Six of these are present here only Pauvre Pierrot is not included. The covers are in plain cream cloth. Now darkened and a little stained. Slightly chipped leather label with gilt titles to the spine. 24cm x 16.5cm. . Un recueil joliment relié de six œuvres de Willette en un seul volume. Les œuvres incluses sont : MELANDRI La Halle aux Baisers P. Ollendorf 1883 deuxième édition. 12 pages illustrées de vignettes tout au long du texte. Il s'agit d'un ouvrage particulièrement rare et nous n'avons trouvé aucun autre exemplaire. ; MELANDRI Les Pierrots L. Vanier s.d. mais 1885. Première édition. 12 pages toutes pliées et illustrées ; MELANDRI Giboulees d'Avril L. Vanier 1885. Première édition. 16 pages. Illustrations en pleine page et vignettes ; A. MASSON Par devant Notaire L. Vanier 1886. Première édition. Huit pages avec des vignettes ; A. MELANDRI Le petit chaperon bleu L. Vanier 1888. Première édition. 12 pages avec des vignettes. Il s'agit d'un ouvrage particulièrement rare et nous n'avons pu trouver qu'un seul autre exemplaire. ; Émile VITTA Farandole de pierrots L. Vanier 1890. Première édition. Deux couvertures identiques. La première est noircie et présente des traces d'usure sur les tranches. 32 pages avec de nombreuses illustrations. Au dos une feuille rose faisant la promotion des sept « Albums Willette ». Six d'entre eux sont présents ici seul Pauvre Pierrot n'est pas inclus. Les couvertures sont en toile crème unie. Elles sont aujourd'hui noircies et légèrement tachées. Étiquette en cuir légèrement ébréchée avec titres dorés sur le dos. 24 cm x 165 cm. Divers éditeurs hardcover
réf. 5447France: S.P. S.D. Reprint. A limited edition 26/250 His 1 May 1915 illustration in Fantasio depicts a poignant wartime theme: "Living beautiful and dying by releasing a beautiful soul" featuring motifs of war casualties from the 1914-1918 conflict. This is not a page from the magazine it was printed as a poster and is printed later and numbered in pencil - but with no printer or publisher details. Fantasio was a First World War satirical magazine launched in August 1906 by Félix Juven. The only record of this print we can find is for the auction record of this copy. There is a little edgewear to the extensive margin but this could be easily hidden in framing. A lovely piece. Image area is 26.5cm x 41.5cm. The sheet is 41.5cm x 59cm. Blank to verso. Adolphe Willette 1857-1926 stands as a prominent figure among the bohemian artists of fin-de-siècle Montmartre renowned for his contributions as painter illustrator caricaturist and lithographer. He is today particularly remembered for his caricatures from the first world war. . Réimpression. Édition limitée 26/250 Son illustration du 1er mai 1915 dans Fantasio dépeint un thème poignant lié à la guerre : « Vivre en beauté et mourir en libérant une belle âme » avec pour motifs les victimes de la guerre de 1914-1918. Il ne s'agit pas d'une page du magazine mais d'une affiche imprimée ultérieurement et numérotée au crayon sans mention de l'imprimeur ou de l'éditeur. Fantasio était un magazine satirique sur la Première Guerre mondiale lancé en août 1906 par Félix Juven. La seule trace que nous ayons trouvée de cette gravure est le résultat de la vente aux enchères de cet exemplaire. Les bords de la large marge sont légèrement abîmés mais cela peut facilement être masqué par un encadrement. Une très belle pièce. La surface de l'image est de 265 cm x 415 cm. La feuille mesure 415 cm x 59 cm. Verso vierge. Adolphe Willette 1857-1926 est une figure éminente parmi les artistes bohèmes du Montmartre fin de siècle réputé pour ses contributions en tant que peintre illustrateur caricaturiste et lithographe. On se souvient aujourd'hui particulièrement de lui pour ses caricatures de la Première Guerre mondiale. S.P. unknown
1890réf. 64956-A-67902Paris: Leon Vanier ca 1890. Small folio blue boards with silver diagonal lettering and vignette of Pierrot with a nimbus around his head Orig. covers contents loose. Complete with 41 loose sheets as issued including pictorial title and preface by the author. Each plate engraved on chine. Linnen boards sl. scuffed on extremities but all in all in a very good condition. First plate browned and a moisture spot of appr. 10 x 5 cm not affecting the picture. Last plate somewhated browned. All further plates in fine condition. [Leon Vanier] hardcover
2014réf. x-3319046624Springer 2014. Hardcover. New. 2014 edition. 407 pages. 9.25x6.25x0.75 inches. Springer hardcover
réf. 65405-A-57654H. Floury Paris 1919. First edition with original red Morocco half-leather binding corners red morocco marbled boards. Top end edges gilt. 27x21 cm. With frontispice original lithographs tipped-in colour plates and many ills in the text. 183 p. Edges and corners of cover somewhat worn ex libris on inside front board pages slightly browned. H. Floury, Paris, 1919 hardcover
1893réf. 48437Paris. 1893 – 1894. Later burgundy cloth-backed marbled paper boards original publisher's printed illustrated wrappers preserved. 11 issues. Folio. 396 x 294 mm. Each issue with title and cover illustration printed text in French throughout and advertisements to rear cover and with 33 illustrations by Toulouse-Lautrec Bonnard Ibels Willette Vallotton Hermann-Paul and others. An excellent complete set of the very scarce fin-de-siècle illustrated revue 'L'Escarmouche' with additional important ephemera and original material.Directed by Georges Darien the writer satirist and artist the anarchist 'L'Escarmouche' was short-lived even by the standards of the day appearing weekly for only three short months from November 1893 to January 1894 a very rare final number included here was issued as an afterthought and without illustration apart from the cover by Ibels in March 1894. Noted rather more for its illustration than any literary merit 'LEscarmouche' featured covers by Henri-Gabriel Ibels 4 René Georges Hermann-Paul 5 and Félix Vallotton 1.The illustration fine and typical examples from the French fin-de-siècle features 12 lithographs by Henri de Toulouse-Lautrec. Artistic contributors to the revue also included Louis Anquetin Pierre Bonnard Henri-Gabriel Ibels René Georges Hermann-Paul Félix Vallotton and Adolphe Willette.Also included inserted loose is the following additional material:- the original 'affiche' for 'L'Escarmouche' by Ibels 650 x 485 mm a large colour lithograph showing the interior of a bar with the patrons turned to watch soldiers marching past outside the image was reduced and printed in black for the cover of issue no. 1; - the reproduction of the same from 'Les Maîtres de l'Affiche'; - the catalogue for Ibels' first exhibition in 1894 which includes many of the drawings that appeared in 'L'Escarmouche'; - Ibels' carte de visite with some lines in manuscript; - Ibels' letter dated Janvier 1906 to Achille Astre Gustave Geffroy's secretary; - the manuscript for Arsène Alexandre's article on Toulouse-Lautrec published in PAN in October 1893; - the original prospectus for the exhibition of lithographs by Henri de Toulouse-Lautrec at the Musée de Luxembourg Décembre 1904 - Janvier 1905 in many of the artist's lithographs from 'L'Escarmouche' were published.- Also included is a letter from Ibels dated 21 Fevrier 1906 Manuscript receipt from Hermann Paul Visiting card of Ibels Catalogue of an exhibition of Hermann Paul's drawings and printsat Bernheim Jeune c. 1905.'L'Escarmouche' is one of the scarcest of the periodicals from the French fin-de-siècle and this exceptional set includes the final number - almost always missing from sets - issued two months after the penultimate number. OCLC reports a single complete set that at the Bibliothèque Nationale in France; sets without the final number are also scarce and we can only trace those at the Swiss Bibliothèque d'Art et d'Archéologie the National Library of Canada the National Gallery of Australia and Iowa only.not in Ray. hardcover
1892réf. 25949Paris.: Leon Vanier. 1892. Original red full cloth gilt title and emblem on spine. 4to. With seven hors-texte plates by Adolphe Willette 4 & Boutet de Monvel 3. The frontispiece plate by Willette is present in four states including two printed in sanguine on chine. The other illustrations are all in two states including one in sanguine on chine. Leon Vanier. hardcover
1900réf. 23933Paris.: Henri Tellier Editeur. c.1900. Full pink cloth leather title label to spine decorative patterned paper endpapers original publisher's printed wrappers with pictorial title heightened with gold by Willette preserved a.e.g. Small folio. 277 x 193 mm. Printed title with vignette by Willette leaf with 'Table' in blue and 15 songs with printed music each with title and illustrated with a full page lithograph by Willette. A good complete copy of 'Chansons de Paul Delmet' preserving the original pictorial wrappers by Willette.The work is dedicated to Félicia Mallet and includes poems set to music by Georges Auriol Léon Durocher Emile Goudeau Propser Marius Victor Meusy Albert Tinchant and Maurice Vaucaire.The songs are: 'Les Choux' 'Petit Chagrin' 'Les Petits Pavés' 'Joli Mai' 'Villanelle' 'Matin' 'Chanson de Rien' 'Désirs Perdus' 'Tourne Mon Moulin' 'Mirlitaine et Mirliton' 'Matin au Bois de Boulogne' 'Aubade' 'Petit Sentier' 'Avril' and 'Les Grands Yeux de l'Hôtesse'. Henri Tellier, Editeur. hardcover
1919réf. 46651Paris: H. Floury Éditeur 1919. Large 4to 27x21 cm. Contemporary half cloth with cloth corners; gilt title on spine; covers marbled paper; decorated endpapers. Original illustrated wrappers preserved. ii184 pp. With title-vignette title printed in red and black. With frontispiece in colours pasted in and 15 other colourplates 7 pasted in including 1 double-page plate 15 black and white plates 2 double-page. Together 31 plates. And many illustrations 18 full page illustrations in text almost all after designs of Adolphe Willette 1857-1926 painter illustrator caricaturist and writer. - Minimal tear in first hinge binding; small tear in inner margin of a few leeaves repaired but on the whole a good copy of his autobiography. H. Floury, Éditeur hardcover
1893réf. 208380Delagrave 1893. Bon Etat. in4. 1893. Cartonné. 150 pages. Delagrave unknown
1925réf. 3433Paris: Éditions Lemercier 1925. First edition. Poetry and beautiful woodcuts. Some pages uncut. A little age toned but otherwise very good. 79 pages. 245 x 195 mm 9¾ x 7¾ inches. Première édition. Poésie et belles gravures sur bois. Certaines pages non coupées. Un peu d'âge tonique mais sinon très bon. 79 pages. 245 × 195 mm Éditions Lemercier unknown
réf. 5887Couverture rigide. Bon/sd. in-8. Paris Le Croquis sd in-8 68pp broché Très bel exemplaire de l'édition originale numérotée sur papier Lafuma n° 84/150 après 5 Japon Impérial & 10 Hollande. Exemplaire non coupé. unknown
réf. 74309Couverture rigide. Bon/1901. in-8. Paris 1901 in-8 np reliure demi-chagrin dos à cinq nerfs Très bel exemplaire de l'édition numérotée! 100 dessins choisis dans le Courrier Français de 1884 à 1901. unknown
1895réf. 88065Paris: Edition Le Journal 1895. Fine. Edition Le Journal Paris 1895 19.50 x 28 cm relié First edition published in a small number of copies of this poem by Rodolphe Darzens set to music by Auguste Chapuis one of the rare copies on Japan paper. Work illustrated with 10 original lithographs by Adolphe Willette. Full flexible grey cloth Bradel binding smooth spine decorated with central gilt fleuron gilt date at foot slight rubbing to joints without gravity original wrappers preserved contemporary binding. On the half-title page Rodolphe Darzens has transcribed the poem ""Clair de lune"" the tenth and final poem of this collection. Edition Le Journal hardcover
1885réf. 85634Paris: Henri TellierA. Quinzard & Cie 1885. Fine. Henri Tellier A. Quinzard & Cie Paris s. d. 1885 25 x 33.50 cm 2 volumes reliés en 1 First edition on ordinary paper for each volume. Half-red sheep binding smooth spine decorated with triple gilt fillets pebbled paper boards marbled endpapers and pastedowns color illustrated covers by Adolphe Willette and Auguste Roedel preserved speckled edges. Poetry by Emile Goudeau George Auriol Léon Durocher Prosper Marius Victor Meusy Albert Tinchant Maurice Vaucaire for the first volume; poetry by Henri Bernard Maurice Boukay Théodore Botrel René Dubreuil Emile Goudeau Victor Meusy and Raoul Gineste for the second. Work illustrated with 17 original lithographs hors-texte by Adolphe Willette for the first volume and 15 original lithographs by Auguste Roedel for the second. Some rubbing at head and foot of spine. Henri TellierA. Quinzard & Cie hardcover
2015réf. 1-0996026002Cpm Pub 2015. Hardcover. New. 468 pages. 11.00x8.75x1.50 inches. Cpm Pub hardcover
1884réf. 81928Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: ""John Bull au Congo"". Literary contributions by Albert Samain ""Tsilla"" Georges Auriol ""Les neiges de Bretagne"" Maurice Montégut ""Les confidences de l'abîme"". Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the purpose of promoting the famous cabaret of the same name of which it serves as a record. It published the texts recited during the performances. It is moreover an important literary and artistic testimony of the end of the 19th century centered around bohemia and the Parisian effervescence characteristic of that era. Au cabaret Le Chat noir unknown
1884réf. 81921Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: ""Monstres de Paris. Les peintres incompris : M. Carolus Durand"". Literary contributions by Alphonse Allais ""Moeurs de ce temps-ci"" Georges d'Esparbès ""Les juges"" Jean Lorrain ""Miss Miser"" Camille de Sainte-Croix ""La chanson de la mer de Victor Margueritte"" under the semi-pseudonym of Xernand Fau ""La guerre aux abus"". Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1884réf. 81920Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a double-page interior drawing by Adolphe Willette ""C'est un conte blanc - C'est un conte noir"". Literary contributions by Georges Auriol Rodolphe Salis Xernand Fau Adolphe Willette. Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1899réf. 74842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1922réf. 72699Paris: Editions Sansot 1922. Fine. Editions Sansot Paris 1922 12 x 19 cm broché First edition on ordinary paper. Cover illustrated with a woodcut by L. Madeline. Spine sunned rare. Editions Sansot unknown
1929réf. 66579Würzburg: L'Emancipatrice 1929. Fine. L'Emancipatrice Würzburg 1929 10.50 x 13.70 cm une feuille Very rare prospectus for the banquet of the Republic of Montmartre organized at the Moulin de la Galette on November 6 1931. In the upper part there is a beautiful original print signed Francisque Poulbot representing the citizens of the Republic of Montmartre returning from vacation. In the spirit of the Paris Commune the Republic of Montmartre was created in 1921 by Parisian artists Joé Bridge Adolphe Willette Jean-Louis Forain Francisque Poulbot Maurice Neumont Louis Morin Maurice Milliere Raoul Guerin and Jules Depaquit . His parties and banquets often organized in the mythical places of Montmartre Moulin de la Galette Circus Medrano Moulin Rouge were intended to weld the Montmartre community by mutual aid and sociability. L'Emancipatrice unknown
1921réf. 665761921. Fine. 1921 25 x 32.30 cm une feuille Extremely rare and humoristic menu pamphlet from the souper démocratique democratic supper organised by the République de Montmartre newly founded in 1921. The date shown is a parody of the republican calendar: ""17 Neigeôse An I"". A magnificent original wood engraving representing the Communards on the Montmartre hill and bearing the monogram Armand adorns the first board. In the spirit of the Paris Commune the République de Montmartre was created in the early 1920s by the Parisian artists Joé Bridge Adolphe Willette Jean-Louis Forain Francisque Poulbot Maurice Neumont Louis Morin Maurice Millière Raoul Guérin and Jules Depaquit. Their parties and banquets often organised in Montmartre's legendary venues Moulin de la Galette cirque Médrano Moulin Rouge were intended to unite the Montmartre community by mutual aid and sociability. This menu is a rare testimony of the beginnings of this joyful and festive organisation which is delivering here a very comical banquet where one serves Fois d'aristocrates truffés de chez Julien Julian's truffled aristocrat livers Salade d'Emigrés Salad of Expatriates and Fruits de la Révolution Fruits of the Revolution. It ends with the motto SALUT FRATERNITE et BON APPETIT ! CHEERS FRATERNITY and BON APPETIT! unknown
1919réf. 037484Paris: Floury 1919. 1st Edition 1st Printing. Hardcover. Near Fine. Color Plates Illustrations In Text. 183 Pp. Three Quarter Red Morocco Over Paper Colored In Red Black And Gilt Multicolor Paint-Splash Endpapers Original Wrappers Bound In Top Edge Gilt. Original Lithographs Color Plates Tipped-In Color Plates Illustrations Throughout. Lightly Used Recently Refurbished. Floury hardcover
réf. 17684Le Rire Paris 1902-03. In/4 broché reliure factice belle ensemble 51 numéros In/4 broché illustrations en noir et en couleur. N° 422 déchiré sans manque - le n°6 mars 1903 : spécial Cake-walk a sa couverture déchirée avec manques le poster d'A. Faibvre a souffert de quelques "grignotage" sur une pliure le numéro 13 manque de papier en couverture et déchirure du numéro - manque le N°14. Revue satirique actualité sociale et politique moeurs illustrée par Caran d'Ache Forain Léandre Willette Cappiello Faivre Métivet Vallotton Rabier Roubille Poulbot. unknown
