Willette, Edith Parker,Biblio.com
663 résultats
réf. 7572206-nnew. unknown
2014réf. x-3319046624Springer 2014. Hardcover. New. 2014 edition. 407 pages. 9.25x6.25x0.75 inches. Springer hardcover
1919réf. 46651Paris: H. Floury Éditeur 1919. Large 4to 27x21 cm. Contemporary half cloth with cloth corners; gilt title on spine; covers marbled paper; decorated endpapers. Original illustrated wrappers preserved. ii184 pp. With title-vignette title printed in red and black. With frontispiece in colours pasted in and 15 other colourplates 7 pasted in including 1 double-page plate 15 black and white plates 2 double-page. Together 31 plates. And many illustrations 18 full page illustrations in text almost all after designs of Adolphe Willette 1857-1926 painter illustrator caricaturist and writer. - Minimal tear in first hinge binding; small tear in inner margin of a few leeaves repaired but on the whole a good copy of his autobiography. H. Floury, Éditeur hardcover
réf. 7790045-nnew. unknown
1895réf. 88065Paris: Edition Le Journal 1895. Fine. Edition Le Journal Paris 1895 19.50 x 28 cm relié First edition published in a small number of copies of this poem by Rodolphe Darzens set to music by Auguste Chapuis one of the rare copies on Japan paper. Work illustrated with 10 original lithographs by Adolphe Willette. Full flexible grey cloth Bradel binding smooth spine decorated with central gilt fleuron gilt date at foot slight rubbing to joints without gravity original wrappers preserved contemporary binding. On the half-title page Rodolphe Darzens has transcribed the poem ""Clair de lune"" the tenth and final poem of this collection. Edition Le Journal hardcover
1885réf. 85634Paris: Henri TellierA. Quinzard & Cie 1885. Fine. Henri Tellier A. Quinzard & Cie Paris s. d. 1885 25 x 33.50 cm 2 volumes reliés en 1 First edition on ordinary paper for each volume. Half-red sheep binding smooth spine decorated with triple gilt fillets pebbled paper boards marbled endpapers and pastedowns color illustrated covers by Adolphe Willette and Auguste Roedel preserved speckled edges. Poetry by Emile Goudeau George Auriol Léon Durocher Prosper Marius Victor Meusy Albert Tinchant Maurice Vaucaire for the first volume; poetry by Henri Bernard Maurice Boukay Théodore Botrel René Dubreuil Emile Goudeau Victor Meusy and Raoul Gineste for the second. Work illustrated with 17 original lithographs hors-texte by Adolphe Willette for the first volume and 15 original lithographs by Auguste Roedel for the second. Some rubbing at head and foot of spine. Henri TellierA. Quinzard & Cie hardcover
2015réf. 1-0996026002Cpm Pub 2015. Hardcover. New. 468 pages. 11.00x8.75x1.50 inches. Cpm Pub hardcover
1908réf. C201989Paris: Felix Juven 1908. Hardcover Hardcover. Very Good. Illustrated boards slightly edge worn with slight rubbing to corners and slight mark to rear otherwise near very good indeed. French text. Felix Juven, hardcover
1884réf. 81928Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: ""John Bull au Congo"". Literary contributions by Albert Samain ""Tsilla"" Georges Auriol ""Les neiges de Bretagne"" Maurice Montégut ""Les confidences de l'abîme"". Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the purpose of promoting the famous cabaret of the same name of which it serves as a record. It published the texts recited during the performances. It is moreover an important literary and artistic testimony of the end of the 19th century centered around bohemia and the Parisian effervescence characteristic of that era. Au cabaret Le Chat noir unknown
1884réf. 81921Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: ""Monstres de Paris. Les peintres incompris : M. Carolus Durand"". Literary contributions by Alphonse Allais ""Moeurs de ce temps-ci"" Georges d'Esparbès ""Les juges"" Jean Lorrain ""Miss Miser"" Camille de Sainte-Croix ""La chanson de la mer de Victor Margueritte"" under the semi-pseudonym of Xernand Fau ""La guerre aux abus"". Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1884réf. 81920Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a double-page interior drawing by Adolphe Willette ""C'est un conte blanc - C'est un conte noir"". Literary contributions by Georges Auriol Rodolphe Salis Xernand Fau Adolphe Willette. Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1899réf. 74842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1922réf. 72699Paris: Editions Sansot 1922. Fine. Editions Sansot Paris 1922 12 x 19 cm broché First edition on ordinary paper. Cover illustrated with a woodcut by L. Madeline. Spine sunned rare. Editions Sansot unknown
1929réf. 66579Würzburg: L'Emancipatrice 1929. Fine. L'Emancipatrice Würzburg 1929 10.50 x 13.70 cm une feuille Very rare prospectus for the banquet of the Republic of Montmartre organized at the Moulin de la Galette on November 6 1931. In the upper part there is a beautiful original print signed Francisque Poulbot representing the citizens of the Republic of Montmartre returning from vacation. In the spirit of the Paris Commune the Republic of Montmartre was created in 1921 by Parisian artists Joé Bridge Adolphe Willette Jean-Louis Forain Francisque Poulbot Maurice Neumont Louis Morin Maurice Milliere Raoul Guerin and Jules Depaquit . His parties and banquets often organized in the mythical places of Montmartre Moulin de la Galette Circus Medrano Moulin Rouge were intended to weld the Montmartre community by mutual aid and sociability. L'Emancipatrice unknown
1921réf. 665761921. Fine. 1921 25 x 32.30 cm une feuille Extremely rare and humoristic menu pamphlet from the souper démocratique democratic supper organised by the République de Montmartre newly founded in 1921. The date shown is a parody of the republican calendar: ""17 Neigeôse An I"". A magnificent original wood engraving representing the Communards on the Montmartre hill and bearing the monogram Armand adorns the first board. In the spirit of the Paris Commune the République de Montmartre was created in the early 1920s by the Parisian artists Joé Bridge Adolphe Willette Jean-Louis Forain Francisque Poulbot Maurice Neumont Louis Morin Maurice Millière Raoul Guérin and Jules Depaquit. Their parties and banquets often organised in Montmartre's legendary venues Moulin de la Galette cirque Médrano Moulin Rouge were intended to unite the Montmartre community by mutual aid and sociability. This menu is a rare testimony of the beginnings of this joyful and festive organisation which is delivering here a very comical banquet where one serves Fois d'aristocrates truffés de chez Julien Julian's truffled aristocrat livers Salade d'Emigrés Salad of Expatriates and Fruits de la Révolution Fruits of the Revolution. It ends with the motto SALUT FRATERNITE et BON APPETIT ! CHEERS FRATERNITY and BON APPETIT! unknown
1919réf. 037484Paris: Floury 1919. 1st Edition 1st Printing. Hardcover. Near Fine. Color Plates Illustrations In Text. 183 Pp. Three Quarter Red Morocco Over Paper Colored In Red Black And Gilt Multicolor Paint-Splash Endpapers Original Wrappers Bound In Top Edge Gilt. Original Lithographs Color Plates Tipped-In Color Plates Illustrations Throughout. Lightly Used Recently Refurbished. Floury hardcover
réf. 17684Le Rire Paris 1902-03. In/4 broché reliure factice belle ensemble 51 numéros In/4 broché illustrations en noir et en couleur. N° 422 déchiré sans manque - le n°6 mars 1903 : spécial Cake-walk a sa couverture déchirée avec manques le poster d'A. Faibvre a souffert de quelques "grignotage" sur une pliure le numéro 13 manque de papier en couverture et déchirure du numéro - manque le N°14. Revue satirique actualité sociale et politique moeurs illustrée par Caran d'Ache Forain Léandre Willette Cappiello Faivre Métivet Vallotton Rabier Roubille Poulbot. unknown
1919réf. 40327Paris: Floury 1919. Fine. Floury Paris 1919 20.50 x 26.50 cm broché First edition. Work decorated with numerous in-text illustrations as well as 31 plates 15 of which are in color. Spine marginally faded with some losses at one weakened joint handsome interior condition. Floury unknown
1901réf. 40395Paris: H. Simonis Empis 1901. Fine. H. Simonis Empis Paris 1901 13 x 20 cm relié First collected edition one of the numbered copies printed on hand press. Bradel binding in half indigo boards smooth spine faded bronze sheep title-label marbled paper boards marbled endpapers and pastedowns illustrated original wrappers preserved contemporary binding. Work illustrated with 100 drawings by the author. H. Simonis Empis hardcover
réf. 25974Paris H. Floury 1919. 19.7x26.4 cm. 183 pp. edition avec portrait en couleurs en frontispice de nombreuses illustrations hors et dans le texte 16 planches en n/b dont 2 a double-page et 15 planches en couleurs dont 1 a double-page par A. Willette relie demi-maroquin havane a coins signee par Laurent Peeters - Anvers. Filet dore cernant les plats de pap. dos a 5 nerfs et finnement fleuronnes dores decor floral tete doree couverture imprimee d'editeur. Tirage limite. Paris H. Floury 1919 unknown
1888réf. 32574Paris 1888. Fine. Paris 1888 et 1889 29 x 40 cm en feuilles WILLETTE Adolphe & OTHERS Le Pierrot Paris 1888 and 1889 29 x 40 cm unbound. First edition. An almost complete set of this rare satirical literary journal headed and illustrated by Adolphe Willette. 49 issues from 6 July 1888 to 20 September 1889 each comprising two folio leaves the first page with a lithograph by Willette some with caricatures on page three. With Emile Goudeau as its editor-in-chief this journal nominally published on Fridays though not always actually published then includes poetry ads and news in brief but its real value lies in the illustrations done exclusively for it by Willette. A little light foxing and small tears to margin not touching images or text. Adolphe Willette was an inseparable part of Montmartre where he was responsible for the decoration of a number of cabarets bistrots and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. He later worked with a number of newspapers including le Rire and lAssiette au beurre before establishing le Pierrot. A divisive figure he stood as an Anti-Semitic candidate in the municipal elections in Paris in 1889. He proclaimed himself first President of the Republic of Montmartre a philanthropic association aimed at helping the children of that quartier. unknown
1978réf. BN190515Pergamon Press 1978. 1978. Hardcover. Psychopharmacology of Hallucinogens Psychopharmacology of Hallucinogens Stillman R.C.; Willette R.E. Pergamon Press hardcover
réf. 6102344473Author Solutions Inc. . Hardback. New. pp. 326 Author Solutions, Inc. hardcover
réf. 6104207613Author Solutions Inc. . Hardback. New. pp. 108 Author Solutions, Inc. hardcover
1888réf. 18782AB1888. 51 numbers all. Paris 1888 - 1891. 41 : 315 cm. With many illustrations by Willette. Contemporary half cloth with title on spine. The complete set of this rare journal with the always missing last two numbers of the third year no. 1 March 20th 1891 and special numb er from March 5th 1891. Satirical literary journal headed and illustrated by Adolphe Willette. Each issue consists of 2 folio-leaves with a lithograph by Willette on the first page and caricatures on the third page. The journal includes poetry advertisement news etc. but the real value lies in the illustrations done exclusively for it by Willette. - Adolphe Willette was an inseparable part of Montmatre where he was responsible for the decoration of a number of cabarets bistros and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. Later he worked with a nuber of newspapers including le rire and Assiette au beurre before establishing le PÜierrot. - Ocassionaly some light foxing. - Very rare with the last two issues. hardcover
