673 resultados
1901ref. vh3495H. Simonis Empis, éditeur Relié 1901 In-8 (14,5 x 20,5 cm), reliure demi-peau, dos à 5 nerfs, couverture conservée, non paginé, exemplaire numéroté ; quelques frottements sur le cuir, dos un peu insolé, intérieur bruni, par ailleurs assez bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
ref. 10319L'ALBUM 12 Édition spéciale publiée par le Figaro pour ses abonnés. Suivies de l'oeuvre complète publiée dans le Diable à Paris sous ce titre Les Gens de Paris. 520 dessins avec leurs légendes. Paris, Hetzel et Blanchard, Aux Bureaux du Figaro, 1857, in-folio, demi-chagrin fauve.
1901ref. 2418Paris H. Simonis Empis 1901 Un volume in-8 demi toile rouge, non paginé. Dos insolé, manque à la pièce de titre, intérieur frais. Exemplaire n°147.
1901ref. RO80115739SIMONIS EMPIS H.. 1901. In-12. Relié demi-cuir. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. Environ 100 planches de dessins en noir et blanc. Exemplaire n°4835. Reliure de bibliothèque : étiquette de code sur la coiffe en-tête et tampons sur la page de titre.. . . . Classification Dewey : 741-Dessin
ref. 22075H. SIMONIS EMPIS, Paris, 1901.
ref. EXE00985Paris, Simonis Empis, 1901. Peiti in-8° broché, couverture illustrée.
1901ref. 19950Paris H. Simonis Empis. 1901 1 in-8 Illustrations choisis dans le Courrier Français, Paris, 1901, in-8, demi-chagrin vert à coins, dos titré or à quatre nerfs, tête dorée, hors commerce, 110 pages.
1901ref. 247221901 Paris H. Simonis Empis. 1901 Illustrations choisis dans le Courrier Français, in-8, broché,dos abimé complet, 110 pages, texte frais, à relier.
ref. a39856Paris 1935 Hotel Drouot. Paris. Boisgirard et Schoeller. In French. 4to. 17pp. 6 photo plates wraps. Prices tipped in on a newspaper clipping. Good plus a bit browned some cover wear a few page corners bumped. . paperback
ref. B175624-1Paris G. Ondet 1895. 8 lithographs loose as issued within chemise with 2 additional lithographs on front and back. Contents loose as issued. Lrg. 4to. Dec. illus. chemise. New fitted cloth clamshell case. Both the chemise and all plates are individually stamped 42 at lower left seemingly a limitation number. Printed on japon this publication would appear to be a deluxe separate issue of the lithographs. Ohé les moeurs! Chansons satiriques. 1re série a musical score for voice and piano subtitled "Douze lithographies de Willette" was published in Paris in 1895 with music by Paul Hucks and lyrics apparently by A. Sémiane. With only 8 or possibly 10 lithographs this copy would seem to be incomplete apart from the music and lyrics which may or may not have been included. A later edition of the score or possibly a later série of it from the same publisher appeared in 1910. [Paris (G. Ondet), 1895?]. hardcover books
ref. B175624-1Paris G. Ondet 1895. 8 lithographs loose as issued within chemise with 2 additional lithographs on front and back. Contents loose as issued. Lrg. 4to. Dec. illus. chemise. New fitted cloth clamshell case. Both the chemise and all plates are individually stamped 42 at lower left seemingly a limitation number. Printed on japon this publication would appear to be a deluxe separate issue of the lithographs. Ohé les moeurs! Chansons satiriques. 1re série a musical score for voice and piano subtitled "Douze lithographies de Willette" was published in Paris in 1895 with music by Paul Hucks and lyrics apparently by A. Sémiane. With only 8 or possibly 10 lithographs this copy would seem to be incomplete apart from the music and lyrics which may or may not have been included. A later edition of the score or possibly a later série of it from the same publisher appeared in 1910. [Paris (G. Ondet), 1895?]. hardcover
1893ref. 1414203Paris: Les Maitres del'Affiche 1893. In Very Good condition. Artwork measures 6.5 in. x 14.75 in. Matted in border measuring 18 in. x 14 in. Shelved at Rockville PS1101. Created by the father of poster art Jules Chéret during Paris's Belle Époque the Maîtres de l'Affiche series "Master of the Poster" was meant to provide the public with accessible displayable versions of large advertisement posters. Since posters of the time were often very large sometimes five to eight feet and printed on cheap paper not meant to last Chéret designed a series of lithographs printed on high quality paper at a size displayable in the layperson's home. The original collection was released as a series of monthly publications delivered to subscribers over a sixty month period. The posters were published four at a time with sixteen 'bonus' posters added periodically over the years. 1414203. Special Collections - Upstairs. Les Maitres del'Affiche unknown
1893ref. 1414203Paris: Les Maitres del'Affiche 1893. In Very Good condition. Artwork measures 6.5 in. x 14.75 in. Matted in border measuring 18 in. x 14 in. Shelved at Rockville PS1101. Created by the father of poster art Jules Chéret during Paris's Belle Époque the Maîtres de l'Affiche series "Master of the Poster" was meant to provide the public with accessible displayable versions of large advertisement posters. Since posters of the time were often very large sometimes five to eight feet and printed on cheap paper not meant to last Chéret designed a series of lithographs printed on high quality paper at a size displayable in the layperson's home. The original collection was released as a series of monthly publications delivered to subscribers over a sixty month period. The posters were published four at a time with sixteen 'bonus' posters added periodically over the years. 1414203. Special Collections - Upstairs. Les Maitres del'Affiche unknown books
ref. 3611Sous le haut patronage de sa majesté la Reine Alexandra, Imp. Devambez 1916214 pages.Livre d'Or dédié avec sa Permission à sa Majesté la Reine Alexandra et publié par Mme Paul Alexandra Mellor au profit des Orphelins de la Guerre en France.Magnifique ouvrage au tirage limité à 1000 ex , composé de fac similés de lettres manuscrites + portraits et images colorés (édition Originale des principaux écrivains de l'époque, P. Loti, Maeterlinck, Kipling, Botrel, Ctesse de Noaille..., et illustré par Fouqueray, Willette,...). Préface de M. Donnay.Enrichi d'un pochoir aquarellé de Madeleine Lemaire, représentant des branches de rosiers encadrant le titre de l'ouvrage et signé par l'artiste. De même, le portrait de sa majesté Alexandra se voit encadré d'un bandeau de roses sur fond bleu, signé de M. Lemaire.
1919ref. 24533Paris 1919. Print. Very good condition. Signed printed original lithograph illustration possibly used for a cabaret such as 'Le Chat Noir' depicting a well dressed Parisian gentleman pursued by a topless cabaret dancer who has speared his hat on her umbrella. Signed in the print at the lower right. Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge. Willette's famous 'Parce Domine' painting first decorated the Montmartre cabaret 'Le Chat Noir'; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche. 8 1/2 x 12 1/2" tipped on to heavier stock. unknown
1898ref. 75920Paris: Théophile Belin 1898. Fine. Théophile Belin Paris 1898 22 x 30 cm relié First edition printed with 200 copies on vellum illustrated with a frontispiece and 12 colour intaglio engraved plates by Willette printed in bistre in the text and in colour for the insets by Vigna-Vigneron comprising the frontispiece in 7 versions including 4 for the decomposition of the colour and 12 insets in 2 versions that is black and white and colour. Bound in pale pink suede spine in two false compartments multicoloured patchwork garland glued to the boards comb-patterned endpapers shimmering covers and spine preserved all leaves have been mounted on guards brown cloth slipcase binding signed D. M. and dated 2015. ""Belle publication côtée une des meilleures de l'artiste qui mérite plus d'attention. Vigna habile artiste restaurateur de gravures anciennes a innové un artistique procédé de reproduction en couleurs qui respecte l'original"" Carteret. Beautiful popular publication one of the artist's best which deserves more attention. Vigna a skilled artist restorer of old engraving invented an artistic colour reproduction process that respects the original Carteret. Théophile Belin hardcover
1898ref. 40887Reliure demi-maroquin vertà coins. Dos mosaïqué de fleurs. Tête dorée. Couverture rose et dos conservés. Reliure signée NOULHAC. Édition ornée d'un frontispice en trois états, l'eau-forte pure, pointe sèche et l'état définitif en couleurs, 12 hors texte en couleurs, une vignette de titre en couleurs et 26 vignettes d'en-tête et cul-de-lampe par WILLETTE gravées en taille-douce et en couleurs par VIGNA-VIGNERON. En fin de volume, une décomposition en 4 couleurs du frontispice.
1898ref. 75920Théophile Belin | Paris 1898 | 22 x 30 cm | relié
ref. 51-3384Paris: Armand Magnier 1887. 40 unbound plates 34 x 25.5 cm. Engraved cover and 39 of 40 engraved plates. Lacking the preface page. Monod 11540. Carteret IV 410. Paris: Armand Magnier, 1887. unknown
1885ref. 2308050061Paris: Leon Vanier 1885. First Edition. Hardcover. Like New. Caricatures Small folio 35 cm. Held in in publisher's blue boards with engraved vignette on upper cover. Rebacked. Excellent binding and cover. 41 engraved plates. Loose as issued. circa 1885 or 1890 Paris: Leon Vanier hardcover
1890ref. 64956-A-67902Paris: Leon Vanier ca 1890. Small folio blue boards with silver diagonal lettering and vignette of Pierrot with a nimbus around his head Orig. covers contents loose. Complete with 41 loose sheets as issued including pictorial title and preface by the author. Each plate engraved on chine. Linnen boards sl. scuffed on extremities but all in all in a very good condition. First plate browned and a moisture spot of appr. 10 x 5 cm not affecting the picture. Last plate somewhated browned. All further plates in fine condition. [Leon Vanier] hardcover
Cartella edit. in piena tela blu (cm. 35x27), ill. in argento impressa al piatto raffigurante un Pierrot impiccato. La cartella contiene 41 tavv. in fotoincisione stampate su carta vergellata (le tavole non sono numerate), 1 grande manifesto in cromolito (qualche strappo restaurato) + 1 fac-simile di una pagina manoscritta su carta di Cina. Adolphe-Léon Willette (Chƒlons-sur-Marne 1857 - Parigi 1926) fu pittore, illustratore, caricaturista e litografo francese. Collocò Pierrot su un nobile piedistallo tra gli eroi immaginari di Francia e questa pubblicazione ne è forse il più valido esempio illustrando il lato più charming dell'amore, spesso puro e a volte non necessariamente materialistico.
1887ref. 21822Paris Magnier & Cie 1887 -in-folio cartonné illustré un volume, reliure pleine percaline bleu-foncé cartonnage éditeur à plaques spéciales monochromes pour le permier plat grand in-folio (35,1 x 27,1 cm) (editor hard-back percale with specials covers editor for the front cover in-quarto), dos long muet (spine without raised bands and title), premier plat illustré couleur "ARGENT" d'un pierrot pendu (la corde au cou sur fond de lune, Etiquette blanche Ex-Libris gravée en noir : Georges PROVOST (écrivain Nantais), receuil tiré sur japon avec un dessin original signé d'A. WILLETTE joint, receuil de 40 planches gravées par A. Willette en feuilles libres non-paginées, signature manuscrite de l'Auteur à l'encre noire en bas à gauche de la page de titre, planche de titre roussie, sinon agréable exemplaire, sans date [1887] PARIS M. Magnier & Cie Editeur,
1926ref. ZNF-691Collection Les manuscrits des maîtres, Albert Meissein Libraire-éditeur, 1926. Un des 1000 exemplaires sur papier pur fil de Lafuma (n°439).
ref. 19583relié - 18x25 - sans pagination - LES MANUSCRITS DES MAITRES - albert MESSIN éditeur - 1926 - exemplaires sur papier sur papier pur fil de Lafuma n°334/1000