663 risultati
1896rif. 25811896. An engraved poster welcoming the new year of 1896. A naked woman representing 1896 is at the helm of a boat which has the debris of 1895 in its wake. Tipped onto white backing cardboard. Signed in the plate A. Willette. To the bottom right is 'Phg V. Michel'. The debris of 1895 includes the words 'Panama' and 'Arton'. These appear to relate to Émile Arton a Jewish financier who was arrested in November 1895 for his part in financing in the Panama crisis. Adolph Willette was strongly anti-Semitic. Poster is clean and tidy with no significant marks. Black and white. Overall in Very Good condition. Poster size: 610 x 460 mm 24 x 18 inches. Adolphe Léon Willette 1857–1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-Semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections. Rare. Une affiche gravée accueillant le nouvel an 1896. Une femme nue représentant 1896 est à la barre d'un bateau qui a dans son sillage les débris de 1895. Renversé sur carton blanc. Signé dans la planche A. Willette. En bas à droite se trouve 'Phg V. Michel'. Les débris de 1895 comprennent les mots « Panama » et « Arton ». Celles-ci semblent concerner Émile Arton un financier juif arrêté en novembre 1895 pour son rôle dans le financement de la crise de Panama. Adolph Willette était fortement antisémite. L'affiche est propre et bien rangée sans marques importantes. Noir et blanc. Dans l'ensemble en très bon état. Taille de l'affiche : 610 x 460 mm 24 x 18 pouces. Adolphe Léon Willette 1857-1926 était un peintre illustrateur caricaturiste et lithographe français ainsi qu'un architecte du célèbre cabaret du Moulin Rouge. Willette se présente comme candidate « antisémite » dans le 9e arrondissement de Paris aux élections législatives de septembre 1889. unknown
1896rif. 25811896 Rare. Une affiche gravée accueillant le nouvel an 1896. Une femme nue représentant 1896 est à la barre d'un bateau, qui a dans son sillage les débris de 1895. Renversé sur carton blanc. Signé dans la planche A. Willette. En bas à droite se trouve 'Phg V. Michel'. Les débris de 1895 comprennent les mots «Panama» et «Arton». Celles-ci semblent concerner Émile Arton, un financier juif arrêté en novembre 1895 pour son rôle dans le financement de la crise de Panama. Adolph Willette était fortement antisémite. L'affiche est propre et bien rangée, sans marques importantes. Noir et blanc. Dans l'ensemble en très bon état. Taille de l'affiche : 610 x 460 mm (24 x 18 pouces). Adolphe Léon Willette (1857-1926) était un peintre, illustrateur, caricaturiste et lithographe français, ainsi qu'un architecte du célèbre cabaret du Moulin Rouge. Willette se présente comme candidate « antisémite » dans le 9e arrondissement de Paris aux élections législatives de septembre 1889.
rif. 53994Paris Editions du Courrier français, s.d. [1918] 1 vol. Broché in-12, broché, couverture illustrée, XIII + 272 pp. Articles sur Gustave Moreau, Barbey d'Aurévilly, Mirbeau, Willette, H. de Régnier, Péladan, etc. Couverture un peu usée, dos cassé avec petits manques.
rif. 53994Paris Editions du Courrier français, s.d. [1918] 1 vol. Broché in-12, broché, couverture illustrée, XIII + 272 pp. Articles sur Gustave Moreau, Barbey d'Aurévilly, Mirbeau, Willette, H. de Régnier, Péladan, etc. Couverture un peu usée, dos cassé avec petits manques.
rif. 3764In 8 broché couverture jaquette illustrée en couleur.Faux –titre,titre illustré en sépia,109 pages,illustrations dans le texte,en sépia,de DESTEZ FAU GALICE,GAMBARD,GORGUET, KURNER,LEGRAND,LUNEL,MARS,MYRBACH,PARYS,ROCHEGROSSE,ROY, WILLETTE,RETRU.Editions Monnier & Cie Paris 1885.Edition originale,rousseurs sur les plats.La dame au mouvement perpétuel,Histoire d’un lapin amoureux,La femme du fou,le cas de Miss Brighton,au cercle,il a tué la bonne,entre femmes,la vieille aux yeux verts,voyage autour d’une jolie femme en vingt secondes,le consolateur.
1959rif. 4889Elizabeth N.J.: Elizabeth Printing Service for the National Consumers Committee for Research and Education Inc 1959. Very good plus. 16pp. Original illustrated wrappers stapled. Minor toning to spine. Internally clean. A scarce history of the Cultural Center for Migrants in Freehold New Jersey opened in the wake of the 1945 Migrant Labor Law "to provide a place where migrants could meet and find wholesome amusement and educational programs when they came to town during the weekends." Most of the area's 20000 seasonal workers came to pick potatoes in Monmouth County New Jersey in July after working in Florida in the spring and early summer. The present work is mostly comprised of the story of the cultural center written by Lenora B. Willette one of the center's earliest supporters. Willette's account includes background on the center's beginnings and early supporters as well as information on registration and membership activities at the center religious services "Patriotic Exercises" and a section of conclusions. OCLC reports nine copies mostly in New Jersey. Elizabeth Printing Service, for the National Consumers Committee for Research and Education, Inc unknown books
1959rif. 8701Elizabeth New Jersey/Cleveland Ohio: Elizabeth Printing Service/National Consumers Committee for Research and Education Inc 1959. Very good . 9” x 6”. Stapled wrappers. pp. Very good plus: minimal wear and light toning. This book tells the story of the Freehold New Jersey center for migratory farm workers and their families. It's notable because its author and illustrator were both African American women. Per the introduction the author Lenora B. Willette was “a Southerner by birth and she first became interested in the plight of the migrants displaced from the plantations through the mechanization of cotton. Active in civic affairs and in the Consumers League of New Jersey she worked to secure the Migrant Labor Law and was appointed one of the five public members to the first Board by Governor Walter E. Edge. She was chosen to make a study of migrant education in the southern and western states as the official representative of the State. Her recommendations were used as a guide in setting up a school of education for children—the Freehold Summer School for Migrant Children; the first of its kind in the nation.” Willette was the also the president of the New Jersey State Federation of Colored Women's Clubs. The artist was presumably Lenora's sister Naida Willette Page who contributed the cover art as well as two full page internal illustrations. Naida Willette Page initially studied engineering at Howard University before making national news in 1950 as the first African American to be trained at Johns Hopkins for medical illustration. She graduated from Johns Hopkins in 1951 later worked as the Howard University College of Medicine medical illustrator and was the Art Director for the Journal of the National Medical Association where she often illustrated the covers that featured historic Black doctors. Several sources state that she's considered the first African American medical illustrator. A terrific combination of female author and illustrator. OCLC locates 8 copies over two entries. Elizabeth Printing Service/National Consumers Committee for Research and Education, Inc unknown books
1959rif. 4889Elizabeth N.J.: Elizabeth Printing Service for the National Consumers Committee for Research and Education Inc 1959. Very good plus. 16pp. Original illustrated wrappers stapled. Minor toning to spine. Internally clean. A scarce history of the Cultural Center for Migrants in Freehold New Jersey opened in the wake of the 1945 Migrant Labor Law "to provide a place where migrants could meet and find wholesome amusement and educational programs when they came to town during the weekends." Most of the area's 20000 seasonal workers came to pick potatoes in Monmouth County New Jersey in July after working in Florida in the spring and early summer. The present work is mostly comprised of the story of the cultural center written by Lenora B. Willette one of the center's earliest supporters. Willette's account includes background on the center's beginnings and early supporters as well as information on registration and membership activities at the center religious services "Patriotic Exercises" and a section of conclusions. OCLC reports nine copies mostly in New Jersey. Elizabeth Printing Service, for the National Consumers Committee for Research and Education, Inc unknown
1959rif. 8701Elizabeth New Jersey/Cleveland Ohio: Elizabeth Printing Service/National Consumers Committee for Research and Education Inc 1959. Very good . 9” x 6”. Stapled wrappers. pp. Very good plus: minimal wear and light toning. This book tells the story of the Freehold New Jersey center for migratory farm workers and their families. It's notable because its author and illustrator were both African American women. Per the introduction the author Lenora B. Willette was “a Southerner by birth and she first became interested in the plight of the migrants displaced from the plantations through the mechanization of cotton. Active in civic affairs and in the Consumers League of New Jersey she worked to secure the Migrant Labor Law and was appointed one of the five public members to the first Board by Governor Walter E. Edge. She was chosen to make a study of migrant education in the southern and western states as the official representative of the State. Her recommendations were used as a guide in setting up a school of education for children—the Freehold Summer School for Migrant Children; the first of its kind in the nation.” Willette was the also the president of the New Jersey State Federation of Colored Women's Clubs. The artist was presumably Lenora's sister Naida Willette Page who contributed the cover art as well as two full page internal illustrations. Naida Willette Page initially studied engineering at Howard University before making national news in 1950 as the first African American to be trained at Johns Hopkins for medical illustration. She graduated from Johns Hopkins in 1951 later worked as the Howard University College of Medicine medical illustrator and was the Art Director for the Journal of the National Medical Association where she often illustrated the covers that featured historic Black doctors. Several sources state that she's considered the first African American medical illustrator. A terrific combination of female author and illustrator. OCLC locates 8 copies over two entries. Elizabeth Printing Service/National Consumers Committee for Research and Education, Inc unknown
rif. 16-4469Paris: 1898-1922. 11 ALS covering a 24 year period on copyright matters.Adolphe Léon Willette 30 July 1857 – 4 February 1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. .11 LASDatées entre 1898 et 1922Concernent des droits de reproductions des droits d’auteu.La fascinante épopée du droit d'auteur Pendant près d'un demi-siècle Jacques-Louis Duchemin 1895-1978 membre et juriste du Syndicat de la propriété artistique puis son fils Wladimir Duchemin 1941-2018 directeur de la Société de la propriété artistique des dessins et modèles Spadem se sont battus pour mettre sur pied et défendre les droits des peintres·ses. Rémunération contrefaçon diffusion exploitation. ce fonds épistolaire exceptionnel nous fait entrer dans l'intimité des plus grand·es créateur·rices du XXe siècle. Provenance:Fonds d’archives Duchemin par descendance Paris: 1898-1922 unknown
rif. 7818Paris, mai 1922. In-4, broché, 35 pp. Catalogue [298 n°] : Forain : Lithographies - Steinlen : Eaux-fortes. - Pointes sèches. - Vernis mou - Toulouse-Lautrec : Lithographies - Willette : Lithographies.
1898rif. 100935Paris Ménard et Chaufour 1898 In-folio 390x255mm, XIII-93pp., 9 planches, 726 numéros décrits, broché dos fendu, un peu débroché, intérieur correct. Vente des 16,17,18,19,20 mai 1898 à l'Hôtel Drouot. L'ouvrage est complet mais deux cahiers ont été inversés au brochage. (100935)
rif. 79250Cartonnage d'éditeur pleine percaline verte. Titre à la chinoise doré sur le dos. Plat supérieur illustré d'un dessin signé de Steinlen représentant un coq chantant en noir et rouge devant le titreCocorico écrit en doré. Le présent exemplaire est ici en deux volumes : numéros 1 à 24 pour 1898-1899 ; numéros 25 à 44 pour 1900. (Les couvertures en couleurs et les annonces sont reliées in-fine pour le premier volume).
rif. R240026848PETIT ECHO DE LA MODE. NON DATE. In-12. Broché. Etat passable, Couv. convenable, Dos satisfaisant, Papier jauni. 160 pages. Couverture non d'origine.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1933rif. RO40035877Petit Echo de la Mode Collection Stella N°328. 1933. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Quelques rousseurs. 160 pages Rousseurs sur la tranche. 1er plat manquant. Manques au dos. Agrafes rouillées.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1933rif. 102234Couverture souple. Broché. 160 pages.
rif. 21406Paris: Kleinmann. Print. Very good condition. Adolphe Willette original lithograph illustrated advertisement showing a topless young cabaret performer carrying a round gift box marked "Bonne Annee" stepping through a large oval frame as a young girl assists. Signed in the plate at lower left. Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge whose many works in the illustrated press Le Pied de Nez le Courier Francais and Le Rire often appeared under various pseudonyms. He was active during the Belle Epoque and Art Nouveau period and was a member of the Cornet Society a group of artists musicians writers academics and playwrights who gathered at various restaurants around Montmartre. Known for his lithographs posters paintings and illustrations Willette was called the "Pierrot of Montmartre" because of his fascination with this comedia del'arte character. Willette's famous 'Parce Domine' painting with many Pierrot figures first decorated the Montmartre cabaret Le Chat Noir; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche. Image 11 x 8 1/2" hinged on one side only onto heavier stock 12 1/2 x 10 1/4" Kleinmann unknown
1885rif. 85634Paris: Henri TellierA. Quinzard & Cie 1885. Fine. Henri Tellier A. Quinzard & Cie Paris s. d. 1885 25 x 33.50 cm 2 volumes reliés en 1 First edition on ordinary paper for each volume. Half-red sheep binding smooth spine decorated with triple gilt fillets pebbled paper boards marbled endpapers and pastedowns color illustrated covers by Adolphe Willette and Auguste Roedel preserved speckled edges. Poetry by Emile Goudeau George Auriol Léon Durocher Prosper Marius Victor Meusy Albert Tinchant Maurice Vaucaire for the first volume; poetry by Henri Bernard Maurice Boukay Théodore Botrel René Dubreuil Emile Goudeau Victor Meusy and Raoul Gineste for the second. Work illustrated with 17 original lithographs hors-texte by Adolphe Willette for the first volume and 15 original lithographs by Auguste Roedel for the second. Some rubbing at head and foot of spine. Henri TellierA. Quinzard & Cie hardcover
1900rif. 23933Paris.: Henri Tellier Editeur. c.1900. Full pink cloth leather title label to spine decorative patterned paper endpapers original publisher's printed wrappers with pictorial title heightened with gold by Willette preserved a.e.g. Small folio. 277 x 193 mm. Printed title with vignette by Willette leaf with 'Table' in blue and 15 songs with printed music each with title and illustrated with a full page lithograph by Willette. A good complete copy of 'Chansons de Paul Delmet' preserving the original pictorial wrappers by Willette.The work is dedicated to Félicia Mallet and includes poems set to music by Georges Auriol Léon Durocher Emile Goudeau Propser Marius Victor Meusy Albert Tinchant and Maurice Vaucaire.The songs are: 'Les Choux' 'Petit Chagrin' 'Les Petits Pavés' 'Joli Mai' 'Villanelle' 'Matin' 'Chanson de Rien' 'Désirs Perdus' 'Tourne Mon Moulin' 'Mirlitaine et Mirliton' 'Matin au Bois de Boulogne' 'Aubade' 'Petit Sentier' 'Avril' and 'Les Grands Yeux de l'Hôtesse'. Henri Tellier, Editeur. hardcover
1891rif. 12939Paris, Henri Tellier, [1891] - [1895]. 2 vol. in-4 (28,5x 19 cm). 94pp ; 96pp. Ensemble monté sur onglets dans un grand volume in-folio. Demi-chagrin rouge à coins, dos à nerfs, titre et auteur dorés, premières et dernières de couvertures conservés. [DURVAND].
1885rif. 85634Henri Tellier A. Quinzard & Cie | Paris s. d. [1885] | 25 x 33.50 cm | 2 volumes reliés en 1
rif. 2655Henri Tellier, Paris, n.d. Poésies de George Auriol, Léon Durocher, Emile Goudeau, Prosper Marius, Victor Meusy, Albert Tinchant & Maurice Vaucaire. Lithographies de A. Willette. Un volume grand in-8 demi vélin ivoire, dos lisse, titre peint en rouge et noir, plats d'origine conservés, 94 pages. Bel exemplaire malgré quelques rousseurs.
rif. 2876Paris, Henri Tellier, s.d. Un volume in-4 demi chagrin fauve, dos lisse orné, titre doré, couverture, 94 pages, 15 lithographies de Willette in-texte. Bel exemplaire.
1900rif. 28901900 n.d. circa 1900 Henri Tellier, Paris, n.d. circa 1900. 1 volume in-4 demi velin ivoire, 94 pages, 16 lithographies de Willette. Bel état, rares rousseurs.
rif. 4321Paris, C. Marpon et E. Flammarion, sans date. In-12, broché, 367 pages, couverture illustrée par A. Willette.