1920 resultados
2007ref. 785275 Continents Editions. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 96 pp. With 59 ills. 58 col. . 21 x 21 cm. -- with a bonus offer-- . 2007. 8874393938 . 5 Continents Editions paperback
1994ref. 74166Boston Massachusetts U.S.A.: Abrams Inc. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- As essential source for scholars and lovers of Redon this marvelously illustrated biographical-critical study catalogs a traveling retrospective exhibit of the French symbolist's works. Drawing on recently released archival material an international team of scholars led by exhibition curator Druick present evidence that Redon suffered from childhood epilepsy which his parents attempted to conceal. Feeling unloved and rejected by his Creole mother Redon raised apart from his siblings married Camille Falte a nurturing practical Creole from the island of Reunion in the Indian Ocean a telegraph operator's daughter whom Redon a rebel against his bourgeois class idealized as a "daughter of the people." Redon's affiliation with Romantic artists his friendships with Gauguin Huysmans and Gide and his role as mentor of Nabis Pierre Bonnard and Edouard Vuillard are explored in a major work that features many hitherto-unseen pictures from private collections among the 550 illustrations including 160 color plates. - Publishers Weekly -- TABLE OF CONTENTS : Foreword 8 Acknowledgments 10 Prologue: Painful Origins 13 Ch. I Under a Cloud 1840-1870 25 Ch. II Taking Wing 1870-1878 73 Ch. III In the Public Eye 1879-1889 119 In the Public Eye 3a 120 Odilon Redon: The Image and the Text 3b 175 Ch. IV Changing Directions 1890-1900 195 Redon and the Transformation of the Symbolist Aesthetic 4a 196 Redon's Spiritualism and the Rise of Mysticism 4b 215 Redon and the Marketplace Before 1900 4c 237 Ch. V Redon in the New Century 1900-1916 257 Redon and the Marketplace After 1900 5a 258 Redon's Artistic and Critical Position 5b 281 The Late Work 5c 305 Pt. I The Emergence of a Decorative Aesthetic 305 Pt. II The Artist as Mythmaker 333 Ch. VI Beneath the Surface: Redon's Methods and Materials 353 Notes 378 List of Lenders 432 Notes to the Reader 433 Documentation Catalogue 434 Chronologies 450 Early Gifts 451 Works Before 1870 to 1895 MRC 451 Lifetime Exhibitions 453 Selected Exhibitions After 1916 455 Writings by Redon 456 Lifetime Bibliography 457 Selected Bibliography After 1916 462 Photo Credits 464 -- with a bonus offer--; Clone of 520-Redon; Redon Odilon Prince of Dreams REDON ODILON 1840 1916 ART As essential source for scholars and lovers of Redon this marvelously illustrated biographical-critical study catalogs a traveling retrospective exhibit of the French symbolist's works. Drawing on . 1994. 0810937697 . Abrams Inc hardcover
1970ref. 57686Acquavella Galleries Inc. . As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 55 works catalogued; many illustrations in b/w or color. -- with a bonus offer-- . 1970. Acquavella Galleries Inc. paperback
1950ref. 54737Braun & Cie. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 12 p. 16 pl. 32cm. -- with a bonus offer-- . 1950. Braun & Cie paperback
1901ref. 1246Paris, Gustave Pellet, 1901. Un volume in-8 broché, 100 pp., couverture rempliée illustrée d'une gravure en couleurs couvrant le premier plat, sous chemise de percaline rouge à rabats enveloppant entièrement l'ouvrage et s'insérant dans un étui en demi-maroquin rouge, dos à nerfs titré et daté en pied. 1 couverture gravée en couleurs, 13 planches gravées dont 9 en couleurs à la poupée, 6 gravures originales dans le texte et de nombreux dessins reproduits en noir. Tirage unique à 130 exemplaires sur vélin d'Arches. Notre exemplaire comporte une suite complète en noir des 20 eaux-fortes, brochée in-fine, dont un premier état de la couverture. Une des toutes meilleures illustrations de Louis Legrand. Envoi de l'éditeur Pellet sur le faux-titre. L'ensemble est en parfait état.
1960ref. 140928France: Champs-Elysees Productions / Lux Film 1960. Archive of 19 borderless reference photographs from the 1960 film. Ten of the photographs depicting crew at work on the set four of which feature director Franju. Three photographs with the stamp of photographer P. Brard on the verso. Based on the novel by Jean Redon about a doctor who goes to horrific lengths to restore his daughter's face after it was disfigured in an accident. Although passed by censor board the films graphic surgical scenes caused controversy and it was originally shown in the United States in a heavily edited version titled "The Horror Chamber of Dr. Faustus." Photographs various sizes from 5 x 3.25 inches to 9.25 x 6 inches. Near Fine overall. BFI 1190. Buss French Film Noir. Clover Men Woman and Chainsaws. Criterion Collection 260. Godard Histoires du cinema. Grant France. RE/SEARCH Incredibly Strange Films. Selby France Masterwork. Spicer France Neo-Noir. Champs-Elysees Productions / Lux Film unknown
1960ref. 140928France: Champs-Elysees Productions / Lux Film 1960. Archive of 19 borderless reference photographs from the 1960 film. Ten of the photographs depicting crew at work on the set four of which feature director Franju. Three photographs with the stamp of photographer P. Brard on the verso. Based on the novel by Jean Redon about a doctor who goes to horrific lengths to restore his daughter's face after it was disfigured in an accident. Although passed by censor board the films graphic surgical scenes caused controversy and it was originally shown in the United States in a heavily edited version titled "The Horror Chamber of Dr. Faustus." Photographs various sizes from 5 x 3.25 inches to 9.25 x 6 inches. Near Fine overall. BFI 1190. Buss French Film Noir. Clover Men Woman and Chainsaws. Criterion Collection 260. Godard Histoires du cinema. Grant France. RE/SEARCH Incredibly Strange Films. Selby France Masterwork. Spicer France Neo-Noir. Champs-Elysees Productions / Lux Film unknown books
1969ref. 92946Dover. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- 209 illustrations of lithographs etchings and engravings. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Dover paperback
2001ref. 52933Gallery. New. 2001. Hardcover. 1556603096 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - Illustrated. Revised edition. Text in French English. 520 pp. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Life and Work Raisonnee -- with a bonus offer . Gallery hardcover
1923ref. 233Paris et Bruxelles: Librairie Nationale d'Art et d'Histoire 1923. 1st Edition. Soft cover. Fine. FIRST EDITION one of only 110 numbered deluxe copies on Vélin d'Arches à la cuve with 3 original etchings by Redon. Preface by Marius-Ary Leblond. Paris et Bruxelles: Librairie Nationale d'Art et d'Histoire 1923. Octavo original decorative paper wrappers; custom cloth box. Wrappers in remarkable condition; very clean just one small closed tear; the most minimal wear to the tail of the spine. Internally very clean and partially unopened. A superb and very beautiful copy. Rare. Librairie Nationale d'Art et d'Histoire unknown
1923ref. 233Paris et Bruxelles: Librairie Nationale d'Art et d'Histoire 1923. 1st Edition. Soft cover. Fine. FIRST EDITION one of only 110 numbered deluxe copies on Vélin d'Arches à la cuve with 3 original etchings by Redon. Preface by Marius-Ary Leblond. Paris et Bruxelles: Librairie Nationale d'Art et d'Histoire 1923. Octavo original decorative paper wrappers; custom cloth box. Wrappers in remarkable condition; very clean just one small closed tear; the most minimal wear to the tail of the spine. Internally very clean and partially unopened. A superb and very beautiful copy. Rare. Librairie Nationale d'Art et d'Histoire unknown books
1986ref. 91357Da Capo Pr. New. 1986. Hardcover. 0306760827 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pages; many black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Da Capo Pr hardcover
1914ref. 1662Paris, Gustave Pellet, 1914. Un volume grand in-folio (43,5 x 30 cm), reliure maroquin vert foncé janséniste, dos à nerfs titré,encadrement intérieur orné de filets dorés et d’un listel de maroquin bordeaux, fleurons havane mosaïqué aux angles, doublures et gardes de soie brochée or, tranches dorées (Marius Michel). TRÈS RARE SUITE À GRANDES MARGES DES 30 EAUX-FORTES ORIGINALES DE LOUIS LEGRAND. Chaque épreuve signée par l’artiste et justifiée 6/20. TIRAGE À 20 EXEMPLAIRES IN-FOLIO. Le volume comprend également l’une des 30 suites des 80 dessins et ornements de Louis Legrand, agrandis et reproduits sur chine. Chaque estampe porte le titre du poème correspondant manuscrit au crayon par l'artiste en bas à droite du feuillet. L'illustration vénéneuse, souvent d'inspiration fantastique était destinée à accompagner le recueil de 33 poèmes de Baudelaire, Corbière, Gautier, Lorrain, Mallarmé, Richepin, Rimbaud, Verlaine, etc. édité par Gustave Pellet à 80 exemplaires, de format petit in-4 (25 x 21 cm) avec 30 eaux-fortes originales et de 45 dessins de Louis Legrand gravés sur bois. Extraordinaire vision d'un peintre-graveur au génie unique. Louis Legrand (1863-1951), dont les sujets de prédilection sont la vie nocturne parisienne, les bars, les maisons closes, les cabarets, les danseuses, les cancans, est en 1914 au sommet de son art.
1856ref. 46401834Angers, Lainé, 1856-60 ; 2 tomes en 1 volume in-folio, demi-maroquin rouge, coins, chiffre doré couronné répété entre les nerfs du dos, tête dorée, non rogn. (Belz-Niédrée). 2 ff., 108 pp., 1 f. de table, 1 f. d’errata - 2 ff., 92 pp., 1 f. de table - 125 pl. hors-texte.ÉDITION ORIGINALE et PREMIER TIRAGE de cette somptueuse publication.125 lithographies à deux teintes tirées hors-texte sur vélin fort, d’après les dessins de T. Drake. Ce sont de très belles vues de paysages animés, de châteaux, villages, villes... Argenton, Avranches, Bressuire, Challans, Champtocé, Clisson, Dol, Flers, Fougères, Granville, Laval, Luçon, Machecoul, Maulévrier, Montaigu, Vitré, Mont St. Michel, Ancenis, Angers, Quiberon, Redon, Segré, Vannes, etc. Notices sur plus de 110 sites, villages et villes. Lemière, Bibl. Vendée, p.415.Très bel exemplaire, bien relié à l’époque par Belz-Niédrée au chiffre couronné d’un gentilhomme que nous n’avons pas identifié.
1969ref. ST20561Paris: Les Peintres du Livre 1969. No. 129 of 3000 copies for sale and 50 hors commerce. 225 x 215 mm. 8 7/8 x 8 3/4". 110 pp. BOLD MOSAIC MOROCCO BY THORVALD HENNINGSEN tan oasis goatskin with abstract mosaic centerpiece in shades of orange yellow and mahogany suggesting flames this flanked by five thin curving black morocco inlaid lines on either side smooth spine with lettering in gilt and blind leather hinges top edge gilt. In the original felt-lined matching morocco-lipped slipcase. Housed in a felt-lined red archival box with paper label reading "174 Henningsen" on one side. With 40 full-page illustrations based on Redon's lithographs. Acquired from the bookbinder's estate since 2017 in the Hans Burkhardt Collection Henningsen catalogue raisonnée no. 174. As new. This ominously illustrated edition of Flaubert's dramatic poem recounting the Devil's temptation of Saint Anthony the Great comes in a handsome binding that pays homage to the legend with an abstract design evoking the shifting sands of the Desert Father's habitat and the flames of desire that tormented him. Flaubert spent more than 25 years writing and rewriting this work which was finally published in 1874. It recounts one day in the life of the Desert Father who is considered the founder of Western monasticism a day during which Satan tries to lure him away from God using promises of wealth power revenge carnality and other forms of indulgence. The "Oxford Companion" calls it "remarkable for its beauty of style and language and its imaginative power." Symbolist artist Odilon Redon who had illustrated Stéphane Mallarmé's French translation of Poe was inspired to create a series of drawings for Flaubert's work. The dark foreboding lithographs here are early examples of his trademark "Noirs" images first rendered in charcoal and then recreated as lithographs. Redon said of his all-black compositions: "One must respect black. Nothing prostitutes it. It does not please the eye and it awakens no sensuality. It is the agent of the mind far more than the integral part of the artist's fantasy." A Studio International article on the 2006 MOMA exhibit of Redon's work "Beyond the Visible" notes "In these early drawings he developed an easily recognisable repertoire of menacing subjects; these included odd amoeboid creatures and insects and plants with human heads. Furthermore there seem to be numerous pictures of severed heads 'Head of St John the Baptist' and it is also evident that he had a fascination in death 'Through the crack in the wall the head of death was projected'." In her exhibit catalogue essay Marina van Zuylen places Redon's art somewhere "between the rational and the irrational norm and deviation bringing to the public the wonders of the hybrid and the grotesque." Binder Thorvald Henningsen 1896-1977 was apprenticed to Konrad Häsler of Zurich 1910-14 and qualified as a master craftsman in 1921. He managed a bindery in Bern from that time until 1946 when he was able to set up his own workshop in Zurich where he created beautiful bindings until 1972. His devotion to his craft is encapsulated in this statement: "A book must be beautifully bound not only for the customer's sake but even more so for the sake of the work itself for the joy of flawless design." Henningsen made additional contributions to bookbinding through his teaching at the arts and crafts schools in Zurich and Bern preparing pupils for the master craftsman's examination as well as his service to the Cantonal Zurich Master Bookbinder Association and the Museum of Bookbinding. Our volume was once owned by Swiss-American Abstract Expressionist Hans Burkhardt 1904-94 who was no doubt attracted to the binding by his fellow Swiss but likely also to the brooding illustrations of Redon. Burkhardt's own works contemplated death and human tragedy with art historian Donald Kuspit calling him "a master—indeed the inventor—of the abstract memento mori" and Eugene Anderson declaring him "Goya's spiritual heir." Burkhardt carefully protected the book in an archival box and it remains as pristine as the day it left the binder. Les Peintres du Livre unknown
1969ref. ST20561Paris: Les Peintres du Livre 1969. No. 129 of 3000 copies for sale and 50 hors commerce. 225 x 215 mm. 8 7/8 x 8 3/4". 110 pp. BOLD MOSAIC MOROCCO BY THORVALD HENNINGSEN tan oasis goatskin with abstract mosaic centerpiece in shades of orange yellow and mahogany suggesting flames this flanked by five thin curving black morocco inlaid lines on either side smooth spine with lettering in gilt and blind leather hinges top edge gilt. In the original felt-lined matching morocco-lipped slipcase. Housed in a felt-lined red archival box with paper label reading "174 Henningsen" on one side. With 40 full-page illustrations based on Redon's lithographs. Acquired from the bookbinder's estate since 2017 in the Hans Burkhardt Collection Henningsen catalogue raisonnée no. 174. As new. This ominously illustrated edition of Flaubert's dramatic poem recounting the Devil's temptation of Saint Anthony the Great comes in a handsome binding that pays homage to the legend with an abstract design evoking the shifting sands of the Desert Father's habitat and the flames of desire that tormented him. Flaubert spent more than 25 years writing and rewriting this work which was finally published in 1874. It recounts one day in the life of the Desert Father who is considered the founder of Western monasticism a day during which Satan tries to lure him away from God using promises of wealth power revenge carnality and other forms of indulgence. The "Oxford Companion" calls it "remarkable for its beauty of style and language and its imaginative power." Symbolist artist Odilon Redon who had illustrated Stéphane Mallarmé's French translation of Poe was inspired to create a series of drawings for Flaubert's work. The dark foreboding lithographs here are early examples of his trademark "Noirs" images first rendered in charcoal and then recreated as lithographs. Redon said of his all-black compositions: "One must respect black. Nothing prostitutes it. It does not please the eye and it awakens no sensuality. It is the agent of the mind far more than the integral part of the artist's fantasy." A Studio International article on the 2006 MOMA exhibit of Redon's work "Beyond the Visible" notes "In these early drawings he developed an easily recognisable repertoire of menacing subjects; these included odd amoeboid creatures and insects and plants with human heads. Furthermore there seem to be numerous pictures of severed heads 'Head of St John the Baptist' and it is also evident that he had a fascination in death 'Through the crack in the wall the head of death was projected'." In her exhibit catalogue essay Marina van Zuylen places Redon's art somewhere "between the rational and the irrational norm and deviation bringing to the public the wonders of the hybrid and the grotesque." Binder Thorvald Henningsen 1896-1977 was apprenticed to Konrad Häsler of Zurich 1910-14 and qualified as a master craftsman in 1921. He managed a bindery in Bern from that time until 1946 when he was able to set up his own workshop in Zurich where he created beautiful bindings until 1972. His devotion to his craft is encapsulated in this statement: "A book must be beautifully bound not only for the customer's sake but even more so for the sake of the work itself for the joy of flawless design." Henningsen made additional contributions to bookbinding through his teaching at the arts and crafts schools in Zurich and Bern preparing pupils for the master craftsman's examination as well as his service to the Cantonal Zurich Master Bookbinder Association and the Museum of Bookbinding. Our volume was once owned by Swiss-American Abstract Expressionist Hans Burkhardt 1904-94 who was no doubt attracted to the binding by his fellow Swiss but likely also to the brooding illustrations of Redon. Burkhardt's own works contemplated death and human tragedy with art historian Donald Kuspit calling him "a master—indeed the inventor—of the abstract memento mori" and Eugene Anderson declaring him "Goya's spiritual heir." Burkhardt carefully protected the book in an archival box and it remains as pristine as the day it left the binder. Les Peintres du Livre unknown books
1900ref. 3912Un volume in-4°, broché, couverture imprimée illustrée d'une vignette de l'artiste . - 109 lithographies originales de Pierre Bonnard (1867-1947). Toutes les lithographies sont tirées en rose sanguine et disposées librement, transcrivant avec sensualité la poésie de Verlaine en forme et en couleurs ; il s’en dégage une profonde harmonie entre le texte et l’illustration. Élégamment imprimé en Garamond, comme le seront plus tard Les Fêtes galantes illustrées par Laprade, l’ouvrage marque le début de la grande aventure éditoriale d’Ambroise Vollard. Édition : 230 exemplaires numérotés sur Chine ou Hollande. - "Ceci n’est pas un traité de géométrie !" Il existe deux états de la couverture de Parallèlement : Vollard dut en effet remplacer la vignette de l'Imprimerie nationale à l’effigie de la République française par un dessin de Bonnard (ainsi notre exemplaire). Ce remaniement était intervenu à la suite d’une interpellation à la Chambre au sujet de la présence de l'effigie de la République sur un livre jugé « licencieux ». Une fois l’ouvrage imprimé, on s’était avisé que Parallèlement n'était pas un traité de géométrie… (Pierre Berès). Exemplaire numéroté sur vélin de Hollande, conservé broché, tel que paru et en excellent état de conservation.
1896ref. 48705Paris.: Published by the author. 1896. Contemporary full fawn crushed morocco by Thierry St. de Petit-Simier with his signature gilt gilt title to upper board inner dentelles ruled in gilt marbled endpapers. Folio. Title page with vignette printed in purple on Japon and 23 monochrome lithographs by Redon 22 are signed in pencil printed on chine and mounted to larger sheets. Printed by Clot and Blanchard Paris. From the edition limited to 50 copies.The complete album comprising the title-page with the lithographed vignette printed in purple on Japon signed in purple by Redon and the set of 23 lithographs to illustrate Flaubert's text printed on chine appliqué all with the exception of one signed individually in pencil with the small capitals within subject.Redon spent much of 1895 making La Tentation de St. Antoine. 3me. Série his first album of lithographs in five years. He produced only one more album of lithographs Apocalypse de St. Jean in 1899.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
1896ref. 48749Paris.: Published by the author. 1896. Loose as issued in original publisher's wrapper with lithograph vignette and text and original burgundy portfolio with gilt titles to front cover. Folio. 586 x 410 mm. Leaf with lithograph title and vignette printed in vermillion and signed in crayon by Redon and 23 original lithographs on chine appliqué by Redon mounted to larger sheets of stiff card each with printed title beneath and signed on the lithograph by Redon in pencil. PROVENANCE: From the collection of André Gide 1869 - 1951 purchased by him in June 1896; collection of Gide's only child Catherine Gide and by descent. André Gide's exceptional copy of the 'Troisième Série' of 'La Tentation de St. Antoine' with all of the lithographs signed in pencil by his friend the artist Odilon Redon.From the edition limited to 50 copies; this copy features the title signed 'Odilon Redon' in crayon and all 23 of the lithographs signed in pencil by Redon in capitals as usual.The complete album comprising the title-page with the lithograph vignette printed in yellow on Japon and the set of 23 lithographs to illustrate Flaubert's text printed on chine applique each signed individually in pencil by Redon with his small capitals within the subject; the lithographs were printed by Clot and Blanchard Paris.Redon spent much of 1895 making 'La Tentation de St. Antoine. 3me. Serie' - his first album of lithographs in five years - his third and most ambitious effort based on Flaubert's novel. He produced only one more album of lithographs 'Apocalypse de St. Jean' in 1899.'Monsieur Votre nouvelle suite pour la Tentation de Saint Antoine est si belle si merveilleuse que je voulais vous exprimer de vive voix toute l'admiration de qui vous aime depuis longtemps déjà . '. André Gide writing to Odilon Redon in June 1896. This series and Gide's letter which served to introduce Gide and Redon personally led to Redon inviting Gide to his studio and the beginning of their friendship.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Plate 1. Title printed in yellow on chine .Plate 2. 'Sainte Antoine: Au secours mon Dieu!'. Mellerio 135.Plate 3. 'Et partout ce sont des colonnes de basalte . La lumière tombe des voutes'. M.136.Plate 4. 'Mes baisers ont la goût d'un fruit qui se fondrait dans ton coeur! Tu me dédaignes! Adieu! M. 137.Plate 5. 'des fleurs tombent et la tête d'un python parait'. M. 138.Plate 6. 'dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent et les consolent'. M.139. Plate 7. ' . et il dist ingue une plaine aride / et mamelonneuse'. Signed in pencil by Redon. M. 140.Plate 8. 'Elle tire de sa pointrine une éponge toute noir la couvre de baisers'. M. 141.Plate 9. ' . je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi'. M. 142Plate 10. 'Hélène Errnoia'. Signed in pencil by Redon. M. 143.Plate 11. 'immédiatement surgissent trois déesses'. M. 144.Plate 12. 'l'intelligence fut à moi! Je devins le Buddha!. M. 145.Plate 13. ' . et que des yeux sans tête flottaient comme des molusques'. M. 146.Plate 14. 'Oannes: Moi la première conscience cu Chaos j'ai surgi de l'abime / pour durcir la matière pour régler les formes:'. M. 147.Plate 15. 'Voici le Bonne - Déesse l'Idéenne des montagnes'. M. 148.Plate 16. 'Je suis toujours la grande Isis! nul encore n'a soulevé mon voile! Mon fruit est le soleil!' M. 149.Plate 17. 'Il tombe vers l'abime la tête en bas'. M. 150.Plate 18. 'Antoine: Quel est le but de tout cela Le Diable: Il n'y a pas de but!'. M. 151.Plate 19. 'La Vieille: Que crains-tu Un large trou noir! Il est vide peut-être' M. 152.Plate 20. 'La mort: C'est moi qui te rends sérieuse; enlaçons-nous'. M. 153.Plate 21. ' . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits'. M. 154.Plate 22. ' . les bêtes de la mer rondes comme des outres'. Signed in pencil by Redon. M. 155.Plate 23. 'des peuples divers habitent les pays de l'Océan'. M. 156.Plate 24. 'Le jour enfin parait et dans le disque même du soleil rayonne la face de Jésus-Christ'.Mellerio 134 - 157; Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
1903ref. des19mlt2Dimension extérieur : 32,7 x 26 cm. Magnifique dessin réalisé par Georges Redon en 1903. Dessin en très bon état général. Possède un envoi en haut à gauche, à Mme Tlomé : Avec mes meilleurs souhaits, chère Mme Tlomé. Je me permets de vous faire part du plaisir que j'ai d'avoir retrouvé votre adresse. Sign. Georges Redon, 63 rue (Drodlet?). On retrouve sur ce dessin un esprit mythologique, avec l'adoration d'un ange pour une joliment femme (déesse?).