1,953 results
1896ref. 48705Paris.: Published by the author. 1896. Contemporary full fawn crushed morocco by Thierry St. de Petit-Simier with his signature gilt gilt title to upper board inner dentelles ruled in gilt marbled endpapers. Folio. Title page with vignette printed in purple on Japon and 23 monochrome lithographs by Redon 22 are signed in pencil printed on chine and mounted to larger sheets. Printed by Clot and Blanchard Paris. From the edition limited to 50 copies.The complete album comprising the title-page with the lithographed vignette printed in purple on Japon signed in purple by Redon and the set of 23 lithographs to illustrate Flaubert's text printed on chine appliqué all with the exception of one signed individually in pencil with the small capitals within subject.Redon spent much of 1895 making La Tentation de St. Antoine. 3me. Série his first album of lithographs in five years. He produced only one more album of lithographs Apocalypse de St. Jean in 1899.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
1896ref. 48749Paris.: Published by the author. 1896. Loose as issued in original publisher's wrapper with lithograph vignette and text and original burgundy portfolio with gilt titles to front cover. Folio. 586 x 410 mm. Leaf with lithograph title and vignette printed in vermillion and signed in crayon by Redon and 23 original lithographs on chine appliqué by Redon mounted to larger sheets of stiff card each with printed title beneath and signed on the lithograph by Redon in pencil. PROVENANCE: From the collection of André Gide 1869 - 1951 purchased by him in June 1896; collection of Gide's only child Catherine Gide and by descent. André Gide's exceptional copy of the 'Troisième Série' of 'La Tentation de St. Antoine' with all of the lithographs signed in pencil by his friend the artist Odilon Redon.From the edition limited to 50 copies; this copy features the title signed 'Odilon Redon' in crayon and all 23 of the lithographs signed in pencil by Redon in capitals as usual.The complete album comprising the title-page with the lithograph vignette printed in yellow on Japon and the set of 23 lithographs to illustrate Flaubert's text printed on chine applique each signed individually in pencil by Redon with his small capitals within the subject; the lithographs were printed by Clot and Blanchard Paris.Redon spent much of 1895 making 'La Tentation de St. Antoine. 3me. Serie' - his first album of lithographs in five years - his third and most ambitious effort based on Flaubert's novel. He produced only one more album of lithographs 'Apocalypse de St. Jean' in 1899.'Monsieur Votre nouvelle suite pour la Tentation de Saint Antoine est si belle si merveilleuse que je voulais vous exprimer de vive voix toute l'admiration de qui vous aime depuis longtemps déjà . '. André Gide writing to Odilon Redon in June 1896. This series and Gide's letter which served to introduce Gide and Redon personally led to Redon inviting Gide to his studio and the beginning of their friendship.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Plate 1. Title printed in yellow on chine .Plate 2. 'Sainte Antoine: Au secours mon Dieu!'. Mellerio 135.Plate 3. 'Et partout ce sont des colonnes de basalte . La lumière tombe des voutes'. M.136.Plate 4. 'Mes baisers ont la goût d'un fruit qui se fondrait dans ton coeur! Tu me dédaignes! Adieu! M. 137.Plate 5. 'des fleurs tombent et la tête d'un python parait'. M. 138.Plate 6. 'dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent et les consolent'. M.139. Plate 7. ' . et il dist ingue une plaine aride / et mamelonneuse'. Signed in pencil by Redon. M. 140.Plate 8. 'Elle tire de sa pointrine une éponge toute noir la couvre de baisers'. M. 141.Plate 9. ' . je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi'. M. 142Plate 10. 'Hélène Errnoia'. Signed in pencil by Redon. M. 143.Plate 11. 'immédiatement surgissent trois déesses'. M. 144.Plate 12. 'l'intelligence fut à moi! Je devins le Buddha!. M. 145.Plate 13. ' . et que des yeux sans tête flottaient comme des molusques'. M. 146.Plate 14. 'Oannes: Moi la première conscience cu Chaos j'ai surgi de l'abime / pour durcir la matière pour régler les formes:'. M. 147.Plate 15. 'Voici le Bonne - Déesse l'Idéenne des montagnes'. M. 148.Plate 16. 'Je suis toujours la grande Isis! nul encore n'a soulevé mon voile! Mon fruit est le soleil!' M. 149.Plate 17. 'Il tombe vers l'abime la tête en bas'. M. 150.Plate 18. 'Antoine: Quel est le but de tout cela Le Diable: Il n'y a pas de but!'. M. 151.Plate 19. 'La Vieille: Que crains-tu Un large trou noir! Il est vide peut-être' M. 152.Plate 20. 'La mort: C'est moi qui te rends sérieuse; enlaçons-nous'. M. 153.Plate 21. ' . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits'. M. 154.Plate 22. ' . les bêtes de la mer rondes comme des outres'. Signed in pencil by Redon. M. 155.Plate 23. 'des peuples divers habitent les pays de l'Océan'. M. 156.Plate 24. 'Le jour enfin parait et dans le disque même du soleil rayonne la face de Jésus-Christ'.Mellerio 134 - 157; Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
1903ref. des19mlt2Dimension extérieur : 32,7 x 26 cm. Magnifique dessin réalisé par Georges Redon en 1903. Dessin en très bon état général. Possède un envoi en haut à gauche, à Mme Tlomé : Avec mes meilleurs souhaits, chère Mme Tlomé. Je me permets de vous faire part du plaisir que j'ai d'avoir retrouvé votre adresse. Sign. Georges Redon, 63 rue (Drodlet?). On retrouve sur ce dessin un esprit mythologique, avec l'adoration d'un ange pour une joliment femme (déesse?).