Maxime de RedonBiblio.com
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Best.-Nr. 066634101X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 042831452X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2025Best.-Nr. BIBSD0136627122025. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1920 and this unique edition is Reprinted in 2025 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - French Pages 51. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. Please Note - Text Black Images destroyed and Text break hardcover
1931Best.-Nr. 192152New York: Printed for the Trustees by the Plandome Press 1931. One of 1000 copies. Paperback. Good Wraps show shelfwear at edges and corners and mild staining and foxing; spine is missing a portion of the strip at the top; text block shows mild damp staining at edges and shelfwear; pages are lightly age-toned and foxed but clean; binding is solid. Yellow wraps with pink lettering; 29 pp; richly illustrated. Introduction by Jere Abbott. [Printed for the Trustees by the Plandome Press] paperback
1959Best.-Nr. 177070Northampton Massachusetts: Gehenna Press 1959. Hardcover. VG. lower spine end lightly rubbed; date lightly rubbed otherwise leather is beautiful. tissue-guards may exhibit foxing. covers of slipcase are scuffed with rubbing to all corners. grey boards w/ quater-morocco leather spine; raised bands & gilt printing. approx 15 unpaginated pgs of text w/ 10 tissue-guarded engravings. original grey slipcase. A handsome copy. #55 Of 155 Copies. The portraits have been printed from the blocks on a variety of Japanese hand-made papers. Gehenna Press hardcover
1984Best.-Nr. 174368Paris: Ministère de la culture 1984. Softcover. VG bumping and wear to corners and block edges overall general shelf wear to spine and wraps previous owner's name in ink inside front cover. Color illustrated wraps spine is white with black lettering 255 pp 12 unnumbered pages of plates richly illustrated in bw and color. Written in French. Includes reproductions of Odilon Redon's work and bibliographical references prelim. page 19. Ministère de la culture paperback
Best.-Nr. 1271561921.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994Best.-Nr. 3069Art Institute of Chicago 1994. 26 x 31 cm in good condition Art Institute of Chicago unknown
1959Best.-Nr. 327825Northampton: Gehenna Press 1959. Limited. hardcover. near fine. Odilon Redon. Ten Portraits Cut & Engraved on Wood by Lockwood with Redon's Essay on Bresdin Lithography and the Nature of Black. The woodblocks some in color are printed on a variety of Japanese papers and protected with tissue. Rubricated title page unpaginated text. Slim 4to original off-white linen with leather spine label. Northampton MA: Gehenna Press 1959. Limited edition -- number 27 of only 150 copies printed. Gehenna Press unknown
1959Best.-Nr. 172560Northampton: Gehenna Press 1959. hardcover. very good. Odilon Redon. Ten Portraits Cut & Engraved on Wood by Lockwood with Redon's Essay on Bresdin Lithography and the Nature of Black. The woodblocks some in color are printed on a variety of Japanese papers and protected with tissue. Rubricated title page unpaginated text. Slim 4to green morocco-backed boards; uncut edges. Northampton MA: Gehenna Press 1959. Limited edition -- number 125 of only 150 copies printed. Spine is evenly faded to brown and top edge is a bit foxed otherwise a very good copy lacking the slipcase. Gehenna Press unknown
Best.-Nr. 175000paperback. fine. Odilon REDON. Slim 8vo original printed wrappers unopened pages. Paris: Jose Corti 1961. First Edition. A very fine copy. unknown
Best.-Nr. 1020250631.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2014Best.-Nr. 2-2343041911Editions L'Harmattan 2014. Paperback. New. 304 pages. French language. 9.45x6.14x1.02 inches. Editions L'Harmattan paperback
1985Best.-Nr. mon0003929599Israel Museum 1985T. unknown_binding. Good. . Israel Museum unknown
1988Best.-Nr. KFZZQ100727DEAGOSTINI 1988. Soft Cover. Fine. KFZZQ100727 DEAGOSTINI paperback
1961Best.-Nr. KFZZQ100199Tokyo News 1961. Soft Cover. Fine. KFZZQ100199 Tokyo News paperback
2005Best.-Nr. 71964Museum. New. 2005. Hardcover. 0870707027 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 284 pp. With 172 ills. 152 col. and 288 reference ills. 29 x 25 cm. -- with a bonus offer-- . Museum hardcover
1969Best.-Nr. ST20561Paris: Les Peintres du Livre 1969. No. 129 of 3000 copies for sale and 50 hors commerce. 225 x 215 mm. 8 7/8 x 8 3/4". 110 pp. BOLD MOSAIC MOROCCO BY THORVALD HENNINGSEN tan oasis goatskin with abstract mosaic centerpiece in shades of orange yellow and mahogany suggesting flames this flanked by five thin curving black morocco inlaid lines on either side smooth spine with lettering in gilt and blind leather hinges top edge gilt. In the original felt-lined matching morocco-lipped slipcase. Housed in a felt-lined red archival box with paper label reading "174 Henningsen" on one side. With 40 full-page illustrations based on Redon's lithographs. Acquired from the bookbinder's estate since 2017 in the Hans Burkhardt Collection Henningsen catalogue raisonnée no. 174. As new. This ominously illustrated edition of Flaubert's dramatic poem recounting the Devil's temptation of Saint Anthony the Great comes in a handsome binding that pays homage to the legend with an abstract design evoking the shifting sands of the Desert Father's habitat and the flames of desire that tormented him. Flaubert spent more than 25 years writing and rewriting this work which was finally published in 1874. It recounts one day in the life of the Desert Father who is considered the founder of Western monasticism a day during which Satan tries to lure him away from God using promises of wealth power revenge carnality and other forms of indulgence. The "Oxford Companion" calls it "remarkable for its beauty of style and language and its imaginative power." Symbolist artist Odilon Redon who had illustrated Stéphane Mallarmé's French translation of Poe was inspired to create a series of drawings for Flaubert's work. The dark foreboding lithographs here are early examples of his trademark "Noirs" images first rendered in charcoal and then recreated as lithographs. Redon said of his all-black compositions: "One must respect black. Nothing prostitutes it. It does not please the eye and it awakens no sensuality. It is the agent of the mind far more than the integral part of the artist's fantasy." A Studio International article on the 2006 MOMA exhibit of Redon's work "Beyond the Visible" notes "In these early drawings he developed an easily recognisable repertoire of menacing subjects; these included odd amoeboid creatures and insects and plants with human heads. Furthermore there seem to be numerous pictures of severed heads 'Head of St John the Baptist' and it is also evident that he had a fascination in death 'Through the crack in the wall the head of death was projected'." In her exhibit catalogue essay Marina van Zuylen places Redon's art somewhere "between the rational and the irrational norm and deviation bringing to the public the wonders of the hybrid and the grotesque." Binder Thorvald Henningsen 1896-1977 was apprenticed to Konrad Häsler of Zurich 1910-14 and qualified as a master craftsman in 1921. He managed a bindery in Bern from that time until 1946 when he was able to set up his own workshop in Zurich where he created beautiful bindings until 1972. His devotion to his craft is encapsulated in this statement: "A book must be beautifully bound not only for the customer's sake but even more so for the sake of the work itself for the joy of flawless design." Henningsen made additional contributions to bookbinding through his teaching at the arts and crafts schools in Zurich and Bern preparing pupils for the master craftsman's examination as well as his service to the Cantonal Zurich Master Bookbinder Association and the Museum of Bookbinding. Our volume was once owned by Swiss-American Abstract Expressionist Hans Burkhardt 1904-94 who was no doubt attracted to the binding by his fellow Swiss but likely also to the brooding illustrations of Redon. Burkhardt's own works contemplated death and human tragedy with art historian Donald Kuspit calling him "a master—indeed the inventor—of the abstract memento mori" and Eugene Anderson declaring him "Goya's spiritual heir." Burkhardt carefully protected the book in an archival box and it remains as pristine as the day it left the binder. Les Peintres du Livre unknown
1986Best.-Nr. mon0000087124George Braziller 1986T. hardcover. New. 0.9000 in x 9.3000 in x 6.2000 in. George Braziller hardcover
1979Best.-Nr. 5979jacket illustration "Orpheus" by Redon. Translated from the French orginial. Text unmarked. Dust Jacket shows handling along top of front dj as does rear of dj Spine has title author nad publisher in gold George Braziller hardcover
Best.-Nr. 116849737X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 45576840like new. unknown
1986Best.-Nr. 1136816George Braziller Inc 1986. Soft cover. Good/No jacket. Spine is lightly sunned but text is legible. Spine is cracked but binding is secure. Top corners of some pages are creased but pages are otherwise clean and unmarked. George Braziller, Inc unknown
2018Best.-Nr. 2-1982918098Independently published 2018. Paperback. New. 217 pages. 8.50x8.50x0.51 inches. Independently published paperback
2018Best.-Nr. 2-198291808XIndependently published 2018. Paperback. New. 414 pages. 11.00x8.50x0.98 inches. Independently published paperback
