1950 risultati
rif. 33988Turnhout Brepols 2002. Paperback approx. 412 p. 19 b/w ill. 156 x 234 mm. ISBN 9782503511009. Cet ouvrage introduit le chercheur et l'etudiant aux richesses de l'italien medieval. Il presente outre les introductions philologiques d'innombrables modeles provenant de milieux d'ecriture varies: l'administration le monde litteraire le domaine des arts sciences et techniques. Ce volume est d'abord une introduction a la lecture des textes medievaux ecrits dans " l'italien des origines ". Mais justement il n'existe pas avant le XVIe siecle une langue italienne; il y a des langues et le livre saisit le moment ou elles commencent a s'ecrire en leur variete depuis le Xe siecle et surtout aux XIIIe et XIVe siecles. Le parcours a travers les textes commence par les recits historiques en hommage aux premiers historiens en langues italiennes; un autre chapitre presente les enonces du pouvoir. Le chapitre central et le plus volumineux introduit aux diverses formes d'ecriture de la vie sociale: temoignages memoires lettres regles de vie modeles bio-hagiographiques. Un autre long chapitre fait entrer dans la somptueuse creation litteraire de l'Italie de Frederic II et des Etats communaux celle des " trois couronnes " Dante Boccace et Petrarque. Le dernier chapitre montre le souci de construire et transmettre les savoirs dans la langue des echanges sociaux. Chaque texte est autonome annote traduit et commente; mais souvent l'un repond a l'autre ou lui fait echo. De nombreuses correspondances ont ete menagees qui suggerent d'autres parcours. Le plus important est certainement le parcours geographique des langues usuelles; mais le lecteur decouvrira aussi l'attention constante au manuscrit diverses formes d'association entre texte et image - eventuellement sur des murs peints - le souci de la femme la preoccupation de la nourriture; il comprendra le role decisif des notaires et des freres mendiants en ces inventions d'une ecriture dans la langue dite " vulgaire ". Une introduction philologique nourrie donne des cles pour la comprehension des textes et leur situation dans l'histoire de la langue italienne. Elle est relayee par une bibliographie methodique qui permettra au lecteur de ne pas laisser insatisfaites les curiosites eveillees par ce livre. Languages: French. Turnhout Brepols 2002 paperback
rif. RED5093V1JDTCissPraxis. paperback. Very Good. in x in x in. CissPraxis paperback
rif. ANAIS-0865591261Art Institute of Chicago. paperback. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Art Institute of Chicago paperback
rif. 2893930484.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960rif. 140928France: Champs-Elysees Productions / Lux Film 1960. Archive of 19 borderless reference photographs from the 1960 film. Ten of the photographs depicting crew at work on the set four of which feature director Franju. Three photographs with the stamp of photographer P. Brard on the verso. Based on the novel by Jean Redon about a doctor who goes to horrific lengths to restore his daughter's face after it was disfigured in an accident. Although passed by censor board the films graphic surgical scenes caused controversy and it was originally shown in the United States in a heavily edited version titled "The Horror Chamber of Dr. Faustus." Photographs various sizes from 5 x 3.25 inches to 9.25 x 6 inches. Near Fine overall. BFI 1190. Buss French Film Noir. Clover Men Woman and Chainsaws. Criterion Collection 260. Godard Histoires du cinema. Grant France. RE/SEARCH Incredibly Strange Films. Selby France Masterwork. Spicer France Neo-Noir. Champs-Elysees Productions / Lux Film unknown
rif. 8715-Thames & Hudson 1994-. Exhibition catalogue. First Uk edition. 305x245mm 468 pages with index. Illustrated in colour mainly and black and white. Paperback spine uncreased. Near fine with laminate starting to lift at one corner of the cover. Ask to see our other Odilon Redon titles. French artist Odilon Redon. 1840-1916 0500236976 -Thames & Hudson (1994)- paperback
rif. SONG0865591261Art Institute of Chicago 0000-00-00. F First Edition. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Art Institute of Chicago paperback
1964rif. 501927London: Weidenfeld & Nicolson 1964. Book. Near Fine Book Condition. Hardcover. 4to. A beautiful clean copy with tipped-in colour plates. Very small closed tear to crown of jacket. Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair . Weidenfeld & Nicolson Hardcover
rif. Z1-Y-029-00674Solar Books. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Solar Books unknown
1977rif. SBBIH-BJZJL775IRKEAcademy Editions Ltd a division 1977. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Academy Editions Ltd (a division paperback
rif. 88032Mailand Skira 1996. 4° zahlr. oft farb. Taf. Brosch. Einband gebrauchsspurig u. etw. unfrisch EA. Erschienen zur Ausstellung Lugano. 010 Mailand, Skira, 1996 unknown
rif. 0807611808.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 68686Köln DuMont 1988. . Odilon Redon Pastels dt. Mit Redons "Bekenntnissen eines Künstlers" biograph. Überblick Literaturverz. Ausstellungs- und Farbtafelverzeichnis u. Abbildungsnachweis. - Odilon Redon eigtl. Bertrand-Jean Redon 1840-1916 frz. Maler des Symbolismus Mitbegründer der "Société des Artistes Indépen-dants". - Gutes sauberes Exemplar Köln, DuMont, 1988. unknown
1896rif. 48749Paris.: Published by the author. 1896. Loose as issued in original publisher's wrapper with lithograph vignette and text and original burgundy portfolio with gilt titles to front cover. Folio. 586 x 410 mm. Leaf with lithograph title and vignette printed in vermillion and signed in crayon by Redon and 23 original lithographs on chine appliqué by Redon mounted to larger sheets of stiff card each with printed title beneath and signed on the lithograph by Redon in pencil. PROVENANCE: From the collection of André Gide 1869 - 1951 purchased by him in June 1896; collection of Gide's only child Catherine Gide and by descent. André Gide's exceptional copy of the 'Troisième Série' of 'La Tentation de St. Antoine' with all of the lithographs signed in pencil by his friend the artist Odilon Redon.From the edition limited to 50 copies; this copy features the title signed 'Odilon Redon' in crayon and all 23 of the lithographs signed in pencil by Redon in capitals as usual.The complete album comprising the title-page with the lithograph vignette printed in yellow on Japon and the set of 23 lithographs to illustrate Flaubert's text printed on chine applique each signed individually in pencil by Redon with his small capitals within the subject; the lithographs were printed by Clot and Blanchard Paris.Redon spent much of 1895 making 'La Tentation de St. Antoine. 3me. Serie' - his first album of lithographs in five years - his third and most ambitious effort based on Flaubert's novel. He produced only one more album of lithographs 'Apocalypse de St. Jean' in 1899.'Monsieur Votre nouvelle suite pour la Tentation de Saint Antoine est si belle si merveilleuse que je voulais vous exprimer de vive voix toute l'admiration de qui vous aime depuis longtemps déjà . '. André Gide writing to Odilon Redon in June 1896. This series and Gide's letter which served to introduce Gide and Redon personally led to Redon inviting Gide to his studio and the beginning of their friendship.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Plate 1. Title printed in yellow on chine .Plate 2. 'Sainte Antoine: Au secours mon Dieu!'. Mellerio 135.Plate 3. 'Et partout ce sont des colonnes de basalte . La lumière tombe des voutes'. M.136.Plate 4. 'Mes baisers ont la goût d'un fruit qui se fondrait dans ton coeur! Tu me dédaignes! Adieu! M. 137.Plate 5. 'des fleurs tombent et la tête d'un python parait'. M. 138.Plate 6. 'dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent et les consolent'. M.139. Plate 7. ' . et il dist ingue une plaine aride / et mamelonneuse'. Signed in pencil by Redon. M. 140.Plate 8. 'Elle tire de sa pointrine une éponge toute noir la couvre de baisers'. M. 141.Plate 9. ' . je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi'. M. 142Plate 10. 'Hélène Errnoia'. Signed in pencil by Redon. M. 143.Plate 11. 'immédiatement surgissent trois déesses'. M. 144.Plate 12. 'l'intelligence fut à moi! Je devins le Buddha!. M. 145.Plate 13. ' . et que des yeux sans tête flottaient comme des molusques'. M. 146.Plate 14. 'Oannes: Moi la première conscience cu Chaos j'ai surgi de l'abime / pour durcir la matière pour régler les formes:'. M. 147.Plate 15. 'Voici le Bonne - Déesse l'Idéenne des montagnes'. M. 148.Plate 16. 'Je suis toujours la grande Isis! nul encore n'a soulevé mon voile! Mon fruit est le soleil!' M. 149.Plate 17. 'Il tombe vers l'abime la tête en bas'. M. 150.Plate 18. 'Antoine: Quel est le but de tout cela Le Diable: Il n'y a pas de but!'. M. 151.Plate 19. 'La Vieille: Que crains-tu Un large trou noir! Il est vide peut-être' M. 152.Plate 20. 'La mort: C'est moi qui te rends sérieuse; enlaçons-nous'. M. 153.Plate 21. ' . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits'. M. 154.Plate 22. ' . les bêtes de la mer rondes comme des outres'. Signed in pencil by Redon. M. 155.Plate 23. 'des peuples divers habitent les pays de l'Océan'. M. 156.Plate 24. 'Le jour enfin parait et dans le disque même du soleil rayonne la face de Jésus-Christ'.Mellerio 134 - 157; Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
1896rif. 48705Paris.: Published by the author. 1896. Contemporary full fawn crushed morocco by Thierry St. de Petit-Simier with his signature gilt gilt title to upper board inner dentelles ruled in gilt marbled endpapers. Folio. Title page with vignette printed in purple on Japon and 23 monochrome lithographs by Redon 22 are signed in pencil printed on chine and mounted to larger sheets. Printed by Clot and Blanchard Paris. From the edition limited to 50 copies.The complete album comprising the title-page with the lithographed vignette printed in purple on Japon signed in purple by Redon and the set of 23 lithographs to illustrate Flaubert's text printed on chine appliqué all with the exception of one signed individually in pencil with the small capitals within subject.Redon spent much of 1895 making La Tentation de St. Antoine. 3me. Série his first album of lithographs in five years. He produced only one more album of lithographs Apocalypse de St. Jean in 1899.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
1990rif. 100077053Monte dei paschi di siena 1990. Bon état; dos un peu terni intérieur propre jaquette un peu défraîchie qq accrocs sur les bords. in4. 1990. Cartonné. Monte dei paschi di siena unknown
1922rif. 30349Paris.: Floury. 1922. Rebound in half-cloth with original front wrapper affixed to cover. 4to. Frontispiece portrait of Redon and an original etching by Redon. Edition de luxe of 125 copies with an original etching by Odilon Redon. Floury. hardcover
rif. 114966Paris: H. Floury 1922. Frontispiece a photographic portrait of Redon taken in May 1914; 178 pages. This copy one of 125 numbered copies printed 'sur papier pur fil' of the Edition de Luxe enriched with an original etching by Redon numbered in pencil 22/150. This a large paper copy in original publisher's wrappers the pages uncut and unopened. Paperback 26.5 x 21cms. Paris: H. Floury, 1922. paperback
2010rif. DADAX6131510091Omniscriptum 2010-06-23. paperback. New. 5.91x1.15x8.66. Buy with confidence. Excellent Customer Service & Return policy. Omniscriptum paperback
rif. 17564Dimensions : 317 x 294 mm. Ensemble de deux jolis menus lithographis ici prsents sous cadres uniformes. Chacun est sign dans la plaque par Georges Redon et figure une lgante en costume d'apparat. Lequel ''figura au Salon des Artistes franÂais mention honorable en 1904 ; ainsi qu' la Nationale des Beaux-rts et aux Salons d'Automne et des Humoristes''. in Bnzit. Bnzit VIII Dictionnaire des peintres p. 643. LgÂres marques d'usage affectant les cadres. Plissure centrale. Du reste trÂs belle condition. b42961 unknown
rif. 70207Roma - Bari Editori Laterza 1994. kartoniert gebunden; hautfarbener farbig illustrierter Einband / Anz. Seiten: 310 / 18 x 25 cm / mit 28 Farb- und zahlreichen Schwarzweissabbildungen auf Tafeln und vereinzelt im Text / Zustand: gut leichte Gebrauchsspuren; Buchblock 2 x angeplatzt Einband minimal berieben gering fleckig und etwas lichtrandig 1 Ecke bestossen Titolo dell'edizione originale: "La gastronomie au Moyen Age. 150 recettes de France et d'Italie" traduzione di Maria C. Salemi Cardini; Prefazione di Georges Duby Roma - Bari, Editori Laterza, 1994 unknown
rif. 3659055255.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0807611468.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2010rif. DADAX1161045384Kessinger Publishing 2010-04-18. paperback. New. 6.00x1.52x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
rif. 54750Paris 1912. Original printed colour illustration in landscape format c. 30 x 42 cm with "daily" roneo-printed menu on verso portrait format within green art nouveau style decorative border. Minor creases and repaired tears to margins generally very good. Paris 1912 unknown
