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1977Best.-Nr. SBBIH-BJZJL775IRKEAcademy Editions Ltd a division 1977. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Academy Editions Ltd (a division paperback
Best.-Nr. 0807611808.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1896Best.-Nr. 48749Paris.: Published by the author. 1896. Loose as issued in original publisher's wrapper with lithograph vignette and text and original burgundy portfolio with gilt titles to front cover. Folio. 586 x 410 mm. Leaf with lithograph title and vignette printed in vermillion and signed in crayon by Redon and 23 original lithographs on chine appliqué by Redon mounted to larger sheets of stiff card each with printed title beneath and signed on the lithograph by Redon in pencil. PROVENANCE: From the collection of André Gide 1869 - 1951 purchased by him in June 1896; collection of Gide's only child Catherine Gide and by descent. André Gide's exceptional copy of the 'Troisième Série' of 'La Tentation de St. Antoine' with all of the lithographs signed in pencil by his friend the artist Odilon Redon.From the edition limited to 50 copies; this copy features the title signed 'Odilon Redon' in crayon and all 23 of the lithographs signed in pencil by Redon in capitals as usual.The complete album comprising the title-page with the lithograph vignette printed in yellow on Japon and the set of 23 lithographs to illustrate Flaubert's text printed on chine applique each signed individually in pencil by Redon with his small capitals within the subject; the lithographs were printed by Clot and Blanchard Paris.Redon spent much of 1895 making 'La Tentation de St. Antoine. 3me. Serie' - his first album of lithographs in five years - his third and most ambitious effort based on Flaubert's novel. He produced only one more album of lithographs 'Apocalypse de St. Jean' in 1899.'Monsieur Votre nouvelle suite pour la Tentation de Saint Antoine est si belle si merveilleuse que je voulais vous exprimer de vive voix toute l'admiration de qui vous aime depuis longtemps déjà . '. André Gide writing to Odilon Redon in June 1896. This series and Gide's letter which served to introduce Gide and Redon personally led to Redon inviting Gide to his studio and the beginning of their friendship.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Plate 1. Title printed in yellow on chine .Plate 2. 'Sainte Antoine: Au secours mon Dieu!'. Mellerio 135.Plate 3. 'Et partout ce sont des colonnes de basalte . La lumière tombe des voutes'. M.136.Plate 4. 'Mes baisers ont la goût d'un fruit qui se fondrait dans ton coeur! Tu me dédaignes! Adieu! M. 137.Plate 5. 'des fleurs tombent et la tête d'un python parait'. M. 138.Plate 6. 'dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent et les consolent'. M.139. Plate 7. ' . et il dist ingue une plaine aride / et mamelonneuse'. Signed in pencil by Redon. M. 140.Plate 8. 'Elle tire de sa pointrine une éponge toute noir la couvre de baisers'. M. 141.Plate 9. ' . je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi'. M. 142Plate 10. 'Hélène Errnoia'. Signed in pencil by Redon. M. 143.Plate 11. 'immédiatement surgissent trois déesses'. M. 144.Plate 12. 'l'intelligence fut à moi! Je devins le Buddha!. M. 145.Plate 13. ' . et que des yeux sans tête flottaient comme des molusques'. M. 146.Plate 14. 'Oannes: Moi la première conscience cu Chaos j'ai surgi de l'abime / pour durcir la matière pour régler les formes:'. M. 147.Plate 15. 'Voici le Bonne - Déesse l'Idéenne des montagnes'. M. 148.Plate 16. 'Je suis toujours la grande Isis! nul encore n'a soulevé mon voile! Mon fruit est le soleil!' M. 149.Plate 17. 'Il tombe vers l'abime la tête en bas'. M. 150.Plate 18. 'Antoine: Quel est le but de tout cela Le Diable: Il n'y a pas de but!'. M. 151.Plate 19. 'La Vieille: Que crains-tu Un large trou noir! Il est vide peut-être' M. 152.Plate 20. 'La mort: C'est moi qui te rends sérieuse; enlaçons-nous'. M. 153.Plate 21. ' . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits'. M. 154.Plate 22. ' . les bêtes de la mer rondes comme des outres'. Signed in pencil by Redon. M. 155.Plate 23. 'des peuples divers habitent les pays de l'Océan'. M. 156.Plate 24. 'Le jour enfin parait et dans le disque même du soleil rayonne la face de Jésus-Christ'.Mellerio 134 - 157; Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
1896Best.-Nr. 48705Paris.: Published by the author. 1896. Contemporary full fawn crushed morocco by Thierry St. de Petit-Simier with his signature gilt gilt title to upper board inner dentelles ruled in gilt marbled endpapers. Folio. Title page with vignette printed in purple on Japon and 23 monochrome lithographs by Redon 22 are signed in pencil printed on chine and mounted to larger sheets. Printed by Clot and Blanchard Paris. From the edition limited to 50 copies.The complete album comprising the title-page with the lithographed vignette printed in purple on Japon signed in purple by Redon and the set of 23 lithographs to illustrate Flaubert's text printed on chine appliqué all with the exception of one signed individually in pencil with the small capitals within subject.Redon spent much of 1895 making La Tentation de St. Antoine. 3me. Série his first album of lithographs in five years. He produced only one more album of lithographs Apocalypse de St. Jean in 1899.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
1990Best.-Nr. 100077053Monte dei paschi di siena 1990. Bon état; dos un peu terni intérieur propre jaquette un peu défraîchie qq accrocs sur les bords. in4. 1990. Cartonné. Monte dei paschi di siena unknown
1922Best.-Nr. 30349Paris.: Floury. 1922. Rebound in half-cloth with original front wrapper affixed to cover. 4to. Frontispiece portrait of Redon and an original etching by Redon. Edition de luxe of 125 copies with an original etching by Odilon Redon. Floury. hardcover
Best.-Nr. 114966Paris: H. Floury 1922. Frontispiece a photographic portrait of Redon taken in May 1914; 178 pages. This copy one of 125 numbered copies printed 'sur papier pur fil' of the Edition de Luxe enriched with an original etching by Redon numbered in pencil 22/150. This a large paper copy in original publisher's wrappers the pages uncut and unopened. Paperback 26.5 x 21cms. Paris: H. Floury, 1922. paperback
2010Best.-Nr. DADAX6131510091Omniscriptum 2010-06-23. paperback. New. 5.91x1.15x8.66. Buy with confidence. Excellent Customer Service & Return policy. Omniscriptum paperback
Best.-Nr. 17564Dimensions : 317 x 294 mm. Ensemble de deux jolis menus lithographis ici prsents sous cadres uniformes. Chacun est sign dans la plaque par Georges Redon et figure une lgante en costume d'apparat. Lequel ''figura au Salon des Artistes franÂais mention honorable en 1904 ; ainsi qu' la Nationale des Beaux-rts et aux Salons d'Automne et des Humoristes''. in Bnzit. Bnzit VIII Dictionnaire des peintres p. 643. LgÂres marques d'usage affectant les cadres. Plissure centrale. Du reste trÂs belle condition. b42961 unknown
Best.-Nr. 3659055255.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0807611468.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2010Best.-Nr. DADAX1161045384Kessinger Publishing 2010-04-18. paperback. New. 6.00x1.52x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
Best.-Nr. 54567939like new. unknown
Best.-Nr. 2414543523.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000Best.-Nr. 1-0226706850Univ of Chicago Pr 2000. Paperback. New. 1st edition. 304 pages. 9.50x6.75x0.75 inches. Univ of Chicago Pr paperback
1992Best.-Nr. __0226195481Univ of Chicago Pr 1992. Hardcover. New. 1st edition. 310 pages. 10.50x7.50x1.00 inches. Univ of Chicago Pr hardcover
Best.-Nr. SONG080761145XBrand: George Braziller 0000-00-00. hardcover. Used: Good. 6.50x1.00x9.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: George Braziller hardcover
Best.-Nr. PJH46780Editori Laterza 1994. The Laskett Bookplate of Roy Strong VG bright copy in publishers decorated boards with small mark to front panel. 310pp. Illustrated. 1st edition 1st issue. ISBN 8842045136 Editori Laterza 1994 hardcover
1923Best.-Nr. 233Paris et Bruxelles: Librairie Nationale d'Art et d'Histoire 1923. 1st Edition. Soft cover. Fine. FIRST EDITION one of only 110 numbered deluxe copies on Vélin d'Arches à la cuve with 3 original etchings by Redon. Preface by Marius-Ary Leblond. Paris et Bruxelles: Librairie Nationale d'Art et d'Histoire 1923. Octavo original decorative paper wrappers; custom cloth box. Wrappers in remarkable condition; very clean just one small closed tear; the most minimal wear to the tail of the spine. Internally very clean and partially unopened. A superb and very beautiful copy. Rare. Librairie Nationale d'Art et d'Histoire unknown
2012Best.-Nr. ODILONREDONEditions De La Reunion Des Musees / Grandpalais 2012. Soft Cover. F - Fine. Odilon Redon. First Edition. This book accompanies the major retrospective dedicated to Odilon Redon 1840-1916 and presents the entire exhibition: the 200 works on display and their captions as well as informative panels outlining the main sections. It offers a complete overview of everything a visitor can see and will have seen ensuring a truly immersive experience. The book is your unlimited access to the temporary exhibition making it part of your permanent collection. 382 pages. Full Colour illustrations. 6" x 8" 155mm x 205mm. 1.2 Editions De La Reunion Des Musees / Grandpalais paperback
1989Best.-Nr. mon0003764870Foundation 1989T. paperback. Very Good. . Foundation paperback
Best.-Nr. 12408Redon Odilon. CAIN AND ABEL. Mellerio 18. Etching and drypoint 1886 printed 1914. Printed by Porcabeuf Paris 1914 and published by the artist. There were 20 printed in 1886 and 15 in 1914 with neither edition being signed. 7 1/8 x 4 3/4 inches image 15 1/4 x 11 1/4 inches sheet. A small horizontal printing crease at the upper left of the image else in excellent condition. unknown
Best.-Nr. 2414533528.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2018Best.-Nr. 047403NAI Publishers 2018. Soft cover. Fine. 4to - over 9¾ - 12" tall. Smart copy. No additions. NAI Publishers paperback
2015Best.-Nr. 2-2753535035PU Rennes 2015. Paperback. New. French language. 9.45x6.46x1.65 inches. PU Rennes paperback
