Galanis, GeorgeBiblio.com
307 résultats
réf. 1138074357.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1973réf. 1208265PN. New. 1973. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
1973réf. 1208065PN. New. 1973. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
réf. 2206PETIT IN-4 EN FEUILLES (23 X 29 CENTIMETRES ENVIRON) DE 213 PAGES, COUVERTURE CREME REMPLIEE, TITRE IMPRIME EN NOIR. PREFACE DE JULIEN CAIN, TEXTES DE ANDRE BILLY, ALEXANDRE ARNOUX, PIERRE MAC ORLAN ET ANDRE WARNOD. ILLUSTRE D’UN FRONTISPICE PAR DARAGNES, DE 2 HORS-TEXTE ET 12 DESSINS DANS LE TEXTE DE GALANIS, DE 2 HORS-TEXTE ET 8 DESSINS DANS LE TEXTE DE CHRISTIAN BERARD, DE 2 HORS-TEXTE ET 11 DESSINS DANS LE TEXTE DE FALKE, DE 2 HORS-TEXTE ET 7 DESSINS DANS LE TEXTE DE TOUCHAGUES, FRONTISPICE ET HORS-TEXTE GRAVES A L’EAU-FORTE. AVEC LA REPRODUCTION HORS-TEXTE D'UN PLAN ANCIEN DU 1 ER ARRONDISSEMENT. EDITION ORIGINALE ET PREMIER TIRAGE. QUELQUES ROUSSEURS EPARSES, SINON BON EXEMPLAIRE.
1946réf. 29316Paris, Groupe parisien de l'Imprimerie Clandestine / Jacques Haumont imprimeur éditeur 1946. In-4 broché de 106 pages au format 28,5 x 22,5 cm. Couverture rempliée illustrée d'un bois gravé en deux couleurs par Jean-Gabriel Daragnès. Dos carré. Plats et intérieur frais. Exemplaire sous papier cristal d'origine. Ouvrage réalisé " A la mémoire des imprimeurs parisiens fusillés, décédés dans les camps allemands ou disparus... de leurs ouvriers et de tous les imprimeurs inconnus qui ont donné leur vie pour la liberté ". Textes inédits de François Mauriac, Georges Duhamel, Paul Eluard, Jacques Maritain, Jean Cassou, Claude Aveline, Jean Paulhan, Jean Bruller dit Vercors, Jean Schlumberger, Jean Ulmann et Michel Bernstein. A noter que ce dernier resta caché depuis 1942 dans un appartement parisien où il créa un atelier clandestin de faux papiers, cachets, timbres... Il rédigea également à l'usage des résistants un Manuel du faussaire peu avant la libération, à la demande de Défense de la France. Textes accompagnés de 4 planches hors-texte en noir (dont le frontispice) réalisé par Jean Chièze, Démétrios Galanis, Edouard Goerg et Jean-Gabriel Daragnès. Un des 400 exemplaires numérotés sur pur chiffon filigrané Bélier Lana ( n° 35 ), après 100 hors commerce. Rare édition originale en superbe état général.
réf. 9734ACTION. N° 7. (Mai 1921). Roch Grey [baronne d'ttingen] (" Henri Rousseau "), René Edme, Georges Gabory, Ivan Goll, Beatrice Hastings, Vincent Huidobro, André Salmon, Marcel Sauvage, Carl Einstein, Schulte-Vaerting. Bois gravés de Galanis, Hermine David, Vlaminck. 16 reproductions de toiles d'Henri Rousseau sur planches hors texte. // Bon état.
1924réf. 55129Lucien Vogel éditeur | Paris 1924-1925 | 18 x 24 cm | une feuille
réf. 17578Paris, Librairie Schwartz, 1920 - 2 volumes in-4 - Reliure (frottée & fragilisée T.I) éditeur illustré d'un médaillon céramique par DUNAND - Hors-texte, aquarelles, en-têtes, culs-de-Lampe, lettrines et ornements par : BERNE-BELLCOURT, BONFILS, FREMOND, FOUQUERAY, GALANIS, JONAS, LEBEDEFF - Frais intérieurement
réf. 11806L. & J.-M. Carteret, 1951. In-8, 51-(3) pp., broché, couverture rempliée, sous chemise et étui.
1909réf. 25174Paris LE RIRE 1909 -in-4 demi- percale un fort volume, reliure demi-percale bordeaux rose in-quarto (31 x 23 cm), dos long décoré "or" et à froid (gilt and blind stamping decoration), titre et tomaison frappés "or", filet large à froid en place des nerfs, papier marbré violet aux plats, (plats frottés), toutes tranches lisses, receuil de 51 numéros illustrés en couleurs par de nombreux artistes (Carlègle, Poulbot, Guillaume, Wilette, H. Gerbault, Léandre, Brunelleschi, Galanis, Abel Faivre, H.G. IBELS (Nabi), A. Roubille, Gosé, Portalès, Louis Morin, Capy, Gus Bofa, Balluriau, Pourriol, André Hellé, [N°335 : Spécial Marine illustré entièrement par Gervèze], Bac, Dangon, Touraine etc...), 1909 Paris LE RIRE - JOURNAL HUMORISTIQUE Editeur,
1910réf. 25185Paris LE RIRE 1910 -in-4 demi- percale un fort volume, reliure demi-percale bordeaux rose in-quarto (31 x 23 cm), dos long décoré "or" et à froid (gilt and blind stamping decoration), titre et tomaison frappés "or", filet large à froid en place des nerfs, papier marbré violet aux plats, (plats frottés), toutes tranches lisses, receuil de 51 numéros illustrés en couleurs par de nombreux artistes (Léandre,Poulbot, Louis Morin, Mich, H.G. IBELS (Nabi), Cardonna, Gus Bofa, Carlègle, André Hellé, Lucien Métivet, A. Roubille, Brunelleschi, Charles Pourriol, Guillaume, Dangon, Capy, Capiello, Markous, A. Willette, J. Hémard, Martin, Genty, E. Cadel, Pierlis, Juan GRIS, Delaw, Huard, Avelot, Léonce Burret, Galanis, H. GERBAULT, Balluriau, Léonnec, KAINER, Marin, Opisso, Mirande, Delannoy, Martin, Jeanniot, Gus Bofa, Gervèze, Gosé, Portalès, E. Torent, RAY, Fabiano, Petitjean, 1910 Paris LE RIRE - JOURNAL HUMORISTIQUE Editeur,
1935réf. 17359Paris Gallimard 1935 1 vol. Broché in-12, broché, couverture rempliée, 316 pp., nombreuses vignettes gravées sur bois par Galanis. Exemplaire numéroté sur alfa t enrichi d'un bel envoi autographe signé de l'auteur : "à Serge Gauthier, ces moments de distraction attentive". En belle condition.
1935réf. 17359Paris Gallimard 1935 1 vol. Broché in-12, broché, couverture rempliée, 316 pp., nombreuses vignettes gravées sur bois par Galanis. Exemplaire numéroté sur alfa t enrichi d'un bel envoi autographe signé de l'auteur : "à Serge Gauthier, ces moments de distraction attentive". En belle condition.
1944réf. 22271Paris: Papeteries Du Marais. 1944. Softcover. Unbound signatures in wraps No. 65 of 400 copies on velin pur fil fine in fine wraps. Fine board chemise shows some foxing in near fine box. Issued by the Marais paper company to display the suitability of their papers for typography acquatints Draganes woodcuts Galanis and lithographs Moreau. This copy was printed for Monsieur Guido Colucci possibly the Tuscan artist and printmaker. #65 of 400. ; 4to 11" - 13" tall . Papeteries Du Marais paperback
1944réf. 22271Paris: Papeteries Du Marais. 1944. Softcover. Unbound signatures in wraps No. 65 of 400 copies on velin pur fil fine in fine wraps. Fine board chemise shows some foxing in near fine box. Issued by the Marais paper company to display the suitability of their papers for typography acquatints Draganes woodcuts Galanis and lithographs Moreau. This copy was printed for Monsieur Guido Colucci possibly the Tuscan artist and printmaker. #65 of 400. ; 4to 11" - 13" tall . Papeteries Du Marais paperback books
réf. ria9781138074354_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book provides the optimum starting point for readers to come to terms with the important issues associated with defense training and simulation. It provides brief easy-to-understand summaries of the key issues as well as guidance paperback
réf. 29379504-nnew. unknown
réf. DADAX1138074357CRC Press 2017-04-16. 1. paperback. New. 6.14x0.79x9.21. Buy with confidence. Excellent Customer Service & Return policy. CRC Press paperback
1945réf. 34159Paris: Editions Littéraires de France 1945. Limited first edition. Softcover. g. 1/950. Quarto. 141 7pp. Uncut and unopened copy. Original printed wrappers. Free front endpaper inscribed and signed by Louis Lafuma. Title page in red and black lettering. Illustrated head- and tailpieces. The Pensées literally "thoughts" represented a defense of the Christian religion by Blaise Pascal the renowned 17th century philosopher and mathematician. Pascal's religious conversion led him into a life of asceticism and the Pensées was in many ways his life's work. This work is one of the several attempts that have been made to arrange the notes systematically; other notable editions include those of Léon Brunschvicg and Jacques Chevalier. One of 950 copies printed on Vélin d'Arches Pur Fil of which this is No. 730. Upper front corner bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Editions Littéraires de France unknown
1945réf. 34159Paris: Editions Littéraires de France 1945. Limited first edition. Softcover. g. 1/950. Quarto. 141 7pp. Uncut and unopened copy. Original printed wrappers. Free front endpaper inscribed and signed by Louis Lafuma. Title page in red and black lettering. Illustrated head- and tailpieces. The Pensées literally "thoughts" represented a defense of the Christian religion by Blaise Pascal the renowned 17th century philosopher and mathematician. Pascal's religious conversion led him into a life of asceticism and the Pensées was in many ways his life's work. This work is one of the several attempts that have been made to arrange the notes systematically; other notable editions include those of Léon Brunschvicg and Jacques Chevalier. One of 950 copies printed on Vélin d'Arches Pur Fil of which this is No. 730. Upper front corner bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Editions Littéraires de France unknown books
1924réf. 55129Paris: Lucien Vogel éditeur 1924. Fine. Lucien Vogel éditeur Paris 1924-1925 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2017réf. x-1138074357Taylor & Francis 2017. Paperback. New. 348 pages. 9.21x6.14x0.94 inches. Taylor & Francis paperback
réf. 14987Paris Editions Emile-Paul Frères 1942 in 8 1 volume broché, couverture rempliée illustrée, 272 pages [3]. Ouvrage illustré de vignettes par Demetrios Galanis. Exemplaire numéroté sur vélin vert de boucher. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 66155Impr. speciale du Frou-Frou - Paris 1902 In-4 29 cm 15pp. illustrations en couleurs de Galanis bon etat Ats15 unknown
réf. 18799Paris, à l'Astrolabe, 1945. In-4, 71 pp., maroquin noir janséniste, dos long, encadrement intérieur de même peau, couverture conservée, étui bordé de même peau (cuir de l'étui légèrement décoloré).
