DECORATIVE ARTSABAA
1 766 résultats
réf. 01948Tokyo: Japan Art Society 1905. The Art of Japanese Hair Combs A Singular Scrapbook DECORATIVE ARTS. In Japanese. Setsu Kushi Hinagata Patterns of Miniature Combs. Tokyo: Japan Art Society 37th Year of the Meiji 1905. Octavo 9 1/2 x 5 3/4 in; 242 x 140 mm. 154 pp. A unique scrapbook of over 500 charcoal rubbings on rice paper of Japanese miniature comb and hairpin koagi patterns tipped-in to the pages of three issues of Japanese Art Society Reports bound together. The original collector has crossed-out the original titles publisher etc. and provided their own manuscript title in black marking pen. Each page has two rubbed patterns each pattern with upper and lower views of each comb and the rubbings are remarkably sharp with even small details very clear. Publisher's original string-bound wrappers with losses but the integrity of interior of the book remains complete and intact. Early auction clipping for this item "Kushi Hinagata" mounted to the inside of the rear Japanese front cover. Housed in a green silk drop-back box with traditional Japanese clasps with paper label on spine lettered in Japanese. The art of Japanese hair decoration or kushi dates back hundreds of years and has rich and varied heritage. As with much Eastern art it served to "beautify items of everyday use to make the commonplace extraordinary and to tell of the life and status of the wearers who were geisha courtesans court ladies and housewives" Ziesnitz and Momoko Combs and Hairpins Daruma: Japanese Art and Antique Magazine Summer 2002. And indeed this work is a testament to the beautiful and elegant diversity of this Japanese decorative art. A curious attractive and visually arresting book one with certain aesthetic merit given the obsessive care and attention necessary to compile such a volume which with its use of a marking pen dates this compilation to sometime post-1952 the year that marking pens were introduced. A valuable historical cultural and artistic record as well as an object that as much as its subject renders the commonplace extraordinary and takes its place along side of Hokusai's classic Imayo Kushi Hinagata 1823 as a key reference. "Women have always adorned themselves but perhaps none so subtly as the Japanese. You can reproduce the old hairstyles seen in painting and sculpture but their hair ornaments remind us of the coiffures on which they were worn. In other words hair ornaments are tangible souvenirs of ancient hairstyles. "Hair ornaments were not mere accessories to feminine coiffure and attire. In keeping with the Japanese urge to beautify items of everyday use to make the commonplace extraordinary they were turned into artistic objects mirroring cultural and and social history. They tell of the life and status of their wearers who were geisha courtesans court ladies and housewives. "They give a glimpse of the exceptional beauty of Japanese art." Ziesnitz Sharon. Combs and Hairpins. Daruma 35 vol. 9 No. 3 Summer 2002. [Tokyo]: [Japan Art Society], [1905] unknown books
1936réf. WRCAM18121Cambridge 1936. ix114pp. Frontispiece plus 70 plates. Original printed boards. Very good. Illustrated guide to this exhibition of early American decorative arts. Part of the Harvard Tercentenary Exhibition. hardcover books
réf. 312937vp vd. Illustrated. Folio and 4to. Bound uniformly in purple morocco with "Governor Charles Edison Library" on the front pastedown t.e.g. by Bookends Bindery. Each spine is uniformly faded else fine. Illustrated. Folio and 4to. From the Library of Charles Edison Specially Bound for Him. 1. English Decoration in the 18th Centrury. By John Fowler and John Cornforth. London: Barriue & Jenkins 1974 2. French Decorative Art 1638-1793. By George Savage. N.Y.: Praeger 1969 3. A Book of Distinctive Interiors. Ed. William A. Vollmer. N.Y.: McBride Nast and Company 1912. 4. Louis XVI Furniture. By Seymour De Ricci. Stuttgart: Julius Hoffmann 1913 5. Three Centuries of Furniture in Color. By H.D. Molesworth and John Kenworthy-Browne. N.Y.: Viking Press 1972. 6. Historic Midwest Houses. By John Drury. Minneapolis: The University of Minnesota Press 1947. 7. Great Palaces of Europe. Introduction by Sacheverell Sitwell. London: Weidenfeld and Nicholson 1964. 8. Le Meuble Léger en France. By Guillaume Janneau. Paris: Paul Hartmann 1952. 9. Les Ébénistes du XVIIIe Siècle. By Comte de Salverte. Paris: F. de Nobele 1962. 10. Les Ébénistes Parisiens du XIXe siècle 1795-1870. Paris: F. de Nobele 1965. 11. World Architecture: an Illustrated History. Ed. Trewin Copplestone. Secaucus N.J. 1976. 12. Furniture Clocks and Gilt Bronzes In Two Volumes Volume I. By Geoffrey de Bellaigue. London: Published for the National Trust by Office du Livre 1974. 13. Furniture Clocks and Gilt Bronzes In Two Volumes Volume II. By Geoffrey de Bellaigue. London: Published for the National Trust by Office du Livre 1974. 14. L'Art et la Manière des Maitres Ébénistes Français au XVIIIe Siècle Tome I Les Truquages. By Jean Nicolay. Paris: Editions Pygmalion 1976. 15. French Provincial Decorative Art. By Catharine Oglesby. London New York: Charles Scribner's Sons 1951. 16. Versailles. By Gérald van der Kemp. New York Paris: The Vendome Press 1978. 17. Decoration Volume I. Ed. Souren Mélikian. New York: French & European Publications Inc 1963. 18. Decoration Volume II. Ed. Souren Mélikian. New York: French & European Publications Inc 1963. 19. La Pendule Française des Origines a nos jours. Paris: Tardy 1976. 20. French Cabinetmakers of the Eighteenth Century. By Jean Meuvret. New York: French & European Publications Inc 1965 21. Furniture Treasury Mostly of American Origin. By Wallace Nutting. Volumes I and II in One. New York: Macmillan Publishing Co Inc 1977. 22. Furniture Treasury Mostly of American Origin. By Wallace Nutting. Volume Three. New York: Macmillan Publishing Co. Inc 1977. 23. Les Petits Meubles. By Guillaume Janneau. Paris: Editions d'Arts 1977. 24. French Art of the Eighteenth Century. By Stéphane Faniel. New York: Simon and Schuster 1957. 25. Le Style Louis XV. By Gérard Mabille. Paris Baschet et Cie 1978. 26. Paris Furniture by the Master Ébénistes. By Charles Packer. Newport England: The Ceramic Book Company 1956. unknown books
1966réf. WRCLIT74596Paris: Musée des Arts Décoratifs 1966. Two volumes. 1244;1591pp. Small octavo. Stiff printed wrappers. Heavily illustrated with photographs. Small ink name stamp on each title otherwise fine in rather frayed and a bit torn wraparound. First editions. Includes text by Francois Mathey a chronology a list of exhibitions and other matter related to the Union Centrale des Arts Decoratifs. Musée des Arts Décoratifs unknown books
1925réf. 38689Bamberg: Keramos-Verlag A.G. 1925. Second edition i.e. year. Quarto. Pictorial wrappers; 82pp; illus. Old tape reinforcement to spine; covers soiled; contents complete and fresh about Very Good. Scarce annual of the German and Bavarian pottery industries. Text in English. Profusely illustrated with photographic plates. Rare; Staatsbibliothek Bamberg only in OCLC. The annual was issued from 1924 to 1928. Keramos-Verlag A.G. unknown
réf. 312937vp vd. Illustrated. Folio and 4to. Bound uniformly in purple morocco with "Governor Charles Edison Library" on the front pastedown t.e.g. by Bookends Bindery. Each spine is uniformly faded else fine. Illustrated. Folio and 4to. 1. English Decoration in the 18th Centrury. By John Fowler and John Cornforth. London: Barriue & Jenkins 1974 2. French Decorative Art 1638-1793. By George Savage. N.Y.: Praeger 1969 3. A Book of Distinctive Interiors. Ed. William A. Vollmer. N.Y.: McBride Nast and Company 1912. 4. Louis XVI Furniture. By Seymour De Ricci. Stuttgart: Julius Hoffmann 1913 5. Three Centuries of Furniture in Color. By H.D. Molesworth and John Kenworthy-Browne. N.Y.: Viking Press 1972. 6. Historic Midwest Houses. By John Drury. Minneapolis: The University of Minnesota Press 1947. 7. Great Palaces of Europe. Introduction by Sacheverell Sitwell. London: Weidenfeld and Nicholson 1964. 8. Le Meuble Léger en France. By Guillaume Janneau. Paris: Paul Hartmann 1952. 9. Les Ébénistes du XVIIIe Siècle. By Comte de Salverte. Paris: F. de Nobele 1962. 10. Les Ébénistes Parisiens du XIXe siècle 1795-1870. Paris: F. de Nobele 1965. 11. World Architecture: an Illustrated History. Ed. Trewin Copplestone. Secaucus N.J. 1976. 12. Furniture Clocks and Gilt Bronzes In Two Volumes Volume I. By Geoffrey de Bellaigue. London: Published for the National Trust by Office du Livre 1974. 13. Furniture Clocks and Gilt Bronzes In Two Volumes Volume II. By Geoffrey de Bellaigue. London: Published for the National Trust by Office du Livre 1974. 14. L'Art et la Manière des Maitres Ébénistes Français au XVIIIe Siècle Tome I Les Truquages. By Jean Nicolay. Paris: Editions Pygmalion 1976. 15. French Provincial Decorative Art. By Catharine Oglesby. London New York: Charles Scribner's Sons 1951. 16. Versailles. By Gérald van der Kemp. New York Paris: The Vendome Press 1978. 17. Decoration Volume I. Ed. Souren Mélikian. New York: French & European Publications Inc 1963. 18. Decoration Volume II. Ed. Souren Mélikian. New York: French & European Publications Inc 1963. 19. La Pendule Française des Origines a nos jours. Paris: Tardy 1976. 20. French Cabinetmakers of the Eighteenth Century. By Jean Meuvret. New York: French & European Publications Inc 1965 21. Furniture Treasury Mostly of American Origin. By Wallace Nutting. Volumes I and II in One. New York: Macmillan Publishing Co Inc 1977. 22. Furniture Treasury Mostly of American Origin. By Wallace Nutting. Volume Three. New York: Macmillan Publishing Co. Inc 1977. 23. Les Petits Meubles. By Guillaume Janneau. Paris: Editions d'Arts 1977. 24. French Art of the Eighteenth Century. By Stéphane Faniel. New York: Simon and Schuster 1957. 25. Le Style Louis XV. By Gérard Mabille. Paris Baschet et Cie 1978. 26. Paris Furniture by the Master Ébénistes. By Charles Packer. Newport England: The Ceramic Book Company 1956. unknown
réf. 01948Tokyo: Japan Art Society 1905. Setsu Kushi Hinagata Patterns of Miniature Combs An Aesthetic Window into Japanese Decorative Tradition DECORATIVE ARTS. In Japanese. Setsu Kushi Hinagata Patterns of Miniature Combs. Tokyo: Japan Art Society 37th Year of the Meiji 1905. Octavo 9 1/2 x 5 3/4 in; 242 x 140 mm. 154 pp. A unique scrapbook of over 500 charcoal rubbings on rice paper of Japanese miniature comb and hairpin koagi patterns tipped-in to the pages of three issues of Japanese Art Society Reports bound together. The original collector has crossed-out the original titles publisher etc. and provided their own manuscript title in black marking pen. Each page has two rubbed patterns each pattern with upper and lower views of each comb and the rubbings are remarkably sharp with even small details very clear. Publisher's original string-bound wrappers with losses but the integrity of interior of the book remains complete and intact. Early auction clipping for this item "Kushi Hinagata" mounted to the inside of the rear Japanese front cover. Housed in a green silk drop-back box with traditional Japanese clasps with paper label on spine lettered in Japanese. This kind of vernacular studio-generated scrapbook - mixing printed art society documents with hundreds of individually made rubbings - is exceptionally rare. It offers not only an aesthetic window into Japanese decorative tradition but also a unique document of private study and preservation by an anonymous mid-century compiler. The art of Japanese hair decoration or kushi dates back hundreds of years and has rich and varied heritage. As with much Eastern art it served to "beautify items of everyday use to make the commonplace extraordinary and to tell of the life and status of the wearers who were geisha courtesans court ladies and housewives" Ziesnitz and Momoko Combs and Hairpins Daruma: Japanese Art and Antique Magazine Summer 2002. And indeed this work is a testament to the beautiful and elegant diversity of this Japanese decorative art. A curious attractive and visually arresting book one with certain aesthetic merit given the obsessive care and attention necessary to compile such a volume which with its use of a marking pen dates this compilation to sometime post-1952 the year that marking pens were introduced. A valuable historical cultural and artistic record as well as an object that as much as its subject renders the commonplace extraordinary and takes its place along side of Hokusai's classic Imayo Kushi Hinagata 1823 as a key reference. "Women have always adorned themselves but perhaps none so subtly as the Japanese. You can reproduce the old hairstyles seen in painting and sculpture but their hair ornaments remind us of the coiffures on which they were worn. In other words hair ornaments are tangible souvenirs of ancient hairstyles. "Hair ornaments were not mere accessories to feminine coiffure and attire. In keeping with the Japanese urge to beautify items of everyday use to make the commonplace extraordinary they were turned into artistic objects mirroring cultural and and social history. They tell of the life and status of their wearers who were geisha courtesans court ladies and housewives. "They give a glimpse of the exceptional beauty of Japanese art." Ziesnitz Sharon. Combs and Hairpins. Daruma 35 vol. 9 No. 3 Summer 2002. [Tokyo]: [Japan Art Society], [1905] unknown
1871réf. DOV17973New York: J. Sabin & Sons 1871. First Edition. Hardcover. Good. Small 4to. Original cloth rebacked and recornered with green cloth. 78 plates. Some scattered staining mostly confined to top margin and upper left corner. Quite scarce. J. Sabin & Sons hardcover
1924réf. 28786New York: E. Weyhe 1924. First American edition First State with the printing accomplished in Germany. Colour printing by Dr. Selle and Co. Berlin. Letterpress by Otto v. Holten. With 122 very fine full-page colour plates both tipped on and by direct transfer reproducing over 2000 decorative motives from the arts of Asia Primitive Europe North Central and South America Africa Oceania and from the peasant arts of Europe. Paintings by Bollacher Tilke Dengler Erigh and Alberts Berlin Hamburg Stuttgart Potsdam. Photography by Wasmuth. Folio very attractively bound in polished black cloth over marbled paper covered boards the spine with a black morocco label gilt lettered and ruled. ix iii 35 pages 122 colored plates. A fine copy the binding the text-block paper and colourplates all in excellent condition just a touch of age to the edges. FIRST EDITION FIRST STATE AND A VERY WELL PRESERVED COPY OF WEYHE'S QUITE EXQUISITE "ORNAMENT" a highly important cross-cultural survey of the variety of ornamental motifs and styles artist have employed throughout the centuries on all types of applied arts; pottery textiles metal arts beadwork baskets etc. This American issue was printed in Germany from the original plates color printed by Selle & Co. but with the text translated into English. Helmuth Theodor Bossert was an important German art historian philologist and archaeologist. He is best-known for his excavations of the Hittite fortress city at Karatepe Turkey and the discovery of bilingual inscriptions which enabled the translation of Hittite hieroglyphs. E. Weyhe hardcover
2000réf. 22777CBSchwerin, Staatliches Museum, 2000. 4°, 310 S. mit zahlreichen s/w- und Farbabbildungen, farbig illustr. original Pappband (Hardcover), Erstausgabe Besitzerstempel auf Vorsatzseite, sonst schönes, sauberes Exemplar.
réf. 35501Folio and 4to. Bound uniformly in purple morocco with "Governor Charles Edison Library" on the front pastedown t.e.g. by Bookends Bindery From the library of Charles Edison specially bound for him. 1. English Decoration in the 18th Centrury. By John Fowler and John Cornforth. London: Barriue & Jenkins 1974 2. French Decorative Art 1638-1793. By George Savage. N.Y.: Praeger 1969 3. A Book of Distinctive Interiors. Ed. William A. Vollmer. N.Y.: McBride Nast and Company 1912. 4. Louis XVI Furniture. By Seymour De Ricci. Stuttgart: Julius Hoffmann 1913 5. Three Centuries of Furniture in Color. By H.D. Molesworth and John Kenworthy-Browne. N.Y.: Viking Press 1972. 6. Historic Midwest Houses. By John Drury. Minneapolis: The University of Minnesota Press 1947. 7. Great Palaces of Europe. Introduction by Sacheverell Sitwell. London: Weidenfeld and Nicholson 1964. 8. Le Meuble Léger en France. By Guillaume Janneau. Paris: Paul Hartmann 1952. 9. Les Ébénistes du XVIIIe Siècle. By Comte de Salverte. Paris: F. de Nobele 1962. 10. Les Ébénistes Parisiens du XIXe siècle 1795-1870. Paris: F. de Nobele 1965. 11. World Architecture: an Illustrated History. Ed. Trewin Copplestone. Secaucus N.J. 1976. 12. Furniture Clocks and Gilt Bronzes In Two Volumes Volume I. By Geoffrey de Bellaigue. London: Published for the National Trust by Office du Livre 1974. 13. Furniture Clocks and Gilt Bronzes In Two Volumes Volume II. By Geoffrey de Bellaigue. London: Published for the National Trust by Office du Livre 1974. 14. L'Art et la Manière des Maitres Ébénistes Français au XVIIIe Siècle Tome I Les Truquages. By Jean Nicolay. Paris: Editions Pygmalion 1976. 15. French Provincial Decorative Art. By Catharine Oglesby. London New York: Charles Scribner's Sons 1951. 16. Versailles. By Gérald van der Kemp. New York Paris: The Vendome Press 1978. 17. Decoration Volume I. Ed. Souren Mélikian. New York: French & European Publications Inc 1963. 18. Decoration Volume II. Ed. Souren Mélikian. New York: French & European Publications Inc 1963. 19. La Pendule Française des Origines a nos jours. Paris: Tardy 1976. 20. French Cabinetmakers of the Eighteenth Century. By Jean Meuvret. New York: French & European Publications Inc 1965 21. Furniture Treasury Mostly of American Origin. By Wallace Nutting. Volumes I and II in One. New York: Macmillan Publishing Co Inc 1977. 22. Furniture Treasury Mostly of American Origin. By Wallace Nutting. Volume Three. New York: Macmillan Publishing Co. Inc 1977. 23. Les Petits Meubles. By Guillaume Janneau. Paris: Editions d'Arts 1977. 24. French Art of the Eighteenth Century. By Stéphane Faniel. New York: Simon and Schuster 1957. 25. Le Style Louis XV. By Gérard Mabille. Paris Baschet et Cie 1978. 26. Paris Furniture by the Master Ébénistes. By Charles Packer. Newport England: The Ceramic Book Company 1956. unknown
1954réf. 22866CBNürnberg, H. P. Iffland, 1954. 8°, VIII, 94 S. mit s/w-Abbildungen und 14 S. lokale Werbung, illustr. original Kartonage (Paperback), Erstausgabe Besitzerstempel oben rechts auf Titelseite, sonst schönes, sauberes Exemplar.
1974réf. 80340Bouffard, Bordeaux, 1974. Original-Broschur, schmal gr.8°, 91 Seiten.
1980réf. 144480Schwenningen, Villingen, 1980. Broschur
2015réf. 58816ABDüsseldorf., Selbstveröffentlichung., 2015. 31,5 x 31,5 cm. OKarton-Cover., 58816AB 33 RPM LP. Mint, Neuveröffentlichung.
Paris, Renouard et Henri Laurens, "L'Art appliqué aux Métiers", 1913 ; grand in-8, broché, non coupé, imprimé sur papier glacé, 228 pp. Ouvrage illustré de 148 gravures dans le texte.
Paris, Librairie de France, 1925 ; grand-in-4, broché, 340 pages. Nombreuses planches dans et hors-texte. Table des planches hors-texte. Bel ex.
Paris, Quantin, 1882. Grand in-8, relié, demi-maroquin vert à coins, dos lisse. Reliure signée V. CHAMPS, couverture en couleurs conservée, encadrement et dessins en camaïeu. Edition originale. Agréables et belles illustrations en couleurs dans le texte plus culs-de-lampe et lettrines de Paul Avril. Bel exemplaire.
Paris, Quantin, 1881. Grand in-8, broché, couvertures illustrées en couleurs et rempliée, étui en soie bleu moirée orné de rubans rouges illustré de compositions en camaïeu et en noir et blanc (dans le texte et hors-texte). Edition originale. Agréables et belles illustrations en couleurs dans le texte plus culs-de-lampe et lettrines de Paul AVRIL. Usures à l'étui mais bel état intérieur.
Paris, Les Editions de l'amateur, 1990. In-4 ; 229 pp avec bibliographie. Plein cartonnage bradel et jaquette illustrée en couleurs conservée. Bel exemplaire abondamment illustré, planches couleurs et en noir dans et hors-texte.
In-4 carré, 173p. Bel ouvrage comprenant 80 illustrations en couleurs. Exemplaire enrichi d'un envoi autographe signé de l'auteur.
In-4 carré, 353p. Contient 258 illustrations, dont 179 en couleurs et 8 cartes. Bibliographie et indes des noms cités en fin de volume. Manque la jaquette, sinon bel exemplaire.
In-4 carré, 353p. Contient 258 illustrations, dont 179 en couleurs et 8 cartes. Bibliographie et indes des noms cités en fin de volume. Très bel exemplaire.
2 volumes In-4, 390-392p. Année complète de cette luxueuse revue d'art. Impression soignée sur papier couché. Avec de nombreuses illustrations en noir dans le texte et quelques planches hors texte en couleurs. En parfaite condition.
In 8, cm 21,5 x 27, pp. 32 interamente illustrate. Brossura editoriale con titolo in rilievo e poche macchie ai piatti. Raro catalogo dei prodotti esposti presso 'La Metrise' delle Galeries Lafayette, durante L'exposition internationale des arts decoratifs et industriels modernes de 1925. Sono proposti vasi (gres de Lorioux, vases de Keramis, poteries de Bonifas, faiances de: J. J. Adnet, G. Chevalier, Ayme ecc.), lampade, tappeti (lavori di Dufrene, S. Guiguichon, Harang, Lecointre, Englinger, Meinstermann ecc.), mobili e arredi (lavori di: Adnet, Dufrene, Harang, Gobion, P. Pouchol, Chevalier, Guichard, Tcherniack, Englinger ecc. Fin dal 1922 le Galeries Lafayette impiatarono un atelier dedicato alle arti decorative moderne e ne affidarono la direzione a Maurice Dufrene, uno dei migliori designers del momento. Nel 1925 in occasione dell'epocale 'Exposition' le Galeries Lafayette impiantarono un padiglione realizzato dagli architetti Hiriart, Tribout, Beau e da Dufrene per gli interni.
