947 résultats
1952réf. 78908New York:: The Viking Press 1952 i.e. 1954. Fourth printing March 1954. publisher's cloth in dust jacket with the gold embossed Newberry Medal award sticker on the front panel. Tiny former owner's name and address sticker on the front pastedown; slight use to the cloth at extremities of the spine; clean tight and sound in a dust jacket with small chips at extremities. 8vo. With endpapers and dust jacket illustrated in color by Jean Charlot. The copy is accompanied by sixteen copies of the largebroadside prospectus for this book with text on the recto and the color illustration for the endpapers reproduced in full size on the verso. The Viking Press, hardcover
1954réf. 78911Boston:: Houghton Mifflin 1954. First edition. publisher's cloth in illustrated dust jacket. A very near fine copy in a jacket with some rubbing and tiny chips at corners and folds. 8vo. Illustrated by Jean Charlot. Inscribed and signed on the half-title page by Jean Charlot with a drawing and "Aloha" enclosed in a heart Honolulu 1954. Houghton Mifflin, hardcover
1955réf. 78912New York:: Thomas Y. Crowell Company 1955. First edition. publisher's cloth. Near fine. . 8vo. Illustrated by Jean Charlot. Inscribed and signed opposite the title page by "All Charlots with Christmas greetings and a drawing of a child in a large sombrero. Thomas Y. Crowell Company, hardcover
1980réf. 79078Honolulu Hawaii:: Zohman Charlot 1980. First edition; No. 273 of 600 copies. publisher's printed cloth in dust jacket. A fine copy in a fine dust jacket. 4to. With 18 Color Lithographs by Jean Charlot. Ast Told by Zohmah Charlot. Signed and inscribed by Zohman Charlot on the title page; and signed by Jean Charlot Zohman Martn Chatlot and Linton Kistler. Zohman Charlot, hardcover
1965réf. 79080Honolulu:: Jean Charlot 1965. First edition; No. 83 of 100 copies. publisher's illustrated wrappers. Slight use to wrappers; near fine. Folio. With a lengthy full-page inscription signed by Jean and Zohmah Charlot with detailed news of family members concern about the Vietnam War and hope that the recipient enjoys his "homage to the Hawaiian culture I love dearlyhh." Jean Charlot], unknown
1952réf. 79081New York:: William R. Scott Inc. 1952. First edition. publisher's boards illustrated in color. Paper split at the front inner hinge not affecting the underlying structure; bump at the lower right corner slightly affects the text throughout; contents otherwise fine. The top one inch of the spine including the first two letters of the author's name absent; light tape shadows in that area from a former repair; a few other slight scuffs to the boards. . 4to. With color Lithographs by Jean Charlot. William R. Scott, Inc., hardcover
réf. 76-0530New York: John Becker/Merle Armitage/Will and Lynton R. Kistler 1933. Chromolithograph. 25.5 x 19.5 cm sheet. Signed and dated in the stone. Very Good. New York: John Becker/Merle Armitage/Will and Lynton R. Kistler, 1933. unknown
réf. 71-6685Paris: Alliance des Arts 1827. Lithograph. 23.5 x 31 cm sheet. Very Good light specks of foxing vertical tear in left margin minor surface soiling in the margins.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Alliance des Arts, 1827. unknown
réf. 75-0686Honolulu HI: University of Hawaii Press 1983. Exhibition Catalogue. 4to. Soft Covers. 32 pp. Good.Black and white plates. Honolulu, HI: University of Hawaii Press, 1983. paperback
réf. 18-6877Syracuse: Syracuse University Press 1960. 8vo. 12 pp. Soft Cover. Very Good. Illustrated paper wraps. Staple binding. B&W plates throughout. Extremely Scarce. Syracuse: Syracuse University Press, [1960]. paperback
réf. 67-0131Los Angeles: Zeitlin and Ver Bruggen 1978. Pamphlet. Single sheet folded once to make a 4-pp. booklet; folded again for mailing. 8-1/2 x 10-3/4 inches. Announcement of an edition of prints of Fijian scenes by Charlot printed by the well-known art printer Lynton Kistler. Pamphlet reproduces all five lithographs in black and white; one lithograph is reproduced in color on page 2. Also included: a return envelope with order card and original mailing envelope opened with typed address. Pamphlet and return envelope/card Fine. Scarce. Los Angeles: Zeitlin and Ver Bruggen, 1978. unknown
réf. 15-4376New York: Viking Press circra 1953-1954. Original dust-jackets in very good condition. New York: Viking Press, circra 1953-1954. unknown
1976réf. C91362Univ of Hawaii Pr. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 472 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1976. 0824803647 . Univ of Hawaii Pr hardcover
1976réf. C102098Univ of Hawaii Pr. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- ONE OF 200 NUMBERED COPIES WITH SIGNED ETCHING BY ARTIST. 472 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1976. 0824803647 . Univ of Hawaii Pr hardcover
1945réf. 83145University of Georgia Press. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - LIMITED EDITION. Corresponds to ASIN: B0007E3OGG. 122 pages 178 illus. some in color 8vo. -- with a bonus offer-- . 1945. University of Georgia Press hardcover
réf. 30121Paris France: Librairie Charles Tallandier. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block clean pages tight to spine - Corresponds to ASIN: B0000DOELS. Text in French. 120 pages. ND. 20 Compositions de Lhermitte Gravées par Bellanger. -- with a bonus offer--; T-Charl; Charlot Marcel Paysages et Paysans Petites Georgiques - Ouvrage Orne De Vingt Compositions De L. Lhermitte Gravees Sur Bois Par C. Bellenger / Landscapes & Peasants with 20 Illustrations By Lhermitte Woodcuts By Bellenger NINETEENTH CENTURY FRENCH ART 19TH CENTURY . N.D. Librairie Charles Tallandier paperback
réf. 51493Paris France: Librairie Charles Tallandier. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block clean - Corresponds to ASIN: B0000DOELS. Text in French. 120 pages. ND. 20 Compositions de Lhermitte Gravées par Bellanger. -- with a bonus offer--; Charlot Marcel Paysages et Paysans Petites Georgiques - Ouvrage Orne De Vingt Compositions De L. Lhermitte Gravees Sur Bois Par C. Bellenger / Landscapes & Peasants with 20 Illustrations By Lhermitte Woodcuts By Bellenger NINETEENTH CENTURY FRENCH ART 19TH CENTURY . Librairie Charles Tallandier hardcover
1926réf. 69356Editions Des Galeries Georges Petit. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked - Text in French. 220 page monograph; over black and white 130 illustrations within the text -- with a bonus offer-- . 1926. Editions Des Galeries Georges Petit paperback
1945réf. 83146University of Georgia Press. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - LIMITED EDITION. Corresponds to ASIN: B000JC6YEK. 122 pages 178 illus. some in color 8vo. -- with a bonus offer-- . 1945. University of Georgia Press hardcover
1945réf. 83147University of Georgia Press. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - LIMITED EDITION. Corresponds to ASIN: B000R2HIG0. 122 pages 178 illus. some in color 8vo. -- with a bonus offer-- . 1945. University of Georgia Press hardcover
2011réf. 96892University of Nebraska Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 470 pp. ; 60 illus. 8 in color. -- with a bonus offer--; Edward Weston 1886–1958 was one of the most celebrated photographers of the twentieth century. Jean Charlot 1898–1979 a classically trained French artist best known for his murals woodcuts and paintings celebrating Mexican culture played a key role as a participant and chronicler of the Mexican Renaissance. This book based on letters that Weston and Charlot exchanged from the early 1920s until Weston’s death in 1958 documents a friendship that says as much about art—about photography and fresco practice criticism and history—as it does about the intersection of a number of fascinating characters the ups and downs of the correspondents’ daily lives the pursuit of their dreams and aspirations and the support and encouragement they gave each other. Lew Andrews crafts a multivalent narrative that reconfigures our understanding of Weston Charlot and their era shedding new light on specific events and artwork. While giving us rare insight into the everyday life of these artists this work also supplies an important chapter in the history of twentieth-century art and photography seen close up and from the inside. . 2011. 0803235135 . University of Nebraska Press hardcover
réf. B9781258085094Hardback. New. hardcover
réf. 20-03728Mergent Inc 41275. Hardcover. New. In shrink wrap. Mergent Inc hardcover
2002réf. SDR98-FBA-EC11122017-19Mergent 2002-01-01. Hardcover. Good. Good condition with wear and markings. Ex-library. Mergent hardcover
1938réf. 47856Los Angeles: NP 1938. First edition. Ring_bound. vg. Quarto. 183 individual single-sided mimeographed leaves 22 additional leaves of photographic negative prints. Scarce mimeographed document printed from typescript with all leaves and negatives three-hole punched along the left side housed in modern black three-ring binder 11.5x 11". The pagination throughout is only on a per lecture basis and is non-continuous. Printed pages with occasional manuscript corrections. The versos of most of the leaves throughout contain mounted small cutouts from b/w photographic prints either reproducing relevant images from art history or being original technical hand-drawings by Charlot serving as relevant illustrated figures on the rectos for the corresponding text pages opposite 275 in total. An additional thirteen of these images have been directly mimeographed onto the rectos. The 22 leaves of compiled photographic negatives found at the rear of the binder contain most of the same images seen throughout and are organized according to lecture. In 1938 Walt Disney invited the French-born Mexican-American artist Jean Charlot 1898-1979 to deliver a series of eight lectures on art history and technique to the staff of the Disney Animation Studios over the course of two months from April 12th - May 31st of that year. Though Charlot was adamant against having any kind of lecture plan as he states in his opening remarks each of the lectures were still always themed Natural vision composition two-dimensional composition color and subject planes and space etc. Each was accompanied by a series of slides reproduced and mounted here both of Charlot's original impromptu drawings and reproductions of historic works of art. Fortunately a stenographer or recording device was present and took down each lecture including the questions and answers posed by his audience. This extremely scarce mimeographed binder serves as a complete and systematic documentation of those important and significant lectures. At the time of these lectures the company had just come off the massive and groundbreaking success of Snow White and the Seven Dwarfs 1937 and was at work on the shorts "Mickey's Toothache" and the ultimately scrapped "Pluto's Robot Twin". Although there does not seem to be direct evidence or documentation pointing to the affect these lectures ultimately had on the future work of the studio its diffuse influence can be surmised. At the very least these in depth lectures provided a continued boost to the morale and confidence of the Disney staff in placing the relatively new and sometimes belittled art form of animated films on the vast continuum of the fine arts from prehistoric times through classical antiquity and until the present. This reassured the staff of their visual storytelling abilities and the relevance of their chosen work. These assertions have since been reinforced by the the fact that in the wake of these lectures a number of these animators stayed in contact with Charlot and over the years since have asserted the personal impact these lectures had on their outlook. Although the discussions here range widely from all historical periods of art incorporate examples from the relevant work of many of the most famous international figures and touch upon countless technical and specific qualities of the fine arts arguably the most significant and unique aspect the text is Charlot's discussions of art in Mexico where he lived most of the time beginning in 1921. Specifically the art of Mexican murals and the work of Jose Guadeloupe Posada nearly forgotten during this period who had just recently died in 1913 were of interest to Charlot. It is known that he began buying Posada prints and the original printing blocks from Posada's print shop reviving interest which has never abated. Though we could find no specific reference to Posada in any of his lectures the speaker does incorporate Rivera's murals noting in passing that "a man like Rivera has absolutely to shun all textural qualities all brush stroke qualities because all things appear at a distance" Lecture V p. 12. Going further into the influence of Mexico's divergent populations and its effect on art Charlot describes in his following lecture "This static rectangle to me became assimilated to the Indian for a number of reasons and one of them is that the true verticals and true horizontals are admirably fitted to the Indian character; the Indian is always in close contact with the ground which is a true horizontal and the man in squatting takes a very different shape and different proportions from the White man. If you have a white man sitting on a chair you have those two little tooth picks under him and he has no correct relation with the so-called Mother Earth" Lecture VI p. 7. Only in the final lecture does Charlot finally speak on animation humbly noting "I told you the other time I would talk on animation tonight and I felt silly the whole week long because after all you are the people who know most about it; but it will be a good result to me by clearing my mind about it and I hope you won't hiss" Lecture VIII p. 1. The lecturer then goes on to sympathetically compare a close-up of Grumpy's face to a portrait by Raphael. According to Ruel Denny in "A Tale of Two Studios: Artist Jeans Charlot in Walt Disney's Atelier" taken from Feast of Strangers: Selected Prose and Poetry 1999 these lectures although never published "are provocative because they provide a partial but unique record of five concurrent artistic encounters in the twentieth-century: first the intellectual collaboration in artistic research by Disney and Charlot; second the encounter between the fine artist Charlot and a group of craftsmen in popular art; third the connections and disconnections between the visual arts of the pre-cinematic period and those of the cinematic age; four the marriage between cinematic animation techniques of storytelling and our inherited and folkloristic narrative of the oral and print traditions; and five the migration into modern media from primordial sources and picturizations of anthropomorphized animal figures". Some leaves throughout with minor age toning along edges as well as some occasional light stains or adhesive residue from the images pasted on the rectos. Some of the pasted on plates are loosening from the original drying adhesive and it is clear that in a very few instances images have come loose or are missing. Binder and interior in very good condition overall. Extremely scarce. Provinence: It is not known how many of these scarce mimeographed copies were printed but there is another known copy held in the collections of the University of Hawaii the state where Charlot spent his final years. It is known that the content of these lectures was never formally published. This copy bears the name of American television actor comedian and Soupy Sales sidekick Frank Nastasi 1923 - 2004 at the top of the title leaf. There is no evidence of Nastasi's connection to Disney or that he had ever attended these lectures he would have been 15 years old at the time so it is not known how he came to be in possesion of the piece. NP unknown
