11 046 résultats
réf. 13928In 12 broché, couverture illustrée, faux-titre, titre, 321 pages, 1 page de table. CHAMUEL éditeur, 1900. Envoi manuscrit autographe de l’auteur (non du dédicataire découpé) rousseurs éparses, plus concentrées en fin de volume Histoires dialoguées grotesques, décadentes, certaines annoncent le surréalisme. Le Prince indien- vierge et martyr- Portai- le bonheur pour tous- nous entrerons dans l’obscurité- il ya des victimes parce qu’ily a des bourreaux.
1997réf. 1246591997 Editions Payot - 1997 - In-8 broché, sous jaquette illustrée - 96 pages
1946réf. SPN-177Paris : Stock, 1946. Broché 19x14,5cm, non massicoté (grandes marges conservées), 221 pages non découpées pour moitié. Tiré-à-part de nouvelle édition (texte de la représentation) sur vélin pur chiffon de Rives à la cuve. 1 des 40 exemplaires de tête (N°31). Envoi de l'auteur à son ami André Lattès, chirurgien-dentiste et bibliophile auxerrois (22/9/1950) + photo de Paul Raynal en soldat (Guerre 14-18 - Front de Champagne, 28 septembre 1915), signée et datée du 7/1/1956, pour le même.
réf. 2130149 Grains Road Delph Oldham Lancashire. 18 September 1986. 1p 8vo. In good condition lightly aged folded twice. He does not have a copy of his book 'Flying Eggs' but intends 'to order a few. Since computerization ordering is a longwinded business but there's reasonable hope they'd arrive before the Christmas post.' He gives instruction concerning payment and postage. He makes a suggestion if McPherson should 'at any point in the future be tempted to buy my first book of short stories PENNINE TALES' go for the paperback which is cheaper and 'much better edited'. The letter ends: 'One thing about the new computerized typesetting you can correct an error or an author's gaffe with a touch of the button instead of having to reset the whole page for one typo.' Livings' comments on modern printing developments gain interest in the light of his 1964 play satirising the future of employment 'Eh' and the film it spawned 'Work is a Four-Letter Word' 1968. 49 Grains Road, Delph, Oldham [Lancashire]. 18 September 1986. paperback
1986réf. 141902N.p.: N.p. 1986. Treatment script for an unproduced film. The true story of Benjamin Franklin traveling to France after the American Revolution where he acts as a diplomat from the newly-established United States of America and he makes sure to throw around the new weight of this budding country. Set in Paris. Clear untitled wrappers. Title page present dated 1986 with credits for screenwriter Dennis Whelan. 53 leaves with last leaf of text numbered 50. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two staples. N.p. unknown
1986réf. 141902N.p.: N.p. 1986. Treatment script for an unproduced film. The true story of Benjamin Franklin traveling to France after the American Revolution where he acts as a diplomat from the newly-established United States of America and he makes sure to throw around the new weight of this budding country. Set in Paris. Clear untitled wrappers. Title page present dated 1986 with credits for screenwriter Dennis Whelan. 53 leaves with last leaf of text numbered 50. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two staples. N.p. unknown books
1963réf. 132008New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. Presumed the only screen treatment on Knox the leader of the Protestant Reformation. Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown
1963réf. 132008New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. Presumed the only screen treatment on Knox the leader of the Protestant Reformation. Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown books
1970réf. 143943Hollywood: N.p. 1970. Draft script for an unproduced film. Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1970réf. 143943Hollywood: N.p. 1970. Draft script for an unproduced film. Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
1987réf. 153170N.p.: N.p. 1987. First Draft script for an unproduced film. The white heir to a substantial fortune wakes up one day to discover that his skin has rapidly darkened leading his family to mistake him for an African American and subsequently disown him. Red titled wrappers with credits for screenwriter Abraham Eban. Title page present dated August 1987 noted as First Draft with credits for screenwriter Abraham Eban. 123 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine black tape binding. N.p. unknown
1987réf. 153170N.p.: N.p. 1987. First Draft script for an unproduced film. The white heir to a substantial fortune wakes up one day to discover that his skin has rapidly darkened leading his family to mistake him for an African American and subsequently disown him. Red titled wrappers with credits for screenwriter Abraham Eban. Title page present dated August 1987 noted as First Draft with credits for screenwriter Abraham Eban. 123 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine black tape binding. N.p. unknown books
réf. 130699N.p.: N.p. Treatment script for an unproduced film. Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown
réf. 130699N.p.: N.p. Treatment script for an unproduced film. Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1965réf. 149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso. A so-called modeling agency in New York City secretly operates as an undercover prostitution ring. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown
1965réf. 149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso. A so-called modeling agency in New York City secretly operates as an undercover prostitution ring. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown books
1970réf. 135622Spain: Adel Productions 1970. Vintage black-and-white reference still photograph from the Spanish release circa 1970 of the 1969 French-Italian film. Notations in manuscript ink and pencil in Spanish on the recto and verso. Presumably a press photograph with a cropping note on the recto translated: "contrast a little background". Jeff Rouquier is the mastermind who has planned a successful robbery but fails to show up for share-out. His girlfriend Eva Darc is tortured by accomplices until she squeals and begins search for Jeff with the help of his confidant Laurent Delon. Director Herman and Alain Delon also collaborated on the 1968 crime adventure "Farewell Friend" also starring Charles Bronson. 7 x 9.5 inches. Very Good plus with light creasing and foxing. Hardy The Gangster Film US. Adel Productions unknown
1970réf. 135622Spain: Adel Productions 1970. Vintage black-and-white reference still photograph from the Spanish release circa 1970 of the 1969 French-Italian film. Notations in manuscript ink and pencil in Spanish on the recto and verso. Presumably a press photograph with a cropping note on the recto translated: "contrast a little background". Jeff Rouquier is the mastermind who has planned a successful robbery but fails to show up for share-out. His girlfriend Eva Darc is tortured by accomplices until she squeals and begins search for Jeff with the help of his confidant Laurent Delon. Director Herman and Alain Delon also collaborated on the 1968 crime adventure "Farewell Friend" also starring Charles Bronson. 7 x 9.5 inches. Very Good plus with light creasing and foxing. Hardy The Gangster Film US. Adel Productions unknown books
1970réf. 141218N.p.: N.p. 1970. Treatment script for an unproduced television series. An American private investigator lives on the French Riviera where he is tasked with bringing perpetrators of white-collar crime to justice. Set in France and Italy. Orange titled wrappers with credit for screenwriter Albert J. Cohen. Title page present with credit for screenwriter Albert J. Cohen. 14 leaves with last leaf of text numbered twelve. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1970réf. 141218N.p.: N.p. 1970. Treatment script for an unproduced television series. An American private investigator lives on the French Riviera where he is tasked with bringing perpetrators of white-collar crime to justice. Set in France and Italy. Orange titled wrappers with credit for screenwriter Albert J. Cohen. Title page present with credit for screenwriter Albert J. Cohen. 14 leaves with last leaf of text numbered twelve. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1985réf. 142124N.p.: N.p. 1985. Treatment script for an unproduced film. Single annotation in manuscript ink on page 1. An allegory about an unusually powerful man who becomes a danger to his city with the inhabitants unwilling and eventually unable to stop his reign of terror. Green untitled wrappers with credits for screenwriter and director Alex Tudor. Title page present dated April 21 1985 with credit for screenwriter Alex Tudor. 16 leaves with last leaf of text numbered 11. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with four staples. Pagination available upon request. N.p. unknown
1985réf. 141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. Set in Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographic duplication. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown
1985réf. 142124N.p.: N.p. 1985. Treatment script for an unproduced film. Single annotation in manuscript ink on page 1. An allegory about an unusually powerful man who becomes a danger to his city with the inhabitants unwilling and eventually unable to stop his reign of terror. Green untitled wrappers with credits for screenwriter and director Alex Tudor. Title page present dated April 21 1985 with credit for screenwriter Alex Tudor. 16 leaves with last leaf of text numbered 11. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with four staples. Pagination available upon request. N.p. unknown books
1985réf. 141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. Set in Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographic duplication. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown books
1940réf. 148990Culver City CA: Columbia Pictures 1940. Vintage borderless reference photograph from the 1940 film showing actors Melvyn Douglas Una O'Connor and Loretta Young. With a manuscript pencil annotation to the verso noting the date 8-12-40. A communist fugitive hides from the police in the apartment of the wife of the man he intended to kill. Set in Paris. 9.5 x 7.75 inches. Very Good plus with light toning. Columbia Pictures unknown