11 066 résultats
1980réf. 137693Los Angeles: Self published 1980. Draft script for an unproduced film called "Nobody's Child" written by Robert Ryder produced for circulation at Paramount for purposes of script development with a "Paramount Print Shop" duplication rubber stamp on the title page. Ryder's name and telephone numbers present on the front wrapper verso in manuscript pencil. Set in Rhode Island with central characters being Anthony an elder painter and musician and younger friends Matt a depressed father and his children Meesh and Luke the focus of plot being a narrative voice over by Anthony of Matt and his love triangle. Yellow wrappers. Title page present undated noted as Registered WGAw No. 215094 with a credit for screenwriter Ryder. 116 leaves with last page of text numbered 115. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Self published unknown books
1948réf. 139693Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1948. Three vintage vintage black-and-white double weight matte finish studio still reference photographs from the 1948 film. From the collection of actor Van Heflin who played Thomas Brett in the film in his personal tabbed file folder. Numerical rubber stamps on the versos. Based on John P. Marquand's 1946 novel. Released in the UK as "Polly Fulton" because "B.F" is a British euphemism for "bloody fool." Polly Stanwyck is the daughter of a wealthy industrialist about to marry a lawyer. Then she meets Tom Heflin who blames the world's problems on the rich. Despite their differences they fall in love and marry. WWII takes Tom to the nation's capital and their relationship begins to spiral into turmoil. Nominated for an Academy Award. 8 x 10 inches. Near Fine overall. Metro-Goldwyn-Mayer [MGM] unknown
1948réf. 139693Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1948. Three vintage vintage black-and-white double weight matte finish studio still reference photographs from the 1948 film. From the collection of actor Van Heflin who played Thomas Brett in the film in his personal tabbed file folder. Numerical rubber stamps on the versos. Based on John P. Marquand's 1946 novel. Released in the UK as "Polly Fulton" because "B.F" is a British euphemism for "bloody fool." Polly Stanwyck is the daughter of a wealthy industrialist about to marry a lawyer. Then she meets Tom Heflin who blames the world's problems on the rich. Despite their differences they fall in love and marry. WWII takes Tom to the nation's capital and their relationship begins to spiral into turmoil. Nominated for an Academy Award. 8 x 10 inches. Near Fine overall. Metro-Goldwyn-Mayer [MGM] unknown books
1966réf. 149553Mexico: Peliculas Rodriguez 1966. Vintage poster for the 1966 Mexican film here with an alternate title "Vida Cruzadas" tipped on. A comedy about the lives and romances of upper middle class teens. 27 x 37 inches. Very Good only. Chipping to the edges with a few short closed tears starting to the creases and light toning. Peliculas Rodriguez unknown
1966réf. 149553Mexico: Peliculas Rodriguez 1966. Vintage poster for the 1966 Mexican film here with an alternate title "Vida Cruzadas" tipped on. A comedy about the lives and romances of upper middle class teens. 27 x 37 inches. Very Good only. Chipping to the edges with a few short closed tears starting to the creases and light toning. Peliculas Rodriguez unknown books
1981réf. 153804Long Beach CA: Premiere World Pictures 1981. Draft script for an unproduced film. Annotation in manuscript ink on the front wrapper noting copy No. 12 and single annotation in manuscript pencil on the title page. A photographer becomes involved in the murder of a prominent fashion model. Set in California. Green untitled wrappers. Title page present dated 1981 with credits for screenwriter Roger Ernest. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Premiere World Pictures unknown
réf. 146801N.p.: N.p. Unknown. Draft script for an unproduced film. Included with the script are four laid-in xerographically duplicated pages detailing the script's summary and prospective audience. A young successful photographer for a women's erotic magazine finds herself caught in a love triangle between a gallery owner and a troubled boxer. Set in Hollywood and Malibu. Green untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 100 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1970réf. 141850N.p.: N.p. 1970. Draft script for an unproduced film. During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. Set in Boston. Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
réf. 142235N.p.: N.p. Treatment script for an unproduced film. Two men are captured and are being held in a plantation camp deep within the Mexican jungle where conditions are unspeakably horrendous. Set in Mexico. Blue untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 25 leaves with last leaf of text numbered 24. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with comb binding. N.p. unknown
1981réf. 153804Long Beach CA: Premiere World Pictures 1981. Draft script for an unproduced film. Annotation in manuscript ink on the front wrapper noting copy No. 12 and single annotation in manuscript pencil on the title page. A photographer becomes involved in the murder of a prominent fashion model. Set in California. Green untitled wrappers. Title page present dated 1981 with credits for screenwriter Roger Ernest. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Premiere World Pictures unknown books
réf. 146801N.p.: N.p. Unknown. Draft script for an unproduced film. Included with the script are four laid-in xerographically duplicated pages detailing the script's summary and prospective audience. A young successful photographer for a women's erotic magazine finds herself caught in a love triangle between a gallery owner and a troubled boxer. Set in Hollywood and Malibu. Green untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 100 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1970réf. 141850N.p.: N.p. 1970. Draft script for an unproduced film. During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. Set in Boston. Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
réf. 142235N.p.: N.p. Treatment script for an unproduced film. Two men are captured and are being held in a plantation camp deep within the Mexican jungle where conditions are unspeakably horrendous. Set in Mexico. Blue untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 25 leaves with last leaf of text numbered 24. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with comb binding. N.p. unknown books
1997réf. 135849London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown
1997réf. 135849London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown books
réf. 142399Los Angeles: Feathertouch Communications. Two screenplays for an unproduced radio drama. Each belongs to actor Billy O'Sullivan who was to play Billy with both manuscript and photocopied annotations related to his lines in manuscript ink and pencil. The story of a teddy bear where it comes from and its hopes of becoming someone's toy this upcoming Christmas. Screenplay #1: White titled self wrappers with credits for screenwriters Rojay North and Michelle Nosco. Title page integral with front wrapper. 36 leaves with last page of text numbered 8. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine unbound. Screenplay #2: White illustrated titled wrappers. Title page present with credits for screenwriter Rojay North. 42 leaves with last page of text numbered 40. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Feathertouch Communications unknown
réf. 142399Los Angeles: Feathertouch Communications. Two screenplays for an unproduced radio drama. Each belongs to actor Billy O'Sullivan who was to play Billy with both manuscript and photocopied annotations related to his lines in manuscript ink and pencil. The story of a teddy bear where it comes from and its hopes of becoming someone's toy this upcoming Christmas. Screenplay #1: White titled self wrappers with credits for screenwriters Rojay North and Michelle Nosco. Title page integral with front wrapper. 36 leaves with last page of text numbered 8. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine unbound. Screenplay #2: White illustrated titled wrappers. Title page present with credits for screenwriter Rojay North. 42 leaves with last page of text numbered 40. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Feathertouch Communications unknown books
1974réf. 150774Los Angeles: Paramount Pictures 1974. Vintage borderless studio still photograph with bottom margin of Roman Polanski from the 1974 film. Mimeo snipe on verso. A definitive entry in the New Hollywood canon and a worthy rival to director Roman Polanski's 1968 masterpiece "Rosemary's Baby." Nominated for eleven Academy Awards winning one for Best Original Screenplay for Robert Towne. Set in 1930s Los Angeles shot on location throughout California. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler 101 Greatest Films of Mystery and Suspense. Schrader's Canon Fodder 43. Silver and Ward Neo-Noir US. Spicer Neo-Noir US. Paramount Pictures unknown
1974réf. 150774Los Angeles: Paramount Pictures 1974. Vintage borderless studio still photograph with bottom margin of Roman Polanski from the 1974 film. Mimeo snipe on verso. A definitive entry in the New Hollywood canon and a worthy rival to director Roman Polanski's 1968 masterpiece "Rosemary's Baby." Nominated for eleven Academy Awards winning one for Best Original Screenplay for Robert Towne. Set in 1930s Los Angeles shot on location throughout California. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler 101 Greatest Films of Mystery and Suspense. Schrader's Canon Fodder 43. Silver and Ward Neo-Noir US. Spicer Neo-Noir US. Paramount Pictures unknown books
1965réf. 162284N.p.: American International Pictures 1965. Vintage studio still photograph from the US release of the 1963 Italian film. Provenance stamp on the verso. An early mondo-style shockumentary focusing on various curious and repulsive customs and practices around the globe. Original US release narrated by Vincent Price. 8 x 10 inches. Very Good plus with light edgewear and faint creasing with three spots of toning two to the top left and one to the margin of the top right corner. American International Pictures unknown
1965réf. 162284N.p.: American International Pictures 1965. Vintage studio still photograph from the US release of the 1963 Italian film. Provenance stamp on the verso. An early mondo-style shockumentary focusing on various curious and repulsive customs and practices around the globe. Original US release narrated by Vincent Price. 8 x 10 inches. Very Good plus with light edgewear and faint creasing with three spots of toning two to the top left and one to the margin of the top right corner. American International Pictures unknown books
1962réf. 167544Various cities: Columbia Pictures / Hammer Films 1962. Vintage lobby card for the Spanish-language release of the 1962 British horror film. In turn-of-the-century Egypt a mummy revives and begins to kill the Egyptologists responsible for its discovery. The second film in Hammer's Mummy franchise following the studio's better-remembered 1959 film "The Mummy" released as a double feature with "The Gorgon." 14 x 11 inches. Very Good plus with pinholes at the corners. Johnson and Del Vecchio 244-246. Columbia Pictures / Hammer Films unknown
1962réf. 167544Various cities: Columbia Pictures / Hammer Films 1962. Vintage lobby card for the Spanish-language release of the 1962 British horror film. In turn-of-the-century Egypt a mummy revives and begins to kill the Egyptologists responsible for its discovery. The second film in Hammer's Mummy franchise following the studio's better-remembered 1959 film "The Mummy" released as a double feature with "The Gorgon." 14 x 11 inches. Very Good plus with pinholes at the corners. Johnson and Del Vecchio 244-246. Columbia Pictures / Hammer Films unknown books
1969réf. 139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown
1969réf. 139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown books
