11 071 résultats
1972réf. 161082N.p.: N.p. 1972. Vintage reference photograph from the 1972 film showing actor James Coburn talking to a rodeo clown during a smoke break on the set. Provenance stamp on the verso. Well-regarded New Hollywood Western about an aging rodeo champion a "honker" whose arrogance hurts everyone around him including his family. Notable for its accurate depiction of rodeo life portrayed in striking detail. Director Steve Inhat's directorial debut. Shot on location in New Mexico. 8 x 10 inches. Very Good plus lightly toned on the margins with a small crease on the top right corner. Hardy p. 332. Pitts 1924. N.p. unknown books
1989réf. 163313N.p.: N.p. 1989. Vintage reference photograph taken on the set of the 1989 film showing actors James Spader and Laura San Giacomo talking with director Steven Soderbergh. Director and screenwriter Steven Soderbergh's directorial debut and a landmark of independent cinema. Nominated for an Academy Award for Best Screenplay. Winner of the Palme d'Or making Soderbergh the youngest director to receive the prize. Set and shot on location in Baton Rouge Louisiana. 10 x 8 inches. Very Good plus. National Film Registry. Criterion Collection 938. N.p. unknown
1989réf. 163313N.p.: N.p. 1989. Vintage reference photograph taken on the set of the 1989 film showing actors James Spader and Laura San Giacomo talking with director Steven Soderbergh. Director and screenwriter Steven Soderbergh's directorial debut and a landmark of independent cinema. Nominated for an Academy Award for Best Screenplay. Winner of the Palme d'Or making Soderbergh the youngest director to receive the prize. Set and shot on location in Baton Rouge Louisiana. 10 x 8 inches. Very Good plus. National Film Registry. Criterion Collection 938. N.p. unknown books
1973réf. 161160Los Angeles: National Theatre Westwood 1973. Vintage flyer for a preview screening of the 1973 film at the National Theatre Westwood in Los Angeles to benefit the Los Angeles International Film Exposition. An ambitious newly promoted homicide detective becomes disillusioned with the police force while investigating a case empathizing with the hippies other officers in his unit harass. Soundtrack by Chicago. Set and shot on lcoation in Fountain Hills and Monument Valley Arizona. 8.5 x 11 inches. Near Fine. Grant US. National Theatre Westwood unknown
1973réf. 161160Los Angeles: National Theatre Westwood 1973. Vintage flyer for a preview screening of the 1973 film at the National Theatre Westwood in Los Angeles to benefit the Los Angeles International Film Exposition. An ambitious newly promoted homicide detective becomes disillusioned with the police force while investigating a case empathizing with the hippies other officers in his unit harass. Soundtrack by Chicago. Set and shot on lcoation in Fountain Hills and Monument Valley Arizona. 8.5 x 11 inches. Near Fine. Grant US. National Theatre Westwood unknown books
1959réf. 158216N.p.: N.p. 1959. Six vintage contact sheets from the 1959 film all test shots of female actors. In the collection are five prints with four images each and one smaller print with a single image totaling six prints and 21 images. Based on Rene Lefevre's 1955 novel "Rue des Prairies." A prisoner of war returns home to find himself widowed and in charge of three children and resorts to heavy drinking to mute the trauma of his experiences. Shot in Paris Val-d'Oise and Saint-Denis France. Five prints 8.5 x 10.5 inches one 4 x 5 inches. Near Fine. N.p. unknown
1959réf. 158216N.p.: N.p. 1959. Six vintage contact sheets from the 1959 film all test shots of female actors. In the collection are five prints with four images each and one smaller print with a single image totaling six prints and 21 images. Based on Rene Lefevre's 1955 novel "Rue des Prairies." A prisoner of war returns home to find himself widowed and in charge of three children and resorts to heavy drinking to mute the trauma of his experiences. Shot in Paris Val-d'Oise and Saint-Denis France. Five prints 8.5 x 10.5 inches one 4 x 5 inches. Near Fine. N.p. unknown books
1958réf. 156322N.p.: N.p. 1958. Vintage reference photograph of Lauren Bacall smoking a cigarette between takes on the set of the 1958 film. A childless woman learns she has a terminal heart condition and adopts a young orphan whom she hopes will console her husband after she passes. Based on the 1946 film "Sentimental Journey" directed by Walter Lang. 10 x 8 inches. Near Fine. N.p. unknown
1958réf. 156322N.p.: N.p. 1958. Vintage reference photograph of Lauren Bacall smoking a cigarette between takes on the set of the 1958 film. A childless woman learns she has a terminal heart condition and adopts a young orphan whom she hopes will console her husband after she passes. Based on the 1946 film "Sentimental Journey" directed by Walter Lang. 10 x 8 inches. Near Fine. N.p. unknown books
1968réf. 167788New York: Grove Press Film Division 1968. Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio and a tri-fold of advertising materials. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. Folder and contents Near Fine. Criterion Collection 635. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Grove Press [Film Division] unknown
1968réf. 167788New York: Grove Press Film Division 1968. Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio and a tri-fold of advertising materials. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. Folder and contents Near Fine. Criterion Collection 635. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Grove Press [Film Division] unknown books
1968réf. 167502N.p.: N.p. 1968. Vintage reference photograph from the American release of the 1968 French film. American release information affixed to the verso. From the archive of film historian and author Joel Finler. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 186. N.p. unknown
1968réf. 167502N.p.: N.p. 1968. Vintage reference photograph from the American release of the 1968 French film. American release information affixed to the verso. From the archive of film historian and author Joel Finler. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 186. N.p. unknown books
1966réf. 168101N.p.: N.p. 1966. Two vintage borderless reference photographs from the 1966 Polish film including one oversize. Polish release stamps on the versos. An exploration of young adulthood in Communist Poland following a student as he interacts with his peers explores a slightly surreal Warsaw and falls in love with a trolley conductor. One photograph 7 x 5 inches the other 11.75 x 9.5. Very Good plus. N.p. unknown
1966réf. 168101N.p.: N.p. 1966. Two vintage borderless reference photographs from the 1966 Polish film including one oversize. Polish release stamps on the versos. An exploration of young adulthood in Communist Poland following a student as he interacts with his peers explores a slightly surreal Warsaw and falls in love with a trolley conductor. One photograph 7 x 5 inches the other 11.75 x 9.5. Very Good plus. N.p. unknown books
1981réf. 158016N.p.: Residenz-Film 1981. Vintage borderless reference photograph from the 1981 film showing actress Bea Fiedler. Printed mimeo snipe in German referring to the film by its German title "Die Nackten Superhexen vom Rio Amore" affixed to the verso. A young woman is drugged and forced to work in a sadomasochistic brothel belonging to her sister's employer. Shot on location in Madeira. 7 x 9 inches. Near Fine. Residenz-Film unknown
1981réf. 158016N.p.: Residenz-Film 1981. Vintage borderless reference photograph from the 1981 film showing actress Bea Fiedler. Printed mimeo snipe in German referring to the film by its German title "Die Nackten Superhexen vom Rio Amore" affixed to the verso. A young woman is drugged and forced to work in a sadomasochistic brothel belonging to her sister's employer. Shot on location in Madeira. 7 x 9 inches. Near Fine. Residenz-Film unknown books
1980réf. 169588N.p.: N.p. 1980. Vintage color slide from the 1980 film showing actress Jodie Foster in lingerie. Tired of her dull life as a waitress an 18-year-old girl joins up with a traveling carnival where she quickly becomes a successful hustler at a game of chance on the midway. Shot on location in Savannah Georgia. 4 x 5 inches. About Fine in a paper sleeve. N.p. unknown
1980réf. 169588N.p.: N.p. 1980. Vintage color slide from the 1980 film showing actress Jodie Foster in lingerie. Tired of her dull life as a waitress an 18-year-old girl joins up with a traveling carnival where she quickly becomes a successful hustler at a game of chance on the midway. Shot on location in Savannah Georgia. 4 x 5 inches. About Fine in a paper sleeve. N.p. unknown books
1977réf. 160670N.p.: N.p. 1977. Vintage reference photograph from the 1977 film showing a nude Mónica Zanchi surrounded by Amazonian cannibals. Mimeo snipe and provenance stamp on the verso. In pursuit of her next big exposé a photojournalist and her friends travel to the Amazon where they encounter a tribe of supposedly extinct cannibals. The sixth "Emanuelle" film starring Laura Gemser. Shot on location in New York and Rome. 10 x 8 inches. Very Good plus slightly wavy on the top and bottom edges. N.p. unknown
1977réf. 160670N.p.: N.p. 1977. Vintage reference photograph from the 1977 film showing a nude Mónica Zanchi surrounded by Amazonian cannibals. Mimeo snipe and provenance stamp on the verso. In pursuit of her next big exposé a photojournalist and her friends travel to the Amazon where they encounter a tribe of supposedly extinct cannibals. The sixth "Emanuelle" film starring Laura Gemser. Shot on location in New York and Rome. 10 x 8 inches. Very Good plus slightly wavy on the top and bottom edges. N.p. unknown books
1945réf. 164423N.p.: N.p. 1945. Vintage publicity photograph from the 1945 film showing actor John Carradine as Count Dracula. The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Fine. N.p. unknown
1945réf. 164423N.p.: N.p. 1945. Vintage publicity photograph from the 1945 film showing actor John Carradine as Count Dracula. The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Fine. N.p. unknown books
1968réf. 160239Beverly Hills CA: Continental 1968. Original pressbook for the 1968 film. A searing emotional depiction of a disintegrating marriage in American middle-class suburbia. John Cassavetes' seminal fourth film as director took three years to complete was shot and edited in his own house starred his friends who often doubled as camera operators and ushered in an entirely new American independent cinema made outside the studio system. Shot on location in Los Angeles. 11 x 17 inches folded twice and measuring 33 x 17 inches unfolded. Very Good plus. BFI 1126. Criterion Collection 252. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Vogel Film as a Subversive Art. Continental unknown
1968réf. 160239Beverly Hills CA: Continental 1968. Original pressbook for the 1968 film. A searing emotional depiction of a disintegrating marriage in American middle-class suburbia. John Cassavetes' seminal fourth film as director took three years to complete was shot and edited in his own house starred his friends who often doubled as camera operators and ushered in an entirely new American independent cinema made outside the studio system. Shot on location in Los Angeles. 11 x 17 inches folded twice and measuring 33 x 17 inches unfolded. Very Good plus. BFI 1126. Criterion Collection 252. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Vogel Film as a Subversive Art. Continental unknown books
