11 050 résultats
1941réf. 170358Los Angeles: Vitagraph 1941. Vintage publicity photograph from the 1941 film showing actor Gary Cooper in his iconic role. When a laid-off reporter is asked to write one final column she fabricates a letter from a John Doe planning on committing suicide on Christmas Eve in protest of society's ills. When the letter becomes a sensation Ann convinces the papers to hire her back and turns the letters into a series of articles. The only problem is in order to convince the public John Doe is real they need to find someone to impersonate him. Enter down-on-his-luck homeless man John Willoughby. 8 x 10 inches. Very Good plus. Vitagraph unknown
1941réf. 170358Los Angeles: Vitagraph 1941. Vintage publicity photograph from the 1941 film showing actor Gary Cooper in his iconic role. When a laid-off reporter is asked to write one final column she fabricates a letter from a John Doe planning on committing suicide on Christmas Eve in protest of society's ills. When the letter becomes a sensation Ann convinces the papers to hire her back and turns the letters into a series of articles. The only problem is in order to convince the public John Doe is real they need to find someone to impersonate him. Enter down-on-his-luck homeless man John Willoughby. 8 x 10 inches. Very Good plus. Vitagraph unknown books
1988réf. 160846Los Angeles: Paramount Pictures 1988. Final Draft script for Season 2 Episode 2 of the 1987-1994 classic television series originally aired in syndication on November 28 1988. Printed on blue leaves. Bound in preceding the script are three pages for "Cast" "Sets" and a "Pronunciation Guide." 20 years after the classic NBC 1966-1968 television series Gene Roddenberry was tasked with creating "Star Trek: The Next Generation" for Paramount Pictures. Set a century after the events in the original series and starring a new cast of characters "The Next Generation" succeeded in becoming an equally beloved series in the franchise and created four spin-off films from the series "Star Trek Generation" 1994 "Star Trek: First Contact" 1996 "Star Trek: Insurrection" 1998 and "Star Trek: Nemesis" 2002. The Enterprise becomes enveloped and trapped by a black-hole like phenomenon they are investigating when a hostile Romulan war ship appears. Yellow illustrated wrappers noted as Final Draft on the front wrapper dated September 26 1988. Title page present dated September 26 1988 noted as Final Draft with credits for screenwriter Jack B. Sowards and director Winrich Kolbe. 64 leaves with last page of text numbered 60. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown
1988réf. 160846Los Angeles: Paramount Pictures 1988. Final Draft script for Season 2 Episode 2 of the 1987-1994 classic television series originally aired in syndication on November 28 1988. Printed on blue leaves. Bound in preceding the script are three pages for "Cast" "Sets" and a "Pronunciation Guide." 20 years after the classic NBC 1966-1968 television series Gene Roddenberry was tasked with creating "Star Trek: The Next Generation" for Paramount Pictures. Set a century after the events in the original series and starring a new cast of characters "The Next Generation" succeeded in becoming an equally beloved series in the franchise and created four spin-off films from the series "Star Trek Generation" 1994 "Star Trek: First Contact" 1996 "Star Trek: Insurrection" 1998 and "Star Trek: Nemesis" 2002. The Enterprise becomes enveloped and trapped by a black-hole like phenomenon they are investigating when a hostile Romulan war ship appears. Yellow illustrated wrappers noted as Final Draft on the front wrapper dated September 26 1988. Title page present dated September 26 1988 noted as Final Draft with credits for screenwriter Jack B. Sowards and director Winrich Kolbe. 64 leaves with last page of text numbered 60. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown books
1968réf. 170416N.p.: Continental 1968. Vintage studio still photograph from the 1968 film showing actors Charles Craig and Frank Doak as television anchormen breaking the bad news of the Living Dead. One of the earliest scariest and most influential zombie films shot in black and white on a shoestring budget. Romero's feature film debut criticized upon release for its unprecedented explicit gore and now rightfully considered a cult classic. Shot on location throughout Pennsylvania near Evans City in Butler County. 10 x 8 inches. Near Fine. Continental unknown
1968réf. 170416N.p.: Continental 1968. Vintage studio still photograph from the 1968 film showing actors Charles Craig and Frank Doak as television anchormen breaking the bad news of the Living Dead. One of the earliest scariest and most influential zombie films shot in black and white on a shoestring budget. Romero's feature film debut criticized upon release for its unprecedented explicit gore and now rightfully considered a cult classic. Shot on location throughout Pennsylvania near Evans City in Butler County. 10 x 8 inches. Near Fine. Continental unknown books
1929réf. 165828Universal City: Universal Pictures 1929. Vintage borderless portrait photograph of "Sunny" Jim McKeen by photographer Ray Jones from the 1929 comedy short. Jones' signature etched in the negative on the lower right with children's illustrations also etched into the negative about the child. With a mimeo snipe on the verso here under the working title "The Newlyweds and Their Child." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the George McManus comic strip "The Newlyweds" created in 1904. One of a series of 39 comic shorts which featured "Sunny" Jim McKeen as Baby Snookums. 8 x 10 inches. Near Fine. Universal Pictures unknown
1929réf. 165828Universal City: Universal Pictures 1929. Vintage borderless portrait photograph of "Sunny" Jim McKeen by photographer Ray Jones from the 1929 comedy short. Jones' signature etched in the negative on the lower right with children's illustrations also etched into the negative about the child. With a mimeo snipe on the verso here under the working title "The Newlyweds and Their Child." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the George McManus comic strip "The Newlyweds" created in 1904. One of a series of 39 comic shorts which featured "Sunny" Jim McKeen as Baby Snookums. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1962réf. 167853N.p.: Screen Gems Inc 1962. Vintage double weight satin-finish reference photograph taken on the set of the 1957 film showing Van Heflin talking with an unidentified cast member during a smoke break between takes. Based on Elmore Leonard's 1953 short story. One of the first revisionist Westerns with a classicism that stands up to "High Noon" but a cynical attitude toward good and evil that was years ahead of its time. Shot on location in Arizona. 8 x 10 inches. Very Good plus with light discoloration on the top edge. National Film Registry. Criterion Collection 657. Pitts 4370. Screen Gems Inc unknown
1962réf. 167853N.p.: Screen Gems Inc 1962. Vintage double weight satin-finish reference photograph taken on the set of the 1957 film showing Van Heflin talking with an unidentified cast member during a smoke break between takes. Based on Elmore Leonard's 1953 short story. One of the first revisionist Westerns with a classicism that stands up to "High Noon" but a cynical attitude toward good and evil that was years ahead of its time. Shot on location in Arizona. 8 x 10 inches. Very Good plus with light discoloration on the top edge. National Film Registry. Criterion Collection 657. Pitts 4370. Screen Gems Inc unknown books
1973réf. 162525New York: American International Pictures AIP 1973. Two vintage reference photographs from the 1973 film both showing Jim Brown and Gloria Hendry. Sequel to the 1972 film "Slaughter" directed by Jack Starrett and starring Jim Brown. One of the quintessential franchises in the Blaxploitation genre about a former Green Beret and Vietnam veteran who sets out for revenge against the mob after the death of his parents. Shot on location in Miami Florida. 10 x 8 inches. Very Good plus with pinholes at the corners. American International Pictures [AIP] unknown
1965réf. 130135Los Angeles: Twentieth Century-Fox 1965. Final script for the 1966 film. The 1960s remake of the classic 1939 John Ford Western in which a group of ten unlikely traveling companions on a stagecoach to Cheyenne must fight together when beset upon by both outlaws and Native Americans. Shot on location in Colorado. Blue titled wrappers noted as Final on the front wrapper production No. 58 dated April 9 1965. Title page present dated April 9 1965 noted as Final with credit for screenwriter Landon. 137 leaves Multilith duplication with blue revision pages throughout dated 6-9-75. Pages Near Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown
1973réf. 162525New York: American International Pictures AIP 1973. Two vintage reference photographs from the 1973 film both showing Jim Brown and Gloria Hendry. Sequel to the 1972 film "Slaughter" directed by Jack Starrett and starring Jim Brown. One of the quintessential franchises in the Blaxploitation genre about a former Green Beret and Vietnam veteran who sets out for revenge against the mob after the death of his parents. Shot on location in Miami Florida. 10 x 8 inches. Very Good plus with pinholes at the corners. American International Pictures [AIP] unknown books
1965réf. 130135Los Angeles: Twentieth Century-Fox 1965. Final script for the 1966 film. The 1960s remake of the classic 1939 John Ford Western in which a group of ten unlikely traveling companions on a stagecoach to Cheyenne must fight together when beset upon by both outlaws and Native Americans. Shot on location in Colorado. Blue titled wrappers noted as Final on the front wrapper production No. 58 dated April 9 1965. Title page present dated April 9 1965 noted as Final with credit for screenwriter Landon. 137 leaves Multilith duplication with blue revision pages throughout dated 6-9-75. Pages Near Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown books
1975réf. 127471Culver City CA: Columbia Pictures 1975. Vintage one sheet poster for the 1975 film. A delightfully scathing script from Robert Towne and star Warren Beatty set during the days surrounding the 1968 presidential election featuring Beatty as a narcissistic womanizing hairdresser who attempts to raise money to open a salon only to be consistently sidetracked by his various romantic entanglements. Winner of an Academy Award for Best Supporting Actress for Lee Grant and nominated for three more including Best Screenplay and Best Supporting Actor for Jack Warden. Set in and shot on location in Beverly Hills and Los Angeles. 27 x 41 inches previously Folded as issued. Very Good plus. Criterion Collection 947. Columbia Pictures unknown
1975réf. 127471Culver City CA: Columbia Pictures 1975. Vintage one sheet poster for the 1975 film. A delightfully scathing script from Robert Towne and star Warren Beatty set during the days surrounding the 1968 presidential election featuring Beatty as a narcissistic womanizing hairdresser who attempts to raise money to open a salon only to be consistently sidetracked by his various romantic entanglements. Winner of an Academy Award for Best Supporting Actress for Lee Grant and nominated for three more including Best Screenplay and Best Supporting Actor for Jack Warden. Set in and shot on location in Beverly Hills and Los Angeles. 27 x 41 inches previously Folded as issued. Very Good plus. Criterion Collection 947. Columbia Pictures unknown books
1970réf. 159587Munich: Romano Film 1970. Four vintage borderless reference photographs from the 1970 German sexploitation film. All with the stamp of Romano Film on the verso. Hans Billian directed a string of movies in the "Heimatfilme" "homeland-films" genre in the early 1960s starting to direct softcore sex comedies later on in the decade. He began directing hardcore films when the ban on full-length hardcore pornographic films was lifted in Germany in the mid-1970s and moved to directing exclusively adult films in the 1980s and 1990s. Shot on location in Baden-Baden. 5 x 7 inches. Fine. Romano Film unknown
1970réf. 159587Munich: Romano Film 1970. Four vintage borderless reference photographs from the 1970 German sexploitation film. All with the stamp of Romano Film on the verso. Hans Billian directed a string of movies in the "Heimatfilme" "homeland-films" genre in the early 1960s starting to direct softcore sex comedies later on in the decade. He began directing hardcore films when the ban on full-length hardcore pornographic films was lifted in Germany in the mid-1970s and moved to directing exclusively adult films in the 1980s and 1990s. Shot on location in Baden-Baden. 5 x 7 inches. Fine. Romano Film unknown books
1957réf. 158233N.p.: N.p. 1957. Five vintage borderless reference photographs from the 1957 French film including four oversize photographs. Numerical annotations and annotations identifying subjects in manuscript pencil and ink on the versos. Loosely based on Hadley Chase's 1954 novel "The Sucker Punch." A rich widow's daughter marries a good-looking but self-interested man who promptly falls in love with another woman. Oversize photographs 9.5 x 12 inches and one photograph 9.5 x 7.25 inches. Generally Near Fine. Selby France. N.p. unknown
1957réf. 158233N.p.: N.p. 1957. Five vintage borderless reference photographs from the 1957 French film including four oversize photographs. Numerical annotations and annotations identifying subjects in manuscript pencil and ink on the versos. Loosely based on Hadley Chase's 1954 novel "The Sucker Punch." A rich widow's daughter marries a good-looking but self-interested man who promptly falls in love with another woman. Oversize photographs 9.5 x 12 inches and one photograph 9.5 x 7.25 inches. Generally Near Fine. Selby France. N.p. unknown books
1963réf. 161531N.p.: Griffith Productions 1963. Three vintage studio still photographs from the 1963 film two with provenance stamps on the versos. Early sexploitation film directed and shot by Herschell Gordon Lewis who would become better known a year later with the release of "Two Thousand Maniacs" and many other Z-budget blood-soaked horror films. A young millionaire is obsessed by a woman appearing in a dream. After an investigation he discovers burlesque performer Gina Adair and searches for her at her favorite nudist camp. Shot on location in Miami Florida. 8 x 10 inches. Very Good plus. Griffith Productions unknown
1963réf. 161531N.p.: Griffith Productions 1963. Three vintage studio still photographs from the 1963 film two with provenance stamps on the versos. Early sexploitation film directed and shot by Herschell Gordon Lewis who would become better known a year later with the release of "Two Thousand Maniacs" and many other Z-budget blood-soaked horror films. A young millionaire is obsessed by a woman appearing in a dream. After an investigation he discovers burlesque performer Gina Adair and searches for her at her favorite nudist camp. Shot on location in Miami Florida. 8 x 10 inches. Very Good plus. Griffith Productions unknown books
1953réf. 162394N.p.: N.p. 1953. Vintage borderless double weight reference photograph from the 1953 film. Cahiers du Cinéma stamp on the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson who would later appear in Bergman's "Sawdust and Tinsel" 1953 "Smiles of a Summer Night" 1955 "Through a Glass Darkly" 1961 and "Cries and Whispers" 1972. Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614. N.p. unknown
1971réf. 150229N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman and a camera crew preparing to film a scene between actors Elliott Gould and Bibi Andersson. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of Pix Inc and Camera Press Ltd. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Andersson and Max von Sydow. Set and shot on location in Sweden and England. 10 x 7.75 inches. Very Good plus lightly creased. N.p. unknown
1949réf. 158691N.p.: N.p. 1949. Vintage oversize reference photograph from the 1949 film showing actress Eva Henning in a negligée. Ingmar Bergman's seventh film about the troubled romantic and sexual experiences of several Swedish adults. Based on the 1948 short story collection by Birgit Tengroth who also appeared as Viola in the film. Shot on location in Hamburg Germany. 9.5 x 11.75 inches. Very Good plus with light creasing at the corners. N.p. unknown
